JESS JUST READS

A BOOK REVIEW BLOG

The Shelly Bay Ladies Swimming Circle by Sophie Green

It’s 1982 in Australia. The Man from Snowy River is a box office hit and Paul Hogan is on the TV.

In a seaside suburb, housewife Theresa takes up swimming. She wants to get fit; she also wants a few precious minutes to herself. So at sunrise each day she strikes out past the waves.

From the same beach, the widowed Marie swims. With her husband gone, bathing is the one constant in her new life.

After finding herself in a desperate situation, 25-year-old Leanne only has herself to rely on. She became a nurse to help others, even as she resists help herself.

Elaine has recently moved from England. Far from home and without her adult sons, her closest friend is a gin bottle.

In the waters of Shelly Bay, these four women find each other. They will survive bluebottle stings and heartbreak; they will laugh so hard they swallow water, and they will plunge their tears into the ocean’s salt. They will find solace and companionship, and learn that love takes many forms. Most of all, they will cherish their friendship, each and every day.

The Shelly Bay Ladies Swimming Circle is the latest novel from Australian author Sophie Green, this time introducing us to a fantastic group of women who bond over their love of the water.

The book is set in 1980s NSW, but there is so much about these women and their lives that can be understood by readers who may not have memories of the 1980s. These four women confront loss, grief, relationships, family, adultery, friendships, addictions, and mental health. Sophie Green explores these issues with sensitivity and compassion. You don’t need to live in a certain time period to understand these things — all readers will be able to understand or relate to a least a couple of the themes present in the book, and the discussions that are had between the women.

Swimming brings these four women together at a time when they’re all in need of friends. Theresa is married to a philandering, arrogant man and takes on the majority of the household responsibilities. Andrew doesn’t help out with the two kids, and Theresa is at a loss.

Marie is still mourning the death of her husband five years ago, and her best friend has recently moved quite some distance away — Marie is lonely.

Leanne recently moved to Shelly Bay and is a paediatric nurse at the local hospital. But, she finds it hard to connect with people. She’s distanced from her parents and her family, and she has quite a few skeletons in her closet that she struggles to talk about. She certainly struggles connecting with men, and hasn’t ever had a boyfriend.

Elaine is an alcoholic whose husband works all the time. She’s new to the country — having recently moved here from England — and she’s missing her sons. She turns to the bottle to comfort her loneliness.

“She really doesn’t want to play with them again, but she hasn’t managed to find another group activity that suits her, and if she doesn’t play tennis she will have absolutely no one to talk to apart from James, who works all day and half the night.”
ELAINE

Sophie Green is a really skilled writer, bringing these women to life and making the reader fall in love with each of them. The book switches POV between the four women, and despite the fact these women are all different ages and at different stages in their lives and their careers, their voices and stories are all so unique that you never grow tired of the plot, or of the writing.

Friendship is the dominant theme in the book, and is executed incredibly well. Women in particular will be able to relate to the close connections that these women form with each other over the course of the novel. The four women become a support network for each other, helping the others overcome the emotional and physical hurdles that they’re facing in their lives.

“Today is the day. After her lessons, and Matt’s reassurances that her freestyle is ‘coming along nicely’, Leanne is ready to swim in the ocean. With Theresa and her friends.”

The Shelly Bay Ladies Swimming Circle shows us that we shouldn’t bury our pain or hide our struggles — we should learn to trust in others, and confront what it is that’s causing our pain. The book also highlights the importance of having quality friends, and that it’s never too late to build friendships and relationships with others.

Theresa, Marie, Leanne and Elaine share a lot of heartache in the book, but they also share a lot of laughs and tender moments. They grow over the course of the novel — not just their relationships with others, but their relationships with themselves.

“They’re always like this on the nights when Andrew doesn’t arrive home in time for dinner. They never say anything about him not being there, yet they cling harder to her. They want all of her time, and they’ll fight sleep to get it.”
THERESA

The setting of the novel is captured really strongly in the pages, and readers will easily be able to imagine the picturesque Shelly Bay location — even if they’ve never been to Sydney or Shelly Bay.

Sophie Green’s latest novel is just as satisfying as The Inaugural Meeting of the Fairvale Ladies Book Club — readers who like historical fiction, romance, and family sagas will enjoy this book.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Shelly Bay Ladies Swimming Circle
Sophie Green
August 2019
Hachette Book Publishers

The Astrid Notes by Taryn Bashford

Astrid Bell
Dutiful daughter. Classical singer. Secret pop songwriter. And suffering from stage fright.

Jacob Skalicky.
Trust-fund kid. Indie singer. Immensely gifted performer. And refusing to sing again.

Are they polar opposites? In his grief and fury at the world, Jacob certainly thinks so. But when Jacob loses everything and Astrid uncovers a shocking family secret, they may need each other to make sense of their lives.

The Astrid Notes is the second YA novel from Queensland author Taryn Bashford, this time set within the complex and high-pressure world of music and singing.

Jacob — who readers may remember from The Harper Effect — is navigating his way through a difficult time. After a late night gig, his fellow band members all die in a car accident. Jacob has survivor’s guilt, feeling like he’s lost his purpose and he starts to give up on his music and his singing.

To make everything worse, Jacob’s parents are fairly absent from his life but his father is constantly pressuring him to reconsider his career and his path, and to give up on this music dream of his. His father is a bully, and the reader can physically feel the effect that his father is having on Jacob’s physical and mental state.

Astrid is conflicted about many things. She’s an incredibly talented opera singer but she has stage fright and she doesn’t know how to fix it. She’s six months shy of 18, which is when her father promised to tell her how her mother died, but she wants to know now. Why does she have to wait? Astrid assumes her mother —who was an extraordinarily talent singer as well — died giving birth to her, and Astrid feels an enormous amount of guilt about this.

Naturally, when Astrid and Jacob’s paths cross, they have much in common.

“Four days after breaking my hand. I bite the bullet and am standing outside the doc’s house listening to Astrid sing. I like her sound even more than I like Yolanda Gustav. How can someone so small pack that much power?”
JACOB

The Astrid Notes explores some pretty heavy topics — death, alcoholism, depression, and parental pressure. I imagine there’ll be many readers out there who could find some comfort in what these characters are going through.

The POV shifts between Jacob and Astrid quite often — sometimes after only two pages — and I think the characterisation within these short moments was managed really well. From the beginning, we understand the characters’ motivations, their fears and their worries, and how their interactions with other people is a reflection of their struggle to overcome the issues they’ve been going through.

“Something has changed. He’s changed. It’s as if the older I get, the more the unpredictable side of him is taking over. Mr Maestro’s winning. It’s like living inside my own opera and the demon has gained ground. And I’m to sing, whether I want to or not.”
ASTRID

I think what does let this book down is some of the jarring references to pop culture that date the book and add nothing to the character’s inner dialogue. It makes the text read a little too juvenile for the characters, and the references do feel out of place — if there was no way to seamlessly weave them in, then I think they should’ve been culled in the editing.

“As always, I lost that argument. Should’ve kept my mouth shut because I probably made everything worse. Like the main character in a Step Up movie, I either pass this audition or my music dreams are over.”
JACOB

“I’m small, so being engulfed by Maestro has always felt like being hugged by the hero at the end of a movie or when the music score from the final scene of Lord of the Rings blasts in your head and you’re sure everything’s going to end well.”
ASTRID

A heartwarming and engaging follow up to The Harper Effect, with loveable, relatable characters and a rich plot. Taryn Bashford captures the world of elite music with authenticity. You’ll fall in love with Astrid and Jacob from the beginning, all the way through to the last pages. Recommend for young readers, 12+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Astrid Notes
Taryn Bashford
July 2019
Pan Macmillan Publishers

More than Enough by Elaine Welteroth

A memoir from the revolutionary editor credited with bringing social consciousness to the pages of Teen Vogue and an inspiring exploration of what it means to be enough.

In this part-manifesto, part-memoir, the revolutionary editor explores what it means to come into your own – on your own terms.

Elaine Welteroth has climbed the ranks of media and fashion, shattering ceilings along the way. In this riveting and timely memoir, the groundbreaking editor unpacks lessons on race, identity, and success through her own journey, from navigating her way as the unstoppable child of a unlikely interracial marriage in small-town California to finding herself on the frontlines of a modern movement for the next generation of change makers.

Welteroth moves beyond the headlines and highlight reels to share the profound lessons and struggles of being a barrier-breaker across so many intersections. As a young boss and the only black woman in the room, she’s had enough of the world telling her – and all women – they’re not enough. As she learns to rely on herself by looking both inward and upward, we’re ultimately reminded that we’re more than enough.

Elaine Welteroth is a dynamic groundbreaker in media and fashion. In her memoir, More than Enough, she talks about her journey towards being a journalist and rising above the ranks in the world of fashion magazines. At 29, Elaine became the youngest Editor-In-Chief at Teen Vogue, and the second black editor-in-chief of a Conde Nast publication.

At first, I wondered if Elaine had enough of a story for a memoir. The book moves quite slow to begin with and I worried that it was going to be another one of those memoirs where the person has written it quite young and perhaps too early — I often question the need for a memoir from someone under the age of 35. Wouldn’t it be better if they waited another ten years and had more to tell readers? But I soon squashed that thought, because this book has so much to offer and so much insight for all types of readers.

“When I look back, I see a little girl running, pushing, working creatively to compensate for things that were beyond her control. For years, I felt like an imposter with a hidden flaw waiting to be found out. I worried that I might be stained, too, just like that cheque in my dad’s pocket.”

Elaine grew up in California, the child of a black mother and a white father. From childhood, she was ambitious, devoted and determined to succeed. Elaine talks a lot about how different she felt from other kids — because of her hair, her skin colour, her upbringing or her heritage. As a biracial girl, she didn’t always feel like she belonged with the black kids, but she knew she didn’t belong with the white girls either.

But, in college, Elaine met like-minded people who shared the same drive and passion for a successful career as she did, and she prospered. She thrived with internships and work and by trusting her instincts and always pursuing what she felt was right, she climbed to the top of the fashion world incredibly quick. She worked for fashion powerhouses such as Ebony, Glamour, and then Teen Vogue.

Young girls will read this memoir and be inspired — particularly if those young girls are interested in working in the fashion industry. But, more importantly, young black girls will read this memoir and be reassured that they have a place at the table. They’ll realise how important it is for their voices to be heard and acknowledged, and they’ll realise that they have the power to make real change in the world.

“When I returned to college after my New York internship, I felt overwhelmed and intimidated. Not just by East Coast White People and the extremely ill-fitting advertising world. But by the entire world. And the daunting notion of figuring out where I belonged in it.”

More than Enough highlights Elaine’s devotion to celebrating diversity in the fashion industry — an industry that is predominantly full of white and privileged people. Elaine uses her own experiences to transform Teen Vogue into a more socially conscious publication, with girls of all colours on the covers and feature stories within its pages that reflect our multicultural society.

An empowering memoir from an incredibly inspiring trailblazer.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

More than Enough: Claiming Space for Who You Are (No Matter What They Say)
Elaine Welteroth
July 2019
Penguin Random House Publishers

A Lifetime of Impossible Days by Tabitha Bird

Meet Willa Waters, aged 8 . . . 33 . . . and 93.

On one impossible day in 1965, eight-year-old Willa receives a mysterious box containing a jar of water and the instruction: ‘One ocean: plant in the backyard.’ So she does – and somehow creates an extraordinary time slip that allows her to visit her future selves.

On one impossible day in 1990, Willa is 33 and a mother-of-two when her childhood self magically appears in her backyard. But she’s also a woman haunted by memories of her dark past – and is on the brink of a decision that will have tragic repercussions . . .

On one impossible day in 2050, Willa is a silver-haired, gumboot-loving 93-year-old whose memory is fading fast. Yet she knows there’s something she has to remember, a warning she must give her past selves about a terrible event in 1990. If only she could recall what it was.

Can the three Willas come together, to heal their past and save their future, before it’s too late?

A Lifetime of Impossible Days by Tabitha Bird is a novel about family, loss, love and grief — it’s about the decisions we regret, and the ones we are yet to make. The book is an exploration of the human experience and how — no matter how hard it is — its important to face your fears and your regrets in order to overcome them, so that you can learn to forgive yourself.

The book is written in first person, but it moves between three different time periods — we meet the same woman, Willa, when she is 8, 33 and 93. At 8 years old, Willa is energetic and playful and kind. But her and her sister Lottie are subjected to abuse from their violent father. Their mother, who is desperate for guidance, is not able to leave her husband. And so Willa and Lottie live with a monster, with no foreseeable way out.

This particular storyline is really heartbreaking. Willa’s father brings so much tension to the story — he’s manipulative and cruel, and he causes such heartbreak in the family. Willa’s mother is trying hard just to survive, that she’s not in a position to be able to protect her children.

“With my eyes closed, I listen to the house. No sounds from Mummy and Daddy. After their fight last night, we won’t be going to school today. Mummy will stay in bed and when the school rings she’ll say we are sick.”
WILLA, 8

At 33 years old, Willa is feeling lost. She’s struggling mentally. She’s tried to help her sister so many times in the past, but Lottie has gone too far down a dangerous and self-destructive past, and Willa doesn’t think there’s anything she can do to help anymore.

Willa has two kids she’s looking after, and whilst her husband Sam is supportive and understanding and helpful, Willa feels like she’s drifting away. Over the course of the novel, we witness as this particular Willa struggles more and more and her mental health deteriorates as a result of her unacknowledged trauma.

“As I lie on the green tiles of my childhood bathroom, I am sore with the return of memories and thoughts of my sister. Lottie is a place men have visited, feasted on her starving need for them, and left. She is in my veins; we are one and the same place.”
WILLA, 33

At 93 years old, Willa’s memory is a little hazy. She requires a lot of help from others, and she’s estranged from her son. And she can’t remember why no one will talk about her other son. What happened to him? Is there some way she can fix this before it’s too late?

Willa’s childhood was a traumatic one, and her ability to time travel helped her cope with what had happened in her life, but only for a short time. Even at 93, Willa must learn to acknowledge her trauma and her grief and confront it. She may just be able to change the course of her life if she can connect with what happened to her as a child.

“Something has woken me. I don’t know if I nodded off for a little snooze, but Katie isn’t here and I’m guessing she has already left for the evening. Who can know if you drop off for a little nap when you are at that stage of life where you regurgitate events and everyone simply wants you to get to the point?”
WILLA, 93

The characterisation in the book is really strong — each Willa feels incredibly authentic. The voices are different, the actions and the motivations are different, and the dialogue accurately reflects the age of that particular Willa. I think Tabitha did a fantastic job of writing the same character at three different stages in her life.

A Lifetime of Impossible Days is best described as magical realism, because the three Willas have the ability to step into a different time in their lives. They can visit each other. Their backyard forms some sort of portal that allows them to escape their own timeline and enter either the past or the present.

At times the story felt a bit confusing because the nature of the time travel was a little convoluted, and there were definitely a few moments where I felt disorientated with where the story was going. I do also think the book lost a bit of momentum in the middle, but then it picked up again in the final third.

Despite the size of the book, I found myself heavily invested in the characters and the storyline. I felt compelled to finish the novel and I found the ending incredibly satisfying. Recommend for fans of literary fiction, and especially those that love a little bit of magic in their stories.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

A Lifetime of Impossible Days
Tabitha Bird
June 2019
Penguin Random House Australia

Sick Bay by Nova Weetman

Meg uses Sick Bay to hide from other kids. She’s struggling with changes at home, wears slippers to school and buries her head in books.

New girl Riley is a type 1 diabetic with an over-protective mother. She’d rather chat with her friends than go to Sick Bay, but sometimes she has no choice.

They think they’ve worked each other out, but what if they’ve got it all wrong?

On the brink of high school, Meg and Riley need a place where they can find the courage to be themselves.

Sick Bay by Nova Weetman is a middle grade novel about friendship, identity and learning how to accept who you are when you’re on the cusp of your teenage years.

Meg and Riley are in grade six and about to finish primary school; they’re both struggling with something that others can’t possibly understand. Meg’s father had died and her mother is in a deep state of depression. Meg’s school shoes don’t fit anymore, so she wears slippers to school because she doesn’t have any money to buy proper shoes. She spends all her time in sick bay because she doesn’t really have any friends and she feels safe in sick bay. She gets attention, care and food.

Riley is a diabetic, and her mum doesn’t let her have any freedom. Her mum won’t teach her how to function with diabetics independently, so she’s forced to rely on her. And she’s starting to grow resentful because she’s adopted by the popular group at school and the girls don’t seem to understand — or care — about Riley’s needs. Riley feels like diabetes is holding her back. She needs to regularly test her glucose levels and log everything that she eats, and she feels embarrassed to do this around her new friends.

“It’s Tuesday afternoon so I leave The Bag at home and carry my dirty clothes, and some of Mum’s, to the laundromat a few blocks away. We do own a washing machine and clothes dryer, although they aren’t exactly operational right now. Dad used to keep everything working in the house, so now he is gone, if things break down they stay broken down. A bit like Mum really.”
MEG

Sick Bay is a dual narrative, switching back and forth between Riley and Meg’s POV. Despite their circumstances being very different, they’re both going through something very similar. They’re both lost, a little unsure of who they are or where they want to go. This is their journey towards understanding themselves and their differences, and embracing them.

At first, Riley and Meg don’t click. They’re very different, and they judge the other on first appearances. But over time, friendship develops. Meg is accepting of Riley, and Riley is understanding of Meg’s situation. And the two girls have to decide what they really want out of their final few weeks in primary school, and who their real friends are.

“Lina beams at me. I smile back but start running scenarios through my head. Maybe I can suddenly get sick the night before the party. Excuse myself that way. It worked last time I was supposed to go into the city with them for an afternoon of shopping.”
RILEY

Sick Bay is emotional and heartfelt — there’s so much depth to this novel, and so many layers to these characters that readers will love. Perfect for readers aged 10-13, Sick Bay is the kind of book that young girls could take guidance from. It’s uplifting and reassuring — validating. It’s the kind of book I would’ve liked to read when I was a young teenager.

This is the perfect book for a young reader who may be struggling with school or friends, or maybe even their family. Sick Bay will remind them that they’re not the only one going through a tough time.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Sick Bay
Nova Weetman
June 2019
UQP Publishers

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