JESS JUST READS

A BOOK REVIEW BLOG

Floored: A Collaborative Novel

When they got in the lift, they were strangers (though didn’t that guy used to be on TV?): Sasha, who is desperately trying to deliver a parcel; Hugo, who knows he’s the best-looking guy in the lift and is eyeing up Velvet, who knows what that look means when you hear her name and it doesn’t match the way she looks, or the way she talks; Dawson, who was on TV, but isn’t as good-looking as he was a few years ago and is desperately hoping no one recognizes him; Kaitlyn, who’s losing her sight but won’t admit it, and who used to have a poster of Dawson on her bedroom wall, and Joe, who shouldn’t be here at all, but who wants to be here the most.

And one more person, who will bring them together again on the same day every year.

Described as The Breakfast Club meets One Day, Floored is a collaborative young adult novel by seven bestselling and award-winning authors: Sara Barnard, Holly Bourne, Tanya Byrne, Non Pratt, Melinda Salisbury, Lisa Williamson and Eleanor Wood.

Six teenagers coincidentally end up in the same lift together at a TV broadcasting building. They’re joined by an older gentleman who seems unwell when he enters into the lift. The man suffers a medical episode and dies in the lift. And so begins their connection. The seven characters bond over the sudden death of this man, and these six strangers soon become friends.

“Ivy and I have always had this policy: brutal honesty. And, until recently, I’ve never been tempted to break it. It’s just that if I tell her I’m going to the bloke from the lift’s funeral, she’s bound to want to come with me. And for whatever reason, I feel like this is something I need to do alone. More than tat, it’s something that I want to do alone.”

If these teenagers had met under different circumstances, they probably wouldn’t have been friends. For example, Hugo is a self-entitled, womanising asshole who only cares about himself. Sasha is from a working class family who is trying to help out her father. These six characters are all incredibly different, but their lives become bound together when they witness this man’s death.

The novel takes place over approximately six years, and we follow these six characters as their lives intertwine and they stay in touch. For the first couple of years, they meet up on the anniversary of the lift incident. And then as they bond, some of them become close and spend much more time together.

There’s not a huge amount of plot to this novel; it is more of a character-driven story. The novel jumps forward in time a lot, mostly following these characters on the anniversary of the man’s death. Even though we find out little things about their lives and the authors tackle issues such as Alzheimer’s, friendship, family, love and sexuality, the book moves pretty slowly. There’s drama and tension and evidence of these teenagers navigating their lives, but I wouldn’t recommend this for readers who are looking for a lot of plot.

“I want to laugh and tell him he looks worse than I do, like he’s just seen a ghost. I want to tell him not to worry about me. But none of that comes out. He looks at me, and I burst into tears. The tears I’ve been trying so hard to hold in for so long.”

Unfortunately, I found it hard to really connect with all of the characters because we don’t spend much time with them. When there are seven main characters, the focus is divided and so I got to the end of the novel and felt like I wasn’t as invested in their storylines as I could’ve been.

Floored is a surprisingly smooth read, considering there are seven novelists in there. All the characters feel so different, but when they come together I didn’t feel jolted by different voices or writing styles. The plot flows really well.

Young adult readers will love this collaboration.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Floored
A Collaborative novel by Sara Barnard, Holly Bourne, Tanya Byrne, Non Pratt, Melinda Salisbury, Lisa Williamson and Eleanor Wood
July 2018
Pan Macmillan Publishers

Clean by Juno Dawson

When socialite Lexi Volkov almost overdoses, she thinks she’s hit rock bottom. She’s wrong. Because rock bottom is when she’s forced into an exclusive rehab facility.

From there, the only way is up for Lexi and her fellow inmates, including the mysterious Brady. As she faces her demons, Lexi realises love is the most powerful drug of all …

It’s a dirty business getting clean.

Clean by Juno Dawson is a young adult novel set inside an expensive rehab facility on a secluded island.

Clean is a really honest representation of recovering from addiction. There are setbacks. There are complications. There are relapses. Recovery is not a linear process.

I think it’s really important for teenagers to read about addiction and how it can affect your life, but I also think it’s really important for them to see what recovery looks like. It isn’t pretty.

“I check the other messages. Mummy asks how I am and is then sniffy when I haven’t replied. I do so now and tell her my phone was stolen by Muslim immigrants outside Clapham Junction. This plays gloriously into about nine of her prejudices.”

Lexi Volkov is a pretty horrible person — self-centred, cynical, judgemental, rude and incredibly privileged. She does grow over the course of the novel, but she is still incredibly flawed by the conclusion of the book.

She’s from a wealthy family and is adored and can get away with pretty much anything. Her brother Nikolai is the only person who wants her to take responsibility for her actions. She enters the exclusive rehab centre Clarity with a heroin addiction and meets other addicts who are all filthy rich and in need of recovery.

“I grab a rock and hurl it at the sliding doors. It pings off without even making a scratch. I try again, pelting stone after stone at the window. How sodding thick is the glass? By the time the nurses come running in, I’ve crumpled to the floor, my energy sapped. As they try to restrain me, I start to lash out with the now empty bowl.”

Juno Dawson tackles addiction with brutal honesty. There are many unpleasant moments in the novel. Each character in rehab is struggling with some sort of addiction, and their road to recovery is not going to be easy.

But at the same time, the book has heart. There are moments of humour and self-realisation. This book is as addictive as the drugs in the story, and I devoured the novel. I found myself really invested in the storylines and the character journeys. I wanted to know how each character was going to progress through the novel.

“I bristle at the quasi-religious flavour of that word. You don’t face temptation, you face life. Life is full of nice things that are bad for us. Temptation is just a fancy word for wanting them. It’s the same as ‘demons’. The first time someone says I have ‘demons’ I’m out of here. I don’t need an exorcist. I need a drink.”

The writing is incredibly compelling, enticing the reader with flawless dialogue, prose and pacing. The chapters are short and the cast intriguing. I wanted to know more about all of these characters, and they have been brought to life so vividly.

Juno has captured their voices so well — they’re all incredibly unique, and therefore you sympathise and empathise with them and you keep reading because you want to find out what happens.

I appreciate that Juno doesn’t romanticise illness or addiction. It’s important for these characters to recover, and not just mask their problems with a relationship. It’s rare to see that in young adult fiction, and it’s one of the things I loved about this novel.

Clean is described as Gossip Girl meets Girl, Interrupted and will appeal to fiction lovers and readers of contemporary young adult fiction. It’s hard-hitting, unapologetic, bold, ugly and compulsive.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Clean
Juno Dawson
April 2018
Hachette Book Publishers

Spinning Silver by Naomi Novik

Miryem is the daughter and granddaughter of moneylenders, but her father is not a very good one. Free to lend and reluctant to collect, he has left his family on the edge of poverty – until Miryem intercedes. Hardening her heart, she sets out to retrieve what is owed, and soon gains a reputation for being able to turn silver into gold.

But when an ill-advised boast brings her to the attention of the cold creatures who haunt the wood, nothing will be the same again. For words have power, and the fate of a kingdom will be forever altered by the challenge she is issued.

Channeling the heart of the original fairy tale, Naomi Novik deftly interweaves six distinct narrative voices – each learning valuable lessons about sacrifice, power and love – into a rich, multi-layered fantasy.

Spinning Silver by Naomi Novik is an epic fantasy novel with a new take on the classic fairytale Rumpelstiltskin. At almost 500 pages, Spinning Silver follows over six different characters and their intertwined stories. It’s a grand story, slow-paced and meant to be savoured by the reader.

The world is enchanting and the setting so vivid. This may be loosely based on Rumpelstiltskin, but it reads more like an original fantasy story. With a girl who can turn silver into gold and a King who can stretch Winter for years, the premise is incredibly intriguing to any reader. There are also many underlying themes to the novel that readers will be able to recognise.

The first half of the novel is stronger than the second half, where the pacing slows dramatically and the events in the book seem a little absurd. However, Naomi’s writing is poetic and magical. The prose flows, and the description is detailed and really evokes a strong image for the reader. I could feel the cold and the Winter, and my stomach ached just reading about how impoverished, poor and hungry these characters were.

“I didn’t try to sew. I had a book from off my father’s shelf in my lap, a rare pleasure I couldn’t enjoy. I stared down at the painting of the storyteller and the sultan, a thready shadow-creature taking shape out of the smoke of the brazier between her weaving hands, and I couldn’t even reach the end of a sentence.”

I have mixed feelings about this title. On the one hand, I love retellings. And I adore the story of Rumpelstitzkin and how creative Naomi was in her retelling. However, the pacing is slow and there are too many characters to try and keep track of, and I actually felt really exhausted by the end of the book.

I read an ARC of the book, so perhaps this is different in the final edition, but each section of the book doesn’t say whose POV it is. There are little illustrations used for each character POV, but with so many characters, I couldn’t remember which image belonged to whom, and so whenever the POV shifted it took me a good couple of paragraphs before I knew for sure which character we were now following along with.

It really confused me, and I hope the final edition at least has headings with the character’s name so the reader can follow along easily.

Additionally, I still don’t think I fully understand how the world works? I understand the prolonged Winter and the relationship between all of the characters, and the plot is easy to follow. But I felt like some events in the story weren’t realistic, but were in fact there because Naomi was trying to keep remnants of the original Rumpelstiltskin story in place.

“There was a lot of snow in the yard. I shovelled some of it into big heaps so the goats and chickens could get to the grass. The ground was frozen, but I took out the nut from the white tree and looked at it and wondered if maybe I should plant it here.”

This story is for fans of epic fantasy tales — for readers who will stick with a long story, even if the pacing is quite slow and the world-building a little hard to grasp. It’s not my favourite retelling, but I did keep reading because I was invested in the characters and their individual stories.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Spinning Silver
Naomi Novik
July 2018
Pan Macmillan Australia

Hive by AJ Betts

All I can tell you is what I remember, in the words that I have.

Hayley tends to her bees and follows the rules in the only world she has ever known.
Until she witnesses the impossible: a drip from the ceiling.

A drip? It doesn’t make sense.

Yet she hears it, catches it. Tastes it.

Curiosity is a hook.

What starts as a drip leads to a lie, a death, a boy, a beast, and too many awful questions.

Hive by AJ Betts is the first novel in a two-book dystopian series. The story takes place in a claustrophobic, confined setting — a small, strict community encased within walls.

Hayley is governed by the society she was born into. It’s all she’s known. Everyone has a purpose — a role — but Hayley starts to question hers when she discovers a drip from the ceiling.

It’s water. But that doesn’t make sense. What she’s discovered doesn’t align with what she’s been taught. That’s not where water is supposed to come from. Is it?

“With a thud, the buzzing stopped. It was Geoffrey who’d done it, his palm flat against the wall. He shouldn’t have killed the bee, but I didn’t care — there were plenty of others and, besides, it was further proof that I’d indeed come here chasing a rogue.”

Hive is a refreshing addition to dystopian fiction — a unique plot and premise, and a heavily character-driven story. The setting is eerie and creepy. The novel explores curiosity and intrigue, but also a young girl’s determination to be something other than what she’s been told she needs to be.

The book ends on a cliffhanger, unsurprisingly. I wonder if this story should’ve just been one book with two parts, rather than a two-book series. This is a pretty slim book with a slow plot, and if book two is the same then I think it would’ve served a better purpose to combine the stories.

I’m not that good at keeping up with sequels because there’s often quite a bit of time between books, so if it’s not a trilogy, and the two books are really small, why not combine?

“I checked the commons again, this time looking for other absences. On the stairs that skirted up around the commons stood members of the council, but fewer than there should have been. The judge wasn’t among them. Nor was her son.”

A.J Betts’ writing is detailed, descriptive but also really evocative. She has a real talent with words, and crafting effortless prose that just flows.

The novel does have dark elements, exploring a woman’s role to conceive children so that the society can keep growing. Hive reminded me of The Handmaid’s Tale in many ways.

The protagonist, Hayley, is inquisitive and wide-eyed. She’s innocent, but she’s also smart. She knows it’s not safe to express her curiosities to other people in the community. They won’t believe her. They’ll think she’s ‘mad’ and mentally unstable. So, she spends her time solo — searching and trying to confirm her suspicions about where she’s been living her whole life.

“We all wanted marriage. We all wanted to be the right age at the right time, wearing flowers in our hair and red balm on our lips. We all wanted to take our turn with the gold ring and the white dress that had been worn by every girl since the first days, handed down from generation to generation.”

With poetic writing and an intriguing plot, Hive will appeal to all readers. It asks many questions about what it means to alive.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Hive
A.J Betts
July 2018
Pan Macmillan Australia

From Twinkle With Love by Sandhya Menon

Aspiring filmmaker and wallflower Twinkle Mehra has stories she wants to tell and universes she wants to explore, if only the world would listen. So when fellow film geek Sahil Roy approaches her to direct a movie for the upcoming Summer Festival, Twinkle is all over it. The chance to publicly showcase her voice as a director? Dream come true. The fact that it gets her closer to longtime crush, Neil Roy-aka Sahil’s twin brother? Dream come true x 2.

When mystery man ‘N’ begins emailing her, Twinkle is sure it’s Neil, finally ready to begin their happily-ever-after. The only slightly inconvenient problem is that, in the course of movie-making, she’s fallen in love with the irresistibly adorkable Sahil.

Twinkle soon realizes that resistance is futile: The romance she’s got is not the one she scripted. But will it be enough?

From Twinkle With Love by Sandhya Menon is a heartwarming romantic comedy for young adults. Sandhya is also the author of When Dimple Met Rishi, and both of her novels explore issues surrounding culture, identity and relationships.

I enjoyed this a lot more than Sandhya’s previous novel. I found the storyline really fun and unique, and the characters really varied. Twinkle isn’t afraid to speak her mind and she’s really witty. Sandhya has captured her voice really well. At times she’s self-centered, unable to see the ‘bigger picture’ and makes rash decisions, but teenagers are like that. They can be over confident or immature, but in Twinkle’s case, she’s trying to show her classmates what she’s capable of.

The book is told through letters, email and text messages and is a really fun format. Sometimes the format is not very cohesive though, and I found myself confused and trying to keep up with the alternating formats. Additionally, the tense is a bit jolting. Most of the time, the big events in the book are actually told in past tense so Twinkle would give an introductory paragraph before diving back into what happened, and it felt pretty exhausting as the reader.

Twinkle is really passionate about being a filmmaker, and she grows over the course of the novel. At first, she’s hesitant, anxious and she doubts herself and her ability. But by the end, she knows how talented she is and she knows how important it is to strive for what you want.

“I got the strange feeling that there was a lot more under the surface than what Sahil was saying. But his eyes kept darting around, his jaw was clenched, and his arms were folded across his chest. It felt like he didn’t want me to get too close.”

From Twinkle With Love also explores female friendship and the pressure of being popular and liked in high school. Twinkle’s friend Maddie is in with the popular group, and at times she’s pressured to act a certain way to please the other girls, particularly Queen Bee Hannah MacIntosh. But that’s not who she is, and she often has to ignore Twinkle to push her away because Twinkle is not considered popular or cool. She is self-conscious and even describes herself as being a ‘groundling’. This causes friction between the girls.

I can relate to this a lot. Any girl who went to high school probably can. It was so easy to change your actions because of what others thought of you, and I think Sandhya captured this really well.

“What sucks is Hannah’s having a birthday party at Victoria’s parents’ cabin in Aspen in two weeks but it’s on the same night that Mr. Tanaka has a gallery showing in Denver, so Maddie said she couldn’t go. Hannah didn’t understand and thought it was because Maddie was mad at her about sitting on her turkey sandwich that one time. The way Maddie tells it, Hannah pitched a little fit.”

I liked that Sandhya explored the financial struggles in Twinkle’s life. A lot of teenagers don’t have money, nor do their families, but I don’t see it reflected in YA novels very often. In From Twinkle With Love, Twinkle is often mentioning her family’s financial situation and how she has to budget and be careful what she spends her money on.

“I looked at the menu and sighed. It was almost five dollars for the coffee, which was my lunch allowance for the week. If I bought it, I’d have to do without at school, and hungry Twinkle was hangry Twinkle.”

The ending is predictable, but still enjoyable. I liked the complexities of Sahil’s storyline, particularly his complicated relationship with his brother and how that affects his friendship with Twinkle.

Perfect for young readers, From Twinkle With Love will delight and inspire.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

From Twinkle, With Love
Sandhya Menon
May 2018
Hachette Book Publishers Australia

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