JESS JUST READS

A BOOK REVIEW BLOG

The Girl from Widow Hills by Megan Miranda

Everyone knows the story of the girl from Widow Hills.

When Arden Mayes was six years old, she was swept away in terrifying storm and went missing for days. Against all odds, she was found alive, clinging to a storm drain. A living miracle. Arden’s mother wrote a book, and fame followed. But so did fans, creeps and stalkers. It was all too much, and as soon as she was old enough, Arden changed her name and left Widow Hills behind.

Now, a young woman living hundreds of miles away, Arden is known as Olivia. With the twentieth anniversary of her rescue looming, media interest in the girl who survived is increasing. Where is she now? The stress brings back the night terrors of Olivia’s youth. Often, she finds herself out of bed in the middle of the night, sometimes outside her home, even streets away. Then one evening she jolts awake in her yard, with the corpse of a man at her feet.

The girl from Widow Hills is about to become the centre of the story, once again.

Megan Miranda’s The Girl from Widow Hills is a fast-paced psychological thriller about a young woman forced to face her traumatic but mysterious past when a dead body is discovered on her property.

At 6 years old, Arden Maynor got caught in a flash flood whilst sleepwalking. She miraculously survived in a storm drain for three days and was found clinging to a grate. Fame followed her for years and so when she got older, she changed her name to Olivia Wells and moved to rural North Carolina.

Now 26 and a hospital administrator, Olivia works hard to keep her past hidden. Until that body ends up outside her house and she’s thrust back into the spotlight once again, the media circus returning to her front door.

“I was too young to really remember, and too much time had passed anyway, the trauma buried under so many layers that it existed only in the psychological reactions: the flutter of my pulse as the doors slid shut in an elevator; a ringing in my ears in the darkness of a movie theatre before the first trailer kicked in…”

A lot of this book explores unprocessed trauma — memory loss, murky childhood events, and the unreliability of Olivia’s mind. The Girl from Widow Hills also explores the media’s obsession with these survival stories, people who escape the inescapable. And then the media feel they’re owed updates in the years to follow. They don’t always care for the life that person is trying to lead, away from the limelight.

The writing is sleek and effecting. Narrative devices propel the story forward, red herrings keep you guessing, and the carefully woven twists and turns keep you enthralled. The cast is large enough that there’s room to suspect just about anyone of anything, and there’s enough mystery to keep the readers guessing.

The book is scattered with additional narrative elements that help carve a bigger picture surrounding Olivia’s childhood, such as newspaper articles, interview transcripts, police reports, and publicity coverage. Slowly, we’re able to piece together what happened to Olivia as a child, and how that connects to the dead body she found on her boundary line.

“There was a visceral reaction to speaking about the past. Something I’d long gone out of the way to contain. A shaking that started in my fingers, a tremor that worked its way through my body, though no one seemed to notice but me. The precursor to panic; something that seized my mind and body alike.”

Truthfully, I think there’s a bit of disconnect between the reader and Olivia. You spend so much of the book trying to understand her past, and her memories from when she was six, that I don’t feel like you really get to connect with her as an adult. Olivia comes across as distant — a little stiff and boring. You never really feel a huge range of emotions coming from Olivia, it’s mainly an observant kind of POV, assessing the events around her. Readers will follow along for the mystery, not for the characters.

“Everyone tried to act normal when I arrived at the hospital. Faces that were either too friendly, or people who averted their gaze entirely, pretending to be absorbed in their phones. I had found a dead body outside my house, and everyone knew it.”

Admittedly, the ending is a little far-fetched and rushed but by then you’re so seduced by the story, you don’t really care.

Recommended for fans of thrillers, crime and psychological suspense novels.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Girl from Widow Hills
Megan Miranda
August 2020
Allen & Unwin Book Publishers

The Erasure Initiative by Lili Wilkinson

A girl wakes up on a self-driving bus. She has no memory of how she got there or who she is. Her nametag reads CECILY. The six other people on the bus are just like her: no memories, only nametags. There’s a screen on each seatback that gives them instructions.

A series of tests begin, with simulations projected onto the front window of the bus. The passengers must each choose an outcome; majority wins. But as the testing progresses, deadly secrets are revealed, and the stakes get higher and higher. Soon Cecily is no longer just fighting for her freedom – she’s fighting for her life.

Lili Wilkinson’s The Erasure Initiative is a YA psychological thriller that explores human behaviour, morality and ethical decision-making. The novel is also highly entertaining and set within a high-stakes, high-pressure environment. The Erasure Initiative ponders the possibility of using the trolley problem to re-align criminal behaviour.

Seven people wake on a driverless bus with no memory of who they are and how they got there. Our protagonist, Cecily, soon forms strong bonds with the handsome young Paxton and the brash but tech-savvy Nia. A series of hypothetical situations forces the group to come together in an unpredictable, and at times manipulative manner.

“The seatback displays don’t offer us any new information. We pace up and down the aisle. Check over everything a few more times. Hunger makes everyone jitter and snap at each other. Riley’s knee bounces up and down incessantly, and I want to yell at him, but I don’t, because I’m scared of his clumsy tattoos and scars.”

I’ve read quite a few of Lili’s books, including her other psychological thrillers After the Lights Go Out and The Boundless Sublime and I always find the twists and reveals to be incredibly clever. I genuinely don’t see them coming, so big ticks for that.

The trolley problem is only interesting and engaging the first few times you do it, so I was intrigued to find out how Lili was going to keep a reader engaged for at least 70,000 words. After the first couple of trolley problems I was bracing myself for repetition, but Lili manages to switch the rules and change the game with each chapter. I’m happy to admit my prediction was wrong.

“Inertia hurls me forward. I have just enough time to throw my hands up to protect my face as I collide with the windscreen, my body doing its damnedest to continue its forward trajectory through space. I close my eyes in involuntary defence as my face smashes into my hands, and my wrists and elbows and hips connect with the glass.”

I do think some characters were so engaging and dominant that a few characters on the bus got drowned out as a result. Riley is one of them — I kind of forgot about him until his character reached their pivotal moment. Catherine was also a bit of a sly fox, disappearing into the pages (although I’m certain that was intentional). And Edwin is a lot more interesting (and relevant) towards the end of the novel — he felt a little lost in the first half of the book.

The dynamic between Cecily and Nia is an interesting one, and something that develops really well over the course of the novel. I think Lili has done a great job of capturing the premise of missing memories very well. Being in Cecily’s head feels like climbing inside a toddler learning to walk. You can’t really look away.

“This time only Sandra chooses to save the person. I choose NO, because if Edwin’s right and the dickhead who’s behind this is trying to compare our answers, then I’m going to screw with him by always choosing NO.”

Admittedly, at times the dialogue felt a bit preach-y and like the author’s views on certain societal issues were poking through the novel. Additionally, with such a small cast of characters — there’s really only seven of them — Lili manages to tick a lot of diverse minority boxes and sometimes it felt a bit like it was approaching being tokenistic.

Compelling and enthralling right until the final page, The Erasure Initiative is recommended for fans of thriller and mystery. I don’t think this book is limited to YA readerships; adults and young readers alike with find themselves absorbed in this premise.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Erasure Initiative
Lili Wilkinson
August 2020
Allen & Unwin Book Publishers

The Ballad of Songbirds and Snakes by Suzanne Collins

Ambition will fuel him. Competition will drive him. But power has its price.

It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to out charm, outwit, and out manoeuvre his fellow students to mentor the winning tribute.

The odds are against him. He’s been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined — every choice Coriolanus makes could lead to favour or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute… and must weigh his need to follow the rules against his desire to survive no matter what it takes.

Fans of The Hunger Games will remember Coriolanus Snow as the ruthless and fascist President of Panem. In Suzanne Collins’ prequel, The Ballad of Songbirds and Snakes, readers will come to understand his backstory — how did Snow go from teenager to bitter tyrant?

In this setting, the Capitol are up to their 10th Hunger Games and things are very different from how we see them over sixty years later. Nobody is watching the Games, especially in the poorer districts where they don’t even have televisions. The Capitol need to switch things up to increase excitement in the games, and Snow has a natural ability to ponder disastrous ways to engage new audiences.

There are three parts to the novel — Snow meeting Lucy Gray and gearing up for the Hunger Games, the Hunger Games themselves, and then afterwards, where Snow spends time in District 12 with his friend Sejanus and Snow’s humanity slowly starts to dissipate.

“Could there be a bigger slap in the face?” Coriolanus wonders. “District 12, the smallest district, the joke district, with its stunted, joint-swollen kids that always died in the first five minutes, and not only that . . . but the girl?”

Lucy Gray is a fascinating and complex character — she’s a talented singer with the charm and confidence to fascinate the Hunger Games crowds. Fans will find joy when they realise that the songs we learnt in The Hunger Games — The Hanging Tree, for example — were written and sung by Lucy Gray. We come to understand the history and the significance of these songs, which is a nice touch.

Because the book is written in third person, we experience events as Snow does and we never really come to understand what’s going on inside his mind. We witness as he betrays friends and kills people, but we never experience his thoughts or conflicts and it’s both a clever and chilling stylistic device.

“He’d been to the arena several times as a small boy, to see the circus, mostly, but also to cheer military displays under his father’s command. For the past nine years he’d watched at least part of the Games on television.”

This book explores the evolution of Snow but is also explores the evolution of the Hunger Games. In the beginning, we understand just how uninterested people are in them. The Capitol want to use the games to exert control over the districts, but they can’t quite work out how to do that. By the end, Snow has plenty of ideas on how to increase obsession with the Hunger Games, and it gives readers a chilling premonition because we know just how successful the Hunger Games end up being.

The novel isn’t without its flaws. The pacing was inconsistent. It takes a long time before the Games start, and they don’t actually go for that long. And then we follow a rather slow journey to the climax of the story. Whilst I loved the ending and truly felt surprised by the story of Lucy Gray and the conclusion to her tale (not a spoiler), I felt a little cheated that it took so long to get there.

Additionally, I never believed Snow’s hatred for mockingjays. It felt like it was put into the story purely to provide another connection to The Hunger Games.

“Some of the tributes dropped in their seats, chins almost on their chests, but the more defiant ones tilted their heads back and surveyed the hall. It was one of the most impressive chambers in the Capitol, and several mouths gaped open, awed by the grandeur of the marble columns, the arched windows, the vaulted ceiling.”

Recommended for fans of The Hunger Games. You’ll find yourself captivated by the setting and the story, and engaged long enough to see the story through to the end. 14+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Ballad of Songbirds and Snakes
Suzanne Collins
May 2020
Scholastic Publishers Australia

The Sin Eater by Megan Campisi

A Sin Eater’s duty is a necessary evil: she hears the final private confessions of the dying, eats their sins as a funeral rite, and so guarantees their souls access to heaven. It is always women who eat sins – since it was Eve who first ate the Forbidden Fruit – and every town has at least one, not that they are publicly acknowledged. Stained by the sins they are obliged to consume, the Sin Eater is shunned and silenced, doomed to live in exile at the edge of town.

Recently orphaned May Owens is just fourteen, and has never considered what it might be like to be so ostracized; she’s more concerned with where her next meal is coming from. When she’s arrested for stealing a loaf of bread, however, and subsequently sentenced to become a Sin Eater, finding food is suddenly the last of her worries.

It’s a devastating sentence, but May’s new invisibility opens new doors. And when first one then two of the Queen’s courtiers suddenly grow ill, May hears their deathbed confessions – and begins to investigate a terrible rumour that is only whispered of amid palace corridors.

The Sin Eater by Megan Campisi is a contemporary fiction novel, drawing inspiration from history — sin eaters existed in parts of Britain until roughly a century ago. They ate a piece of bread beside people’s coffins to absolve their sins in a folk ritual with Christian resonances. Campisi’s The Sin Eater is a fictional story spun out of fantasy.

Imaginative, seductive and enticing, The Sin Eater was a surprise delight. Set in 16-century England, the story follows orphaned May Owens after she is forced to be a sin eater. She’s shunned and feared by townsfolk, and over the course of the novel, she grows suspicious of multiple deaths happening in the Queen’s Court.

“The Makerman places the collar around my neck. It’s heavy and cold, except where his hands touched it, and I have a sudden image of a horse’s bit, like he might slide it up into my mouth. But it’s worse what happens next. The second Makerman takes hold of the collar’s lock and shoves the shackle in. Even my guts feel the wards catch.”

The Sin Eater explores themes of destiny, expectation and superstition, and highlights an obsession over sins and lies, and where our indiscretions will lead us to after we die. Additionally, the novel explores class, gender and wealth.

The setting is despondent and lacks any hope of improvement. Food is scarce, and money even more so. May spends every day visiting the dying, listening to their sins so their family or friends can prepare the food. Illness doesn’t spare the wealthy, and women and babies are especially vulnerable during childbirth.

“Treason is death. And under Queen Bethany that’s not by a noose and the gallows but by gutting or burning or worse. I wait for the Sin Eater to move. When she doesn’t, I do something plain foolish. I take my hand and place it on hers. I expect it to be cool and hard like the wood of the pews, but heat pulses off it.”

Megan Campisi paints a very realistic 16th Century — her prose is tight and her descriptions vivid. Readers will find themselves absorbed in the setting and the characters. The pacing quickens as the novel progresses, drawing us deep into the mysterious deaths that surround the Queen. What secret is someone trying to unearth? And how many people are they willing to kill to achieve that?

May is really engrossing protagonist. She’s young and naive, a little too unaware, but she’s also quick to learn and fast to act. She’s got good instincts and there are a couple of times in the novel where those instincts save her life.

Admittedly, there are a lot of secondary characters in the novel and history — past mistakes — come into the plot quite a bit. The conclusion was a little hard to swallow, I had to read the ending a couple of times to grasp the twist.

“It’s always women who eats sins, since it was Eve who first ate a sin: the Forbidden Fruit. Some say that’s why so many foods for sins are fruits. But there’s other foods as well, like cream and leeks, that aren’t fruit at all.”

Perfect for readers of historical fiction and contemporary fiction, any tale with a drop of fantasy mixed in. Young readers will also love this tale.

Dark, moving, and gripping. Highly recommended. 14+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Sin Eater
Megan Campisi
April 2020
Pan Macmillan Publishers Australia

The Paris Secret by Natasha Lester


England, 1939 Talented pilot Skye Penrose joins the British war effort where she encounters her estranged sister, Liberty, and childhood soulmate Nicholas Crawford, now engaged to enigmatic Frenchwoman Margaux Jourdan.

Paris, 1947 Designer Christian Dior unveils his extravagant first collection to a world weary of war and grief. He names his debut fragrance, Miss Dior, in tribute to his sister, Catherine, who worked for the French Resistance.

Present day Australian fashion conservator Kat Jourdan discovers a secret wardrobe filled with priceless Dior gowns in her grandmother’s vacant cottage. As she delves into the mystery, Kat begins to doubt everything she thought she knew about her beloved grandmother.

An unspeakable betrayal will entwine all of their fates.

The Paris Secret by Natasha Lester is another historical fiction novel mostly set during World War II, this time introducing us to three incredible women whose lives are forever changed and bound by secrets.

The dominant storyline is the one set in 1939, where we meet sisters Skye and Liberty Penrose, Skye’s childhood friend Nicholas Crawford, and his fiancé Margaux Jourdan. We do briefly move between two other storylines — 1947 where Margaux is a model for fashion designer Christian Dior, and present day 2012, where Margaux’s granddaughter Kate starts to uncover all of her grandmother’s secrets during World War II — but every time we’re transported back to 1939, Skye’s storyline maintains for almost 100 pages.

Natasha always crafts characters who are engaging and interesting, drawing the reader in with their depth and their likability. Normally, I wouldn’t think Air Transport Auxiliary would be interesting enough to want to read about it, but Natasha bring us a multi-layered core cast of characters, and you can’t help but feel swept up in the storyline.

“Tonight’s mission was named Operation Peaceful; some wag at HQ obviously had a sense of humour. The operation was a double: he and O’Farrell would each fly a Lysander carrying one SOE agent and six hundred pounds of cargo — Sten guns, money, radios, pamphlets — to a tiny field in France and land on a flare path just one hundred and fifty yards long and lit by only four pocket torches.”

Having read most of Natasha’s previous novels, I noticed a vast difference in how she captured Skye and Liberty’s backstory in this latest book. More time was given to their past and their childhood, so by the time the pacing picked up and we were in the middle of World War II, you felt more understanding of the characters. I definitely felt like more attention was given to the characters, allowing the reader a closer connection with them as the chapters progressed.

The writing is polished and tight, but also emotional and full of character. Natasha always writes such realistic dialogue, gorgeous prose, and she always illustrates fantastic female characters and really engrossing romances. Sitting at almost 450 pages, this is one of Natasha’s lengthier works but it’s worth every page.

“What she’d seen on Margaux’s face after the bloodlessness passed was a terror so stark Kat never wanted to see it again. If was as if her grandmother had witnessed death itself, as if the dark angel had reached for Margaux with outstretched arms.”

Personally, Skye’s story was my favourite. She’s intelligent, confident and ballsy, and she fights for what she believes in. She’s estranged from her sister Liberty, who is malicious, conniving and manipulative, and she’s in love with her childhood friend Nicholas Crawford. He happens to be engaged to the mysterious but bold Frenchwoman Margaux Jourdan, and Skye feels torn by her feelings for Nicholas.

All of them work together in Air Transport, supporting the RAF during the war. Skye was part of a small group of women who transported planes around the UK. It was a stressful, trying time, with a lot of pain, death, and uncertainty. Skye was a pioneer for women in the British Auxiliary, and so there’s definitely a lot of feminist undertones in the novel. Women weren’t considered to be as talented or as valuable as men, and Skye worked to change that. She paved the way for female pilots.

“A Dior gown so sensational would certainly be featured in any book on the fashion house, would have been displayed proudly by any museum, would be almost as well known as the Bar Suit. But, as far as Kat was aware, nobody knew anything of this beautiful blue dress. Why?”

Sometimes, it did feel like the 1947 storyline wasn’t quite a natural fit in the novel. It was the glue between 1939 and 2012, but it felt a bit forced into the plot. There certainly wasn’t that much time dedicated to that POV in the novel, but it was a way for granddaughter Kat Jourdan to discover her grandmother’s hidden secrets. I wonder if there was a way to just have 1939 and 2012.

Recommended for fans of historical fiction, romance, and sweeping family sagas that span across generations.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Paris Secret
Natasha Lester
April 2020
Hachette Book Publishers