Rage. That’s the feeling engulfing the car as Ellen’s mother swerves over to the hard-shoulder and orders her daughter out onto the roadside. Ignoring the protests of her other children, she accelerates away, leaving Ellen standing on the gravel verge in her school pinafore and knee socks as the light fades.

What would you do as you watch your little sister getting smaller in the rear view window? How far would you be willing to go to help her? The Gallagher children are going to find out. This moment is the beginning of a summer that will change everything.

Set in the early 1980s over one long hot summer in Pennsylvania, Una Mannion’s A Crooked Tree explores the unintended consequences of an ill-fated, split second decision.

With elements of coming-of-age bleeding throughout the story, but far from a typical YA novel, A Crooked Tree is told from the first-person perspective of Ellen’s fifteen-year-old sister Libby. She’s observant and mature — a little timid, introverted and withdrawn at times — and when Ellen’s sister returns home after being cast aside on the road, Libby helps pick up the pieces. What results is a sequence of events that change their lives forever. None of them will be the same again.

“Why hadn’t I told her? I put my hand on the door to open it and call her back, to say we needed help. But I hated asking people for things. Maybe she would pass Ellen on her way down the mountain. I began to think of all the people that might pass Ellen on their way home.”

A Crooked Tree is about how fast events can spiral out of control, and how powerless you can feel to stop them. After Ellen returns, she reveals she hitchhiked from the road and was molested by a creepy, blonde-haired man. She jumped out of his car and scrambled home before he could find her. When their sister Marie gets local boy Wilson McVay involved, things escalate.

Una balances dark scenes and themes with moments of humour and teenage angst. The secluded woods that surround their home give Libby and her siblings some comfort amidst a tumultuous summer. Their mother, Faye, is quite absent in the story, but we witness enough of her to understand she’s exhausted and stressed. Libby’s father died years earlier and the family were still struggling to comprehend the absence in their dysfunctional family unit.

“Everyone was running to the fence by the woods; some were already halfway up. I panicked, looking for the ladder, trying to orient myself. Then I realised that the surface of the pool was shimmering with red and blue light. The police had pulled the car up across the lawn to the gate. They had another amplified light angled at the pool.”

At times, the plot feels as if it’s on slow motion. Events slow, tension builds, and readers feel a sense of dread as each chapter passes. What did Wilson do to Ellen’s abuser? And what will this man do in retaliation? Una is an incredibly talented writer.

Exceptionally well-written and complex, I adored this book. It was just a nice surprise and an utter delight to experience. Una crafts vivid and three-dimensional characters, drawing us into their plight and ensnaring us in their journeys. A Crooked Tree captures the era of the 1980s incredibly well, and explores the complexities of youth within a compact package.

“The night we left Ellen on the road we were driving north up 252 near where it meets 202 and then crosses the Pennsylvania Turnpike. To the west were open fields, stretches of golden prairie grass and butterfly weed, the final line of sun splintering light through them.”

Tense, evocative and ominous, A Crooked Tree is recommended for readers of literary fiction. Mature young readers may also delight in this tale.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

A Crooked Tree
Una Mannion
February 2021
Allen & Unwin Book Publishers

Out of place at boarding school, scholarship girl Evelyn Varley realises that the only way for her to fit in is to be like everyone else. She hides her true self and what she really thinks behind the manners and attitudes of those around her. By the time she graduates from Oxford University in 1939, ambitious and brilliant Evelyn has perfected her performance.

War is looming. Evelyn soon finds herself recruited to MI5, and the elite counterintelligence department of Bennett White, the enigmatic spy-runner. Recognising Evelyn’s mercurial potential, White schools her in observation and subterfuge and assigns her the dangerous task of infiltrating an underground group of Nazi sympathisers working to form an alliance with Germany.

But befriending people to betray them isn’t easy, no matter how dark their intent. Evelyn is drawn deeper into a duplicity of her own making, where truth and lies intertwine, and her increasing distrust of everyone, including herself, begins to test her better judgement. When a close friend becomes dangerously ensnared in her mission, Evelyn’s loyalty is pushed to breaking point, forcing her to make an impossible decision.

An intriguing spy novel set during World War II, Rebecca Starford’s The Imitator is an ambitious blend of literary fiction, historical fiction, and espionage thriller. Whilst there were certain aspects of the novel that I enjoyed, the story did fall a little flat for me and certainly wasn’t what I was hoping for.

Rebecca captures the era seamlessly, thrusting readers into the depths of the Second World War — the paranoia, the fear, but also the unearned cockiness from some people who think they’re invincible at a time like that. Meeting all the different characters in the novel — main or secondary — allows for an enjoyable read.

Tension and pacing is managed incredibly well, allowing for a build-up of tension and a natural desire from the reader to keep turning the pages to find out how events during the war transpired. I personally found Julia to be quite the enigma, and I felt drawn to her as a character.

I also really enjoyed the structure of the novel. Rebecca switches back and forth between 1948 — a time when Evelyn is incredibly secretive about her role during the War, especially when she runs into an old colleague Julia — and 1930/1939/1940. The time shift structure is common in historical fiction, and by moving between these dates we get a glimpse of how a character’s personality has altered over time, and how events of the past have affected them years later.

“We trade in secrets here, Evelyn. There’s no shame in having a few of your own. Our only concern is for who might discover them.”

Truthfully, I never really felt like we got any glimpse into Evelyn other than her actions. She comes across as stiff, and her character impenetrable. A little cardboard cut-out. And because I never really felt like I understood the character, I couldn’t warm to her or develop any empathy towards her. So her struggles and plights — the complications she faces — didn’t really evoke much emotion in me. I sometimes wondered if writing this book in first person would’ve allowed for a more intimate portrayal of Evelyn, that might help readers connect with her better.

Additionally, I would’ve liked more of an insight into her role as a spy. I was expecting more instances of betrayal — more moments where Evelyn had to choose between friends and her job. In reality, we witness only a couple of moments. And the subplot with her parents felt a little rushed and underdeveloped, I would’ve liked to see that become a bigger part of the story.

“She felt a throb of tenderness for him. What courage it must take to sit down each day and work on the decryption, to unpick those messages typed up in the language of his childhood, all the while knowing what those people — his people — had done to his own parents. She felt sick at her ignorance.”

The Imitator is suitable for readers of historical fiction.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Imitator
Rebecca Starford
February 2021
Allen & Unwin Book Publishers

In the year of our Lord 1894, I became an outlaw.

On the day of her wedding-dance, Ada feels lucky. She loves her broad-shouldered, bashful husband and her job as an apprentice midwife.

But her luck will not last. It is every woman’s duty to have a child, to replace those that were lost in the Great Flu. And after a year of marriage and no pregnancy, in a town where barren women are hanged as witches, Ada’s survival depends on leaving behind everything she knows.

She joins up with the notorious Hole in the Wall Gang. Its leader, a charismatic preacher-turned-robber, known to all as The Kid, wants to create a safe haven for women outcast from society. But to make this dream a reality, the Gang hatches a treacherous plan. And Ada must decide whether she’s willing to risk her life for the possibility of a new kind of future for them all.

A feminist and dystopian Western novel, Anna North’s Outlawed is a rollicking adventure for fans of The Handmaid’s Tale and Cormac McCarthy.

Set in 1894 after a Great Flu has wiped out a significant portion of the population, fertility is considered sacred. Women exist to be married and impregnated, so when our protagonist fails to become pregnant after one year of being wed, she is suspected of being a witch. To avoid hanging, she has no choice but to escape.

“My throat was scraped raw and my whole body aching when, out in the black to the left of the road, I heard someone playing a fiddle. The music was lively and dreamy at the same time, a tune I’d never heard but that reminded me of stories Mama told us when we were very little, about pirate ships in the time before America, about elves and goblins meeting at midnight in the woods.”

Outlawed explores the suppression of women, but also paranoia and superstition, and how this can fuel hysteria when left unchecked. Outlawed is about the outcasts taking control — barren women, gay women, black and non binary people. They escape their oppressive surroundings in search of a better life, where they are accepted by others. Where they are believed.

The strength lies in the first person narration, which captures an intelligent, worldly protagonist, without ever feeling self-indulgent or insufferable. Anna’s writing is eloquent and seamless, and her way of describing even the simplest of visuals is a most joyous reading experience.

“Notkon tried not to show it, but I could tell he was intrigued. I took the book out of my satchel and laid it on the counter before him, open to the diagram of the woman sliced open to reveal the baby inside. He recoiled, then leaned closer. He began flipping pages. The minute hand of the grandfather clock ticked once, then twice.”

Admittedly, I don’t think I’m the desired reader for this book, or perhaps there was just something that didn’t quite land with me, because I couldn’t help but feel the plot got lost a bit, like I didn’t see a clear direction with the book. Our protagonist does seem to wander aimlessly for quite some time, and it isn’t until the final pages that her story seems to gain some significance. Until then, the pacing slows, the conversations still, and I was bored mid-way. In a way, this book reminded me of the TV series Westworld, but in this instance, you don’t have the visuals to keep you entertained.

Additionally, our protagonist Ada joins The Hole in the Wall gang, but a lot of the other members merge together in my mind — their characterisation does not feel distinct enough for them to be memorable. Characters blended together. The leader of the Gang, named Kid, felt very bland and two-dimensional, I was expecting a leader that was a lot more dynamic and charismatic than the one we actually got.

If this book were any longer, I fear I would’ve stopped long before the end.

Reading reviews of this book and I realise everyone else seems to love it, so perhaps I’m just not the intended audience. Another time in my life and perhaps this book will speak to me a lot more.

“Mama had always told me never to drink anything offered to me by a stranger, but I was thirsty and exhausted and confused and I took the glass and drank. I’d had champagne only once before, on my wedding day, and this was different — sweeter, spicier, with a strong poisonous scent like paint thinner.”

Recommended for seasoned readers, not reluctant ones.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Outlawed
Anna North
January 2021
Hachette Book Publishers