JESS JUST READS

A BOOK REVIEW BLOG

The Family String by Denise Picton

Meet Dorcas, a spirited 12-year-old struggling to contain her irrepressible humour and naughty streak in a family of Christadelphians in 1960s Adelaide. She is her mother’s least favourite child and always at the bottom of the order on the family’s string of beads that she and her younger siblings Ruthy and Caleb reorder according to their mother’s ever-changing moods.

Dorcas, an aspiring vet, dreams of having a dog, or failing that, a guinea pig named Thruppence. Ruthy wants to attend writing school, and Caleb wants to play footy with the local team. But Christadelphians aren’t allowed to be ‘of the world’ and when their older brother Daniel is exiled to door knock and spread the good word in New South Wales after being caught making out with Esther Dangerfield at youth camp, each try their hardest to suppress their dreams for a bigger life. But for a girl like Dorcas, dreams have a habit of surfacing at the most inopportune moments, and as she strives to be the daughter her mother desires, a chain of mishaps lead to a tragedy no one could have foreseen.

Denise Picton’s debut novel The Family String explores 12-year-old Dorcas’ childhood in 1960s Adelaide within a strict religious household. Her family are Christadelphians, a denomination of Christianity that leaves little room for fun, culture or entertainment. Dorcas is an energetic, free-spirited child who struggles within the confines of the family home, is always getting into trouble with her mother, and who doesn’t quite understand why her actions are always being punished.

Because the book is written from Dorcas’ perspective, it allows for a fun and lively perspective. Her voice is insightful and hopeful, and so even when the book takes a dark turn, we feel the heart and soul of the story permeating with each passing chapter. Not every reader will love reading from Dorcas’ perspective, but she is an intelligent and observant character and allows for an entertaining journey.

“To record our views about the order of Mum’s love, Caleb used six wooden beads he got from Mr Driver next door. Caleb nominated the best gold one as Mum and put her bead at the top of a piece of string that was thick enough to hold the beads exactly where he put them on the thread.”

The Family String does well to weave in so many overarching themes in the book without feeling contrived or rigid. A key exploration in the story is the dynamic and complex relationships between mothers and daughters, and the importance of repairing a broken relationship. The Family String also explores depression and how people regarded depression in the 1960s, as well as religion and religious constraint within the family home.

Strengths also lie in the secondary characters – the compassionate Mr Driver was one of my favourites. The community is close-knit and sometimes this causes friction within Dorcas’ family. In a town where everyone knows your business, tensions rise and arguments spark. I’m sure readers from small towns will be able to relate!

“I was still in the bad books for going down to the shop one night after school and buying ten cents’ worth of mixed lollies and putting them on the tick under Mum’s name. Mum was furious when she found out I’d charged them to her account and yelled at Mrs Abrahams in the shop as much as she yelled at me.”

Admittedly, I did feel that the turning point in the novel came a bit too late in the story. A great portion of the novel is setting up the dynamic within the family and the community and so the pacing does start to lull a bit in the middle of the book – I was starting to question the direction of the book, wondering when the climax of the story was going to near. Ultimately, the book explores a fractured relationship between mother and daughter and how they have to reconnect after a family tragedy. But this family tragedy comes quite late in the story, and I would’ve liked more time to be spent in the aftermath of that tragedy rather than the events preceding it.

And whilst I loved Dorcas’ perspective and her wild nature, it doesn’t ever feel like she learns from her mistakes or spends much time reconciling with her actions. I know she’s a child, but some of her actions are deliberately rebellious and there is quite a horrific tragedy at the end of the story, and there doesn’t seem to be much contemplation coming through from Dorcas. She simply misbehaves and then moves on to misbehave again.

“One day, Mrs Johnson had said about the most wonderful thing I had ever heard. She told me that if my mum and dad gave permission, I could have Sixpence as my very own as soon as my dad made a safe enclosure in our garden. I was so excited I ran straight home and nearly knocked Mum over when I hurtled into the kitchen with the news. Her answer was a very firm no.”

Heartfelt fiction about family, responsibility and the impressionable years of our youth, The Family String is recommended for literary readers. Readership skews female, 30+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Family String
Denise Picton
June 2022
Ultimo Press

Something Wilder by Christina Lauren

Lily has never forgotten the man that got away . . . but she certainly hasn’t forgiven him either!

As the daughter of a notorious treasure hunter, Lily makes ends meet using her father’s coveted hand-drawn maps, guiding tourists on fake treasure hunts through the canyons of Utah. When the man she once loved walks back into her life with a motley crew of friends, ready to hit the trails, Lily can’t believe her eyes. Frankly, she’d like to take him out into the wilderness – and leave him there.

Leo wants nothing more than to reconnect with his first and only love. Unfortunately, Lily is all business: it’s never going to happen. But when the trip goes horribly and hilariously wrong, the group wonders if maybe the legend of the hidden treasure wasn’t a gimmick after all. Alone under the stars in the isolated and dangerous mazes of the Canyonlands, Leo and Lily must decide whether they’ll risk their lives, and their hearts, on the adventure of a lifetime . . .

Set in the Utah wilderness, Christina Lauren’s Something Wilder brings two former lovers back together as they hunt long-lost treasure in the middle of remote desert.

In the prologue we meet 19-year-old Lily, painfully in love with her boyfriend Leo and set to take over her treasure-hunting father’s ranch. But then Leo leaves, her father sells the ranch and leaves her in financial ruin, and Lily is forced to chase alternate dreams. Now, ten years later, Lily is leading treasure hunting expeditions for tourists where she runs into Leo again.

“Leo felt like he’d slept crammed in a box, but despite the interminable travel for whatever Wild West adventures might lie ahead, Bradley looked entirely untouched. For a man wearing leather driving shoes and a cashmere sweater, he was surprisingly game for the great outdoors.”

The authors do well to keep tension building and the stakes raised – not every character is who they seem, and soon the treasure hunt claims a life. Lily and Leo are soon racing through the Utah wilderness trying to uncover the lost treasure before others do.

Lily’s connection with her late father Duke Wilder is a strong point in the novel – she feels she owes him this last adventure, and hopefully by discovering the treasure she’ll be able to buy back the ranch that she loves so much. Lily’s relationship with her late father is one of the strengths of the novel, and something I connected with a lot more than the relationship between her and Leo.

In saying that, the connection between Lily and Leo will please romance readers, as the two are forced to work together when their treasure hunt turns deadly. They will be forced to confront what happened ten years earlier, as the two come to realise the mistakes they made when their former relationship ended. Whilst their connection isn’t perhaps as strong as other romance novels, there is a lot of passion there that will draw a romance reader in.

“She hadn’t been kidding. The heat of the day had sapped the riders of any remaining enthusiasm by the time they finally reached camp. Ace’s shadow stretched long across the ground, distorted by pinon pine and scraggly patches of juniper that thrived there in the arid soil.”

The nature of the book did seem to jump around a bit, and it ended up being a story I wasn’t quite expecting after assessing the cover and blurb on the jacket. What started as a romance ended up being a high-stakes thriller through the wilderness, which soon took over as the main plot point. Overall, the structure of the novel felt a bit jarring.

Additionally, there were some elements of the book that felt forced and caricature. In particular, the character of Terry, whose dialogue didn’t read naturally and whose actions seemed stereotypical.

“Leo had never wished he could fly, but he did just then. There was something about the canyon that made him want to explore, to swoop from the top of one red rock pillar to another and down into the literal maze of intersecting slots. It was both exquisite and sinister.”

Recommended for readers of romance fiction and adventurous rom-coms. Readership skews female, 25+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Something Wilder
Christina Lauren
May 2022
Hachette Book Publishers

The Coast by Eleanor Limprecht

Alice is only nine years old in 1910 when she is sent to the feared Coast Hospital lazaret at Little Bay in Sydney, a veritable prison where more patients are admitted than will ever leave. She is told that she’s visiting her mother, who disappeared one day when Alice was two. Once there, Alice learns her mother is suffering from leprosy and that she has the same disease.

As she grows up, the secluded refuge of the lazaret becomes Alice’s entire world, her mother and the other patients and medical staff her only human contact. The patients have access to a private sandstone-edged beach, their own rowboat, a piano and a library of books, but Alice is tired of the smallness of her life and is thrilled by the thought of the outside world. It is only when Guy, a Yuwaalaraay man wounded in World War I, arrives at The Coast, that Alice begins to experience what she has yearned for, as they become friends and then something deeper.

Set in a 19th century leper colony, Eleanor Limprecht’s historical fiction The Coast pivots around a cast of characters all directly impacted by leprosy in Australia in the late 1800s and early 1900s. Exploring love, family and courage, and set in the remote Little Bay just outside of Sydney, we meet a series of characters all forced into isolation after being diagnosed with leprosy.

The Coast centres around a largely unknown time in Australian history – the oppression of people suffering from leprosy and their subsequent shaming and forced isolation.

This novel offers what feels like a birds eye view of that era. We meet characters suffering from leprosy or perhaps working in the colony, but the story is void of any judgement or opinion. Eleanor is simply presenting the time as it likely happened, for us to interpret and understand on our own.

“I was not brave enough to ask Dr Moffat why he came now, rather than when we were feverish. Asking questions of adults was insolence. Wearing white cotton gloves, he scraped our skin with a little razor and placed it in a tiny lidded dish.”

Written in both first and third person, each chapter moves between characters – their POV and the accompanying year is stated at the beginning of the chapter. Eleanor offers an intimate voice, paired-back and emotional as we come to understand each character and how their lives have been impacted by the leprosy colony.

Eleanor’s writing has much to offer, bringing to life quite a large suite of characters and inviting us to fall in love with each of them. They all seem quite hopeless in the beginning, plagued by something they don’t understand or perhaps something they cannot control. But, over time, characters intersect and find solace in each other and their experiences. As the reader, we warm to their plight and find their journey both heartbreaking and heartfelt.

“He watched a moment’s grief pass over Clea’s face, but when she raised her hand to touch her hair it was gone, as quick as a fish leaping. He knew more than she thought he did.”

For those perspectives written in third person, Eleanor’s voice takes on that of an omniscient POV – we understand not only their movements and their situations, but their perspectives and feelings on their surroundings. And for the protagonist Alice, who is written in first person, whilst she is treated as an outsider and her leprosy forces her into isolation, she gets to spend time with the mother who left when she was young (who also suffers from leprosy). There is a contrast here that is quite interesting to read – her illness allows her to reconnect with her mother, and there are elements of her life that are a comfort to her. But at the same time, she and her mother are treated as lepers, hidden away from society with only each other for company.

Just a tiny note, but I did find it a little confusing at first trying to keep track of the characters. The perspectives shift quite frequently and I had to flick back to triple check whose story I was reading, what year it was, and how that corresponded to the previous chapters.

“Some days, instead of fury, I succumbed to weariness. I would stay in bed longer than I should, watching the square of daylight from the window shift across the bedroom. I read all of the book Dr Stenger brought me, all of the books I could borrow, but it was not the same as school.”

Vivid literary fiction with harsh, wild landscapes and damned but hopeful characters, The Coast is suitable for readers of literary fiction and historical sagas. Fans of familial tales might also enjoy this one. Readership skews female, 30+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Coast
Eleanor Limprecht
June 2022
Allen & Unwin Book Publishers

Dirt Town by Hayley Scrivenor

On a sweltering Friday afternoon in Durton, best friends Ronnie and Esther leave school together. Esther never makes it home.

Ronnie’s going to find her, she has a plan. Lewis will help. Their friend can’t be gone, Ronnie won’t believe it.

Detective Sergeant Sarah Michaels can believe it. She has seen what people are capable of. She knows more than anyone how, in a moment of weakness, a person can be driven to do something they never thought possible.

Lewis can believe it too. But he can’t reveal what he saw that afternoon at the creek without exposing his own secret.

Five days later, Esther’s buried body is discovered.

Hayley Scrivenor’s debut rural crime novel Dirt Town follows the disappearance of 12-year-old Esther Bianchi, who disappears after school on one blistering hot afternoon. Set in a remote New South Wales town nicknamed Dirt Town, Esther’s disappearance ripples through the small town. This close-knit community that parents once considered safe, suddenly doesn’t seem to be.

There is quite a large cast of characters who pivot through the story. Esther’s friends Ronnie and Lewis, who struggle to understand the events of her disappearance, and Esther’s mother Constance, who gravitates towards her best friend Shelley to help process her grief. We also have Sydney-based detective Sarah Michaels, tasked with solving the crime.

“Sarah found that, in general, people were less leery of unmarried, childless female police officers in her line of work than they were of single men. Even if some of them guessed she might be gay, even if that wasn’t their cup of tea, they were less suspicious of her than they were of Smithy.”

Dirt Town is worthy of its praise, offering a suite of complex and three-dimensional characters and presenting an ending that felt fresh and unique.

Hayley Scrivenor perfectly captures the barren landscape of regional New South Wales, moving POV between all of the characters who circle Esther’s disappearance. Because the book blurb tells us Esther’s body will eventually be found, we know where the story is headed. We know, at the end of the four-day plot, Esther will be discovered and we will be close to uncovering her killer.

“Constance’s eyes moved of their own accord to the tall woman’s choppy haircut. The short hair had been dyed an unnatural, fire engine red and was peppered with auburn and blonde streaks. It was one of those haircuts where, however it turns out, at least you can’t be accused of not making an effort.”

Hayley’s writing is observant and taut. Each point of view not only addresses Esther’s disappearance, allowing the plot to propel forward, but we also learn more about that character’s past – their history in the town, their relations with other characters, and their potential involvement with Esther on the day she disappeared.

Whilst I did find the order of events to be a little confusing – Hayley moves between past and present in quite a staccato, chaotic manner – the characters do anchor the story and keep you turning the pages. Hayley’s writing is poignant, with plenty to offer the reader.

“I’d wanted to tell the detective more about Esther. That her parents worried too much about her, not seeing that she could, in fact, do anything. Of course, I couldn’t have said I sometimes pretended that Esther’s dad was my father when he drove us to and from swimming.”

Atmospheric with a tightly wound crime and a pacey plot, Dirt Town is recommended for readers of rural and outback noir, crime thrillers and small-town mysteries. Readership skews 25+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Dirt Town
Hayley Scrivenor
June 2022
Pan Macmillan Publishers Australia

Book Lovers by Emily Henry

Nora is a cut-throat literary agent at the top of her game. Her whole life is books.

Charlie is an editor with a gift for creating bestsellers. And he’s Nora’s work nemesis.

Nora has been through enough break-ups to know she’s the woman men date before they find their happy-ever-after. That’s why Nora’s sister has persuaded her to swap her desk in the city for a month’s holiday in Sunshine Falls, North Carolina. It’s a small town straight out of a romance novel, but instead of meeting sexy lumberjacks, handsome doctors or cute bartenders, Nora keeps bumping into…Charlie.

She’s no heroine. He’s no hero. So can they take a page out of an entirely different book?

Emily Henry’s Book Lovers follows an unapologetic, cutthroat literary agent as she vacations to a small town, only to run into the belligerent, grumpy book editor that she despises. The book explores the cliche of the small town love story, and the common trope of enemies to lovers.

Perpetually single, Nora is career-driven and thrives under pressure. She loves books — editing them and advocating for them — and she strives for success. She is goal-oriented and never feels she has to apologise for her ambition. On her vacation, when she’s constantly crossing paths with the devious editor Charlie, she realises just how similar they really are. Maybe there’s more to him than she realised.

“It’s late in the day for lunch, so the crowd is thin, and I spot Charlie Lastra near the back, dressed in all black like publishing’s own metropolitan vampire.”

Book Lovers is upbeat and relatable, bringing to life a cast of characters who are fun to read.

The setting is quaint and cosy, and the character banter enjoyable. Nora’s relationship with her sister provides a nice additional layer to the story, exploring family responsibilities and what we owe to each other when each other is all we’ve had.

The chemistry between Nora and Charlie builds over the course of the novel and will please romance readers — whilst the heat builds quickly, an energy of ‘will they or won’t they’ persists throughout the book because their circumstances make it difficult to pursue any kind of relationship.

“I go toward her, wrap my arms around her, and hold tight. She circles me in hers too, her lemon-lavender scent settling over me like a blanket, her glossy strawberry waves falling across my shoulders as she runs a hand over the back of my head.”

Emily Henry’s books suit readers looking for light content — perhaps someone looking for a beach read, or something to take on vacation. You’ll power through this in a short amount of time, and when you’re finished, there are two other Emily Henry books out there for you to discover.

“Happy doesn’t begin to cover it. The image of stern-browned, highly polished Charlie tucked into a plastic Corvette and scowling at his Kindle makes me laugh so hard it’s a struggle to stay upright. He’s probably the last person I could picture in a race car bed, aside from myself.”

Fun and light-hearted, Book Lovers is recommended for readers of romance, comedy and contemporary women’s fiction. Readership skews female, 20+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Book Lovers
Emily Henry
May 2022
Penguin Random House Publishers Australia