JESS JUST READS

A BOOK REVIEW BLOG

American Dirt by Jeanine Cummins

The unforgettable story of a mother and son fleeing a drug-cartel to cross the US-Mexico border.

Vivid, visceral, utterly compelling, AMERICAN DIRT is the first novel to explore the experience of attempting to illegally cross the US-Mexico border.

Yesterday, Lydia had a bookshop.
Yesterday, Lydia was married to a journalist.
Yesterday, she was with everyone she loved most in the world.

Today, her eight-year-old son Luca is all she has left.

For him, she will carry a machete strapped to her leg.
For him, she will leap onto the roof of a high speed train.
For him, she will find the strength to keep running.

In Jeanine Cummins’ American Dirt, a mother and son embark on a treacherous journey through Mexico to escape a dangerous drug cartel. The fictitious story follows these characters — and a few others we meet along the way — as they attempt to illegally cross the US-Mexico border.

We meet Lydia and her eight-year-old son Luca in Acapulco, Mexico. They’re cowering in the bathroom as armed men murder their family and extended family in the backyard during a family barbecue. It’s an absolute massacre, and it’s sheer luck that Lydia and Luca survive. But they don’t have time to grieve their loved ones because now they’re on the run, desperate to escape the clutches of the drug cartel responsible for the mass murder.

“One of the very first bullets comes in through the open window above the toilet where Luca is standing. He doesn’t immediately understand that it’s a bullet at all, and it’s only luck that it doesn’t strike him between the eyes…but the wash of bullets that follows is loud, booming and thudding, clack-clacking with helicopter speed.”

Told through intimate third person perspective, the break-neck pacing never wavers from that first sentence, and Jeanine brings succinct, sharp prose to the novel with every passing page.

Jeanine evokes emotion and empathy through her prose, allowing the reader to sympathise for Lydia and Luca as they continue on their journey. The mother and son suffer many mishaps along the treacherous route to freedom, and Jeanine captures their characterisation and their personalities through their actions, not just their dialogue.

“Luca thinks of the men running alongside the train in the clearing outside Lecheria, the way they ascended, one by one, and disappeared, while he and Mama watched, unable to move.”

Tension is heightened throughout the novel because Lydia and Luca are never safe — there are moments where the cartel are right on their heels, sometimes taunting them.

There is also a stark contrast in the book between the horrors around Lydia, and the love between her and her son. Lydia will do everything to keep her son safe, and there are some really tender moments between the two of them, often when they’re alone, that will really resonate with readers.

“Lydia doesn’t stare at the boy at the other end of the freight car, but she’s hyperaware now of his attention. He sits with his legs outstretched and his weight leaned back on his propped hands, and he’s watching them. Lydia does recognise him now, but only because Luca mentioned it.”

Over the course of the novel, Lydia and Luca meet and befriend other migrants, and these friendships keep readers on the edge of their seat. The cartel has many spies, and everyone who works for the cartel knows to be on the lookout for Lydia and Luca. Who can be trusted? Who will sell them out?

Unsettling and moving, American Dirt is highly recommended reading.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

American Dirt
Jeanine Cummins
February 2020
Hachette Publishers

Our Dark Secret by Jenny Quintana

From the author of The Missing Girl, Jenny Quintana’s gripping novel, Our Dark Secret, tells the story of two girls, two deaths and two decades of silence . . .

The crazy girls, they called them – or at least, Elizabeth liked to think they did. As a teenager in the late 1970s, she was clever, overweight and a perfect victim for the bullies. Then Rachel and her family arrived in town and, for Elizabeth, it was as if a light had been switched on. She was drawn to the bright and beautiful Rachel like a moth to a flame.

Rachel had her own reasons for wanting Elizabeth as a friend, and although their relationship was far from equal, Elizabeth would do anything for Rachel.

Then the first body was discovered.

Twenty years on, Elizabeth wants nothing more than to keep the secrets of her teenage years where they belong: in the past. But another body has been found, and she can’t keep running from what happened.

Can she?

Our Dark Secret is a psychological thriller about buried secrets, hidden pasts, and the bond between two girls who are hiding a dark secret.

The story follows a dual timeline and switches between 1978 and 1999, slowly revealing the story behind Elizabeth and Rachel’s friendship. From Elizabeth’s point of view, we understand that in 1978 she was lonely, overweight and in desperate need of friendship and companionship.

When she meets Rachel, she grows obsessive — watching her, following her, and desperately trying to find common ground with her. The two do become friends, over time, but it’s not out of loyalty. It’s out of shared trauma and eventually, a terrible crime that ties them both together forever.

In 1999, Elizabeth is similar to how we knew her before. She’s still overweight, lonely and anxious. She receives a phone call from an old neighbour. A body has been found in her old town, and the police suspect foul play. Elizabeth is terrified.

“People around me narrow their eyes as though I’ve done something terribly wrong. Usually it’s my size that affronts them. Sometimes it’s my clothes: mid-calf skirts and buttoned-up blouses. (I’ve never known how to dress).”

Elizabeth is an unreliable narrator — she lies a lot, twisting the truth to capture the attention of her father. And Rachel feels like a mythical character. We never really feel that we understand her because we only meet her through Elizabeth’s POV. Rachel seems to keep to herself, both in the physical sense and also in the social sense. She functions alone, and she doesn’t need companionship like Elizabeth does.

Elizabeth’s characterisation has the most depth, but she’s also the most flawed character. Her parents split up, her dad runs off with another woman, but Elizabeth only seems to care about herself and her non-existent friendship with Rachel. She’s not a great person, and not one that you’d want to be friends with, but I did enjoy reading about her in the book.

The mysteries within the book are enough to keep you engaged and interested in the story. A body has been found in Elizabeth’s hometown and slowly, we find out how Elizabeth and Rachel are connected to that character. Do I think this is the best crime/thriller novel I’ve read in this past year? No. I thought it was fine, but it wasn’t amazing. This is the kind of book you’d pick up at an airport and read on a flight.

“I was still angry with Melissa — the way she’d insulted me. She was only nine. Who did she think she was? It was bad enough at school when people my own age called me names, and then there was the stuff about Mum. Dad would be furious if he knew Mrs Wright had called her prissy.”

Personally, I felt that the 1999 storyline was unnecessary and didn’t add any value to the story. The majority of the book takes place in 1978 and if anything, the 1999 storyline (when it did happen) just detracted from the tense, fast-paced action of the other timeline.

Recommended for fans of thriller, crime and mystery novels.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Our Dark Secret
Jenny Quintana
February 2020
Pan Macmillan Publishers

Ember Queen by Laura Sebastian

SMOKE CLEARS
AND FLAMES DIE,
BUT ONE BURNING EMBER
CAN IGNITE A REVOLUTION.

The thrilling conclusion to the bestselling Ash Princess trilogy.

Princess Theodosia was a prisoner in her own country for a decade. Renamed the Ash Princess, she endured relentless abuse and ridicule from the Kaiser and his court. But though she wore a crown of ashes, there is fire in Theo’s blood. As the rightful heir to the Astrean crown, it runs in her veins. And if she learned nothing else from her mother, she learned that a Queen never cowers.

Now free, with a misfit army of rebels to back her, Theo must liberate her enslaved people and face a terrifying new enemy: the new Kaiserin. Imbued with a magic no one understands, the Kaiserin is determined to burn down anyone and everything in her way.

With more at stake than ever, Theo must learn to embrace her own power if she has any hope of standing against the girl she once called her heart’s sister.

Ember Queen is the third and final book in the Ash Princess fantasy series by Laura Sebastian. Chronologically, the book starts very soon after the end of Lady Smoke — Theo has descended into the fire mine after negotiations with Cress. In Ember Queen, she emerges alive and more powerful, but she has no memory of what happened down in the mine.

You can read my review of Ash Princess HERE.
You can read my review of Lady Smoke HERE.

Now that I’ve read all three books in the series, I think it’s appropriate to comment on the series as a whole. Does this series feel unique? Do I feel this series adds something new to the fantasy genre? No, I don’t. There are so many elements in this series that can be found in so many other books — love triangles, the concept of ‘the rightful Queen’, betrayal, captives, rebel armies, a cruel and vicious Queen, the list goes on.

But, in YA fantasy, sometimes it feels almost impossible to find a book that doesn’t possess these common, stereotypical elements. And there’s a reason readers keep coming back to these — they’re enjoyable. And I think a teenage reader, one who loves fantasy, would really like the Ash Princess series. Whilst it may be a bit unoriginal in some parts, the characters are interesting, the plot draws you in, and it’s an easy series to get lost in.

“It is a foolish plan. I know that, and I’d imagine deep down, Erik does as well. But with his mother so recently taken from him and the life he knew completely upheaved, Soren is the only family he has left, the only familiar thing in a strange and frightening world.”

Clocking in at over 460 pages, Ember Queen doesn’t disappoint. The characters and the plot are just as engaging as they were in books one and two, and readers will find themselves emotionally invested in the conclusion to the series. Whilst I felt book two was a bit lacklustre because the plot felt like a filler, book three makes up for that with a fast-paced, compelling plot that had me fully engrossed.

Structurally, the book moves along a few different paths. The majority of the book is political, following Theo’s war plans and her strategic campaign to overthrow Cress. Another part of the book follows Theo and Cress’ connection — they are able to meet and communicate in their dreams. Cress thinks Theo is dead, so she believes she’s being haunted. For a time, Theo is able to use these dreams to manipulate Cress and steer everything in a desired direction.

“Blaise said the same thing to me — that I always choose Astrea over him. I don’t think he meant it as a condemnation, but he’s right: what I have left over isn’t enough for him. Maybe it will never be enough for any person.”

There were definitely a few moments in the book where things felt a little too easy for Theo and her crew. Soren’s return to the group was one of them. But the pacing has been consistent in all three books, and readers will feel satisfied with how things unfold in the Ember Queen.

Laura Sebastian captures Theo’s internal conflict incredibly well in Ember Queen. Personally, I feel that this concluding novel is the strongest in terms of capturing Theo’s character development, and illustrating her inner turmoil over the decisions she has to make and the lives she’s putting at stake. After all, this is war. And with war comes death.

Theo is conflicted every step of the way. She feels great responsibility for her rebel army, but she also wants to avoid as much bloodshed as possible. She’s scared, although she hides it well. She’s tormented by Cress, and she’s tormented by all that she’s endured since we first met her in Ash Princess. In Ember Queen, we see Theo as an incredibly vulnerable character, and through that we witness her become the Queen she’s destined to be.

“Sometimes, the time I spent in the mine filters in like sunlight through a curtained window, diluted and soft-edged and incomplete. But other times, the curtain shifts and light pours in, sharp and jarring. I remember darkness; I remember being cold. I remember my mother.”

A satisfying end to the trilogy. I recommend the Ash Princess series to fans of fantasy fiction, or young adult fiction. The trilogy would be a great gift for a young, seasoned reader.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Ember Queen: Ash Princess #3
Laura Sebastian
February 2020
Pan Macmillan Publishers

Riptides by Kirsten Alexander

December 1974. Abby Campbell and her brother Charlie are driving to their father’s farm on a dark country road when they swerve into the path of another car, forcing it into a tree. The pregnant driver is killed instantly.

In the heat of the moment, Abby and Charlie make a fateful decision. They flee, hoping heavy rain will erase the fact they were there. They both have too much to lose.

But they have no idea who they’ve just killed or how many lives will be affected by her death. Soon the truth is like a riptide they can’t escape, as their terrible secret pulls them down deeper by the day.

Set in country Queensland in the 1970s, Kirsten Alexander’s Riptides is a seductive family drama about relationships, trust, choices, and the consequences of one terrible decision.

The book begins on a deserted highway late at night, when siblings Abby and Charlie accidentally force another car off the road. The pregnant driver dies, and whilst Abby and Charlie should attempt to save the life of the baby, they don’t call for help and instead drive off. They later find out the woman was their father’s new fiancé, and the dead baby was their step-sibling.

“Mark would rail at my stupidity in staying silent and then lying to the police, and for effectively choosing my brother over my husband. He might divorce me. He loves me, no question, but his job means the world to him.”

Structurally, the novel moves between Abby and Charlie’s POV. We spend most of the novel witnessing their guilt, vulnerability and their attempts to lie to the police and move on from what happened.

We also come to understand tensions between family members. The plot jumps back a few times to give us context about Abby and Charlie’s circumstances. Abby is a mother of young children, whose husband is supportive and helpful, but a little absent from the domestic duties.

Charlie has been living in Bali with his best friends Ryan and Sal. Charlie is in love with Sal, and his time in Bali is his way of avoiding any real responsibilities at home. The main reason he didn’t want to call for help at the scene of the accident, is because he didn’t want anything to jeopardise his plans to return home to Bali. He’s a very dependent man. He often lets — or expects — Abby to solve his problems.

“By the time I arrived in Kuta, Ryan and Sal had decided to set up a restaurant that would serve noodles, juice and cheap beer. Not the vibe we’d originally talked about but there was a garden behind the kitchen and the food was right for the location.”

Riptides captures the complex dynamics within a family. Abby and Charlie’s father is a short-tempered man, who appears quite closed off, unwilling to forgive, and still mourning the loss of his wife years earlier. Abby feels she’s missing out on opportunities because she spends so much time doing things for her husband, her children, her father and her brother.

The book is set in a decade where women were expected to be stay-at-home mothers, looking after their children and managing the household for their husband. Abby wants to enrol in university and study law, and whilst her husband is supportive of this plan, her father is sceptical and questions her priorities.

Abby and Charlie constantly bicker and are incredibly different — Abby is reserved and organised, a planner. Charlie is more of a free spirit, never wanting to settle down and always looking for the next thrill. The car accident forces them to confront their differences and align on a plan, and, over time, it forces them to confront each other and overcome their grievances.

“Dad gets up with a grunt. As he stands, Abby steps back. Mum always said Dad’s temper was a war wound. He’s a tough nut. He likes to tell me how easy my life was, as if it’d be good for it to be otherwise.”

Tense, sophisticated and highly addictive, Riptides had me hooked. The writing is tight and polished, cutting to the emotion of the tragedy. The dialogue is realistic and builds suspense. Riptides is set in Queensland during a time of social upheaval, and Kirsten brings Brisbane to the forefront of the story and presents a story that’s fast-paced and compelling. Readers will find themselves enticed and entertained, ripping through the pages.

Recommended for fans of crime, drama, thriller, family dramas and mysteries.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Riptides
Kirsten Alexander
February 2020
Penguin Random House Publishers

Mr. Nobody by Catherine Steadman

When a man is found on a Norfolk beach, drifting in and out of consciousness, with no identification and unable to speak, interest in him is sparked immediately. From the hospital staff who find themselves inexplicably drawn to him; to international medical experts who are baffled by him; to the national press who call him Mr Nobody; everyone wants answers. Who is this man? And what happened to him?

Neuropsychiatrist Dr Emma Lewis is asked to assess the patient. This is her field of expertise, this is the chance she’s been waiting for and this case could make her name known across the world. But therein lies the danger. Emma left this same small town in Norfolk fourteen years ago and has taken great pains to cover all traces of her past since then.

But now something – or someone – is calling her back. And the more time she spends with her patient, the more alarmed she becomes.

Mr Nobody is a seductive, psychological thriller novel from British author and actress, Catherine Steadman.

When a man with a head wound and a missing memory walks out of the water on Holkham Beach in Norfolk, England in the middle of Winter, people are fascinated by his story. Who is he? Where did he come from? Why can’t he remember anything? London-based neuropsychiatrist Emma Lewis is sent in to investigate the man’s bizarre symptoms — she can’t resist the possibility that this could be a fugue case, and solving the mystery could be a big break in her career.

But, in order for her to meet the man and investigate his injury, Emma must return to her home town. She left 14 years earlier when a catastrophic incident thrust her family into the spotlight. But now she has a new name and a new life. Will people find out who she really is?

“It suddenly occurs to me how big a deal this case could be. If I take it, I won’t just be treating an extremely rare RA/Fugue patient, I’ll be responsible for averting another NHS diagnostic shit show. Because that’s exactly what the Piano Man case was.”

The premise and resulting storyline is a little absurd and at times hard to believe, but Catherine builds tension and intrigue well and successfully draws the reader in with secrets, unexpected events and unreliable characters.

There’s a gothic feel to this novel — secluded setting, mysterious pasts, and sinister motives — and the pacing is one of the strengths of the story. Events move forward with high speed and suspense, seducing readers and keeping them enthralled until the final page.

Mr. Nobody is more than just your standard psychological thriller — its intelligent, complex and multilayered, offering the reader more than just one mystery. Readers will find themselves desperate to know the truth about Mr. Nobody, but also about Emma’s past. Why did she flee Norfolk? What happened to her family? Why did she have to change her name?

“I notice his hair first. Across the car park a man stands talking to an older woman. I recognise that close crop of blond curls, at least I think I do…His back is to me, so I can’t quite tell for sure yet, but I feel the queasy tingly of nerves in the pit of my stomach.”

The POV throughout Mr. Nobody is incredibly messy. Each chapter in the book shifts between different characters; Emma and other featured characters are written in first person, but for ‘The Man’, his chapters are written in third person. And, within ‘The Man’ chapters, the perspective shifts and all of a sudden we’ll be focusing on someone else’s thoughts and actions and internal monologue. It’s incredibly clunky and confusing for the reader.

Additionally, Catherine fails to build enough tension and conflict between Emma and her family. At the beginning, they’re worried that their secret will be ousted to the world. But when it does, their reaction is incredibly mild and the situation resolves itself rather easily. It’s a bit disappointing, and doesn’t quite fit the tone of the rest of the novel.

“I check the video link; he’s very pale. I check his vital signs; his pulse is slightly raised. To be expected, the last time he was on the beach must have been terrifying.”

Incredibly well researched in the world of neuroscience, Mr Nobody is a spellbinding psychological thriller novel that will leave readers guessing. Who is Mr Nobody? And is he telling the truth?

Recommend for fans of thrillers, crimes, and suspenseful novels.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Mr Nobody
Catherine Steadman
February 2020
Simon and Schuster Publishers