JESS JUST READS

A BOOK REVIEW BLOG

The Salt Madonna by Catherine Noske

This is the story of a crime.
This is the story of a miracle.
There are two stories here.

Hannah Mulvey left her island home as a teenager. But her stubborn, defiant mother is dying, and now Hannah has returned to Chesil, taking up a teaching post at the tiny schoolhouse, doing what she can in the long days of this final year.

But though Hannah cannot pinpoint exactly when it begins, something threatens her small community. A girl disappears entirely from class. Odd reports and rumours reach her through her young charges. People mutter on street corners, the church bell tolls through the night and the island’s women gather at strange hours…And then the miracles begin.

A page-turning, thought-provoking portrayal of a remote community caught up in a collective moment of madness, of good intentions turned terribly awry. A blistering examination of truth and power, and how we might tell one from the other.

The Salt Madonna by Catherine Noske is literary fiction set on an imaginary island off the coast of Western Australia, following a small and ageing population as they start to believe a religious delusion that sets in motion a number of unfortunate consequences.

The strengths of this book lie in establishing that fanatical, overdramatic hype when a group of people convince themselves that something is bigger than it is. After young, 14-year-old Mary falls pregnant, the town believes it’s a religious blessing. They’ve fallen on tough times, and Mary is the answer. Tensions builds as residents clash, and poor Mary is caught in the middle of their hysteria and mania.

Protagonist Hannah returns home to the island to care for her ill mother, and whilst there are other character POVs throughout the book, Hannah’s perspective is the only one we know to be true. The others — particularly Mary’s POV — is actually just an exploration of what Hannah *thinks* happened. This method of storytelling allows for a multi-layered novel that will draw in readers of all ages.

“Dinner is uncomfortable, the three of them around the table, the television flickering on mute from the lounge. Mary’s father is propped up on one elbow, leaning over his plate, his fork in his free hand. He hasn’t showered yet. Mary can tell he would rather be in front of the TV.”

The writing is beautiful — evocative prose and imagery, a wonderful flow of lyrical sentences that I’m sure Catherine spent many months perfecting. However, the complex sentence structure and metaphorical language just meant I spent most of the novel convinced there was something I was missing. I could follow the plot, for sure, but I’m sure there was symbolism I was missing. Or metaphors, or just something *bigger* than my brain could comprehend.

Truthfully, the writing was difficult to get through. The book is overly descriptive, and it felt incredibly impenetrable. The vocabulary and sentence structure sometimes made it a chore to get through and by the end, I’m not sure I felt it was worth it. I think this says more about me as the reader than the book itself. Not every book is for every reader, and I just don’t think I’m the target audience.

“Thomas follows with everyone else as the parade winds up towards the church, but his eyes don’t leave Mary. For a moment, as he watches her, it is as if everyone else disappears. He is the only one there. The street is empty, it’s just him and her.”

The pacing is slow and the plot kind of uneventful. Nothing really happens and you find yourself going back and re-reading chapters because you think, wait that can’t be right? Something has to happen and I’m just missing it?

And then you re-read and realise, ah yes, this is one of those literary novels where it’s all about character and not as much about plot and so you spend most of the novel feeling just that little bit dumb and confused.

“She sneaks out in the end. It makes it more exciting. The summer evening means it isn’t dark but violet with dusk, an electric sort of half-light filled with shadows. She walks to the village through the grapevines rather than along the road and comes out at the pub.”

Worthy and lyrical. For fans of literary fiction; for readers who love atmospheric, multi-layered stories that aren’t too plot-driven. If you don’t dabble in literary novels, this isn’t the book for you. The writing style is not for everyone.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Salt Madonna
Catherine Noske
March 2020
Pan Macmillan Publishers

The Museum of Desire by Jonathan Kellerman

ONE WILD PARTY. FOUR COUNTS OF MURDER.

A mansion in Beverly Hills is leased out to host an event wild enough to herald the end of days.

The next day there isn’t a living soul to be seen.

But in the driveway sits a super-stretch limo, unlocked, with four bodies inside it. Nothing links the victims together. Each has been killed in a different way.

Now it’s up to brilliant psychologist Alex Delware and LAPD Lieutenant Milo Sturgis to begin their grisliest and most baffling case yet.

As they struggle to make sense of the mass slaying, they will be forced to confront a level of evil that nothing can prepare them for.

The Museum of Desire by Jonathan Kellerman is complex crime fiction that investigates five victims found in a chauffeur car in the backyard of a rental mansion, with no solid connection between any of them.

Jonathan Kellerman is skilled at presenting a unique premise and crime scene, and drawing the reader in without giving too much away. I was swept up in the misery and truly couldn’t guess the killer; I found myself surprised by the twists of the novel. There are enough clues laid down that make the killer plausible, but not too many that you can guess the character. That’s really hard to accomplish in crime fiction.

There were many layers to the crime — the five victims who, in the first instance, don’t seem to have a connection with each other, and also the significance of the Beverley Hills rental property where their bodies were found. Kellerman weaves through each complexity with appropriate pacing and attention, so the reader doesn’t feel too overwhelmed with how quickly the plot is moving.

“Mary Jane Huralnik, fifty-nine years old. Much younger than I’d thought. She’d looked elderly for a decade of progressively sadder mug shots. No felony arrests but plenty of misdemeanours up and down the state over a thirty-year period.”

Whilst the premise and the crime are intriguing and will interest readers, there are too many players involved for the storyline to be succinct and easy to follow.

Firstly, there are two main detectives and five victims. After the first few chapters, I started mistaking the victims for each other and couldn’t keep track of who was who. And for each victim, there was a family member or two being interviewed, a suspect or two, and then eventually we get to a convoluted conclusion regarding the culprit.

Whilst I found the conclusion surprising and satisfying, it was also very complex and messy and hard to understand, even for a seasoned crime reader.

“Nothing remotely nasty in either woman’s background. Perfect driving record for McGann’s five-year-old Nissan Sentra, Bauer had gotten a few speeding tickets in her Porsche Panamera GTS. The 101 North. Heading home in a hurry.”

What lets this book down is its complete lack of prose or internal monologue. The book is 99% dialogue, and even in a crime book that’s too much. I got no real sense of the detectives’ personalities or their state of mind, particularly the protagonist Alex Delaware.

The book is written in first person, and yet, there was no voice. There were no emotions or thoughts, it was just dialogue and action and when there are five victims, even that gets confusing at times. Truthfully, I felt the writing was really weak. The crime is interesting, and the pacing is well down, but the writing lacks any voice or characterisation. Kellerman just moves through the motions of a crime story without any real depth or care for the characters and their development.

“Nothing on knife-attack victim Contessa Welles but the computer was more than happy to tell me who owned the house on Clearwater.”

People who read crime novels and only crime novels? They’ll love this. It’s all about the plot and procedure and plot and procedure, and, more plot. But people who dip in and out of crime like me? People who are also looking for some depth to the characters? Maybe skip this one.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Museum of Desire
Jonathan Kellerman
February 2020
Penguin Random House Publishers

Our Dark Secret by Jenny Quintana

From the author of The Missing Girl, Jenny Quintana’s gripping novel, Our Dark Secret, tells the story of two girls, two deaths and two decades of silence . . .

The crazy girls, they called them – or at least, Elizabeth liked to think they did. As a teenager in the late 1970s, she was clever, overweight and a perfect victim for the bullies. Then Rachel and her family arrived in town and, for Elizabeth, it was as if a light had been switched on. She was drawn to the bright and beautiful Rachel like a moth to a flame.

Rachel had her own reasons for wanting Elizabeth as a friend, and although their relationship was far from equal, Elizabeth would do anything for Rachel.

Then the first body was discovered.

Twenty years on, Elizabeth wants nothing more than to keep the secrets of her teenage years where they belong: in the past. But another body has been found, and she can’t keep running from what happened.

Can she?

Our Dark Secret is a psychological thriller about buried secrets, hidden pasts, and the bond between two girls who are hiding a dark secret.

The story follows a dual timeline and switches between 1978 and 1999, slowly revealing the story behind Elizabeth and Rachel’s friendship. From Elizabeth’s point of view, we understand that in 1978 she was lonely, overweight and in desperate need of friendship and companionship.

When she meets Rachel, she grows obsessive — watching her, following her, and desperately trying to find common ground with her. The two do become friends, over time, but it’s not out of loyalty. It’s out of shared trauma and eventually, a terrible crime that ties them both together forever.

In 1999, Elizabeth is similar to how we knew her before. She’s still overweight, lonely and anxious. She receives a phone call from an old neighbour. A body has been found in her old town, and the police suspect foul play. Elizabeth is terrified.

“People around me narrow their eyes as though I’ve done something terribly wrong. Usually it’s my size that affronts them. Sometimes it’s my clothes: mid-calf skirts and buttoned-up blouses. (I’ve never known how to dress).”

Elizabeth is an unreliable narrator — she lies a lot, twisting the truth to capture the attention of her father. And Rachel feels like a mythical character. We never really feel that we understand her because we only meet her through Elizabeth’s POV. Rachel seems to keep to herself, both in the physical sense and also in the social sense. She functions alone, and she doesn’t need companionship like Elizabeth does.

Elizabeth’s characterisation has the most depth, but she’s also the most flawed character. Her parents split up, her dad runs off with another woman, but Elizabeth only seems to care about herself and her non-existent friendship with Rachel. She’s not a great person, and not one that you’d want to be friends with, but I did enjoy reading about her in the book.

The mysteries within the book are enough to keep you engaged and interested in the story. A body has been found in Elizabeth’s hometown and slowly, we find out how Elizabeth and Rachel are connected to that character. Do I think this is the best crime/thriller novel I’ve read in this past year? No. I thought it was fine, but it wasn’t amazing. This is the kind of book you’d pick up at an airport and read on a flight.

“I was still angry with Melissa — the way she’d insulted me. She was only nine. Who did she think she was? It was bad enough at school when people my own age called me names, and then there was the stuff about Mum. Dad would be furious if he knew Mrs Wright had called her prissy.”

Personally, I felt that the 1999 storyline was unnecessary and didn’t add any value to the story. The majority of the book takes place in 1978 and if anything, the 1999 storyline (when it did happen) just detracted from the tense, fast-paced action of the other timeline.

Recommended for fans of thriller, crime and mystery novels.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Our Dark Secret
Jenny Quintana
February 2020
Pan Macmillan Publishers

Supernova by Marissa Meyer

All’s fair in love and anarchy …

Nova and Adrian are struggling to keep their secret identities concealed while the battle rages on between their alter egos and their allies. But their greatest fears are about to come to life. Secrets, lies and betrayals are revealed as anarchy once again threatens to reclaim Gatlon City.

Supernova is the third and final instalment in Marissa Meyer’s Renegades Trilogy, set within the world of superheroes and super-villains.

This review is riddled with spoilers, not just for the series thus far but of Supernova. It’s hard to review this critically without being specific on the examples. Only read on if you’ve read Supernova, or if you’re happy being spoiled.

You can read my review of Renegades HERE and my review of Archenemies HERE.

Sitting at 550 pages, Supernova is a beast of a book. The story picks up almost immediately after Archenemies left off — Nova/Nightmare has stolen Ace Anarchy’s helmet, used Agent N to strip Frostbite, Gargoyle and Aftershock of their powers, and witnessed Max Everhart nearly bleed to death after Frostbite unintentionally stabbed him.

Nova is still in doubt over her true objective, and where her true loyalties lie. She’s falling hard for Adrian Everhart, and she’s developed true friendships with the other Renegades. But she owes Ace Anarchy her life, right? She’s a conflicted character, and she remains conflicted for the majority of the book.

“To a lot of prodigy parents, Max would have been seen as a threat long before he was seen as a child worth loving. For months, after, Max had lived with a civilian foster family who cared for him until Hugh and Simon could figure out what to do. From the start, Hugh had felt it was important for him to be kept close.”

The pacing, dialogue and world-building have always been the strengths of the Renegades Trilogy. Marissa Meyer is really skilled at constructing relatable characters who you can’t help but empathise with or sympathise for. There are moments in Supernova where Nova is a bit unlikeable and her actions are unrealistic — like when she tries to convince Ace Anarchy and the rest of the crew that they should just leave Gatlon City and set up camp somewhere else — but for most of the novel, you’re rooting for her.

Both sides of the war — Renegades and Anarchists — are fighting for what they believe is right. And both sides have beliefs and values that the reader could understand. It’s not black and white, and there are moments of the book that are very grey. It’s easy for the characters to lose sight of what’s important, and how to achieve their end goal.

“Nova was eager to put this charade behind her. As soon as she left headquarters with the fake helmet tucked into a plain tote bag, she marched straight for Blackmire Station, one of the defunct stations on the old Gatlon City subway line.”

Structurally, Supernova falls short. Nova’s secret identity as Nightmare is discovered by Adrian and the gang pretty early on. Understandably, he’s pissed. Nova is immediately imprisoned in Cragmoor Penitentiary, where Ace Anarchy and other dangerous villains are held. This is where the book starts to get really good. You think Nova will work out a way to escape. Maybe she’ll break out Ace as well?

But, the resulting plot line is a disappointment. She claims innocence, Adrian is worried he is wrong, and then one of Nova’s allies dons her suit and delivers a cringe-worthy speech to Adrian that Nova has been framed and….Adrian believes them. And thus, Nova is released from prison and all returns to normal.

It’s a soft plot point — it feels like the author wrote herself into a corner and took the easy way out. It also gives the reader whiplash and severe disappointment, because of all the ways the plot could’ve gone, mistaken identity and the classic ‘I was framed’ storyline was the weakest option.

Another weak element of the book are the action/fighting scenes. I felt myself growing bored whenever they came up, perhaps because they were too long and stretched over multiple chapters. Perhaps because the writing wasn’t as tight and polished as it needs to be during a fight scene.

“Dazed, Nova looked down to see one hive with a footprint shoved into its papery shell in the centre of the room. She’d moved so fast, she hadn’t even noticed stepping on it. The bees who had called it home were swarming around, apparently enraged, but they were not the insects that worried her.”

A solid conclusion to an explosive and action-packed series. Even with a few questionable plot points and unrealistic, far-fetched moments, Supernova will please fans of the series.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Supernova
Marissa Meyer
November 2019
Pan Macmillan Publishers

Ninth House by Leigh Bardugo

The mesmerising adult debut from Leigh Bardugo. A tale of power, privilege, dark magic and murder set among the Ivy League elite. Alex Stern is the most unlikely member of Yale’s freshman class. A dropout and the sole survivor of a horrific, unsolved crime – the last thing she wants is to cause trouble. Not when Yale was supposed to be her fresh start. But a free ride to one of the world’s most prestigious universities was bound to come with a catch.

Alex has been tasked with monitoring the mysterious activities of Yale’s secret societies – societies that have yielded some of the most famous and influential people in the world. Now there’s a dead girl on campus and Alex seems to be the only person who won’t accept the neat answer the police and campus administration have come up with for her murder.

Because Alex knows the secret societies are far more sinister and extraordinary than anyone ever imagined.

They tamper with forbidden magic. They raise the dead. And, sometimes, they prey on the living . . .

Ninth House by Leigh Bardugo is an adult fantasy novel, and the first in a new series with protagonist Alex Stern.

Alex Stern is recruited to work for the mysterious and secretive Lethe society at Yale simply because she can see ghosts. Her job is to the oversee the other secret societies at the college, and make sure their rituals and practices are above board. When a young girl is murdered on campus grounds, Alex endeavours to uncover who murdered her and why.

The world is original and intriguing — at its core, it’s about a girl who needs to heal from her past. Alex Stern can see ghosts and she’s had some horrible trauma throughout her childhood/teenage years. This book is also about revenge, murder, conspiracy theories, magic, power, and secret societies at Yale university that work with magic.

“If they could find him. If they could somehow bring him home from whatever dark place he’d gone. In less than a week they’d attempt the new-moon rite. Alex didn’t understand the specifics, only that Dean Sandow believed it would work and that, until it did, her job was to make sure that no one asked too many questions about Lethe’s missing golden boy.”

After browsing all of the glowing reviews for this title, I definitely think there’s some sort of disconnect between me and this book. I thought it was…fine. I read it, enjoyed it, and finished it. Did I think it was exceptional? No. Was I underwhelmed after reading all the pre-publication buzz? Yes.

There is a distinct lack of introduction to the world, or credible world-building. Alex Stern has the rare ability to see Grays — ghosts who have yet to move on from their time on earth — and we’re thrown head first into this fantasy world with very little explanation. I had to reread chapters 1 and 2, twice.

The pacing is also incredibly slow throughout the book, and I’m not sure that the plot holds enough tension to justify the slow pacing.

“A cluster of Grays was mulling around by the gym. Alex let her eyes skim over them, landing nowhere, barely focused. A few were local Grays who could always be found in the area, a rower who had drowned off the Florida Keys but who now returned to haunt the training tanks, a heavyset man who had clearly once been a football player.”

Characterisation is a strength of the book — Alex is a high school dropout, drug addict, and her best friend recently died under suspicious circumstances. Her relationship with her mother is fractured, and her grades at Yale so far have been sub par. Her time at Yale helps her understand her gift — to trust it — and over the course of the novel, she grows and matures and comes to understand who she is as a person.

There’s a particularly fantastic moment in the book when Alex gets revenge on a sexist, abusive college boy called Blake — this could well be my favourite plot point in Ninth House. Lips are sealed!

Leigh’s language and prose is another strength in the book — the sentences feel decadent, indulgent, and inviting.

“As Darlington had known they would, the Grays began to appear, drifting through the walls, drawn by blood and hope. When at last the blood tide reached the end of the parchment, the Aurelians each lowered their sleeves, letting them brush the soaked paper.”

You’ve really got to love fantasy to read Ninth House. You’re thrust into a world with very little explanation, and to wade through that and continue on, you need to love the genre. Otherwise, you’ll just leave this book incomplete.

Personally, I thought this was just okay. I liked the twists at the end, and how it opened up for the sequel, but I felt quite let down with the book as a whole.

Recommended for fantasy lovers, 18+. This book is very dark, and deals with mature themes — rape, sexual assault, murder, suicide, drug overdose, self-harm — and is not recommended for children or young adults under the age of 18.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Ninth House
Leigh Bardugo
October 2019
Hachette Book Publishers