JESS JUST READS

A BOOK REVIEW BLOG

After I’ve Gone by Linda Green

On a wet Monday in January, Jess Mount checks Facebook and discovers her timeline appears to have skipped forward 18 months, to a day when shocked family and friends are posting heartbreaking tributes to her following her death in an accident. Jess is left scared and confused: is she the target of a cruel online prank or is this a terrifying glimpse of her true fate?

Amongst the posts are photos of a gorgeous son she has not yet conceived. But when new posts suggest her death was deliberate, Jess realises that if she changes the future to save her own life, the baby boy she has fallen in love with may never exist.

After I’ve Gone is a gripping new thriller about a young girl who knows she will be dead in 18 months’ time, but doesn’t know how it happens or even how to stop it.

Jess Mount, the protagonist of the story, is 22 years old and is enjoying life. She isn’t stressed about love or her career, and she’s carefree. She works at the local movie theatres with her best friend and she lives with her dad. The two are very close. She lives a pretty quiet life, and she doesn’t anticipate that her life will change anytime soon.

When she meets Lee, she falls in love instantly. He’s older than her, but he’s charming, sweet, caring and he wins over everyone with his personality. Jess meets his mother Angela and she really warms to Jess. But as her Facebook timeline fills up with posts from the future, Jess learns that Leo has been charged with her murder. And the case is going to trial. She can’t believe that the man she’s falling in love with could be responsible for her death.

“My heart is hammering against my chest, as if trying to alert me of the impending danger. My eyes, when I see them reflected in the wardrobe mirrors, are wild and staring. My whole body is trembling. I do not want to believe this. I do not want my happiness spoilt. Whoever is doing this, and however they are doing it, they are doing it on purpose to hurt me. I know that.”

When Jess tries to show her best friend Sadie the Facebook posts, Sadie can’t see anything. She just sees Jess’ normal timeline. So Jess can’t do anything but continue to watch as loved ones post tributes to her.

“The photo I am looking at is of me and Lee on our wedding day. I know Photoshop is good, but it is not that good. You can’t play around with something that isn’t there. This isn’t a case of airbrushing something out, this is the creation of something that has not happened.”

I think the strengths of this book lie with the characters, and the writing. Linda Green has done a wonderful job of bringing Jess to life. She’s young and at times immature, and quite naive. She is determined to alter her fate, but doesn’t want to risk losing her son. Sadie is also a fantastic character. She’s determined, fierce, bold and whenever she and Jess are in a scene together they’ve got great dynamic. She’s incredibly loyal to Jess and is very compassionate. She’s protective of her, and in her Facebook posts to Jess’ timeline in the future, she’s determined to uncover the truth about Jess’ death.

I think the pacing was one of the weaknesses in the book. The first half of the book was really slow. Jess knew that she was going to die in 18 months’ time and because of photos and stories being posted on her timeline, she knew about certain events before they happened. And yet, when the events came to play before her, she let them happen? I thought she’d be a bit more defiant and would try to alter the timeline a lot more. Instead, I think she tried maybe twice and then gave up rather easily.

The ending is quite obvious and I picked it in the first fifty pages of the book. The twist wasn’t really a twist. Additionally, scattered throughout the book are chapters that are written in past tense. They document a time in Jess’ life after her mother died and she felt a little lost with life. Her best friend and her dad helped her, and she was able to recover from her breakdown. Truthfully, I don’t think these chapters were needed. Jess’ dad and best friend both mention this time in her life at various points throughout the book, and so I actually found myself skimming those chapters.

This book may be a thriller and it may be a case of ‘whodunnit’ but it is also an exploration into domestic violence. Linda has done an exceptional job of really capturing what it’s like for a domestic violence victim, getting drawn into the web of their abuser and being unable to leave without the fear of being harmed (of their loved ones being harmed).

For anyone who is about to read this book, I really recommend you read the author’s note at the end. It’s incredibly moving. The motivation behind the book and the research that went into the book were particularly fascinating.

“Thirty per cent of domestic violence starts or gets worse when a woman is pregnant. When, twenty years ago, I relayed the findings of a survey on this from a local women’s refuge, my news editor, said, ‘Yeah that’s because the men have got more to aim for’. When I objected to this ‘joke’ I was told that feminists lack a sense of humour.”

I recommend this book to readers who love thriller novels. I picked the ending of this pretty early on, but I know some readers who didn’t. This book has many layers, and the author has evidently done her research. It’s incredibly well-written.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

After I’ve Gone
Linda Green
August 2017
Hachette Book Publishers

The City of Secret Rivers by Jacob Sager Weinstein

An exciting subterranean London adventure, the first in a middle-grade trilogy.

Hyacinth Hayward has recently arrived from America and is having difficulty adjusting to her new surroundings, especially being in the sole company of her eccentric mother. Everything feels strange. Very strange. And it gets stranger the day she accidentally unleashes the power of a secret river running through London. To prevent a second Great Fire, Hyacinth needs to retrieve a single, magically charged drop of water from somewhere in the city sewer system. Along the way she encounters an eclectic cast of characters – the shambling, monstrous Saltpetre Men who kidnap her mother, the Toshers who battle for control of magical artefacts and a giant pig with whom she has a tea party. The clock is ticking – will she figure out who to trust?

The City of Secret Rivers is fun to read, with mad cap adventures and a fast-paced invitation down into the depths of London’s underground rivers.

The author actually did a lot of research whilst writing this book, which he talks about in the Author’s Note. The book features a lot of illustrations throughout the pages, which I think kids would love.

“During the creepiest and most disgusting day of my entire life, I thought I had handled everything pretty calmly, all things considered. But now there were rats swarming over my body, and all I could do was shriek really intelligent things like ‘Aaaaaaaa’ or ‘GET OFF GET OFF GETOFFGETOFFGETOFF’
The rats didn’t listen.”

The protagonist is a sassy, fast-talking young girl who embarks on the crazy journey under London to save her mother.

This book is supposed to be for children aged 9-12 but I definitely feel like it wouldn’t be suitable for some kids who fall into that lower age bracket. Some of the things that happen in the book (one character tries to kill another by slitting their throat) seem a little too much for young children, and I thought those parts of the novel should’ve either been diluted or cut out completely. Additionally, I feel like children’s novels should contain character names that are easy to pronounce. I’m an adult and I have absolutely no idea how to pronounce Hyacinth or Oaroboarus. Surely kids might struggle as well?

I think children who are avid readers will love this book, because they’ll stick with it to find out what happens to Hyacinth’s mother. But for children who struggle with reading, I don’t think this is the book to give them.

“I had never really thought much about what kind of spiral staircase I prefer, but as we got higher and higher, I started thinking about it more and more. Some spiral staircases have walls on both sides. Those, I decided, are the right kind.”

I felt like this story was too chaotic — too disjointed and fast-paced. I understand some kids might find this exciting, but so much was happening that I couldn’t quite take the time to understand or appreciate the characters. Everything was moving so fast and there were so many things being thrown at the reader in each chapter, that I felt a little lost throughout the book and the characters weren’t really that memorable. I got the end of the book and most of the plot was lost on me, and I didn’t feel overly attached to any of the main characters.

I think Jacob Weinstein has done a good job of bringing together a unique storyline, I just wish he’d taken out some of the ‘twists’ and ‘adventures’ and filled the book with more characterisation and depth.

Thank you to the publisher for sending me a copy of this book in exchange for an honest review.

The City of Secret Rivers
Jacob Sager Weinstein
August 2017
Walker Books Australia

Trans Like Me by CN Lester

What does it mean to be transgender? How do we discuss the subject? In this eye-opening book, CN Lester, academic and activist, takes us on a journey through some of the most pressing issues concerning the trans debate: from pronouns to Caitlyn Jenner; from feminist and LGBTQ activists, to the rise in referrals for gender variant children – all by way of insightful and moving passages about the author’s own experience.

Trans Like Me shows us how to strive for authenticity in a world which often seeks to limit us by way of labels.

Trans Like Me breaks down the stereotypes and misconceptions about trans people. It sheds light on society’s incorrect terminology and treatment of trans, and it also highlights (and condemns) how the media can incorrectly position them.

“The question I am most often asked about being trans – on the internet, in the pub, on the bus, at work – is the one I most dread answering. Sometimes it’s delivered through euphemism, sometimes crudely, and worst of all by a groping uninvited hand. Have you…you know? or so you’re…post or pre-op?”

CN Lester is trans and works as an academic, and this book shows impeccable research. Almost every point CN makes is backed up with an example or a fact or a statistic. CN dedicates a chapter to Caitlyn Jenner and how Bruce Jenner’s transition changed how others view transgender people (both in a positive way and a negative way – CN has some concerns about Caitlyn that they mention in the book).

There are a lot of aspects of modern society that CN Lester delves into. They talks about popular TV shows and movies and how they misrepresent transgender people, mentioning CSI in particular because of how many episodes of the show have featured the transgender character as the victim:

“The inclusion of marginalised trans women as jokes or victims only is not a new trend.”

This book is extremely well-written, presenting a fool proof argument for almost every chapter but also making sure to focus each chapter on different things so the reader doesn’t find themselves bogged down with too much information. CN Lester also talks about labels and the correct terminology for certain identities:

“Crucially, when talking about young people, the term ‘gender non-conforming’ is used, rather than trans. A gender non-conforming child could be a child challenging traditional ideas of gender expression: a little boy who is adamant that he wants to wear dresses and be a princess.”

I found out so much about transgender representation in film and TV, and also how they’re presented in the media. I found out a lot about how they like to be seen or viewed or spoken to, and there was a lot in the book about well-known trans people throughout history who accomplished certain things or who became a pillar for those struggling to come to terms with who they were.

At times this book felt a bit too much like an academic essay, with so many sources sighted and so many examples noted. What I would’ve liked from this book was more of a sense of CN Lester’s own experiences. I got to the end of the book and felt like I didn’t know much about the author. I didn’t know much about their journey, but rather what they observed of others and how those others were perceived.

CN doesn’t mention much about their own experiences (only what is said in the beginning and then dropped in throughout the book) and CN doesn’t mention much about trans friends either. Most of the examples given are of famous trans people or well-known personalities from history. Some of them died long ago. And although this is an interesting read, it felt a little heavy at times. I would’ve liked for CN Lester to have put a bit more memoir into this book to dilute the academic nature of it all.

If you’re a trans person then you’ll love CN Lester’s determination to strive for authenticity in modern society. If you’re not trans, you’ll learn a lot from this book. It’s thick with study and statistics at times and it’s very heavy on the academia, but it’s still very informative.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Trans Like Me
CN Lester
June 2017
Hachette Book Publishers

We Come Apart by Sarah Crossan and Brian Conaghan

Authors Brian Conaghan and Sarah Crossan have joined forces to tell the story of Nicu and Jess, two troubled teens whose paths cross in the unlikeliest of places.

Nicu has emigrated from Romania and is struggling to find his place in his new home. Meanwhile, Jess’s home life is overshadowed by violence. When Nicu and Jess meet, what starts out as friendship grows into romance as the two bond over their painful pasts and hopeful futures. But will they be able to save each other, let alone themselves?

We Come Apart is a YA novel written in verse form, telling the story of two teenagers whose lives may be very different but both teenagers are feeling lost and alone.

Jess’ step dad abuses her mother and her brother skips out on them to live with his girlfriend. Nicu is a Romanian immigrant who is new to London and his family are lining up a wife for him. It’s his culture, he explains to Jess. But Nicu doesn’t want to marry a stranger and he doesn’t know what to do about that.

I am fifteen
and man now,
so my working in lorry van
make much sense.

Real reason we come to
England
is because I am
older,
and cannot be without
working
wealth,
or
wife.
-NICU

When the two of them meet doing community service, they become friends. They seem to bond over their broken homes and their troubled consciences, and Jess starts to separate from her friends at school. She’s popular, but they all treat Nicu terribly and she doesn’t want to stand around and watch. The boys make threats to Nicu, and they scare him in the change rooms.

I’ve been stealing stuff for ages,
Can’t remember the first time any more,
but it was way before
I started secondary school.

Small stuff back then —
other kids’ rulers,
fags from Mum’s bag.
-JESS

The style of writing in the book makes this a really quick read. You can flick through the book in one sitting. Because this is poetry and not prose, there is a lot more left unsaid than said, but I’m sure that this was the intention. The placement of each word is almost as important as the words themselves, conveying meaning in their positioning and drawing focus to emphasis.

Nicu’s story seems timely, no matter where in the world you live. In most schools, there are always going to be children who have arrived from another part of the world. Perhaps their English isn’t that great, or their religious or cultural practices are a little different from the other kids. We Come Apart highlights the bullying and racism that can go on in high school when an international student arrives.

At school I am
The boy worse than death.
Me,
the boy people won’t waste breath on.
-NICU

Both the characters are wonderful. Jess is snappy, bossy and withdrawn, and Nicu is approachable, friendly, and overly trusting. They seem like unlikely friends, but the hardships in their lives allows them to bond and forge a friendship and then a relationship.

Their relationship is not the main focus of the story, but pivots around many other elements of the book.

Shadows moving behind the front door.
A leg.
A head.
and I hear it too.
A thud.
A Scream.
And when I go in
Mum’s lying in the hallway,
blood seeping into the rug,
Terry standing over her,
his phone on the hall table.
-JESS

Don’t let the verse format of the book scare you off reading it. I’d recommend this to young adult readers, but also to people who are readers of poetry.

We Come Apart
Sarah Crossan and Brian Conaghan
February 2017
Bloomsbury Publishers Australia

Stars Across the Ocean by Kimberley Freeman

1874: Only days before she is to leave the foundling home where she grew up, Agnes Resolute discovers that, as a baby, she had been abandoned with a small token of her mother: a unicorn button.

Agnes always believed her mother had been too poor to keep her, but after working as a laundress in the home she recognises the button as belonging to Genevieve Breckby, the beautiful and headstrong daughter of a local noble family. Agnes had seen Genevieve once, in the local village, and had never forgotten her.

Despite having no money, Agnes will risk everything in a quest that will take her from the bleak moors of northern England to the harsh streets of London, then on to Paris and Ceylon. As Agnes follows her mother’s trail, she makes choices that could cost her dearly. Finally, in Australia, she tracks Genevieve down. But is Genevieve capable of being the mother Agnes hopes she will be?

This historical fiction novel by Kimberley Freeman moves between past and present. The book opens in the present (no specific year mentioned) with a young woman named Victoria travelling from Australia to England to assist her ill mother, who has had an accident at work and is currently in recovery. Victoria helps her mother recover some documents from her workplace and then she finds a letter from the 19th century. It’s a letter from an unknown woman to her child that she gave away. Victoria reads the letter and becomes enthralled in the circumstances surrounding it.

The letter then abruptly cuts off and the novel takes us back to Agnes Resolute’s story in the mid 19th century. She is on a desperate search to find her birth mother and this search takes her to London, Paris, Ceylon and then on to Australia. It’s a novel about loss, love, identity and family.

Even though Harriet adored me, even though she didn’t believe women should be so constrained as we are, she used all the words I expected. ‘Improper’ and ‘unsuitable’: even ‘shocking’ and ‘indecent’.
‘Emile Venson is a carpenter,’ she said to me at the end. ‘You cannot fall in love with a carpenter.’

Kimberley Freeman has crafted an enjoyable historical fiction novel. The transition between past and present is smooth and not confusing at all, and the writing is effortless. The storyline keeps readers on their toes and eager to find out more, and the huge cast of characters are interesting to read and engaging for the reader.

Agnes spends almost the entire novel following Genevieve Breckby, an allusive woman that Agnes believes is her mother. Genevieve is hard to track down. First, Agnes travels to London and works for a time with Genevieve’s sister Marianna and Genevieve’s son Julius. And then she continues to follow the woman’s trail all the way to Australia. Kimberley Freeman constantly flicks between past and present as Victoria finds out more information about the illusive woman who has written this letter. The reader then finds out all the circumstances of the birth because the actual story is being detailed intermittently as well.

Agnes’ heart fell all the way to her toes. This house did not look inhabited, just like the house in Colombo. That meant she was miles and miles from anywhere, without means to return to the village — and, quite honestly, barely any idea which way the village lay — and evening was approaching.

I felt like Agnes wasn’t a hugely likeable protagonist. She came across extremely naive and there were a few parts in the novel where I could sense exactly what was going to happen. When she decides to sleep at the abandoned train station, I knew she was going to wake up to find that her suitcase had been stolen. And when she arrives in London and is accommodated by Madame Beaulieu, I could tell that Beaulieu was a running a brothel and would no doubt be an antagonist in the novel. Everyone seemed to know it but Agnes, and when Madame Beaulieu took her purse and wouldn’t give her back her money, I was not at all surprised.

“After her encounter with Monsieur Valois, she was more certain than ever that she would not sell her body as Madame Beaulieu wanted her to, and no amount of vile menial work would have her change her mind. She could endure it; it wasn’t forever.”

I know that Agnes is supposed to be in her late teens, but Kimberley dropped a lot of hints and things then became a little predictable. Agnes’ nativity became a little exhausting, thus making her an unlikable character. The ending to the novel, which I won’t give away in this review, was also something that I found predictable. I picked the ‘twist’ about 100 pages into the book, feeling like Kimberley made it too easy for the reader and that there were a lot of hints and comments that gave away the ending.

I would recommend this book to lovers of historical fiction — while it has some flaws, it is interesting and enjoyable. Kimberley has illustrated all of the different settings so well; she has captured the feel and atmosphere of each location with great skill. And as far as historical fiction goes, Stars Across the Ocean is intriguing and engaging and you’ll want to read until the end.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Stars Across the Ocean
Kimberley Freeman
May 2017
Hachette Publishers

%d bloggers like this: