JESS JUST READS

A BOOK REVIEW BLOG

Seven Lies by Elizabeth Kay

It all started with one little lie . . .

Jane and Marnie have been inseparable since they were eleven years old. They have a lot in common. In their early twenties they both fell in love and married handsome young men.

But Jane never liked Marnie’s husband. He was always so loud and obnoxious, so much larger than life. Which is rather ironic now, of course.

Because if Jane had been honest – if she hadn’t lied – then perhaps her best friend’s husband might still be alive . . .

This is Jane’s opportunity to tell the truth, the question is: Do you believe her?

Elizabeth Kay’s Seven Lies is a mystery thriller novel exploring two women and their incredibly complex bond. One woman’s desire to maintain their friendship quickly turns into a deadly, unpredictable obsession with frightening consequences.

Seven Lies explores jealousy, love and grief, and the thin line between devotion and obsession. The book is written from Jane’s perspective, who is an unreliable protagonist — she’s a compulsive liar and she twists events to make herself look better, so the reader is never really sure what’s true.

There is a frequent amount of foreshadowing in the novel, which successfully builds tension and anxiety and plants this seed of dread with the reader that just keeps on growing with every passing chapter. Honourable mention goes to the ending of every chapter — there’s always some plot progression or stylistic manipulation to keep the reader engaged and desperate to keep going.

“I had discovered the ring a few months earlier. Marnie and Charles were about to go on a holiday for a week. They were going to the Seychelles, I think — or perhaps it was Mauritius — and we were due to have a heatwave in London.”

Slowly, Elizabeth moves the plot towards present day so we come to understand all about Jane’s friendship with Marnie — their history — and Marnie’s marriage to the insufferable Charles.

The further we progress through the story, the more unhinged and dangerous Jane seems. But she’ll never know it. She’s conceited and self-centred, always making excuses for her behaviour. She lets her emotions control her, and she can never seem to understand her actions or what causes them.

Seven Lies is the kind of book you devour on a plane or on the beach, when you have a dedicated length of time and you’re in the right space to be sucked into a really great mystery. Is the story flawless? No, a couple of the secondary characters — including Marnie — feel like cardboard cut-outs and there’s an anorexia storyline that seems to heighten just for dramatic effect.

But Seven Lies will draw in a wide readership, and keep them hooked. Jane and Marnie don’t have a lot in common, but both of their husbands are dead. And that alone will make you want to know more.

“It had always been that way. I was loved too little and she was loved too much, and it might surprise you to know that both are equally unbearable. She was often seeking space, suffocated by being the favourite. I became her ally, her safe place.”

Jane is unapologetic. If she were an animal, I’d imagine her as a shark or a killer whale — intelligent, ruthless and quick. She thinks ahead and she plans, and she’s not about to trip up and derail all that she’s worked hard to build.

We see other characters through Jane’s perspective, so it’s hard to know if she’s giving us the entire picture. Is Charles as awful as Jane makes him out to be? Is Marnie really as naive as Jane thinks she is? Elizabeth Kay crafts a storyline and a protagonist that really forces us to doubt what we’re reading. What is the truth, and will we ever find out?

“I let myself into their flat that evening and stood again in the dark hallway. This would be my home now — just for the week, but my home nonetheless. I turned on all the lights — exactly how Marnie liked it — and made up their bed with my own sheets and pillowcases.”

Stylistically, the novel moves between past and present frequently and it’s often a little clunky. Chunks of prose will take you out of the present and to a time in Jane’s life from years earlier. And then just as quickly as we left the present, we’re back. The transitions were rarely seamless.

Additionally, and without giving too much away, I felt the ending and final climax was a little brief. The pacing of the novel is quite slow — careful, full of anticipation — but those final couple of chapters move through at speed. It’s unexpected, and doesn’t feel like a natural conclusion.

An impressive, whirlwind debut. Recommended for fans of crime, thriller and mystery novels.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Seven Lies
Elizabeth Kay
April 2020
Hachette Book Publishers

Chosen Ones by Veronica Roth

They were the Chosen Ones. Saving the world made them heroes. Saving it again might destroy them.

When Sloane Andrews and her friends defeated the Dark One, and saved the world, it nearly cost them everything. Ten years later, they are still struggling to put the battle behind them and reclaim their lives. After all, the rest of the world has moved on . . . so why can’t they?

Of the five, Sloane has had the hardest time adjusting. Everyone else blames the PTSD – and her huge attitude problem – but really, she’s hiding secrets from them . . . secrets that keep her tied to the past and alienate her from the only four people in the world who understand her.

On the tenth anniversary of the Dark One’s defeat, something unthinkable happens: one of the Chosen Ones dies. When the others gather for the funeral, they discover the Dark One’s ultimate goal was much bigger than they, the government, or even prophecy could have foretold – bigger than the world itself.

Last time, it took everything she had. This time, it might not be enough.

Veronica Roth’s Chosen Ones is a standalone fantasy novel that reimagines the stereotypical plot device of the ‘chosen one’, flipping it on its head and fast-forwarding 10 years into the future. When a chosen one, or chosen ones, have completed their destiny and saved the world, what happens next?

Chosen Ones illustrates the mental, physical and emotional strain that would be placed on young people if they were expected to save the world like they do in books and movies. Ten years after defeating the Dark One, Sloane and her four friends are still trying to adapt and move on from what happened. Not all of them have thrived since they defeated the Dark One.

“She wanted to comfort him, but she didn’t know how. She had never seem him so tired, so…disappointed. In the world, in himself, even in her. She sat next to him on the couch, her hands clasped over her knees.”

Structurally, the book switches between prose in Sloane’s POV, and document clippings — articles, essays, news reports, interviews, classified government files, and police investigations. Whilst it doesn’t necessarily feel like it adds much to the plot, the documents help give context to the setting and the ‘world’ that they’re in, and will give readers a greater understanding of the danger that Sloane faces.

Unique, interesting and well-paced fiction, Chosen Ones feels fresh. Stereotypes are challenged, and the novel plays with the concept of alternate universes. With transformative imagery and descriptive locations, the novel’s setting feel grand, in-depth and well-developed, something that allows the reader to sink into and devour with each passing page.

At times, Chosen Ones is dark and complex. Explored themes include drug use, mental health, torture and physical disability, among many others. Fans who grew up with Veronica’s young adult novels will feel this is a natural progression — Chosen Ones is diverse and inclusive, with a strong core cast of characters and engrossing magic woven throughout.

“The Drain had driven a crater deep into the ground, so deep that some of the workers looked child-size from where she stood. When Sloane first saw a Drain site, she had expected it to be a uniform substance, like the surface of the moon. But there were still remnants of what had been there: broken planks, crumbling bricks, chunks of asphalt, bits of old fabric.”

Set in Chicago, readers will appreciate that this is a standalone novel. Veronica draws out as much from the world and the storyline as she possibly can, and pulls all threads together for an explosive finale.

Stylistically, whilst the book follows the five Chosen Ones, the book focuses primarily on the character of Sloane. Written in third person, Sloane is sharp, bitter and at times unpredictable, desperately trying to understand where she now fits in the world and how to process her life up until this point. Over time, the reader comes to understand the other characters through Sloane and her experiences, allowing for a greater understanding of her motivations.

“Sloane reached for words and came up empty. He had a point — she had been kidnapped by the Dark One, too, but he hadn’t done to her what he had done to Albie, hadn’t attacked her body and left her with no feeling in her hands and no way to rejoin the fight.”

At times, the science behind the world and the explanations behind the magic felt a little too complex and hard to swallow. Additionally, there were a couple of twists that felt a little predictable and were foreshadowed too much for an adult readership — particularly around the character of Mox — but there are definitely enough surprises in the plot to intrigue readers and keep them enthralled in the story.

Whilst this is being marketed as Veronica Roth’s first book for adults, young adult readers will also enjoy Chosen Ones. Truthfully, it feels more YA than adult. The concept of superheroes and the ‘chosen ones’, the magical elements woven throughout the book, the emotional angst between the characters, and the budding relationship between two characters felt reminiscent of a YA novel.

Recommended for fans of fantasy, speculative fiction and young adult. Aged 14+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Chosen Ones
Veronica Roth
April 2020
Hachette Book Publishers

The Lost Jewels by Kirsty Manning

In the summer of 1912, a workman’s pickaxe strikes through the floor of an old tenement house in Cheapside, London, uncovering a cache of unimaginably valuable treasure that quickly disappears again.

Present day. When respected jewellery historian, Kate Kirby, receives a call about the Cheapside jewels, she knows she’s on the brink of the experience of a lifetime.

As Kate peels back layers of concealment and deception, she is forced to explore long-buried secrets concerning Essie, her great-grandmother, and her life in Edwardian London. Soon, Kate’s past and present threaten to collide and the truths about her family lie waiting to be revealed.

Inspired by a true story, Kirsty Manning’s The Lost Jewels is a historical fiction novel that weaves a charming, fascinating tale about London’s Cheapside Hoard — one of the most famous and most mysterious collection of jewels in the world, dug up in 1912 with very little information about the jewels’ origins.

Structurally, The Lost Jewels resembles most historical fiction. The POV switches between past and present. In 1912 London, we meet the loyal, compassionate, devoted daughter and sister Esther Murphy. She cares for her siblings because their mother is in no sober state to manage the household. They’re poor, but they love each other and Esther does all that she can for her siblings. Without meaning to, Esther and her brother are swept up in an extraordinary discovery of jewels found beneath a London street.

In present day, respected American historian Dr Kate Murphy investigates the Cheapside Jewels and slowly finds out more about the history of the collection.

For a small amount of time, we’re also transported back to the early 1600s in India, Persia and London to find out more about the origin of the jewellery collection and how these jewels ended up abandoned beneath the London ground.

“The jewels were discovered the same day Essie Murphy fell in love. She had her brother to thank for both, of course — though in the years to come she’d often wonder which one came first. A buried bucket of jewels. A man with emerald eyes.”

The Lost Jewels explores themes of family, obligation and expectations, but also love, desire, sacrifice and betrayal. A lot is expected of Essie Murphy, and she places an incredible amount of pressure on herself to keep her family afloat. She adores her brother and her sisters — she’s a multi-layered protagonist. She’s caring and considerate, but she’s also a little naive and too trusting. She always sees the best in people, and sometimes she puts her faith in other people too quickly.

Esther and Kate have very distinct voices. Kate is intelligent, headstrong and confident. Like Esther, she’s a romantic, but she’s experienced hardship in her life. She’s going through a divorce and hasn’t been able to emotionally recover from the death of her child. On her journey to uncover the truth about the Cheapside Hoard, Kate meets photographer Marcus and her life changes in more ways than one.

“The diamond was table-cut and clear. Kate used her eyepiece to scan the stone for variations. Flaws. Nowadays a diamond could be filled and baked, then sent off for certification that they were perfect; the rough would be brilliant-cut to throw sparkle around the room.”

Engrossing, captivating and compelling, The Lost Jewels is a tale that travels. Kate ventures from London to India, Sri Lanka and Paris to uncover the secret histories of these jewels.

Kirsty captures the locations with incredible description and vivid imagery. In a way, the settings felt like characters themselves because Kirsty had woven them into the story with incredible significance.

It’s clear how much research went into the writing of this book, not just in capturing the settings but in bringing to life the jewels and the characterisation of Kate. Every time jewellery is described or studied, the prose is evocative. The sentences paint such a gorgeous picture of the jewels, drawing the reader in and helping them imagine what our characters are seeing.

Kate is incredibly knowledgable about jewellery — she’s considered to be one of the best historians. She’s wise and intelligent, but she also learns quick. I can’t begin to imagine the time it took for Kirsty to research what was required for not only Kate’s character, but the entire premise of the novel.

“The button was a double-layered flower: a rose fashioned from gold, with just the faintest traces of blue and white paint. At the centre of the flower and dotted along the petals were blue, red and white stones. Were they precious stones, or coloured paste? Each of the inner circles also had gold indents, as if there was more to come.”

A modern day treasure hunt, The Lost Jewels is for fans of historical fiction, romance and sweeping sagas that investigate inter-generational secrets. The readership for this novel skews female.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Lost Jewels
Kirsty Manning
April 2020
Allen and Unwin Book Publishers

Everything Isn’t Terrible by Kathleen Smith

Licensed therapist and respected mental health writer Dr. Kathleen Smith offers a smart, practical antidote to our anxiety-ridden times. Everything Isn’t Terrible is an informative, and fun guide – featuring a healthy dose of humour – for people who want to become beacons of calmness in our anxious world.

Like Sarah Knight’s No F*cks Given guides and You Are a Badass, Everything Isn’t Terrible will inspire readers to confront their anxious selves, take charge of their anxiety, and increase their own capacity to choose how they respond to it. Comprised of short chapters containing anecdotal examples from Smith’s personal experience as well as those of her clients, in addition to engaging, actionable exercises for readers, Everything Isn’t Terrible will give anyone suffering from anxiety all the tools they need to finally … calm … down. Ultimately, living a calmer, less anxious life – one that, in other words, isn’t terrible – is possible, and with this book Smith will show you how to do it.

Everything Isn’t Terrible by Kathleen Smith is designed to help readers conquer their anxieties and their anxious habits, and discover ways to move forward without as much stress and worry.

Kathleen Smith works as a therapist and in each chapter, she gives an example of a patient she’s met whose anxiety was negatively impacting their life in some way. We meet Monica, whose strained relationship with her mother and brother was causing issues between her and her father. We meet Richard, who was worried about introducing his boyfriend of two years to his family.

The structure of the book allows for an easy and quick read — each chapter is relatively short and focuses on a different example. A different type of anxiety.

“I can’t overstate how important observation is when it comes to lowering anxiety in your family. Often people will try to jump in and change themselves (or others!) without getting a good sense of how their family functions.”

Katherine Smith is interested in a particular type of anxiety, and she follows Bowen Theory to guide her patients to a calmer, healthier life. Bowen Theory believes that our anxieties stem from our relationships, and that if we study the relationships in our lives and work to manage them better, it’ll have a natural flow-on effect towards our anxious minds.

Because we meet different patients and scenarios in each chapter, there’ll be parts of this book that you won’t feel connected to, and parts of the book that you read and think ‘yes, I recognise this in my own life’. I’m guilty of skipping a couple of chapters because I felt no connection or similarity with the anxious issue that was being discussed.

“Dr. Bowen taught that if anxiety is generated in our relationships, then it can also be fixed in our relationships. Therefore, long-term change doesn’t happen in isolation, or even on a therapist’s couch. It happens when we’re willing to work on being our best selves in our most difficult relationships.”

If you’ve been following my blog, you’ll know that I read a lot of these kinds of books. I’m an anxious over-thinker who stresses too much. I wouldn’t say books like these are going to ‘fix’ that — at least not instantly — but they’re helpful in making you feel like you’re not alone. Books like Everything Isn’t Terrible pass along useful knowledge, insights and advice for people who spend too much time worrying about things they can’t change, and stressing over things they can change but don’t know how to.

Kathleen’s writing is insightful, instructive and clear. Readers will find her advice realistic and easy to follow, and this book feels like a hands-on approach, and the perfect companion to any bookshelf.

Everything isn’t Terrible teaches us that we can’t always change the situation — or relationship — we’re in, but we can adapt how we react or respond to that relationship. People tend to act a certain way when they’re stressed or anxious, and Kathleen allows us to take a step back and observe the situation from afar with fresh eyes. This may help readers confront a part of their lives that has been bringing them worry.

“When you go into relationships and try to do something different, people usually aren’t going to like it. Your family or office doesn’t want you to upset the balance they’ve cultivated to keep things calm. So when you change, there will be a temporary increase of anxiety in the system.”

This book does deal with a very specific type of issue, and it asks the reader to examine the relationships in their life. I think the title, cover and blurb implies a much broader focus, so some readers may be misguided and not find what they need inside these pages.

Helpful, insightful and a welcome addition to the family bookshelf. Recommended.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Everything Isn’t Terrible
Kathleen Smith
February 2020
Hachette Book Publishers

You Are Not Alone by Greer Hendricks and Sarah Pekkanen

Shay Miller has three strikes against her: no job, no apartment, no love in her life. But when she witnesses a perfectly normal looking young woman about her age make the chilling decision to leap in front of an ongoing subway train, Shay realizes she could end up in the same spiral. She is intrigued by a group of women who seem to have it all together, and they invite her with the promise: “You are not alone.” Why not align herself with the glamorous and seductive Moore sisters, Cassandra and Jane? They seem to have beaten back their demons, and made a life on their own terms – a life most people can only ever envy. They are everything Shay aspires to be, and they seem to have the keys to getting exactly what they want.

As Shay is pulled deeper and deeper under the spell of the Moore sisters, she finds her life getting better and better. But what price does she have to pay? What do Cassandra and Jane want from her? And what secrets do they, and Shay, have that will come to a deadly confrontation?

You are not alone: Is it a promise? Or a threat?

You Are Not Alone is the third psychological thriller novel by duo Greer Hendricks and Sarah Pekkanen, this time exploring a dangerous friendship between a group of women.

Thirty-one-year-old temp worker/data analyst Shay is lonely and insecure, secretly in love with her roommate, and craving a strong connection with at least one other person. When she witnesses a young nurse jump in front of a train, it sets in motion a series of events that have the potential to derail her life.

Set in New York City, Greer and Sarah explore female friendship and toxic human relationships, introducing us to a group of 6 women who are determined to manipulate Shay and sabotage her life.

“In the days that followed, Daphne picked up the phone a half dozen times to call the police. But she always hung up before dialling. She kept experiencing the sensation of James’ hands closing around her throat while she lay there, unmoving.”

The premise and plot are a little absurd and ridiculous, but that doesn’t matter. You Are Not Alone is a juicy, engaging thriller that will entice all readers. The alternating POV is a common thread in Greer & Sarah’s novels, and I think it works quite well in this latest instalment. This stylistic technique means the reader gets both sides of the story, and it allows for a faster pace and increased tension.

Another stylistic technique that Greer and Sarah use with each book is the intermittent use of flashbacks. Over time, we come to understand how the six women met and what drives them to target other people. Slowly, we realise what they have planned for Shay.

“I wonder if Amanda was one of them. Witnessing near-constant suffering and death must be overwhelming. Another article I read showed nurses are 23 percent more likely to commit suicide than women in general.”

Shay trusts easily. When she meets and befriends Cassandra and Jane Moore, her life seems to change for the better. But she’s a little naive — sometimes unrealistically so — and the women appear to be setting her up for a crime she didn’t commit.

Shay is also incredibly observant. Her mind is trained to notice inconsistencies, and facts that don’t add up. Statistics are littered throughout the novel and whilst they don’t feel altogether necessary, they do add to Shay’s characterisation to make her obsession with numbers and facts a little more believable.

“The sisters weave toward the door — waving at an acquaintance, sliding their champagne glass onto an empty table, dodging a man who steps in front of them with a smile, never stopping but never giving the impression they’re rushing out of the gallery. Why now, so many days after Amanda’s death, is Shay moving the necklace?”

I did feel that there were too many characters in the book. There’s Shay, Valerie, Cassandra and Jane, but there’s also Daphne? And Stacey? and Beth? And then of course there’s the deceased Amanda, and all the secrets she took to the grave with her. I think the long list of core characters made for a convoluted narration at times, and evidently there wasn’t enough depth to the characters. More could’ve been done — or a couple of characters could’ve merged — to make for a clearer story.

Recommended for fans of thriller, suspense and crime novels. The audience for this book definitely skews female, aged 20+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

You Are Not Alone
Greer Hendricks & Sarah Pekkanen
March 2020
Pan Macmillan Publishers