JESS JUST READS

A BOOK REVIEW BLOG

Blood River by Tony Cavanaugh

Three women. A city in fear. And a killer who will alter them all.

Brisbane 1999. It’s hot. Stormy. Dangerous. The waters of the Brisbane River are rising. The rains won’t stop. People’s nerves are on edge. And then . . .
A body is found.
And then another.
And another.

A string of seemingly ritualised but gruesome murders. All the victims are men. Affluent. Guys with nice houses, wives and kids at private schools. All have had their throats cut. Tabloid headlines shout, THE VAMPIRE KILLER STRIKES AGAIN!

Detective Constable Lara Ocean knows the look. The ‘my-life-will-never-be-the-same-again look’. She’s seen it too many times on too many faces. Telling a wife her husband won’t be coming home. Ever again. Telling her the brutal way he was murdered. That’s a look you never get used to.

Telling a mother you need her daughter to come to the station for questioning. That’s another look she doesn’t want to see again.

And staring into the eyes of a murderer, yet doubting you’ve got it right. That’s the worst look of all – the one you see in the mirror. Get it right, you’re a hero and the city is a safer place. Get it wrong and you destroy a life. And a killer remains free. Twenty years down the track, Lara Ocean will know the truth.

Blood River by Tony Cavanaugh is a gripping and glorious crime novel set in Brisbane in 1999. This is one of the best crime reads I’ve come across in the last year, and I tore through those pages in one day. I was fascinated by the storyline, the characters, the murders, and the conclusion. What a compelling read.

Three men are gruesomely murdered near the Brisbane River in 1999, and the police suspect high school student Jen. But is she really capable of the heinous crimes they’re accusing her of?

“How could I forgot. Girl after girl after girl, all saying the same: she’s weird, she carries a flick-knife around school, and what’s with the Celtic thing? And Bettany knows she’s into Satan, like worships him and stuff, rituals and stuff, and Olivia saw her in the Queen Street Mall one Sunday and she was, like, so stoned and….and….and…”

The book shifts in timeline and POV a fair bit. It’s written in first person, but switches between a teenage Jen soon after being accused of murdering three men in Brisbane, to Lara Ocean the police officer working on the case, to the unidentified killer who is trying to hide their identity.

A good crime novel is when your guesses — your theories — are wild and unrealistic, and you have no idea if you’re going to pick the twist or not. Tony Cavanaugh manages to capture this incredibly well — he has nailed the balance between revealing enough information to entice readers, but not too much where the reader feels like they’ve ‘solved it’.

“It was the case. Three victims in less than a week. It was the rain, the grey sky, the hammering relentlessness of blood and water, a river rising. It was Damon, it was mum, it was Nils and my stupid decision-making teen years that were coming back to me after I thought I had buried them and started anew.”

Police officer Lara Ocean has a complex past and her teenager years seemed pretty rebellious and disturbing — there are some similarities between her childhood, and Jen’s childhood. As a result, she’s able to look at the case from an unbiased perspective.

She’s calm and more considering of the evidence and she’s more sympathetic towards Jen, but she’s also fairly new to the job and she’s easily influenced by others. Her police partner Billy is dodgy — he doesn’t always obey rules, and he thinks he knows how to get results in a case. Additionally, Lara’s ex-boyfriend resurfaces and he is terrifying. Soon, Lara is conflicted about how to move forward with the case.

“We found her wandering through Missing Persons — how on earth did she get there? Don’t ask; police headquarters is supposed to be secure — but here was our dilemma. Jen’s mother had clearly taken some medication and was on another planet, and while, yes, she could respond and speak to us and give her approval for a record of the interview with her daughter, we had to ask ourselves; would this come back to haunt us if, if, we ever took Jen to court?”

I really enjoyed the atmosphere and setting of the book — Tony has captured the flood and the anxieties of Brisbane residents incredibly well. I could really picture the locations that were mentioned in the book, and I found it comforting to read so many references to so many Brisbane places.

If you love crime fiction, please buy this. You won’t regret it. It’s mesmerising and memorable, taunting and terrific.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Blood River
Tony Cavanaugh
May 2019
Hachette Publishers

The Woman in Darkness by Charlie Donlea

As a forensic reconstructionist, Rory Moore sheds light on cold-case homicides by piecing together details others fail to see. And while cleaning out her late father’s law office, she takes a call that plunges her into a forty-year-old mystery. In the summer of 1979, five Chicago women went missing.

The predator, nicknamed The Thief, left no bodies and no clues behind – until police received a package from a mysterious woman named Angela Mitchell, which uncovered his identity. But before police could question her, Angela disappeared.

Forty years later, The Thief is about to be paroled for Angela’s murder – the only killing the DA could pin on him. But a cryptic file found in her father’s office suggests to Rory there is more to the case than anyone knew.

Soon Rory is helplessly entangled in the enigma of Angela Mitchell and what happened to her. Drawing connections between the past and present, she uncovers dark truths about the reclusive woman, her own father, and the man called The Thief.

But not even Rory is prepared for the terrifying secrets about to emerge…

The Woman in Darkness by Charlie Donlea is a suspense thriller about a young woman trying to manage her deceased father’s old case work, and a prisoner who was accused of murdering his wife 40 years earlier. The book is fascinating and compelling and fast-paced — a real page-turner.

The book switches between 1979 and 2019. Angela was a young wife living with her husband Thomas. She’s autistic, although that term wasn’t created back then and so people treated her horribly because they didn’t understand why she was different to everyone else. She is fascinated with the recent disappearances of young women in her area, and starts collecting evidence in an effort to discover who is behind the crimes.

“Angela didn’t need to look into Bill Blackwell’s eyes to see the disgusted look on his face. She sensed it. It was an expression that sent Angela back to her childhood. Most people looked at her this way throughout her adolescence, and today Angela felt much of the confidence she had learned in the last few years slipping away.”

In 2019, we meet forensic reconstructionist Rory. She’s trying to find out what happened to a young woman who was murdered 1 year earlier, but that case is put on hold when her attorney father dies and she goes through all his open case files. One of the prisoners he was defending is set to be released on parole. Forty years earlier, he was jailed for the murder of his wife. He was suspected of murdering dozens of other women, but they could never prove it was him.

There’s a strong connection between Rory and Angela — similarities in their personality and their compulsions, and their manner. They’re both strong protagonists, inviting the reader in and keeping them engaged until the final page. Both of them are incredibly intelligent women with brilliant minds — they’re simply misunderstood by the people around them.

The writing is tight and cohesive, the dialogue realistic and relatable. The characters draw you in, but also keep you guessing. There are so many people who will love this book.

“She’d spent the entire evening suppressing her obsessive-compulsive needs. Angela’s freshly learned self-restraint had done her well. It opened up a new world with Thomas, and had allowed her to forge a friendship with Catherine. But Angela knew she could not completely ignore the needs of her mind and the demands of her central nervous system, which screamed for her to organise and list and break down the things that made no sense.”

A small flaw with the book is that Rory is signed on to solve that case about the murdered woman
one year earlier, and there is no development in it at all in the entire book. And then there’s an
open end about it. Perhaps that’s to allow for a sequel, but it actually just felt really disappointing.
That side storyline didn’t even need to be in the book, and there could’ve been other ways that
Rory was written into the premise.

I’d recommend this book to anyone who loves crime and thriller novels. The premise draws you in
and the characters keep you there. Angela is a fantastic character, and her story is not only well
written, but evocative and interesting and enthralling. I loved reading about her.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Woman in Darkness
Charlie Donlea
April 2019
Penguin Random House Publishers

Half Moon Lake by Kirsten Alexander

‘They said he was their boy. And so he was . . .’


In 1913, on a summer’s day at Half Moon Lake, Louisiana, four-year-old Sonny Davenport walks into the woods and never returns.

The boy’s mysterious disappearance from the family’s lake house makes front-page news in their home town of Opelousas. John Henry and Mary Davenport are wealthy and influential, and will do anything to find their son. For two years, the Davenports search across the South, offer increasingly large rewards and struggle not to give in to despair.

Then, at the moment when all hope seems lost, the boy is found in the company of a tramp.

But is he truly Sonny Davenport? The circumstances of his discovery raise more questions than answers. And when Grace Mill, an unwed farm worker, travels from Alabama to lay claim to the child, newspapers, townsfolk, even the Davenports’ own friends, take sides.

As the tramp’s kidnapping trial begins, and two desperate mothers fight for ownership of the boy, the people of Opelousas discover that truth is more complicated than they’d ever dreamed . . .

Inspired by the real life kidnapping of American boy Bobby Dunbar, Half Moon Lake by Kirsten Alexander is a fascinating crime novel set in the early 20th century.

This book is about many things, not just a missing child. It’s about class and the treatment of black people in southern America in the early 1900s. It’s about reputation and family, and the opinion of others. It’s about making the wrong decision and then being forced to live with it and work with it, because the ramifications of acknowledging your mistake are too damaging to imagine.

“While he hadn’t expected effusive thanks from a man of John Henry’s stature, Tom had thought his kindness to the man’s wife might have elevated him in his eyes.”

The reader is left wanting more. What happened to Sonny? Where is he now? Who took him? What’s going to happen to Mary and John Henry and Grace? The suspense draws the reader in and keeps them turning the page.

The cast of characters all reflect the time and era that the book is set. Mary and her husband John Henry are upper class, wealthy and implement their influence on those lower down. They get away with what they want. Sure, they have their issues — Mary’s mental state has declined since her son went missing and her father treats her horribly and blames her for the disappearance — but they shield their pain from the outside world and put on this act that they’re coping just fine.

Wealth and status can influence justice in this story, and we see it a couple of times. John Henry is on track for a career in politics and is therefore able to manipulate opinion and processes just because of who he is and where he hopes to go. Other people obey him, and are scared of betraying him.

But how far is he willing to go to keep his wife happy? How far is he willing to go to keep his political career on track?

“Esmerelda felt sorry for Mr and Mrs Davenport sometimes. The reunion hadn’t brought them the peace they’d yearned for. She heard their arguments, barely muted by closed doors. And Mrs Davenport’s mood changed at the whim of the child.”

The blurb of this book makes you believe that this boy could be Sonny Davenport, but in actual fact, it’s made clear pretty early on that Sonny’s mother lies. She desperately wants her boy back, so she convinces herself that this little boy — whose real name is Ned — is actually hers.

When the real mother Grace Mill comes forward and the kidnapping trial ensues, the truth starts to seep out.

The book is rich with emotion and pain, as two women fight for the right to claim this young boy. Grace is an unwed mother and very poor, and she is judged because of her appearance and social standing. Mary, Sonny’s mother, is from a wealthy, well-respected family and therefore more people are likely to side with her.

“John Henry decided to stage the viewing after Christmas. If he had to do it – and it seemed he did – he’d not allow it to ruin the Christmas celebrations his wife had put so much effort into.”

I wondered if more attention should’ve been given to the gossipy nature of the town. Given the time this was set, and the crimes that have been committed, the scope of the gossip around town and the number of people trying to insert themselves into the drama felt kind of small. I didn’t get a strong sense of that ‘small town huge news’ atmosphere where everyone is whispering and passing on news and eavesdropping.

Additionally, I was left feeling dissatisfied with the ending, in a way that made me feel like the ending actually weakened the story. It was too abrupt to seem deliberate, too unresolved to be pleasing.

Recommended for fans of crime, thriller and mystery novels.

Thank you to the publisher for sending me a copy in exchange for an honest review.

Half Moon Lake
Kirsten Alexander
January 2019
Penguin Random House Publishers

The Boy by Tami Hoag

Mother, liar, murderer?

In the sleepy Lousiana town of Bayou Breaux, a mother runs to her neighbour – bloody and hysterical. The police arrive to find Genevieve Gauthier cradling her seven-year-old son in her arms as he bleeds to death.

Detective Nick Fourcade finds no evidence of a break-in. His partner Detective Annie Broussard is troubled by parts of Genevieve’s story that don’t make sense. Twenty four hours later teenager Nora Florette is reported missing. Local parents fear a maniac is preying on their children, and demand answers from the police.

Fourcade and Broussard discover something shocking about Genevieve’s past. She is both victim and the accused; a grieving mother and a woman with a deadly secret. Could she have something to do with the disappearance of teenager Nora Florette?

A unbearable loss or an unthinkable crime? Number One New York Times bestselling author Tami Hoag keeps you guessing in her most gripping thriller yet.

The Boy by Tami Hoag is a crime thriller set in a small town in the United States; the book follows the investigation of the brutal murder of a young boy, KJ, and the disappearance of the boy’s teenage babysitter, Nora.

The book is set in the Cajun country in Louisiana, and Tami encapsulates the setting perfectly. You can picture the small town easily, with the distinct class systems and the gossip and the hidden secrets behind closed doors.

The Boy works really well as a standalone novel, with only a few brief mentions to previous cases and enough information that you can follow along easily.

“The house looked even worse on television than it did in real life. People would watch this and think she lived in a dump — because she did. They would have no way of knowing it was only temporary, that as soon as Jeff was able to give her an office job and she had managed to scape together enough for a deposit and first month’s rent, she planned to move someplace better.”

The plot is twisted and full of mysteries, with fully fleshed characters and plenty of secrets. Nick is a very unpredictable man, with a lot of anger simmering beneath the surface. He’s snappy and unable to keep his opinion to himself.

His wife Annie is warm and comforting and is a much more approachable character. She helps calm her husband down, trying to make him see reason so that he doesn’t piss off the wrong person and get himself fired. Their dynamic works really well, and I thought they were both great protagonists.

I certainly didn’t see the ending coming, and all my guesses were wrong. I ploughed through this book so fast, completely enraptured by the mysteries of this small town.

The Boy switches between character POV, allowing the reader to find out different information about the victims. Slowly, information is revealed and you can start to form your own opinions about who killed KJ and where Nora has disappeared to.

Tensions builds throughout the whole novel, delivering the reader to a really intense finale. The ending is as satisfying as the lead up.

“As he rose, he reached out and gently touched her uninjured shoulder in a gesture of sympathy and reassurance. She seemed as slight as a bird. It was hard to imagine her fighting off an armed assailant, but people often found physical strength beyond imagining when faced with the choice of life or death.”

The book touches on many societal issues that people will recognise — bullying, suicide and class. Nora is from a poor family that have a very unconventional home life. Her single mother never really knows where Nora is, nor her other children. She cares about her children and she loves them, but isn’t able to always be there for them or support them in the way that they need. They’re left to their own devices a lot, and they’re really irresponsible. Nora’s brother Dean is a bully and really abusive, and a couple of Nora’s sisters are young single mothers who are also struggling.

Most of the people in the town judge them and shun them and refuse to let their children hang around the Florette family. A lot of people also judge KJ’s mum Genevieve because she’s a single mum and she’s poor and living in a rundown rental property.

“Still young enough to be momentarily intimidated by authority, the boy’s expression sobered as Annie walked up to him with her hands jammed on her hips. He was about the same size as her, she thought, and he was still more little boy than young man.”

In the first 100 pages or so, the dialogue between the detectives — in particular, Detective Nick Fourcade — was very cliche and over the top. It was antagonistic and actually made me cringe on many occasions. This seemed to mellow out as the book progressed, though.

Something else I disliked about the book was the unrealistic, overly sensitive inner monologue that both Nick and Annie shared. Sometimes their inner dialogue — in particular when they were thinking about how much they loved the son — read identical, like they were the same character. This was a point in the novel where I felt like the author’s voice, and her own feelings towards her family members and how she’d feel if anything happened to them, was coming through the page. The lovey-dovey thoughts of Annie and Nick actually made me cringe and roll my eyes, and it really jolted against the pacing of the book.

A fast-paced thriller novel with more than one mystery to solve, crime readers will be turning the pages desperate to find out the ending.

Thank you to the publisher for sending me a copy in exchange for an honest review.

The Boy
Tami Hoag
January 2019
Hachette Book Publishers

Greenlight by Benjamin Stevenson

Four years ago, in the small town of Birravale, Eliza Daley was murdered. Within hours, her killer was caught. Wasn’t he?

So reads the opening titles of Jack Quick’s new true-crime documentary. A skilled producer, Jack knows that the bigger the conspiracy, the higher the ratings – and he claims Curtis Wade was convicted on flimsy evidence and shoddy police work. Millions of viewers agree.

Just before the final episode, Jack uncovers a minor detail that may prove Curtis guilty after all. Convinced it will ruin his show, Jack disposes of the evidence and delivers the finale unedited, leading to Curtis’s eventual release.

Then a new victim is found bearing horrifying similarities to the original murder. Has Jack just helped a killer walk free?

Determined to set things right, Jack returns to Birravale looking for answers. But with his own secrets lurking just beneath the surface, Jack knows more than anyone what a fine line it is between fact and fiction. Between life and death.

Now there’s only one option left. The truth.

Greenlight by Benjamin Stevenson is a rural crime thriller about the long-solved murder of backpacker Eliza Daley.

It’s an interesting premise — a well-known television producer and presenter helps cast enough doubt on a convicted killer that he is released from prison. But perhaps this man was indeed the killer after all?

Benjamin’s writing is polished. The dialogue realistic, the characters are three dimensional and well-developed, and the mysteries of this rural town are enticing enough to keep the reader turning the page. I thoroughly enjoyed reading this story, and churned through the pages of this book.

“The shoe grew heavier in his mind every day. Jack knew what it was like to make a decision that you can’t take back, even if you want to. Some small, inconsequential choice that grows and grows into something monstrous when everyone is watching. Why had he been fine with hiding the shoe?”

Jack Quick is flawed, but he’s also determined and compassionate and desperate to find out the truth. He puts himself in dangerous situations and is able to see things that others probably wouldn’t be able to see.

He starts to piece together what happened to Eliza Daley, and also the second victim who is murdered after Curtis Wade is released from prison.

Greenlight does follow a bit of a stereotypical trope found in rural fiction — someone arrives in a small town and they are neither a policeman or a detective, and yet they’re able to solve a crime that the cops couldn’t? I’ve read quite a few crimes novel lately that feature a protagonist like this.

“Jack scanned the paper. The front page had a close-up picture of Curtis, red letters splashed diagonally across him. Of course, the sub-editor had added the question mark — The Nailbiter Killer? — to protect from defamation.”

The prologue of this book is completely unnecessary. It’s from the point of view of Eliza, shortly before being murdered and it gives away too much. It makes it very clear that she’s being kept underground, which allowed me to guess one of the twists in the novel long before it was revealed.

Despite that, this is one of my favourite crime novels from this year. There are many different mysteries to solve, not just the murder of Eliza Daley, and tension builds slowly until the reader grows very anxious about what’s going to happen.

Greenlight is utterly compelling and engrossing — an absorbing mystery with more surprises than I thought possible.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Green Light
Benjamin Stevenson
September 2018
Penguin Random House

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