JESS JUST READS

A BOOK REVIEW BLOG

Deeper Water by Jessie Cole

Innocent and unworldly, Mema is still living at home with her mother on a remote, lush hinterland property. It is a small, confined, simple sort of life, and Mema is content with it.

One day, during a heavy downpour, Mema saves a stranger from a flooded creek. She takes him into her family home, where, marooned by floods, he has to stay until the waters recede. And without either of them realising it, he opens the door to a new world of possibilities that threaten to sweep Mema into the deep

‘They say every hero has to leave home, but what those first steps are like I’m yet to know’

Jessie Cole’s latest title is quite similar to her debut novel: an outsider’s life intersects with someone from a small town. The novel is very character-driven (again, much like Darkness on the Edge of Town) and allows the reader to seep into these characters’ lives unnoticed and observe their somewhat personal circumstances.

The story is subtly tragic – Mema’s growing desire for the stranger disturbs the reader because they know that they don’t quite fit and that it’ll never work out. They live two completely different lifestyles, and Mema’s isolation from society is highlighted even further when she saves the stranger. He’s obsessed with gaining access to his email accounts and his laptop, and Mema struggles to understand why those things are important to him.

The characters intersect at the right moments so that the reader doesn’t feel overpowered by the plot or character relations. And the development of character is gradual and graceful. The novel illustrates a comparison between two separate lives and details the resulting conflict when those lives clash.

At times, the pace of the story seemed to be slow and the characters seemed stagnant. But if you can get past that and appreciate the fluidity of the writing and the raw beauty of the characters, then you’ll enjoy this novel.

My Score: 8/10

All the Truth That’s in Me by Julie Berry

Four years ago, Judith and her best friend disappeared from their small town of Roswell Station. Two years ago, only Judith returned, permanently mutilated, reviled and ignored by those who were once her friends and family. Unable to speak, Judith lives like a ghost in her own home, silently pouring out her thoughts to the boy who’s owned her heart as long as she can remember—even if he doesn’t know it—her childhood friend, Lucas. But when Roswell Station is attacked, long-buried secrets come to light, and Judith is forced to choose: continue to live in silence, or recover her voice, even if it means changing her world, and the lives around her, forever. This startlingly original novel will shock and disturb you; it will fill you with Judith’s passion and longing; and its mysteries will keep you feverishly turning the pages until the very last.

There are many reasons why this novel could’ve been a disaster. Firstly, it’s in second person narration, which is extremely hard to do and even harder to make effective. Secondly, the book is made up of tiny chapters, some just a few lines long. And thirdly, the story seems to jump from past to present quite quickly.

However, Berry has successfully written second person narration so that it’s engaging, evocative, and intriguing. The only other book that I’ve read that did second person narration well was Jodi Picoult’s Handle with Care. And I think the small chapters really illustrated the protagonist’s fractured state of mind – on a side note, Berry has done well to capture the time period of the novel, and the expectations of the character upon her return to civilisation.

I must now be a little negative. At the start of the novel, it’s a little unclear when the story jumps between past and present. I found myself rereading certain sections because I thought I was in the present but it turns out to be in the past and vice versa. Also, at the end when you find out what happened to the protagonist in her two years away, it all seems a little easy. Some of the events were a little unreasonable. I still don’t fully understand why the person took her, and he cut out her tongue because if she can’t talk, she can’t implicate _______ (underline intended. I don’t want to give away any spoilers). But she can write it down? Why didn’t he then cut off her hands?

Despite this, the story is interesting and had me turning the page. I just would’ve liked a little further clarification on the ending and a little more clarification at the beginning on the setting.

My Score: 8/10

The Giver by Lois Lowry

 

Jonas’ world is perfect. Everything is under control. There is no war or fear or pain. There are no choices. Every person is assigned a role in the Community. When Jonas turns twelve, he is singled out to receive special training from The Giver. The Giver alone holds the memories of the true pain and pleasure of life. Now, it is time for Jonas to receive the truth. There is no turning back.

I won’t lie. I picked up this book because the ‘major motion picture’ is about to come out, and I was curious. A lot of people seemed to read this in high school, and until the movie trailer was released, I’d never heard of this book. And to think of all the books I had to read in high school that I didn’t enjoy, and here was this book that I would’ve loved to have read in high school.

This novel is fast-paced and has an intriguing premise. It is a great children’s book and I can see why kids would love it. However, in saying that, the book probably could’ve been double the size and helped to fill in a few gaps that I noticed. I read this in a few hours and I wanted to know more about The Giver’s memories and about Jonas’ reaction when he finds out what ‘releasing’ entails. I think that there isn’t enough stylistic development between when Jonas makes this discovery and when he runs off with Gabriel.

Although the novel is fast-paced, at times it was a little too quick. The novel is supposed to take place over approximately one year and I didn’t get that from the text. It seemed like one month, maximum. And I feel like the social dynamic between Jonas and The Giver could’ve been explored more, but since this is children’s fiction, Lowry can get away with it.

My Score: 8/10

Divergent, by Veronica Roth

I should really review Divergent and The Hunger Games in the same post, because of all the similarities. They’re both dystopian, and the main character in both novels is a feisty female who must learn to survive in an environment full of people trying to kill her.

I read Divergent on a plane from Sydney to Brisbane. I bought it just to read at the start and end of the plane trip when you’re not allowed to listen to music because you have to “switch off all electronic devices”. I ended up reading it the entire trip and then finishing it when I got home.

The premise is at first confusing: futuristic, post-apocalyptic Chicago is separated into different factions (similar to the districts in The Hunger Games). These factions are Abnegation, Amity, Candor, Erudite, and Dauntless. Beatrice Prior grew up in Abnegation, the faction known for being selfless. However, in the year she turns 16, she – and all the other 16 year olds in Chicago – can choose if they want to change. Beatrice changes to Dauntless, and becomes Tris.

She is thrust into a violent faction filled with deceit, lies, murder, and brutality. She is trained to be a fighter and defender of the city, and those who fall behind from the group are cast aside and deemed factionless.

The novel has an intriguing premise, but the first fourth of the novel is a little confusing and Roth doesn’t quite explain the setting well enough for the reader to picture it. The main character is refreshingly feisty and learns how to survive. The book has a strong romantic element that I think is missing from The Hunger Games. Tris is independent and relatable, and Roth’s writing is strong. The pace moves quickly and she’s created three dimensional characters.

My Score: 8/10

 

The Fictional Woman by Tara Moss

I’m one of those people who doubted Tara’s ability to write because she’s spent so many years not trying to be a writer. Perhaps I thought that great writers are those who have always wanted to write, or tried to write. Many doubted the quality of Tara’s crime novels because she spent her adolescence as an international model. I haven’t read any of her crime novels – mostly because of this doubt – and was therefore the perfect person to read ‘The Fictional Woman’.

Tara squashes those who don’t believe she can write. The book is well-written and Tara comes across as honest, compassionate, and very self-assured. She talks about some very sensitive topics in a respectful way. Each chapter focuses on a different aspect of Tara’s life, and the book could probably be read in a different order and still make sense. In each chapter, Tara weaves in personal stories, anecdotes, and facts to argue a certain side of her that she feels she needs to reflect.

The pace, however, does slow down mid way through (around the chapter on the gender wars). For a few chapters, there are few personal stories and a lot of facts, and I felt myself losing interest. She did regain my interest for the final third of the novel, but by then, I was inundated with information and statistics. After a while, you become quite passive to the facts and statistics because there’s too many of them.

This non-fiction novel highlights Moss’ intelligence and awareness of women and their importance in society. The book becomes an insightful eye-opener for those who don’t realise how marginalised women can be in the home or in the workplace.

My Score: 8/10