JESS JUST READS

A BOOK REVIEW BLOG

And The Ocean Was Our Sky by Patrick Ness

The whales of Bathsheba’s pod live for the hunt. Led by the formidable Captain Alexandra, they fight a never-ending war against men. Then the whales attack a man ship, and instead of easy prey they find the trail of a myth, a monster, perhaps the devil himself…

With their relentless Captain leading the chase, they embark on the final hunt, one that will forever change the worlds of whales and men. From Patrick Ness, the multi-award-winning author of A Monster Calls, and CBCA Crichton Award-winning Australian artist Rovina Cai comes a haunting tale of power and obsession that turns the story of Moby Dick upside down.

And the Ocean was Our Sky is a powerful, moving tale by bestselling author Patrick Ness. Accompanied by gorgeous illustrations from Rovina Cai, Patrick’s story is from the point of view of a whale — Bathsheba. This story is a unique twist on the classic novel, Moby Dick.

War between humans and whales has been going for generations, each hunting the other. This book illustrates the trauma and death associated with war, and the reader comes to sympathise for Bathsheba. She is the third apprentice in a hunting pod to Captain Alexandra; they spend their days searching and destroying ships and humans. Bathsheba feels conflicted about their task, and struggles to understand the necessity of this war against humans.

“Let me be clear, right from the start. I hate the hunt but I loved it then. Now, of course, after all the occurred, after all are dead, after I waited for a rescue that might never come, no one would blame me for hating it.”

The book tells the story of the hunt for Toby Wick — an enemy so evil that no whale has ever met them and survived. Captain Alexandra is desperate to find and kill Toby Wick.

The illustrations are gorgeous. They mostly follow a soft use of the colours black, grey, white and red and they capture the mood of the story perfectly. Rovina is so talented and has done an exceptional job bringing this story to life.

As the hunting pod closes in on Toby, Bathsheba wrestles with his doubts and concerns. How necessary is this war? Is it worth all this death? As the reader, we know that this hunt will likely kill almost every character because Bathsheba hints at it right at the beginning of the book.

“Call me Bathsheba. It is not my name, but the name I use for this story. A name, I hoped, that would be free of prophecy, free of the burden of a future placed upon it, free of any destiny that would tear it from my hands and destroy worlds.”

Set in the depths of the ocean, this is a stunning, brilliant work. The prose is effortless and each sentence beautiful. I did find the first person narration confusing at first, and it did take me a short while to understand the dynamic and structure of the story, but apart from that I was completely absorbed in this story and it’s artwork.

And the Ocean Was Our Sky explores themes of loyalty, friendship, family, war and revenge.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

And the Ocean Was Our Sky
Patrick Ness, illustrated by Rovina Cai
September 2018
Walkers Books Australia

Man Out Of Time by Stephanie Bishop

When Stella’s father, Leon, disappears in September 2001, the police knock at her door. She baulks at their questions, not sure how to answer. ‘What if I just write it down for you.’

One summer, a long time ago, Stella sat watching her father cry while the sky clouded over. He had tried to make amends: for his failures, for forgetting to buy the doll she once hoped for, for the terrible things he had done.

The first time Stella sensed that something was wrong was on her ninth birthday. There was an accident, and when she opened her eyes there was the tang of blood in her mouth. Leon was beside her. But not quite there. In the winter, when her father finally came home from hospital, he looked different. Looked at her differently.

Now he was missing, and Stella held the key to his discovery. But did he want to be found? And after all that has passed, could Stella bring herself to help him?

Stella’s whole life has been stained by her father’s very struggle to exist. Would this be her inheritance too? Could she choose the steady minutes of an ordinary day? Or would she follow the path of a man out of time?

Man Out of Time is Stephanie Bishop’s third novel, a moving tale of inheritance and self-destruction.

The ‘man out of time’ is Stella’s father. He’s mentally unstable and his health deteriorates as Stella grows older. He is sectioned in a psychiatric hospital, and Stephanie uses flashbacks to show the reader how Leon’s battles with mental illness effect not only him but Stella and his wife Frances. In present-day, Frances and Stella work to locate Leon. He’s been missing for a fortnight.

This novel feels very literary — mature even. The themes of family, love, legacy and relationships are complex, and Stephanie tackles the story with a very topsy-turvy kind of storytelling structure. From reading the blurb, you think this will be a very linear type of book, but it’s rather scattered. And intentionally so.

“When Leon came home, Frances was waiting for him, the dress in a crumpled heap on the table. Where have you been? she asked. He tipped his hat in mockery of the question and replied: Why, I’ve been to London to visit the queen. Then he said, Busking. In the subway.”

Leon and Stella share a complex relationship — she loves him and he loves her, but his mental health threatens his ability to make wise choices and as Stella grows older, she witnesses Leon’s deteriorated mind and she grows very self-aware.

Stephanie Bishop has captured mental illness sympathetically and realistically. She illustrates all the complexities of mental illness, and the ripple effect it has on surrounding loved ones.

The strength of this novel lies within the writing — the poetic sentences and flowing prose and the brilliant use of vocabulary and subsequent sentence structure. Stephanie has a real way with words.

“Once there, she swung a leg over and spread out along the branch, her belly and face pressed to the smooth bark, her legs hanging down on either side, kicking the late summery air that smelled of decaying fruit — the dark and soggy worm-eaten plums lying on the grass below, a haze of fruit flies hovering over the rot.”

I wanted to like this novel more than I did. I wanted to read it and be inspired by Stephanie’s manipulation of time and story-telling, but more often than not, I was left confused and I felt like I’d missed something in the preceding pages. Whilst I admire the grand story within the pages, I couldn’t help but feel disappointed with its execution.

This is an emotional novel about the bond between a father and son, and the plot is in constant motion, flicking back and forth between different periods and time. This novel isn’t my favourite, but readers who love a complex family story will find comfort in Man Out Of Time.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Man Out of Time
Stephanie Bishop
September 2018
Hachette Book Publishers

Greenlight by Benjamin Stevenson

Four years ago, in the small town of Birravale, Eliza Daley was murdered. Within hours, her killer was caught. Wasn’t he?

So reads the opening titles of Jack Quick’s new true-crime documentary. A skilled producer, Jack knows that the bigger the conspiracy, the higher the ratings – and he claims Curtis Wade was convicted on flimsy evidence and shoddy police work. Millions of viewers agree.

Just before the final episode, Jack uncovers a minor detail that may prove Curtis guilty after all. Convinced it will ruin his show, Jack disposes of the evidence and delivers the finale unedited, leading to Curtis’s eventual release.

Then a new victim is found bearing horrifying similarities to the original murder. Has Jack just helped a killer walk free?

Determined to set things right, Jack returns to Birravale looking for answers. But with his own secrets lurking just beneath the surface, Jack knows more than anyone what a fine line it is between fact and fiction. Between life and death.

Now there’s only one option left. The truth.

Greenlight by Benjamin Stevenson is a rural crime thriller about the long-solved murder of backpacker Eliza Daley.

It’s an interesting premise — a well-known television producer and presenter helps cast enough doubt on a convicted killer that he is released from prison. But perhaps this man was indeed the killer after all?

Benjamin’s writing is polished. The dialogue realistic, the characters are three dimensional and well-developed, and the mysteries of this rural town are enticing enough to keep the reader turning the page. I thoroughly enjoyed reading this story, and churned through the pages of this book.

“The shoe grew heavier in his mind every day. Jack knew what it was like to make a decision that you can’t take back, even if you want to. Some small, inconsequential choice that grows and grows into something monstrous when everyone is watching. Why had he been fine with hiding the shoe?”

Jack Quick is flawed, but he’s also determined and compassionate and desperate to find out the truth. He puts himself in dangerous situations and is able to see things that others probably wouldn’t be able to see.

He starts to piece together what happened to Eliza Daley, and also the second victim who is murdered after Curtis Wade is released from prison.

Greenlight does follow a bit of a stereotypical trope found in rural fiction — someone arrives in a small town and they are neither a policeman or a detective, and yet they’re able to solve a crime that the cops couldn’t? I’ve read quite a few crimes novel lately that feature a protagonist like this.

“Jack scanned the paper. The front page had a close-up picture of Curtis, red letters splashed diagonally across him. Of course, the sub-editor had added the question mark — The Nailbiter Killer? — to protect from defamation.”

The prologue of this book is completely unnecessary. It’s from the point of view of Eliza, shortly before being murdered and it gives away too much. It makes it very clear that she’s being kept underground, which allowed me to guess one of the twists in the novel long before it was revealed.

Despite that, this is one of my favourite crime novels from this year. There are many different mysteries to solve, not just the murder of Eliza Daley, and tension builds slowly until the reader grows very anxious about what’s going to happen.

Greenlight is utterly compelling and engrossing — an absorbing mystery with more surprises than I thought possible.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Green Light
Benjamin Stevenson
September 2018
Penguin Random House

No Country Woman by Zoya Patel

No Country Woman is the story of never knowing where you belong. It’s about not feeling represented in the media you consumed, not being connected to the culture of your forebears, not having the respect of your peers.

It’s about living in a multicultural society with a monocultural focus but being determined to be heard. It’s about challenging society’s need to define us and it’s a rallying cry for the future. It’s a memoir full of heart, fury and intelligence – and the book we need right now.

No Country Woman by Zoya Patel is a feminist memoir about what it means to never feel at home where you live.

Zoya Patel is the founder of Feminartsy and is a Fijian-Indian writer. She’s based in Canberra and moved to Australia when she was very little. No Country Woman is an exploration of her heritage, culture and place in this country.

‘I was born in a hospital in Suva, Fiji. …It is not a place I’ve thought of often, but I think of it now and wonder how it has shaped me. I am Fijian-Indian, and have lived in Australia since I was three years old. Memories of my early life in Fiji are limited to flashes, like an old film projector running backwards. I remember a blue dress, a trip on a boat where my father handed me a dried, floating starfish that I clutched in my fingers, determined not to lose it back to the ocean.’

Zoya explores her identity through a number of lenses — location, family, religion, relationships, holidays, education. She reflects on her own experiences as a migrant to Australia, and how she’s experienced racism and prejudice in this country. She examines her childhood and her attempts to rebel against her heritage, and she also documents the times she travelled away from home and how her experiences shaped her identity.

No Country Woman is an eye-opening read for anyone who isn’t a migrant to this country, and who hasn’t experienced racism. Zoya tries to help us understand the complexities of a multicultural society, and how important it is to be aware of one’s privilege and circumstance.

Zoya also touches on discrimination, because many people in the world experience it. Sometimes it may be because of the colour of their skin, or their culture, or it may be because of sexuality, gender or disability. It’s important to be an ally for the disadvantaged and marginalised in society.

I admire Zoya’s ability to look at many issues from different perspectives, so that she’s not just pushing one agenda to the reader but presenting a situation from many different sides to allow the reader to make up their own mind.

“One of the most pervasive stereotypes of Indian immigrants the world over is that of the Indian small-business owner, the savvy, stingy subcontinental with a cockroach-like ability to thrive in any environment, who infiltrates a milker or service station and takes over entirely, unable to be dislodged as they feed off the economy they have adopted.”

I struggled with the book’s jarring balance of memoir vs. academia. I connected with the book most when Zoya was exploring her history and her memories, when she was telling us about her parents and her family and other aspects of her life that were important to her.

But at times, Zoya moves between memoir and statistics, or memoir and academic research, and I found the transition very jolting and not as seamless as it could’ve been.

Additionally, some parts of the book felt very drawn out. For example, there’s one whole chapter on Zoya’s relationship with the water and swimming. Whilst the chapter is interesting and important to her identity, it’s seventeen pages long and I felt that she could’ve been more succinct in what she was trying to say.

Despite this, Zoya’s memoir will be enjoyed by many readers. There are moments of humour and light-heartedness, and Zoya’s writing is sharp. No Country Woman allows the reader to develop a greater understanding of issues surrounding race, culture and identity. It’s revelatory read.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

No Country Woman
Zoya Patel
August 2018
Hachette Book Publishers

Forgotten Women: The Artists and The Writers

Forgotten Women is a new series of books that uncover the lost herstories of influential women who have refused over hundreds of years to accept the hand they’ve been dealt and, as a result, have formed, shaped and changed the course of our futures. From leaders and scientists to artists and writers, the fascinating stories of these women that time forgot are now celebrated, putting their achievements firmly back on the map.

The Writers celebrates 48 unsung genius female writers from throughout history and across the world, including the Girl Stunt Reporters, who went undercover to write exposes on the ills of 1890s America; Aemilia Lanyer, the contemporary of Shakespeare whose polemical re-writing of The Bible’s Passion Story is regarded as one of the earliest feminist works of literature; and Sarojini Naidu, the freedom fighter and ‘Nightingale of India’ whose poetry echoed her political desire for Indian independence.

Including writers from across a wide spectrum of disciplines including poets, journalists, novelists, essayists and diarists, this is an alternative gynocentric history of literature that will surprise, empower, and leave you with a reading list a mile long.

The Artists brings together the stories of 48* brilliant woman artists who made huge yet unacknowledged contributions to the history of art, including Camille Claudel, the extraordinarily talented sculptor who was always unfairly overshadowed by her lover, Rodin; Baroness Elsa von Freytag-Loringhoven, who has been claimed as the true originator of Marcel Duchamp’s Fountain; and Ana Mendieta, the Cuban refugee who approached violence against women through her performance art before her own untimely death.

With chapters ranging from Figurative to Photography, and Craft to Conceptual, this is an alternative guide to art history that demonstrates the broad range of artistic movements that included, and were often pioneered by, female artists who have been largely overlooked.

The Writers and The Artists are the third and fourth books in the Forgotten Women series, each book focusing on a selection of women who shaped our history but whose contribution has largely been forgotten. Each book celebrates 48 women who were influential and inspiring. They made significant contributions to history.

This series is a favourite of mine. Earlier in the year, I read and reviewed the first two books in the series: The Leaders and the Scientists.

Each book is a beautiful hardback, with gorgeous illustrations to accompany each entry. I love that each women is dedicated approx. 2-3 pages for her story, because this allows us to understand who she was but at the same time, we aren’t bogged down with excess detail. This allows for a quick read.

“With William’s support, Margaret Cavendish was able to publish her own work, which included everything from philosophical treatises to plays and poetry. At a time when most female authors wrote anonymously, Margaret published under her own name.”

Readers of different ages, genders and backgrounds will find inspiration in these pages. The women were courages and ahead of their time, and their art and their words made a lasting impact on society. A lot of the women in these books I’d never heard of before, and it was great to discover and read about these amazing women from history.

Marjorie Cameron was a Los Angeles occultist who was known for her Surreal paintings that conjured up Jungian myth and aliens in coitus; Alma Thomas began painting vivid, abstract works after she retired at the age of 69; Carolina Maria De Jesus was a Brazilian writer and her country’s first black author.

“At the time, women were not allowed to make a living from their painting, but this was not for the reasons you might expect. The Qing dynasty believed that the greatest art was created only by educated amateurs who painted in the privacy of their home for leisure and enjoyment, and didn’t seek to profit from it like common tradesmen.”

Readers will find the Forgotten Women series a delight, the pages filled with gorgeous illustrations and remarkable stories.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Forgotten Women: The Artists & The Writers
Zing Tsjeng
September 2018
Hachette Book Publishers

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