JESS JUST READS

A BOOK REVIEW BLOG

The Inaugural Meeting of the Fairvale Ladies Book Club

In 1978 the Northern Territory has begun to self-govern. Cyclone Tracy is a recent memory and telephones not yet a fixture on the cattle stations dominating the rugged outback. Life is hard and people are isolated. But they find ways to connect.

Sybil is the matriarch of Fairvale Station, run by her husband, Joe. Their eldest son, Lachlan, was Joe’s designated successor but he has left the Territory – for good. It is up to their second son, Ben, to take his brother’s place. But that doesn’t stop Sybil grieving the absence of her child.

With her oldest friend, Rita, now living in Alice Springs and working for the Royal Flying Doctor Service, and Ben’s English wife, Kate, finding it difficult to adjust to life at Fairvale, Sybil comes up with a way to give them all companionship and purpose: they all love to read, and she forms a book club.

Mother-of-three Sallyanne is invited to join them. Sallyanne dreams of a life far removed from the dusty town of Katherine where she lives with her difficult husband, Mick.

Completing the group is Della, who left Texas for Australia looking for adventure and work on the land.

The Inaugural Meeting of the Fairvale Ladies Book Club is a debut novel by Australian author Sophie Green, exploring the power of friendship within chaotic environments. These five women bond over their love of reading, and they help each other when they’re in need.

Set in the late 20th century in the Northern Territory of Australia, Fairvale Station has been in the Baxter family for generations. Sybil and Joe raised their eldest son Lachie to inherit the station, but he’s not interested in running the property and runs away. Most of Sybil’s character arc is her learning to accept that if her son is willing to leave, she has to let him go. For most of the novel, she’s tormented over her strained relationship with her son and is determined to fix things.

“So many times Sybil had replayed her last conversation with her eldest son; she would lie awake as Joe slept, straight as a board, beside her, letting it loop around. She didn’t know if she was hoping it would be different the next time it played or if she wanted to cling onto the sound of Lachie’s voice, trying to hear any skerrick of love in it.”

Ben returns home to Fairvale with his British wife Kate, and the two begin adjusting to life in Fairvale. Kate is desperate to get pregnant but she starts to despair when, after months, it doesn’t seem like it’s going to happen for them. Over the course of the novel, Kate must learn not to dwell on things she can’t control.

“Kate’s parents were thinking of selling their home and moving to Bath, which they’d always loved. This was the house that Kate had grown up in; the only other house she’d known apart from Fairvale…She supposed she should feel upset; show some sign that part of her missed England so much that the news of the impending loss of her family home would upset her. There was no such sign.”

This is written in third person, although the chapters switch POV frequently. This allows the reader to really understand each character’s concerns, fears, doubts and triumphs. We grow to love each character for their individual story. There is a strong sense of realism in the novel.

Sybil’s book club allows the women to form a close bond — a strong friendship. They all become concerned for each other’s struggles and they are there for each other. Their lives are enriched because of their love and support for each other.

There’s a definite sense of isolation throughout the book, particularly during the wet seasons when it’s too dangerous to venture far and so the women at Fairvale and in Katherine are almost confined to their homes. Green has done a wonderful job of writing the isolated, contained environments in the book — there’s a real sense of place. In most scenes, there are a large number of characters present and Green has once again expertly manoeuvred these scenes to allow the reader to easily understand what’s going on with each of the characters present.

What I loved most about this book was how authentic these characters felt; there was real depth to their characterisation and they all felt like different people to me. When you have such a large cast of characters and they are all women, it would be really important to make sure their voices are all unique, particularly considering each chapter switches POV. I think Green did a marvellous job of bringing all these women to life, crafting them all perfectly and allowing the reader to really understand them and relate to all of them.

“The day was almost too hot to be believed as Della sat with Kate on the verandah of Fairvale’s big house. They were well covered by the awning but the heat seemed to swirl up from the ground, wrapping itself around them and staying trapped.”

Despite this novel being set in the 1970s, there are definitely elements of the storyline that feel relevant in today’s society. Kate is struggling to fall pregnant, Sallyanne’s husband is constantly drunk and borderline abusive, and Sybil’s son has run off to pursue alternate careers. At times, I had to remind myself that this wasn’t set in the present!

If I had to point out something I didn’t like, it’d be the pacing and the development of Sallyanne’s story — it was a slow burner throughout the whole novel but then it seemed to solve itself at a rather fast pace in the end.

At first, Sallyanne is scared of her drunken husband and she doesn’t have the courage to confront him because she is concerned her for own safety and for the safety of her children. This is incredibly realistic. However, her husband then chooses to leave her and he’s gone for most of the novel. At the end, he returns briefly and their situation wraps up positively (for Sallyanne) within one chapter. Whilst I felt pleased for Sallyanne, I couldn’t help but feel this storyline was only touched on lightly but should’ve been explored further.

I highly recommend this novel. It’s not just for fans of historical fiction, or perhaps even romance. There are so many layers to this novel that I think all readers will enjoy — it is a testament to family and friendship amongst isolated Australian outback communities.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Inaugural Meeting of the Fairvale Ladies Book Club
Sophie Green
August 2017
Hachette Book Publishers

Leaving Ocean Road by Esther Campion

Twenty years ago, Ellen left her beloved Ireland to make a new life in Australia. Now struggling to cope with the death of her much loved husband, Nick, Ellen finds her world turned upside down when an unexpected visitor lands on her doorstep.

The arrival of Gerry Clancy, her first love from Ireland, may just be the catalyst that pulls Ellen out of her pit of grief, but it will also trigger a whole new set of complications for her and those she holds dear.

Leaving Ocean Road is a warm, funny, delightful romance novel for fans of Maeve Binchy, Cathy Kelly and Monica Mcinnerney — the story takes us across Australia, Greece and Ireland and explores a long lost love and the chance of reconnection.

Ellen Constantinopolous has been living in South Australia for twenty years, and she’s happy. Her family — her Greek husband Nick and her daughter Louise — live on a farm in a rural town in South Australia. But then Nick dies suddenly when his car veers off the road and hits a tree, and Ellen is in mourning. Louise heads off to university but calls her mother every night to check up on her. Ellen is struggling to move on with her life after her husband has died. She is still weighed down with depression and grief — she struggles to pay bills or check the mail or even get up in the morning.

But when Ellen receives a letter from Gerry Clancy, her first love back in Ireland, she is able to pull herself out of her grief. He still lives in Ireland, but is now in Adelaide visiting his son. He wants to see her. The two reconnect and with Ellen’s best friend Tracey pushing her to try to make things work, Ellen starts to resume her life and she feels like she is able to move on.

“Once inside the house, Ellen went upstairs to make the bed she’d been in too much of a rush to make that morning. It was the little things that would keep her sane, she realised. The small routines she’d let go in the height of her grief. Only suddenly and in a fit of shame at the thought of Gerry Clancy seeing the state of the place had she been spurred into action. Maybe the timing of his visit hadn’t been so bad.”

There’s a hurdle in their love story when a deep and buried secret comes out, and Gerry and Ellen must face their relationship and their future. Tension builds between Ellen and Louise, because she is still grieving the death of her father and she doesn’t feel ready to forget him. The family is fragile, and Ellen must work to save it.

“Last night both she and Jennifer had been so shocked they’d hardly said a word on the drive to Felicity’s. The crew were there when they arrived and the punch was flowing. Louise didn’t care how bad it tasted as long as it helped her forget about what happened at the Popes’.”

Ellen is a wonderful protagonist. She’s strong and determined, and also incredibly relatable and likeable. She is an anchor for the book, the entire plot revolving around her. The relationships between Ellen and Gerry and Ellen and Louise are well-developed and plausibly placed. Additionally, Tracey is a hilarious side character and I loved any scene she was in. She provided comic relief and helped break up an otherwise sombre and melancholic scene.

Leaving Ocean Road is about learning to let go of the past and embrace the possibility of a new future. There are romantic plots for both Ellen and Louise, and together they find hope and purpose amidst their grief and mourning. Esther has done a great job of capturing this and illustrating it effectively and realistically.

This book may be a romance novel, but it’s also about family and friendships and the importance of letting go of the past and embracing the future. It’s sweet, but not over the top. I recommend this to fans of romance novels.

Thank you to the publisher for sending me a copy of this book in exchange for an honest review.

Leaving Ocean Road
Esther Campion
August 2017
Hachette Book Publishers

Nineteen Letters by Jodi Perry

Nineteen. There’s something about that number; it not only brought us together, bonding us forever, it also played a hand in tearing us apart.

The nineteenth of January 1996. I’ll never forget it. It was the day we met. I was seven and she was six. It was the day she moved in next door, and the day I developed my first crush on a girl.

Exactly nineteen years later, all my dreams came true when she became my wife. She was the love of my life. My soul mate. My everything. The reason I looked forward to waking up every morning.

Then tragedy struck. Nineteen days after we married, she was in an accident that would change our lives forever. When she woke from her coma, she had no memory of me, of us, of the love we shared.

I was crushed. She was my air, and without her I couldn’t breathe.

The sparkle that once glistened her eyes when she looked at me was gone. To her, now, I was a stranger. I had not only lost my wife, I had lost my best friend.

But I refused to let this tragedy be the end of us. That’s when I started to write her letters, stories of our life. Of when we met. About the happier times, and everything we had experienced together.

What we had was far too beautiful to be forgotten.

Nineteen Letters is a romance novel by Jodi Perry, documenting the relationship between husband and wife Jemma and Braxton. They’re childhood sweethearts and newlyweds, but Jemma is in a car accident and loses her memory. Braxton — who doesn’t want to live his life without Jemma — writes her nineteen letters about their past in an attempt to jog her memory and bring her back to him (both mentally and physically).

“I screw up another piece of paper The first letter came easily — it made sense to start at the very beginning — but now that I know she’s actually going to read them, my approach has changed. I want to cram as much as I can into this one. There’s so much I yearn to say.”

The premise of this novel is perfect for a romance story — it’s the classic ‘girl forgets who boy is and boy must win girl back’ kind of story. It may have been done many times before, but Jodi has done a great job of making it feel unique to the characters and enjoyable to read.

The novel is well-paced, taking the time to really explore Jemma and Braxton’s history and their childhood, whilst also focusing on their journey together post-accident.

“When the accident happened, I worried she would never wake up, and I would lose her. Not once did I contemplate the possibility that she would wake up and I would lose her anyway.”

Jodi Perry is a skilled writer, perfectly balancing dialogue and prose and allowing the reader to get to know the characters without beating us over the head with backstory and emotion. I think that perhaps the book was a little longer than it needed to be, and at times I found myself skimming the the book until we got to the next letter.

Jemma is a strong character — intuitive and intelligent. She definitely grew on me over the course of the novel. I’ll admit, I didn’t like her that much after her accident. I think the reader was supposed to sympathise for her and acknowledge her fear and vulnerability, but instead Jemma just came off incredibly rude and mean to Braxton. She was blunt, harsh, and totally unwilling to let him into her life. However over time, she softens and the two begin reconnecting.

Braxton was the more relatable character of the two. He was patient, calm, loving and compassionate. He was definitely the stronger of the two characters, and he’s one of the reasons I really loved this book.

“I bend down and pick up a pebble from near my feet, then skim it across the water. As kids, Jem and I had competitions to see who could get the most bounces. I usually won, but there were times I purposely threw a bad one so she could beat me.”

I feel that the relationship between Jemma’s parents detracted from the overall plot. Because I was so invested in Jemma and Braxton’s relationship, I didn’t care enough about Christine and Stephen to really feel emotionally invested in them rekindling their romance. And the fact that friends Rachel and Lucas are ALSO having problems means there are three couples in the book and three relationships that need fixing. At times, it felt a little too much.

I think Jodi did a great job of pacing the relationship between Braxton and Jemma, slow-building their reconnection and making their friendship seem authentic. Braxton was patient and thoughtful, and Jemma was desperate to remember her old life.

In saying that, I quite often found the characters over-the-top sweet. Sickly sweet. At the beginning of the novel, Jemma and Braxton are just back from their honeymoon and Jemma is about to go back to work. It’s the morning, and they each stand in their bedroom/bathroom and for a good couple of pages, they just keep telling each other how much they’re going to miss each other:

‘I’m not ready to go back to work. I can’t stand the thought of spending the entire day without you.’

‘I’m going to miss you.’
I’m going to miss you too, Jem. The past four weeks have been my kind of heaven.’

“I wish you didn’t have to go,’ His warm breath on my skin leaves goosebumps in its wae.
‘Me either.’
‘The next eight hours are going to feel like an eternity.’
I sigh in agreement. ‘I know.’

Is it cold of me to think that this isn’t realistic? That the average couple aren’t this expressive/complimentary/sweet? At the beginning of the novel, their relationship is mostly conveyed through their dialogue and I think there could’ve been ways for their actions towards each other to show the same level of love but without the (sometimes cheesy) dialogue. However, as the novel progress Jodi illustrates their friendship and eventual romance mostly through description and prose (and letters!), which I think worked better.

While packaged like a Jodi Picoult novel, fans of Nicholas Sparks will love Nineteen Letters. It also reminds me of the movie The Vow with Channing Tatum and Rachel McAdams. This book is for romance readers – there’s no doubt about that. If you like a good love story, then this is the book for you!

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Nineteen Letters
Jodi Perry
September 2017
Hachette Book Publishers

Lovesick by Jean Flynn

Beth is an absolute wreck. She is certain that she has some kind of disease — a fatal one, most likely. She is also very single and quite keen on her (boss) colleague, Dr Brendan Roberts. He seems to fancy her, too — well, until The Morning After.

Beth knows it’s time to sort out her messy life, but she has no idea where to start.

Enter Shane — a slightly dishevelled forklift driver. He may not be suave or wealthy, but he does laugh at Beth’s jokes and remember how she likes her coffee. Plus, the more they hang out, the healthier she feels.

But when Shane suddenly cuts off all communication, Beth starts to think there’s no such thing as The One, and she decides to stop being slapdash and move on. Only life is never that simple, and Beth must take a chance if she hopes to find the cure to her ills.

Lovesick is a hilarious romantic comedy about taking risks and learning to let go of whatever is worrying you or holding you back.

Beth is a wonderful protagonist — she’s 26 and she’s witty, smart, sharp and she knows what’s good for her. She has a crush on her boss, but she doesn’t let it overcome her. She doesn’t get her hopes up. And after their Morning After, she doesn’t get in over her head. She is level-headed and mature. I loved reading about her in the story. At first, she’s unsure of herself and she’s quite shy. She doesn’t go for what she wants and she (in some ways) lets people walk all over her, like her sister Simone.

“I’m ready! Most days are like this. Every day, really. It would be nice to sit neatly at the dining table and eat organic bircher muesli and read the newspaper before work. I would like to carefully consider my outfit, wear fitted dresses and brooches and have my hair done properly. But calmly calmly just isn’t my style. Slapdash! is all I can manage.”

Over the course of the novel, she learns to adjust her expectations and believe in what she actually wants. Her sister is pushing her to pursue a relationship with her boss Brendan, but Beth knows something isn’t quite right. She knows that Shane is a better fit for her, despite the fact that they’re so different and his roommate is warning Beth against him. And then Shane disappears for a couple of weeks, and Beth isn’t sure what this means.

“What’s weekend Brendan like? I can’t imagine him in anything except slim-fit tailored pants and collared shirts. Does he wear skinny jeans? Bootcut and moleskins? Beige chinos? Surely not chinos. He’s only thirty-two.”

“I wouldn’t mind kissing Brendan. Or, really, just kissing someone. Brendan’s super attractive and everything, but does he take longer than me getting ready every morning? Are his teeth too white?”

Beth — and all of the other characters — are flawed in many ways. But that’s what makes them relatable, and fun to read about. This is a light romance novel for anyone looking for something not too heavy. Jean won the inaugural XO Romance Prize, so it’s easy to understand why this novel is so fun to read.

In saying that, I think the ending wrapped up a little too abruptly. We find out the reason why Shane has been avoiding Beth, and then the book finishes. It felt a little sudden to me. I would’ve liked for the resolution between Beth and Shane to be a little more in-depth rather than just one conversation. I definitely think Jean had room to expand this.

“Sometimes when I’m halfway through saying something that I think is a good joke I realise that it’s probably just weird, but then it’s too late people I’m with look at me like, What? So, I love that Shane gets when I’m not being serious (most of the time) and goes along with my bizarre conversations.”

The best part about this book is the humour. Jean had me laughing out aloud on the train all throughout the book, with hilarious one-liners and really witty character observations. I raced through this book, devouring each page and desperate to read how the story was going to progress. This is a novel I’d recommend to all the romance readers out there — it’s fun and light but it’ll also pull on your heart strings.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Lovesick
Jean Flynn
August 2017
Xoum Publishing

It’s Not Me, It’s You by Mhairi McFarlane

It’s Not Me, It’s You is a hilarious romance/chick lit novel from Mhairi McFarlane, author of Who’s That Girl?

Delia Moss isn’t quite sure what went wrong. She proposes to her boyfriend, he says yes and then he accidentally sends a message to Delia that he intended to send to his mistress. So, their relationship ends, and she needs a change. She moves to Newcastle for a PR job and lives with her best friend in the meantime. And of course, there’s a handsome journalist on the prowl threatening to expose her new boss and Delia tries to singlehandedly fend him off. All in all, this book is a jam-packed, hilarious recipe for a great romance read.

“Uncovering an affair wasn’t a one big fact headline story. It was like Metroyshka dolls, lies inside lies inside lies.”

This book is smart and funny, with characters you fall in love with and hilarious mishaps that you want to relive. Mhairi McFarlane has written another novel with comic romance and a dreamy love interest. The dialogue is witty and sarcastic and the book is laugh-out-loud funny.

“Ann’s policing of the office fridge was frightening. Despite being post-menopausal, she decanted her semi-skimmed into a plain container and labelled it ‘BREAST MILK’ to ward off thieves.”

There’s something in this book that I’m sure all readers can relate to – what do you do when the rug gets pulled out from under you? This is for all readers who’ve been suddenly dumped, or fired, or evicted. It’s for those of us who may need a little escape from the world right now – something to laugh at and giggle over. The characters are three dimensional and real, and the situations realistic.

“One night with you and he’s turned into a love-letter writer. You must have an incredible pelvic floor.”

I found my attention dropping off in the middle of the book. I felt like the book was about 100 pages too long and I couldn’t see where the story was going. The romance interested me and I persevered in order to find out what happens, but the storyline with Delia’s PR job and its complications are perhaps not strong enough to keep the ‘occasional reader’ interested. I soldiered on because it’s Mhairi McFarlane and I knew it’d have a satisfying conclusion, but I it was a real effort during those middle chapters.

It’s Not Me, It’s You is about picking yourself up after some hardships. It’s about taking that necessary time out to figure out what you really want and what you really need, and then going for it. It may take Delia a while to figure that out, but she does, and it’s uplifting and enjoyable for the reader.

I recommend this book to romantic fiction lovers, and to fans of chick lit. This is a feel-good book full of hilarity and heart. It’s one of those stories where you know it’s going to end up alright, like a Disney movie or a Hollywood rom-com.

It’s Not Me, It’s You
Mhairi McFarlane
November 2014
HarperCollins Publishers

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