JESS JUST READS

A BOOK REVIEW BLOG

I Am Out With Lanterns by Emily Gale

One of us is in the dark.
One of us is a bully.
One of us wants to be understood.
One of us loves a girl who loves another.
One of us remembers the past as if it just happened.
One of us believes they’ve drawn the future.
But we’re all on the same map, looking for the same thing.

Year Ten begins with a jolt for best friends and neighbours Wren and Milo. Along with Hari, Juliet, Ben and Adie, they tell a story of friendship, family, wild crushes, bitter feuds, and the power of a portrait.

As their lives intertwine, images could bring them together, and tear them apart.

I Am Out with Lanterns is the latest contemporary novel by Australian young adult author Emily Gale. It explores friendship, family, relationships and identity.

There are many characters to this novel, and many switching POV chapters. However, central characters include Wren, an artist who is stuck drawing portrait after portrait of her brother Floyd, who died a few years earlier. Milo is Wren’s next door neighbour. He’s sweet, kind-hearted and has a beautiful soul. But he’s often misunderstood and at school, he’s bullied really horribly.

Adie’s father is an artist, and she’s been his muse since she was little. But he’s a harmful character, and their relationship is not a healthy one. Juliet is really loved and supported at home, but she’s lonely and feels a little lost.

“This is it: my first party as a teenager. You could call that impressive, considering I’ve been a teenager for more than three years, or you might prefer to call it what it actually is.”

I Am Out with Lanterns is very much about self-discovery and self-awareness and that crucial time in a teenager’s life when they grow into themselves and must make choices that others may disapprove of. The title of the book was actually inspired by an Emily Dickinson quote, ‘I am out with lanterns, looking for myself’ and this does well to capture the feel and atmosphere of the novel.

The book explores themes of sexuality, friendship and identity, through the lens of six teenagers.

Emily brings all of these characters together, allowing us to witness their lives alter and change as their paths intersect. Some of these characters are incredibly flawed, but all their voices are incredibly unique and we come to understand each character in a different way.

“I hold the Nintendo high and watch him jump for it. Noah is smaller and skinnier than I was at his age. He’s always in his own little world or having secret chats with Mum, or climbing the tree down the back of our garden by himself and sitting there like some loner.”

Ben’s character is quite different from the others. He’s a bully, and he’s powerful and assertive. He seems to be following in the footsteps of his incredibly manipulative father, and even though he can see this, he doesn’t appear to want to change.

I appreciated his presence as one of the six characters. I think it’s important for authors to show readers a full range of people, and not just good-natured or nice people.

“Today after we’d sat in the chair on the street, as close as I’ve ever been to anyone, I said something funny. She looked at me and for a second we were locked in. Then she hit my arm and it was over. But that’s what I want to draw. Her face in that split second, a shot to the heart. The next time she looks at me like that, I think I’m going to kiss her.”

My only criticism is that I really struggled to keep track of the different characters and their relations to each other, because of how many POVs there are and how quickly they switch. Many of the characters weave in and out of other POVs, so sometimes I had to take a moment to remember their backstory before continuing.

I Am Out With Lanterns is an energetic, emotional story with a dynamic and diverse cast — it is both heartwarming and heartfelt.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

I am Out With Lanterns
Emily Gale
August 2018
Penguin Random House

Greenlight by Benjamin Stevenson

Four years ago, in the small town of Birravale, Eliza Daley was murdered. Within hours, her killer was caught. Wasn’t he?

So reads the opening titles of Jack Quick’s new true-crime documentary. A skilled producer, Jack knows that the bigger the conspiracy, the higher the ratings – and he claims Curtis Wade was convicted on flimsy evidence and shoddy police work. Millions of viewers agree.

Just before the final episode, Jack uncovers a minor detail that may prove Curtis guilty after all. Convinced it will ruin his show, Jack disposes of the evidence and delivers the finale unedited, leading to Curtis’s eventual release.

Then a new victim is found bearing horrifying similarities to the original murder. Has Jack just helped a killer walk free?

Determined to set things right, Jack returns to Birravale looking for answers. But with his own secrets lurking just beneath the surface, Jack knows more than anyone what a fine line it is between fact and fiction. Between life and death.

Now there’s only one option left. The truth.

Greenlight by Benjamin Stevenson is a rural crime thriller about the long-solved murder of backpacker Eliza Daley.

It’s an interesting premise — a well-known television producer and presenter helps cast enough doubt on a convicted killer that he is released from prison. But perhaps this man was indeed the killer after all?

Benjamin’s writing is polished. The dialogue realistic, the characters are three dimensional and well-developed, and the mysteries of this rural town are enticing enough to keep the reader turning the page. I thoroughly enjoyed reading this story, and churned through the pages of this book.

“The shoe grew heavier in his mind every day. Jack knew what it was like to make a decision that you can’t take back, even if you want to. Some small, inconsequential choice that grows and grows into something monstrous when everyone is watching. Why had he been fine with hiding the shoe?”

Jack Quick is flawed, but he’s also determined and compassionate and desperate to find out the truth. He puts himself in dangerous situations and is able to see things that others probably wouldn’t be able to see.

He starts to piece together what happened to Eliza Daley, and also the second victim who is murdered after Curtis Wade is released from prison.

Greenlight does follow a bit of a stereotypical trope found in rural fiction — someone arrives in a small town and they are neither a policeman or a detective, and yet they’re able to solve a crime that the cops couldn’t? I’ve read quite a few crimes novel lately that feature a protagonist like this.

“Jack scanned the paper. The front page had a close-up picture of Curtis, red letters splashed diagonally across him. Of course, the sub-editor had added the question mark — The Nailbiter Killer? — to protect from defamation.”

The prologue of this book is completely unnecessary. It’s from the point of view of Eliza, shortly before being murdered and it gives away too much. It makes it very clear that she’s being kept underground, which allowed me to guess one of the twists in the novel long before it was revealed.

Despite that, this is one of my favourite crime novels from this year. There are many different mysteries to solve, not just the murder of Eliza Daley, and tension builds slowly until the reader grows very anxious about what’s going to happen.

Greenlight is utterly compelling and engrossing — an absorbing mystery with more surprises than I thought possible.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Green Light
Benjamin Stevenson
September 2018
Penguin Random House

No Country Woman by Zoya Patel

No Country Woman is the story of never knowing where you belong. It’s about not feeling represented in the media you consumed, not being connected to the culture of your forebears, not having the respect of your peers.

It’s about living in a multicultural society with a monocultural focus but being determined to be heard. It’s about challenging society’s need to define us and it’s a rallying cry for the future. It’s a memoir full of heart, fury and intelligence – and the book we need right now.

No Country Woman by Zoya Patel is a feminist memoir about what it means to never feel at home where you live.

Zoya Patel is the founder of Feminartsy and is a Fijian-Indian writer. She’s based in Canberra and moved to Australia when she was very little. No Country Woman is an exploration of her heritage, culture and place in this country.

‘I was born in a hospital in Suva, Fiji. …It is not a place I’ve thought of often, but I think of it now and wonder how it has shaped me. I am Fijian-Indian, and have lived in Australia since I was three years old. Memories of my early life in Fiji are limited to flashes, like an old film projector running backwards. I remember a blue dress, a trip on a boat where my father handed me a dried, floating starfish that I clutched in my fingers, determined not to lose it back to the ocean.’

Zoya explores her identity through a number of lenses — location, family, religion, relationships, holidays, education. She reflects on her own experiences as a migrant to Australia, and how she’s experienced racism and prejudice in this country. She examines her childhood and her attempts to rebel against her heritage, and she also documents the times she travelled away from home and how her experiences shaped her identity.

No Country Woman is an eye-opening read for anyone who isn’t a migrant to this country, and who hasn’t experienced racism. Zoya tries to help us understand the complexities of a multicultural society, and how important it is to be aware of one’s privilege and circumstance.

Zoya also touches on discrimination, because many people in the world experience it. Sometimes it may be because of the colour of their skin, or their culture, or it may be because of sexuality, gender or disability. It’s important to be an ally for the disadvantaged and marginalised in society.

I admire Zoya’s ability to look at many issues from different perspectives, so that she’s not just pushing one agenda to the reader but presenting a situation from many different sides to allow the reader to make up their own mind.

“One of the most pervasive stereotypes of Indian immigrants the world over is that of the Indian small-business owner, the savvy, stingy subcontinental with a cockroach-like ability to thrive in any environment, who infiltrates a milker or service station and takes over entirely, unable to be dislodged as they feed off the economy they have adopted.”

I struggled with the book’s jarring balance of memoir vs. academia. I connected with the book most when Zoya was exploring her history and her memories, when she was telling us about her parents and her family and other aspects of her life that were important to her.

But at times, Zoya moves between memoir and statistics, or memoir and academic research, and I found the transition very jolting and not as seamless as it could’ve been.

Additionally, some parts of the book felt very drawn out. For example, there’s one whole chapter on Zoya’s relationship with the water and swimming. Whilst the chapter is interesting and important to her identity, it’s seventeen pages long and I felt that she could’ve been more succinct in what she was trying to say.

Despite this, Zoya’s memoir will be enjoyed by many readers. There are moments of humour and light-heartedness, and Zoya’s writing is sharp. No Country Woman allows the reader to develop a greater understanding of issues surrounding race, culture and identity. It’s revelatory read.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

No Country Woman
Zoya Patel
August 2018
Hachette Book Publishers

Your Second Life Begins When You Realise You Only Have One by Raphaelle Giordano

At thirty-eight and a quarter years old, Paris native Camille has everything she needs to be happy: a good job, a loving husband, a wonderful son. Why then does she feel as if happiness has slipped through her fingers? All she wants is to find the path to joy and fulfilment.

When Claude, a Sean Connery look-alike and routinologist, offers his unique advice to help get her there, she seizes the opportunity with both hands.

Camille’s journey is full of surprising escapades and richly meaningful lessons, as she sets out to transform her life and realize her dreams one step at a time. . .

Your Second Life Begins When You Realise You Only Have One by Raphaelle Giordano is a charming novel about a young woman who has everyone she needs, but isn’t as happy as she should be. Originally published in French, this is the first time it’s being released in English.

This is a really cute book — bright, fun colours and a gorgeous hardback package. It really shows what kind of story you’ll get between the pages, something uplifting and fun.

“You’re probably suffering from a type of acute routinitis.”
“A what?”
“Acute routinitis. Finding it hard to feel happy despite an abundance of material wealth, a feeling of disillusionment and lethargy, amongst other things.”
“But . . . How do you know all that?”
“I’m a routinologist.”
“A routino-what?”

Thirty-eight year old Parisian Camille overhauls her life with the help of an unconventional therapist. She meets Claude after a minor car accident during a storm, and what results is a series of tasks that she must undertake to find the happiness she feels like she’s missing.

Some of the tasks are small, such as cleaning her home. If the reader chooses, I imagine that they could attempt to follow along with Camille. So even though this is a fictional story, in many ways it could inspire readers to make changes in their own lives too.

Claude is wise and intuitive, without being overbearing. He inspires change in the character and also the reader, and his friendship with Camille is a joyous development in the book. He is both her mentor, and her conscience. He helps guide her when she’s feeling lost or unsure, and he’s a sounding board when she is starting to doubt the choices she’s made in her life.

“That’s perfect, Camille. Now you need to do all you can to focus your attention on your good points rather than on your tiny flaws, which no one really notices anyway. Never forget those women who weren’t particularly pretty and yet were hugely sought after..What’s most important — and I know you know this — is what comes from within.”

Whilst it’s a feel-good story, there’s not enough depth to Camille’s story. This story feels like it skims the surface of Camille’s mindset, and I didn’t feel satisfied by the quick pacing and ultimately fast resolution to her story. I would’ve liked the plot to be developed better, so that Camille’s progress felt more believable.

Whilst this is fiction, this book will appeal to fans of self help books, or those bestselling titles about how best to de-clutter your life. This is Raphaelle’s fiction debut — she’s published non-fiction before and is trained in communication and stress management techniques.

Readers looking for a joyous, fun read will also be pleased.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Your Second Life Begins When You Realise You Only Have One
Raphaelle Giordano
July 2018
Penguin Random House Australia

Hive by AJ Betts

All I can tell you is what I remember, in the words that I have.

Hayley tends to her bees and follows the rules in the only world she has ever known.
Until she witnesses the impossible: a drip from the ceiling.

A drip? It doesn’t make sense.

Yet she hears it, catches it. Tastes it.

Curiosity is a hook.

What starts as a drip leads to a lie, a death, a boy, a beast, and too many awful questions.

Hive by AJ Betts is the first novel in a two-book dystopian series. The story takes place in a claustrophobic, confined setting — a small, strict community encased within walls.

Hayley is governed by the society she was born into. It’s all she’s known. Everyone has a purpose — a role — but Hayley starts to question hers when she discovers a drip from the ceiling.

It’s water. But that doesn’t make sense. What she’s discovered doesn’t align with what she’s been taught. That’s not where water is supposed to come from. Is it?

“With a thud, the buzzing stopped. It was Geoffrey who’d done it, his palm flat against the wall. He shouldn’t have killed the bee, but I didn’t care — there were plenty of others and, besides, it was further proof that I’d indeed come here chasing a rogue.”

Hive is a refreshing addition to dystopian fiction — a unique plot and premise, and a heavily character-driven story. The setting is eerie and creepy. The novel explores curiosity and intrigue, but also a young girl’s determination to be something other than what she’s been told she needs to be.

The book ends on a cliffhanger, unsurprisingly. I wonder if this story should’ve just been one book with two parts, rather than a two-book series. This is a pretty slim book with a slow plot, and if book two is the same then I think it would’ve served a better purpose to combine the stories.

I’m not that good at keeping up with sequels because there’s often quite a bit of time between books, so if it’s not a trilogy, and the two books are really small, why not combine?

“I checked the commons again, this time looking for other absences. On the stairs that skirted up around the commons stood members of the council, but fewer than there should have been. The judge wasn’t among them. Nor was her son.”

A.J Betts’ writing is detailed, descriptive but also really evocative. She has a real talent with words, and crafting effortless prose that just flows.

The novel does have dark elements, exploring a woman’s role to conceive children so that the society can keep growing. Hive reminded me of The Handmaid’s Tale in many ways.

The protagonist, Hayley, is inquisitive and wide-eyed. She’s innocent, but she’s also smart. She knows it’s not safe to express her curiosities to other people in the community. They won’t believe her. They’ll think she’s ‘mad’ and mentally unstable. So, she spends her time solo — searching and trying to confirm her suspicions about where she’s been living her whole life.

“We all wanted marriage. We all wanted to be the right age at the right time, wearing flowers in our hair and red balm on our lips. We all wanted to take our turn with the gold ring and the white dress that had been worn by every girl since the first days, handed down from generation to generation.”

With poetic writing and an intriguing plot, Hive will appeal to all readers. It asks many questions about what it means to alive.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Hive
A.J Betts
July 2018
Pan Macmillan Australia

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