JESS JUST READS

A BOOK REVIEW BLOG

The Cat Who Saved Books by Sosuke Natsukawa

Bookish high school student Rintaro Natsuki is about to close the secondhand bookshop he inherited from his beloved grandfather. Then, a talking cat named Tiger appears with an unusual request. The cat needs Rintaro’s help to save books that have been imprisoned, destroyed and unloved.

Their mission sends this odd couple on an amazing journey, where they enter different labyrinths to set books free. Through their travels, Tiger and Rintaro meet a man who locks up his books, an unwitting book torturer who cuts the pages of books into snippets to help people speed read, and a publisher who only wants to sell books like disposable products. Then, finally, there is a mission that Rintaro must complete alone . . .

Japanese fiction translated by Louise Heal Kawai, The Cat Who Saved Books is a story for book lovers. At only 217 pages, and published in a small format, this book is a very short read and at its core explores love, loss, family, and the persistent power of books and reading. And with a talking cat, the novel of course dabbles in magical realism and contemporary fantasy.

Whilst this largely seems to be marketed as an adult novel, its appeal certainly expands beyond that readership. Over the course of the story, Rintaro embarks on four journeys to rescue literature, and the episodic structure of the novel is reminiscent of many children adventure stories — the grief-stricken protagonist, a talking animal driving the plot forward, and a friend in the form of a sidekick, keeping the story grounded in reality.

“It was only two days since Sayo and Rintaro had tea together. Rintaro had only replied vaguely to her pleas for him to go back to school, and ever since stayed holed up inside Natsuki Books. Really there didn’t seem any reason to go to school at all at this point.”

Underneath all the adventures, this is a story about an introverted young boy coming to terms with his grandfather’s death. When we meet him in the beginning of the novel, he’s getting ready to shut his grandfather’s bookstore. He’s barely attending school, he doesn’t have any friends and he doesn’t seem to possess passion for anything anymore. By meeting Tiger and embarking on these adventures, he comes to recognise what brings him joy and happiness, and is able to forge on without his grandfather. He learns to let others in, and let some things go from his mind.

“Rintaro took another look at the magnificent gate and the mimosa tree above. Its giant branches were covered in cottony blossoms. That was strange. It was December, which made this a very unusual mimosa indeed. But then again, from the outset everything he had seen today had defied common sense.”

Louise has done a great job with the translation, maintaining the whimsical, quirky nature of Japanese fiction and ensuring the story stays on course.

Admittedly, the short word count means the story does feel a little simplistic at times. It’s quite a clear cut story of good and bad, and does feel more like a novel for children than adults. However, it is a charming and enchanting tale that doesn’t take much time to read.

“Something in the atmosphere changed. Rintaro turned to look at the door. Beyond the darkness a wind had begun to blow. Or rather, there was a wind blowing through the hall, towards the darkness, easing Rintaro and the cat towards the fusuma door.”

Literary fiction with quite a specific audience, The Cat Who Saved Books is magical and wispy and will largely appeal to frequent readers and those who truly love reading. Readership skews 12+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Cat Who Saved Books
Sosuke Natsukawa
September 2021
Pan Macmillan Book Publishers

It’s Not You, It’s Me by Gabrielle Williams

A literally life-changing novel about time travel, soulmates and serial killers that asks a very big question: Can you ever change your fate?

Holly Fitzgerald has inexplicably woken up inside the body of an LA teenager called Trinity Byrne in 1980 – trapping Trinity in Holly’s forty-year-old body back in Melbourne, 2020.

Mind. Officially. Blown.

Holly finds herself navigating a brand-new body, family and cute boy next door – not to mention rock band that might just make it, and potential kidnapper. Meanwhile, lies intersect with truth, hurtling both Holly and Trinity towards a dangerous fate as the connections between them grow deeper and stranger than either could have ever imagined.

Freaky Friday meets Pretty Little Liars — if the Liars were an all-girl punk band from the 1980s.

Gabrielle Williams’ latest YA novel It’s Not You, It’s Me is a soul-swap story predominantly set in the 1980s. When forty-year-old Holly — who lives in 2020 — wakes up in the body of 16-year-old Trinity in 1980, she must learn to manage this new identity whilst figuring out why she’s been swapped in the first place. What does she need to do and how can she get back to her own body?

It’s certainly an interesting perspective to focus on for a YA novel — centring the story on the 40-year-old rather than the 16-year-old. But to be fair, when we do come in contact with Trinity it’s clear she’s quite unfriendly and bitter, and I probably would’ve hated reading an entire book about her anyway. It’s nice to see her humble out a bit.

“Holly couldn’t pretend. This wasn’t her life. None of it was. Deep down in her gut, in her soul, she knew this wasn’t who she was. Holly didn’t know how to behave with a dad. She hadn’t grown up with one. What happened when you had a dad? What sort of things did you talk about?”

Focusing on Holly’s perspective allows us to focus on the plot, rather than the character. Holly is wise and intelligent, and her journey is more about finding out why she’s been body-swapped, and what she can do to improve Trinity’s life. Over time, we come to realise how lonely Holly’s childhood was — an absent mother, no father. By stepping into Trinity’s shoes, she gets to experience the love of a family and the comfort of feeling like she belongs. It’s a nice touch.

Another interesting element to the story is how Gabrielle explored muscle memory and unconscious reactions. In many situations, Holly is able to ‘be’ more like Trinity and is able to tap into memories rather suddenly.

The pacing is consistent and appropriate, and tension builds in the second half as Holly’s life nears danger. Whilst Gabrielle probably could’ve increased the presence of the Mariposa Murder in the first half of the novel — the fear and concern — I still really enjoyed Holly’s progression in the novel.

“She strummed the strings, trying to get a feel for the instrument. She was going to make a fool of herself. But as she started tinkering, her fingers took off with a mind, or a memory, all their own. Her body was plucking the strings, listening for tone, adjusting the tuning pegs…”

Admittedly, I would’ve loved a bit more reference to the 1980s — pop culture, fashion, lifestyle. Perhaps these things are light on because the YA readership weren’t alive in the 1980s and so they may not necessarily respond to these elements, but I would’ve loved just a bit more sense of place. Holly waking up in the 1980s lends itself to quite a bit of humour and quirk, and this novel does feel like it has room for a bit more.

The only other element of the novel I struggled with was the initial scenes when Holly wakes up in Trinity’s body. Because the story is written in third person, Holly is referred to as Holly, but Trinity is frequently mentioned, and introspection allows for Holly to talk about Trinity a lot. After the first few chapters you’ve got it, but initially? I was quite confused.

“Holly wasn’t ready for the outside world yet, even if it was only coming in through the phone line…Holly’s instinct was to hang up the phone and deal with the consequences later. But if she didn’t talk to this girl, the mom would know something was up.”

Quirky and original, It’s Not Me It’s You is recommended for a YA audience. Readership skews female, 12+. The ending is particularly enjoyable.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

It’s Not You, It’s Me
Gabrielle Williams
September 2021
Allen & Unwin Book Publishers

The Guilt Trip by Sandie Jones

They went away as friends
They came back as suspects . . .

Jack and Rachel. Noah and Paige. Will and Ali. Five friends who’ve known each other for years. And Ali, Will’s new fiancée.

To celebrate the forthcoming wedding, all three couples are having a weekend get-away together in Portugal. It’s a chance to relax and get to know Ali a little better perhaps. A newcomer to their group, she seems perfectly nice and Will seems happy after years of bad choices. But Ali is hiding more than one secret . . .

By the end of the weekend there’ll be one dead body and five people with guilty consciences wondering if they really know each other so well after all. Because one of them has to be the killer…

Sandie Jones’ The Guilt Trip is a domestic thriller set during a weekend get-away in a Portuguese villa for a friend’s glamorous wedding. There are three sets of couples and a long list of secrets between them. By the end of the weekend, someone will be dead and someone will be responsible.

This has to be my favourite Sandie Jones novel so far. The plotting is neater, the mystery more hidden, and the events unfold in a much more realistic manner. The premise is simple yet effective, and the tension between the characters will entice any fan of thrillers.

“The bed is unmade, the sheets tangled, and their pillows still show the indentations of their heads. She lets out a relieved sigh. What the hell was she thinking? How had she allowed a fleeting image, one that she can’t even be sure she saw, to infiltrate her mind and bring about insecurities she never even knew she had?”

Written in third person, the novel centres around protagonist Rachel. No one knows about her short fling with best friend Noah two decades earlier, and it’s important the secret stays a secret. But her husband is acting shady, and no one really likes Will’s fiancé. She’s fleeting and secretive, and far too young for him. But over time, the group will come to learn first impressions aren’t always accurate and it can be the people you least expect who hold the greatest secrets.

Hints are dropped sporadically and carefully, so you’re never really sure what’s going to happen until the drama has unfolded. Chapters end on cliffhangers, encouraging you to keep going. The Guilt Trip is a great holiday or aeroplane read – something to devour in a short amount of time.

“Twenty years have passed, and Noah has no doubt developed a whole heap of idiosyncrasies that she knows nothing about, and enjoyed experiences with Paige that she’ll never have a window onto, yet, for some reason, she stills feels she knows him better than anyone else.”

Despite loving this book, there were a couple of gripes I had. Firstly, it was really hard to keep track of all the characters, even when I was well into the book. I kept getting Noah and Jack mixed up. And when we find out that Jack and Rachel have a son called Josh, I started getting Jack and Josh mixed up. I got backstories confused, and relationships confused. I had to pause a lot to remember who was who before continuing. I’d say it was about the halfway mark before I felt more confident with the character names.

Secondly, people looking for a murder mystery should be warned that the death mentioned in the blurb actually doesn’t happen until the final chapters, so most of the book is about the relationships between these five adults. It is a bit ‘soap opera’ and so won’t be suitable for all readers, but I really enjoyed it.

Thirdly, I found the characterisation of Paige to be a little inconsistent. No spoilers, but once you get to the end and look back, I found her actions and dialogue to be a bit hard to swallow. Was she meant to be a red herring? I found her a little confusing.

“She shakes herself down as the unfamiliar, and wholly unwelcome, thoughts wrap themselves around her psyche. She tells herself that this is merely a knee-jerk reaction to seeing Noah unconscious on the beach today.”

Addictive and entertaining, The Guilt Trip is recommended for readers of domestic thrillers. Readership skews female, 25+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Guilt Trip
Sandie Jones
July 2021
Pan Macmillan Publishers

The Eighth Wonder by Tania Farrelly

New York, 1897. The richest city in the world.

Beautiful, young and privileged, Rose Kingsbury Smith is expected to play by the strict rules of social etiquette, to forfeit all career aspirations and to marry a man of good means. But she has a quietly rebellious streak and is determined to make her own mark on Manhattan’s growing skyline. When the theft of a precious heirloom plunges the Kingsbury Smiths into financial ruin, Rose becomes her family’s most tradeable asset. She finds herself fighting for her independence and championing the ideal of equality for women everywhere.

Enigmatic Ethan Salt’s inglorious circus days are behind him. He lives a quiet life on Coney Island with his beloved elephant Daisy and is devoted to saving animals who’ve been brutalised by show business. As he struggles to raise funds for his menagerie, he fears he will never build the sanctuary of his dreams … until a chance encounter with a promising young architect changes his life forever.

Just when Rose is on the verge of seeing her persistence pay off, the ghosts of her past threaten to destroy everything she holds dear. In the face of heartbreaking prejudice and betrayal, she must learn to harness her greatest wonder within.

Historical fiction at its finest, Tania Farrelly’s debut novel The Eighth Wonder is a sweeping saga that will take readers all over New York and Coney Island in 1897, an incredibly progressive era for visionaries and creative individuals who dared to dream.

Written in third person, we meet the beautiful and wealthy Rose just as her family loses an expensive heirloom to a thief. Soon, they’re struggling to pay the bills and the stress placed on her family forces Rose’s mother to encourage a marriage – something Rose never wanted. It forces Rose to be look for success elsewhere, in an effort to save her family from destitution.

“Rose hovered for a moment, her mind reeling with the truth about Jack. For a moment she just stood there, rooted to the spot, feeling a strange mix of betrayal and hurt. She pressed her hand to her throat, as if it might smooth her breathing.”

The Eighth Wonder shines a light on women who exceeded expectations and followed their instincts. Rose is an intelligent visionary, desperate for more than a future as a wife and mother. She has to fight society’s expectations of her, as well as her own mother. Her father too sometimes doubts her, although there’s clearly a very strong relationship between the two that gives Rose strength and drive to pursue her passion for architecture.

Rose’s character development comes with acknowledging her elitism and privilege, and there’s a pretty striking scene where she ventures into another area of New York and is confronted with the harsh realities of how the other half live. Over time, she comes to realise there’s more to life than riches. It’s about staying true to yourself, and those you love.

“Once, he would have made a run for it. But now that he stood a full six foot four and a half inches in bare feet and had a face that invited second glances, he’d discovered the most effective way to escape any threat was to stay cool.”

Rose’s love of architecture was an interesting addition to the plot, and something I loved reading. Architecture would’ve been such a male-dominated industry in the late 1800s New York City, so watching Rose persevere through setbacks, more determined than ever, was heart-warming.

Animal welfare is another theme explored in the book, and as I understand it, inspired by true events. Reading about Jake and Ethan and their determination to limit abuse to animals was a touching element to the story.

Tania’s writing is stripped and sleek, it’s hard to accept this is a debut. This slots into the historical fiction genre effortlessly.

“For the first time ever, Rose doubted whether he would defend her. She wished the floor would open up and swallow her whole, especially on seeing Edith take her place by the mantel and swirl the brandy Rose had wrongly assumed was for her father.”

The Eighth Wonder is recommended for fans of historical fiction. Readership skews female, 30+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

This review is featured by Twinkl in their blog about the latest must-read books. See more recommendations and get involved at Book Lovers’ Top Picks For Your 2021 TBR List.

The Eighth Wonder
Tania Farrelly
July 2021
Penguin Random House Publishers

The Comfort Book by Matt Haig

A hug in book form – the number one Sunday Times bestselling author of Reasons to Stay Alive rethinks the self-help book.

Nothing is stronger than a small hope that doesn’t give up.

The Comfort Book is a collection of little islands of hope. It gathers consolations and stories that give new ways of seeing ourselves and the world. Matt Haig’s mix of philosophy, memoir and self-reflection builds on the wisdom of philosophers and survivors through the ages, from Marcus Aurelius to Nellie Bly, Emily Dickinson to James Baldwin.

This is the book to pick up when you need the wisdom of a friend, the comfort of a hug or just to celebrate the messy miracle of being alive.

The most powerful moment in life is when you decide not to be scared anymore.

Anyone who has read a Matt Haig book before will know what they’re in for with this one. The Comfort Book is a reassuring, uplifting collection of anecdotes, lessons, advice and reflections to help even the most secure of people feel loved and supported.

There’ll be something for every reader in this book. Some stories won’t resonate, but others will. Some advice won’t help, but there will be advice that will. There’ll be reflections you won’t be able to relate to, and then there’ll be reflections that you will. Sit back, put away your phone, and delve into this book. It’s exactly as the blurb describes — a warm hug, in book form.

“You don’t have to continually improve yourself to love yourself. Love is not something you only deserve if you reach a goal. The world is a world of pressure but don’t let it squeeze your self-compassion. You were born worthy of love and you remain worthy of love. Be kind to yourself.”

Like his previous works, this book isn’t very long, and there aren’t a lot of words on the pages. I breezed through this in one sitting, and then found prime placement on my shelf for this book to stand tall.

Each page offers a terse, brief pearl of wisdom, perhaps even a listicle. The Comfort Book allows for reflection and contemplation, and prompts the reader to think beyond the page and into the various aspects of their life. There are a couple of personal stories in here, but mostly this book feels very open-ended, allowing the reader to insert themselves to each scenario that they feel relation to.

“The sky isn’t more beautiful if you have perfect skin. Music doesn’t sound more interesting if you have a six-pack. Dogs aren’t better company if you’re famous. Pizza tastes good regardless of your job title. The best of life exists beyond the things we are encouraged to crave.”

Stylistically, there is no linear narrative to this book. You can read it in whichever order you would like, as slow as quick as you’d like. Each new page offers a new perspective or learning, so nothing carries over to the next page. This is a great read for people who aren’t seasoned readers, because it doesn’t feel like an overwhelming task to delve in. A beautiful book like this could be a great coffee table gift for a friend, family member or loved one.

“We grow through hard times. Growth is change. And when everything is easy, we have no reason to change. The most painful moments in life expand us. And when the pain leaves, space remains. Space we can fill with life itself.”

Matt Haig’s The Comfort Book should be embraced by all readers, not just those in need of reassurance. It’s a beautiful package and a very quick read, and deserves placement on a bookshelf for those difficult times when you really need a bit of guidance. Readership skews 25+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Comfort Book
Matt Haig
July 2021
Allen & Unwin Book Publishers