JESS JUST READS

A BOOK REVIEW BLOG

Cutters End by Margaret Hickey

A desert highway. A remote town. A murder that won’t stay hidden.

New Year’s Eve, 1989. Eighteen-year-old Ingrid Mathers is hitchhiking her way to Alice Springs. Bored, hungover and separated from her friend Joanne, she accepts a lift to the remote town of Cutters End.

July 2021. Detective Sergeant Mark Ariti is seconded to a recently reopened case, one in which he has a personal connection. Three decades ago, a burnt and broken body was discovered in scrub off the Stuart Highway, 300km south of Cutters End. Though ultimately ruled an accidental death, many people – including a high-profile celebrity – are convinced it was murder.

When Mark’s interviews with the witnesses in the old case files go nowhere, he has no choice but to make the long journey up the highway to Cutters End.

And with the help of local Senior Constable Jagdeep Kaur, he soon learns that this death isn’t the only unsolved case that hangs over the town…

Set in the South Australian outback, Margaret Hickey’s Cutters End transports us to rural Australia and centres around a suspicious death thirty years earlier. At the time it was ruled an accident, but what really happened along that deserted and dusty highway? Was the death of Michael Denby really an accident?

This novel falls fairly easily into the rural crime and Australian Outback noir genre, and doesn’t stray too far from the stereotypical elements of the space — the flawed male detective with a troubling marriage, a young woman holding a few too many secrets, a decades-old cold case that remains unsolved, and the desolate town filled with sketchy inhabitants. You’ll know from simply glancing at the cover whether this is novel you’ll want to read.

Cutters End is definitely a commercial novel and will find many valued readers looking for some sort of escapism. This would be a great book to gift for Father’s Day.

“She returned to her papers, indecisive. Since Mark’s visit, and perhaps just before, she sensed that her life was becoming unstuck. Her hand rested on the photograph from the old newspaper clipping. Nothing seemed definite and the resolve she’d enjoyed for a number of years was slipping.”

With all rural thrillers, setting is integral. Get that wrong and you’ve lost the atmosphere. In Cutters End, Margaret captures the thick heat and humidity of rural Australia with ease — the desolate town and its silences, the houses and businesses few and far in between, with plenty of distance and solitude to commit a crime and keep it hidden. Everyone knows each other and secrets can remain hidden for years.

In most rural thrillers, evidence is lacking so the story relies on the protagonist slowly unravelling the crime secret-by-secret, and this usually stems from townsfolk. In Cutters End, whilst some evidence reveals itself over the course of the novel, Mark’s interactions with other characters and his ability to piece together clues helps him solve the crime.

“The phone rang: his mother. Mark felt the familiar pang of guilt that she was calling him and not the other way around. His mother still lived in Booralama, the country town he grew up in. The rose gardens, the long, slow, winding river and the old gum trees — the town never failed to fill him with fault nostalgia for all things young and free.”

Told with a dual timeline, moving between the 1980s/1990s and the present allows Margaret to reflect on each era. In the past, hitchhiking was incredibly common but posed significant dangers for young women. Additionally, women who were abused or hurt were rarely believed, so it was easier for crimes to go unpunished. The present storyline follows a fairly standard kind of procedural pace, with Mark finding similarities between the events in Cutters End and the notorious Milat backpacker murders.

Admittedly, I did feel like a couple of loose threads undervalued the rest of the novel, particularly around TV presenter Suzanne Miller and her interest in the case. She’s in one scene and we barely hear from her again. I felt there was a missed opportunity to incorporate her into the story, because at present it feels like you could cull her and it’d barely make a difference. Secondly, Mark’s relationship with his wife felt thinly developed, and their storyline as a whole could’ve been explored a bit more.

“As the dark paddocks rolled on by, gradually giving way to subdivisions and then traffic, he thought about his own lack of resolve over the years. He seemed to float along; things came to him and he accepted them as par for the course.”

Pacy, intriguing and exhilarating, Cutters End is recommended for fans of rural crime, such as Jane Harper, Chris Hammer and Greg Buchanan. Readership skews 25+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Cutters End
Margaret Hickey
August 2021
Penguin Random House Publishers

Billy Summers by Stephen King

Billy Summers is a man in a room with a gun. He’s a killer for hire and the best in the business. But he’ll do the job only if the target is a truly bad guy. And now Billy wants out. But first there is one last hit. Billy is among the best snipers in the world, a decorated Iraq war vet, a Houdini when it comes to vanishing after the job is done. So what could possibly go wrong?

How about everything.

This spectacular can’t-put-it-down novel is part war story, part love letter to small town America and the people who live there, and it features one of the most compelling and surprising duos in King fiction, who set out to avenge the crimes of an extraordinarily evil man. It’s about love, luck, fate, and a complex hero with one last shot at redemption.

You won’t put this story down, and you won’t forget Billy.

Stephen King’s latest thriller, Billy Summers, follows an ex-marine contract killer whose final kill turns out to be more complex than originally planned.

When Billy is offered an extraordinary amount of money to kill a convicted killer, he bunkers down in an office building for months under a new identity — he’s pretending to be a man writing a novel, so people won’t suspect him of foul play and he’ll have optimal range when it comes time to make the shot.

But there’s something about this one last job that feels uncomfortable. The escape plan seems foolproof, but Billy has an inkling he’s being played. And soon after he kills his target, it’s about more than just survival. This is where the novel really picks up.

“Hoff smiles. Probably it’s charming when he’s on his game but he’s not on it now. He’s in a room with a paid killer. That’s part of it but not all of it. This is a man who feels the walls closing in, and Billy doesn’t think it’s because Hoff suspects he might be played for a patsy. He should know but he doesn’t.”

Billy Summers is a little slow for the first third, but once Billy completes the kill he was hired for, the pacing quickens, the stakes heighten, and the novel gets very good. We meet a new character, Alice — she’s wounded, broken, complex and she offers something fresh to the novel. It’s hard to talk about the rest of the novel without giving spoilers away, but the story does venture into really dark territory, particularly pertaining to Alice.

She does, however, offer some light in the novel. Together, Billy and Alice compliment each other as they work to deal with the fallout of recent events. The novel would’ve felt a bit limiting or lonely if Billy remained solo for his journey, so the introduction of another major character was no doubt a stylistic decision to keep the story moving in an interesting and inviting way, but also to allow the chance for Billy to grow and reflect as a character. Being around Alice resembles some sort of father-daughter bond, and we witness them both grow over the course of the story.

“At some point during that summer — his season of many identities — Billy re-reads the story of Bob Raines’ death and the hearing that followed. Then he goes to the window and looks out at the courthouse, where a sheriff’s car has pulled up to the curb.”

Admittedly, there are a few moments in the book that feel a little out of joint. King suggests some sort of attraction between Billy and Alice, which doesn’t feel natural — in a post-MeToo era, this element of the book does feel a little dated and inappropriate. And the scene where Billy takes Alice in after she’s been attacked, and then examines her body and describes it to the reader, didn’t feel overly necessary. Lastly, Alice seems really eager to join Billy on his endeavours, despite knowing him very little.

“He thinks briefly of deleting everything he’s written, it’s awful, but saves it instead. He doesn’t know what anyone else might think, but Billy thinks it’s good. And good that it’s awful, because awful is sometimes the truth.”

Recommended for readers of thriller and crime. Billy Summers is a little different to the horror and fantasy reads that fans of Stephen King will be accustomed to, but I do think his fanbase will enjoy this latest offering. Readership skews male, 25+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Billy Summers
Stephen King
August 2021
Hachette Book Publishers

Such A Quiet Place by Megan Miranda

There was no warning that she would come back.

Welcome to Hollow’s Edge – a picture-perfect neighbourhood where everyone has each other’s backs. At least, that’s how it used to be, until the night Brandon and Fiona Truett were found dead…

Two years ago, branded a grifter, thief and sociopath by her friends and neighbours, Ruby Fletcher was convicted of murdering the Truetts. Now, freed by mistrial, Ruby has returned to Hollow’s Edge. But why would she come back? No one wants her there, least of all her old housemate, Harper Nash.

As Ruby’s return sends shockwaves through the community, terrified residents turn on each other, and it soon becomes clear that not everyone was honest about the night the Truetts died. When Harper begins to receive threatening, anonymous notes, she realizes she has to uncover the truth before someone else gets hurt… Someone like her.

Megan Miranda’s Such A Quiet Place is a suspense novel centred around a mysterious double murder in an idyllic and close-knit neighbourhood, and the young woman they all believe to have committed the crime.

When accused murderer, Ruby Fletcher, is released without charge and returns home to Hollow’s Edge after two years, everyone in town appears unsettled. What happens when another murder is committed, and it’s clear that not everyone has been truthful about their past?

“During the investigation, we had established an official neighbourhood watch. A self-imposed curfew. The remnants of our fear carried over long after. We locked our doors and the patio gates, we pulled the curtains tight, we slept with a can of Mace beside our beds – and more.”

Written in first person from the perspective of Ruby’s former roommate and friend Harper, Ruby’s characterisation and voice is probably one of the strengths of this novel. She’s somewhat blank in her delivery and evokes this all-knowing personality – like she’s spent the last two years working out what to do when she got home to Hollow’s Edge. She’s calculated but controlled, her impulsivity mostly erased. She’s not actually a great person, and certainly not someone you’d want to be friends with, but as a character she is interesting to read about.

Harper’s paranoia grows over the course of the novel, as events start to cloud her judgement and make her doubt what she remembers and what she believes. The neighbourhood and its inhabitants provide this closed-in, suffocating setting. Everyone still believes Ruby to be a murderer, and they see nothing wrong with twisting memories or events to suit their perspective.

“There was no sign of Ruby when I woke. When I stepped out of my bedroom, groggy and light-headed, the house was eerily quiet…Last night, after the news program with her lawyer, Ruby had taken a phone call and disappeared upstairs, never to re-emerge.”

There is a strong sense of voyeurism in the novel, and it forms the backbone of the story. Who are we behind closed doors, compared with how the public view us? Would we kill to keep our secrets? There are enough characters in the novel that the truth is hard to guess and the ending didn’t feel predictable. Whilst some reviews of this book haven’t been favourable, I devoured this in one day and loved it.

Admittedly, the pacing lacks a bit in the first half of the novel. Harper is quite timid to start, and understandingly quite wary of Ruby’s sudden arrival. It isn’t until halfway through the novel, at a neighbourhood barbecue, where a new twist means the pace and tension pick up and we’re addicted until the final page.

“We knew who didn’t make it in to work (and whether they lied about the cause); we noticed whose cars didn’t make it home at night; we saw whose recycling bins were overflowing at the edge of the driveways (though we were rarely surprised); we listened to the arguments carrying from open windows and backyards, feeling more like confidants than voyeurs.”

Fast-paced and gripping, Such A Quiet Place is recommended for readers of crime, thriller and mystery. An enticing suspense novel for even the most reluctant of readers.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Such A Quiet Place
Megan Miranda
August 2021
Allen & Unwin Book Publishers

The View Was Exhausting by Mikaella Clements and Onjuli Datta

Whitman ‘Win’ Tagore and Leo Milanowski are the greatest love story of our time. International movie star meets the beautiful son of a millionaire. Their kisses write headlines and their fights break the internet. Nobody needs to know it’s not real.

Win knows that Hollywood demands perfection – especially from a woman of colour. Leo just wants to enjoy life, and shift press attention away from his dysfunctional family.

Together they control the narrative. Except this time, on the shores of Saint-Tropez, Leo is hiding a secret that is about to send Win’s world spinning. Now everyone’s dream couple must confront the messy reality of their relationship. Just as they’re starting to realise that they might actually be falling in love…

Co-authored by married couple Mikaella Clements and Onjuli Datta, The View Was Exhausting is a contemporary love story set within the high-pressure, fast-paced world of Hollywood royalty, diving into the complex political competition of celebrity culture and efforts undertaken to stay relevant in such a fast-paced society.

This book surpassed all of my expectations. The writing is sleek and stripped, the characters alive and multi-dimensional. I felt like I was glimpsing into the glamorous lives of the rich and famous, desperate to turn the page. Don’t let the blurb mistake you — this is about so much more than a relationship. It’s about identity, perception and image, and what we project to the world versus what we’re like behind closed doors with our closest family and friends. Above all else, the prose is beautiful.

“Win leaned back and exhaled. It had been a successful week of parading Leo up and down the coast. The public was back on her side. Her image had been revitalised. The first thing that came up when you googled her was a barrage of excited rumours about The Sun Also Rises.”

Flashbacks are embedded within chapters so we come to understand how their seven-year partnership began, and how it’s evolved and developed over time. Leo doesn’t really need Win, but Win frequently needs Leo.

As a British Indian woman, Win has to grapple with her identity as a woman of colour as well as a woman on the cusp of global stardom. She has to work harder than others to maintain her facade, because it’s been so easy for others to tear her down.

The View Was Exhausting feels like escapist fiction, because the settings in the novel seem like a character itself. Win and Leo fly between glamorous locations and parties, carefully working to construct a narrative around their relationship that will keep them in the news for the right reasons. Publicist Marie is a fun character, and one of my favourite. Without her, Win wouldn’t know how to build her reputation back up each time it shatters. Marie is no-nonsense and brutal, doing what she can to protect the reputation of her clients.

“It made him feel like a sulky child, unimportant and neglected, like he was part of his dad’s entourage again. He would have complained, except he was absolutely certain that Win knew and was doing it deliberately.”

I do wish there was more chemistry between Win and Leo. I’m not sure I really bought their love for each other — fake or real. Their connection was so fraught and tense for so much of the book, we don’t really witness enough tender or happy moments from them to see what a real relationship between them could resemble.

In fact, the most compelling scenes between them were when they were arguing, because their true feelings about the other and their flaws were revealed — it was quite an interesting character study to read their dialogue during moments of conflict.

“But it was becoming clear that her work wasn’t enough. And if she didn’t want to squander her gift, if she wanted to stay true to her ambition and her father’s belief in her, she would have to make sure that she got the opportunities she needed.”

Sharp, atmospheric and affecting, The View Was Exhausting is recommended for literary readers, and fans of domestic and romantic tales. If you love Taylor Jenkins Reid, you’ll love this. Readership skews female, 25+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The View Was Exhausting
Mikaella Clements and Onjuli Datta
July 2021
Hachette Book Publishers

She is Haunted by Paige Clark

A mother cuts her daughter’s hair because her own starts falling out. A woman leaves her boyfriend because he reminds her of a corpse; another undergoes brain surgery to try to live more comfortably in higher temperatures. A widow physically transforms into her husband so that she does not have to grieve.

In She Is Haunted, these renditions of the author search for recognition and connection, and, more than anything else, small moments of empathy. But in what world will she move beyond her haunted past and find compassion for herself?

With piercing insights into transnational Asian identity, intergenerational trauma and grief, the dynamics of mother-daughter relationships, the inexplicable oddities of female friendship, and the love of a good dog, Paige Clark has crafted an exquisite, moving and sophisticated debut work of fiction.

Paige Clark’s She is Haunted is a collection of eighteen short stories, each grappling with issues of recognition and connection, as well as loneliness and intimacy. Other themes peppered throughout the book include identity, grief, intergenerational trauma, sickness and hurt.

My favourite stories are Elisabeth Kubler-Ross, Gwendolyn Wakes, In A Room of Chinese Women, A Woman in Love, Why My Hair is Long, She is Haunted, and Snow Angels.

“I know lots of things now that I’m dead. Peter from Apartment Two has a spastic bladder. My former boss Morgan keeps her toenails in a gold jewellery box. My brother and his wife are trying for a baby. I always excuse myself before things get too heated. I don’t know much about my mother yet. I am waiting for grief to catch her, but she mostly seems ashamed-of her body, of what it made.”

Strengths lie in Paige’s ability to evoke instant imagery, with piercing prose and sharp dialogue. There are moments of humour in some of the stories, as well as irony and wit.

Stories vary in length, but all are self-contained. With females taking centre-stage across most of the book, each story in She is Haunted grapples with multiple themes and tones and will resonate with readers of all ages. Many of the stories offer insights into intergenerational trauma and Asian heritage. Each story possesses an element of strength and capability, but together, the collection is a really incredible piece of writing. Naturally, some stories won’t resonate with every reader but that’s the beauty of a collection — it’s about finding the ones you love most amongst a suite of impeccable work.

“Every morning I wake up, put on his robe and his slippers and shuffle to the bathroom. In the mirror, I hope to see his face instead of mine. I try to erase the woman I find with cakes makeup and waterproof mascara. She is relentless.”

Readers will be able to relate to elements within each story, and perhaps a reader’s favourite story will give insight into what kind of person they are. Short stories allow us to glimpse into the most compelling moment of a much wider journey, and will often leave us with much to ponder. Familial dynamic has a strong presence in the collection, particularly mother-daughter relationships, the connection between romantic partners, and also female friendship.

“Gwendolyn scanned the screen. She had an eagle eye for errors. The numbers were all in the low eighties at least. There was a ninety-six. And two ninety-twos. She reached out and put her hand to Forrest’s upper back. She couldn’t recall the last time she had touched someone who wasn’t her mother.”

Evocative, electric and moving, She is Haunted is Paige’s debut and will please seasoned readers, and those who love short stories and literary works. Readership skews female, 25+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

She is Haunted
Paige Clark
July 2021
Allen & Unwin Book Publishers