JESS JUST READS

A BOOK REVIEW BLOG

The Sunday Story Club by Doris Brett and Kerry Cue

‘I’m sorry, I didn’t mean to cry. But the salons have given me the opportunity to look back and think about my life…I don’t talk to anyone about these feelings outside of the salon.’

We all carry stories within us – wrenching, redemptive, extraordinary, and laced with unexpected and hard-won wisdom.

These are the real-life stories that a group of women tell each other when they gather for a deep and structured conversation – once a month in a suburban living room – about the things that really matter.

They discover that life can be a heartbeat away from chaos; that bad things happen to good people; that good people do outrageous things; that the desire for transformation is enduringly human.

A mother tells of the heartbreaking loss of control when her daughter develops anorexia. A sister reveals the high psychological cost of being hated by a sibling over the course of her life. Husbands leave wives; wives take lovers; friendships shatter; wrong choices turn out to be right ones; agency is lost and re-claimed.

The Sunday Story Club is a compilation of profound, heartfelt, true stories from everyday women who have experienced incredible events in their lifetimes.

Each of the stories possess a unique perspective, a touching, warm voice that guides the reader through a really private moment in their life.

This is non-fiction — each story is the true story of a real woman. The women are anonymous and have given their permission to be in this book; Doris and Kerry have met these women in their story club and have chosen the most affecting, the most moving stories to include in their work.

Sometimes, it feels like you’re reading someone’s diary. You’re shocked, upset, or worried, but you also feel like you’ve been given access to someone’s private moments — someone’s well-kept secrets.

“Inside, of course, there was nothing clinical, detached or objective about my experience. I was a human being, not a science experiment, and my feelings oscillated between hope and disappointment. The overwhelming emotion I felt during the IVF treatments was frustration.”

The Sunday Story Club is about memories, healing, bonding, relationships and regrets. It’s about the moments in our lives that we carry with us, perhaps in silent.

Profound, layered and clear-sighted, this collection of real-life stories reveals the emotional untidiness that lies below the shiny surface of modern life and reminds us of the power of real conversation to enlighten, heal and transform.

“The state of our hair was an anxious undercurrent to our day. If we had managed to emerge from the house with it straight that morning, that was wonderful and afforded us a moment’s relief as we looked in the mirror. But in half an hour’s time, and every half-hour after that, the internal question assailed us: was it still straight?”

Naturally, some of the stories resonated with me more than others. There’s a story about a woman whose husband leaves her one day while she’s at work — takes his stuff, empties their bank account, leaves a note, and abandons his wife and child.

There’s another woman whose father was an abusive alcoholic for most of her life. And another woman talks about her daughter’s anorexia — a dangerous illness that almost kills her.

These stories are all so different that I’m confident any female reader will be immensely affected by at least one of them. It’s impossible to read this and not feel for the women who experienced these events. One woman spent years and many rounds of IVF trying to conceive, only to experience joy on the final chance. How could that not affect you?

“My distress faded eventually. and I could at last think about what happened without a sense of heartbreak and shame. And when I observed our friendship from a distance, I saw that the clues to its demise had been there from the start.”

The Sunday Story Club brings a wonderful group of women into your life, their voices rising from the pages with clarity and ease. I recommend this to female readers, and regular readers of non-fiction. Each story is relatively short, so it’s the perfect read for the daily commute.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Sunday Story Club
Doris Brett & Kerry Cue
July 2019
Pan Macmillan Publishers

The Quest Diaries of Max Quest by Jules Faber

Hi everyone! I’m Max Crack and this awesome book is all about me and my quests and my best friend Frankie!

Max Crack is new in Piddown.

He decides that a new town means a new beginning and resolves to embark on a series of quests, such as:
Make a new best friend
Win a trophy.
Solve a mystery.
Find hidden treasure.

He meets Frankie on his first day in town (Quest No. 1: tick). Now all he has to do is win a trophy, solve a mystery and find hidden treasure… The story is presented as Max’s diary, and it’s a visual feast: full of speech bubbles, doodles, asides, highlighted words, and crossed-out words.

Buried treasure, new school, doodles, peanut butter and honey toast, best friends, horrible blobs, mysteries, Meddlyslop, spelling bees (hard words, harder words), more doodles, comics, World War Undies … this book has it ALL.

The Quest Diaries of Max Quest is the debut children’s book from cartoonist and illustrator Jules Faber. Faber is well-known as the illustrator of WEIRDO.

This is a great read for a child aged approximately 10-12. The Quest Diaries of Max Quest definitely reads like it’s skewed more towards male readers, but female readers will find a lot to enjoy about this series.

The writing is very much stream of consciousness — chaotic, manic and fun. Young readers will be able to relate to the style of voice, and many parents will recognise the language and the dialogue.

Scattered throughout the book are detailed comics with speech bubbles and intricate diagrams. A lot of the humour actually comes from the drawings, rather than just the text.

“Frankie’s learned how to hide from attacks in his cool hideout. His hideout is in the attic past his bedroom and the upstairs lounge room. His house is really HUGE too. His dad built it using bricks made by convicts when the country was first settled by Europeans. Frankie showed me some THUMBPRINTS and POSSUM FOOTPRINTS still in the bricks.”

Max and Frankie are both really sweet, thoughtful, and imaginative. They’re kind and considerate, and their creativity knows no boundaries.

Even for an adult, it’s fun to follow Max’s quests. The comics are fun to explore and the chaotic nature of the storyline is enjoyable for all readers, not just young.

“Even with his eye problems he might win it. Especially if he does get super spelling powers. I’m going to have to work extra hard if I want that trophy, and I do. It’s the second quest on my list and, because I’ve ticked the first QUEST off already, I want to keep the streak going.”

I think the illustrations are the biggest strength of this book. The writing is good, but the illustrations are what will really entertain a young reader.

A solid children’s book debut, full of laughs and joy for young readers. Parents should feel confident buying this for their young child, and kids will find enjoyment reading the book and scanning the illustrations and comics.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Quest Diaries of Max Quest
Jules Faber
September 2019
Pan Macmillan Publishers

Evermore (Everless #2) by Sara Holland

The highly anticipated sequel to New York Times bestseller, Everless!

Jules Ember was raised hearing legends of the ancient magic of the wicked Alchemist and the good Sorceress. But she has just learned the truth: not only are the stories true, but she herself is the Alchemist, and Caro—a woman who single-handedly murdered the Queen and Jules’s first love, Roan, in cold blood—is the Sorceress.

The whole kingdom believes that Jules is responsible for the murders, and a hefty bounty has been placed on her head. And Caro is intent on destroying Jules, who stole her heart twelve lifetimes ago. Jules must delve into the stories that she now recognizes are accounts of her own past. For it is only by piecing together the mysteries of her lives that Jules will be able to save the person who has captured her own heart in this one.

Return to the intoxicating land of Sempera, where the rich live for centuries and the poor bleed time to pay for a loaf of bread. Can the Alchemist overcome the Sorceress once and for all?

Evermore is the second and final book in the YA fantasy duology from Sara Holland, picking up where things left off in Everless. If you haven’t read Everless, this review will be filled with spoilers — you are warned!

Last year, I read and loved Everless, and I’ve been eagerly anticipating reading the sequel and reviewing it for the blog. I’ve read quite a lot of negative reviews online, but I liked this sequel. Did I think it was truly amazing? No. Did I enjoy it? Yes. Did I feel it wrapped up the storyline in a satisfying manner? Yes.

Despite there being a lot of travel in this book (like many fantasy sequels), the pacing is quick and the stakes are high, and the tension rises with each passing chapter. There was a lot of history in this book — Jules explores her past and her connection to Caro, to find out what their backstory is and how they’re destined to cross paths in every lifetime. This element may not be for everyone but I found it incredibly necessary to the storyline, and I really enjoyed it.

“Liam Gerling flits across my mind again, the complete belief in his eyes when he stood in an open field and told me I was the Alchemist. I wish he were beside me, if only to show Amma that I’m not mad. Not yet.”

Jules and Caro are pretty far removed for most of the novel, which sometimes drags the novel. The confrontation at the conclusion is satisfying, but I would’ve liked the climax to be a little more drawn out and brought earlier into the story. It felt really rushed. We do spend a lot of time exploring Jules and Caro’s backstories and while this is important, other elements of the story could’ve perhaps been embedded throughout to break up the storyline and ensure the reader’s attention didn’t waver.

The concept of blood being exchanged as currency wasn’t used very frequently in the story, and that saddened me. That concept felt truly original and it was one of my favourite things about Everless — it completely hooked me into picking up the series.

However, its lack of presence in this book just highlights how cut-off Jules is from the rest of civilisation. She’s often in the middle of nowhere, travelling somewhere that will give her answers to her past and her connection with Caro. It was a necessary sacrifice, I’m sure, but something I dearly missed.

“As she speaks, she dances out of the way of all my blows, her movements quick and graceful and efficient. She doesn’t seem to be trying to hurt me, but I realize that we’re closer together now than before. Caro is luring me to her — just like she lured me here, I think bitterly, foolishly.”

Something about this book felt so different to the first one, and not always in a good way. I think Evermore felt more generic, more like stereotypical fantasy than Everless did. And I’m sure that has something to do with the structure of the book. Jules is on a journey for most of the book — she’s travelling a lot and she’s learning a lot of information about her past and its significance, and she’s keeping a low profile. It feels pretty similar to a lot of other fantasy books.

That, combined with the fact that Sara Holland’s incredible magic system from book one doesn’t really get prime position, made for a slightly less-than-impressive sequel.

“My stomach lurched. A year. And these people don’t even care; they’re laughing and smiling as they roll up their sleeves, exposing their arms and palms like fish bellies to the dancing candlelight of the hall. Their flesh is smooth. Unblemished. No signs of having been bled before.”

Two books felt like the appropriate amount for this story — I actually was expecting this to be a trilogy, not thinking too much about it, until I neared the end of Evermore and realised that the story was wrapping up! I really appreciated that. Not all fantasy series need to be 3+ books.

I recommend this series to YA fantasy readers. It sits pretty comfortably in that space, so I feel confident that readers who love and regularly read fantasy will be the core audience for this series.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Evermore (Everless #2)
Sara Holland
August 2019
Hachette Book Publishers

The Shelly Bay Ladies Swimming Circle by Sophie Green

It’s 1982 in Australia. The Man from Snowy River is a box office hit and Paul Hogan is on the TV.

In a seaside suburb, housewife Theresa takes up swimming. She wants to get fit; she also wants a few precious minutes to herself. So at sunrise each day she strikes out past the waves.

From the same beach, the widowed Marie swims. With her husband gone, bathing is the one constant in her new life.

After finding herself in a desperate situation, 25-year-old Leanne only has herself to rely on. She became a nurse to help others, even as she resists help herself.

Elaine has recently moved from England. Far from home and without her adult sons, her closest friend is a gin bottle.

In the waters of Shelly Bay, these four women find each other. They will survive bluebottle stings and heartbreak; they will laugh so hard they swallow water, and they will plunge their tears into the ocean’s salt. They will find solace and companionship, and learn that love takes many forms. Most of all, they will cherish their friendship, each and every day.

The Shelly Bay Ladies Swimming Circle is the latest novel from Australian author Sophie Green, this time introducing us to a fantastic group of women who bond over their love of the water.

The book is set in 1980s NSW, but there is so much about these women and their lives that can be understood by readers who may not have memories of the 1980s. These four women confront loss, grief, relationships, family, adultery, friendships, addictions, and mental health. Sophie Green explores these issues with sensitivity and compassion. You don’t need to live in a certain time period to understand these things — all readers will be able to understand or relate to a least a couple of the themes present in the book, and the discussions that are had between the women.

Swimming brings these four women together at a time when they’re all in need of friends. Theresa is married to a philandering, arrogant man and takes on the majority of the household responsibilities. Andrew doesn’t help out with the two kids, and Theresa is at a loss.

Marie is still mourning the death of her husband five years ago, and her best friend has recently moved quite some distance away — Marie is lonely.

Leanne recently moved to Shelly Bay and is a paediatric nurse at the local hospital. But, she finds it hard to connect with people. She’s distanced from her parents and her family, and she has quite a few skeletons in her closet that she struggles to talk about. She certainly struggles connecting with men, and hasn’t ever had a boyfriend.

Elaine is an alcoholic whose husband works all the time. She’s new to the country — having recently moved here from England — and she’s missing her sons. She turns to the bottle to comfort her loneliness.

“She really doesn’t want to play with them again, but she hasn’t managed to find another group activity that suits her, and if she doesn’t play tennis she will have absolutely no one to talk to apart from James, who works all day and half the night.”
ELAINE

Sophie Green is a really skilled writer, bringing these women to life and making the reader fall in love with each of them. The book switches POV between the four women, and despite the fact these women are all different ages and at different stages in their lives and their careers, their voices and stories are all so unique that you never grow tired of the plot, or of the writing.

Friendship is the dominant theme in the book, and is executed incredibly well. Women in particular will be able to relate to the close connections that these women form with each other over the course of the novel. The four women become a support network for each other, helping the others overcome the emotional and physical hurdles that they’re facing in their lives.

“Today is the day. After her lessons, and Matt’s reassurances that her freestyle is ‘coming along nicely’, Leanne is ready to swim in the ocean. With Theresa and her friends.”

The Shelly Bay Ladies Swimming Circle shows us that we shouldn’t bury our pain or hide our struggles — we should learn to trust in others, and confront what it is that’s causing our pain. The book also highlights the importance of having quality friends, and that it’s never too late to build friendships and relationships with others.

Theresa, Marie, Leanne and Elaine share a lot of heartache in the book, but they also share a lot of laughs and tender moments. They grow over the course of the novel — not just their relationships with others, but their relationships with themselves.

“They’re always like this on the nights when Andrew doesn’t arrive home in time for dinner. They never say anything about him not being there, yet they cling harder to her. They want all of her time, and they’ll fight sleep to get it.”
THERESA

The setting of the novel is captured really strongly in the pages, and readers will easily be able to imagine the picturesque Shelly Bay location — even if they’ve never been to Sydney or Shelly Bay.

Sophie Green’s latest novel is just as satisfying as The Inaugural Meeting of the Fairvale Ladies Book Club — readers who like historical fiction, romance, and family sagas will enjoy this book.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Shelly Bay Ladies Swimming Circle
Sophie Green
August 2019
Hachette Book Publishers

The Astrid Notes by Taryn Bashford

Astrid Bell
Dutiful daughter. Classical singer. Secret pop songwriter. And suffering from stage fright.

Jacob Skalicky.
Trust-fund kid. Indie singer. Immensely gifted performer. And refusing to sing again.

Are they polar opposites? In his grief and fury at the world, Jacob certainly thinks so. But when Jacob loses everything and Astrid uncovers a shocking family secret, they may need each other to make sense of their lives.

The Astrid Notes is the second YA novel from Queensland author Taryn Bashford, this time set within the complex and high-pressure world of music and singing.

Jacob — who readers may remember from The Harper Effect — is navigating his way through a difficult time. After a late night gig, his fellow band members all die in a car accident. Jacob has survivor’s guilt, feeling like he’s lost his purpose and he starts to give up on his music and his singing.

To make everything worse, Jacob’s parents are fairly absent from his life but his father is constantly pressuring him to reconsider his career and his path, and to give up on this music dream of his. His father is a bully, and the reader can physically feel the effect that his father is having on Jacob’s physical and mental state.

Astrid is conflicted about many things. She’s an incredibly talented opera singer but she has stage fright and she doesn’t know how to fix it. She’s six months shy of 18, which is when her father promised to tell her how her mother died, but she wants to know now. Why does she have to wait? Astrid assumes her mother —who was an extraordinarily talent singer as well — died giving birth to her, and Astrid feels an enormous amount of guilt about this.

Naturally, when Astrid and Jacob’s paths cross, they have much in common.

“Four days after breaking my hand. I bite the bullet and am standing outside the doc’s house listening to Astrid sing. I like her sound even more than I like Yolanda Gustav. How can someone so small pack that much power?”
JACOB

The Astrid Notes explores some pretty heavy topics — death, alcoholism, depression, and parental pressure. I imagine there’ll be many readers out there who could find some comfort in what these characters are going through.

The POV shifts between Jacob and Astrid quite often — sometimes after only two pages — and I think the characterisation within these short moments was managed really well. From the beginning, we understand the characters’ motivations, their fears and their worries, and how their interactions with other people is a reflection of their struggle to overcome the issues they’ve been going through.

“Something has changed. He’s changed. It’s as if the older I get, the more the unpredictable side of him is taking over. Mr Maestro’s winning. It’s like living inside my own opera and the demon has gained ground. And I’m to sing, whether I want to or not.”
ASTRID

I think what does let this book down is some of the jarring references to pop culture that date the book and add nothing to the character’s inner dialogue. It makes the text read a little too juvenile for the characters, and the references do feel out of place — if there was no way to seamlessly weave them in, then I think they should’ve been culled in the editing.

“As always, I lost that argument. Should’ve kept my mouth shut because I probably made everything worse. Like the main character in a Step Up movie, I either pass this audition or my music dreams are over.”
JACOB

“I’m small, so being engulfed by Maestro has always felt like being hugged by the hero at the end of a movie or when the music score from the final scene of Lord of the Rings blasts in your head and you’re sure everything’s going to end well.”
ASTRID

A heartwarming and engaging follow up to The Harper Effect, with loveable, relatable characters and a rich plot. Taryn Bashford captures the world of elite music with authenticity. You’ll fall in love with Astrid and Jacob from the beginning, all the way through to the last pages. Recommend for young readers, 12+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Astrid Notes
Taryn Bashford
July 2019
Pan Macmillan Publishers

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