JESS JUST READS

A BOOK REVIEW BLOG

The Boy by Tami Hoag

Mother, liar, murderer?

In the sleepy Lousiana town of Bayou Breaux, a mother runs to her neighbour – bloody and hysterical. The police arrive to find Genevieve Gauthier cradling her seven-year-old son in her arms as he bleeds to death.

Detective Nick Fourcade finds no evidence of a break-in. His partner Detective Annie Broussard is troubled by parts of Genevieve’s story that don’t make sense. Twenty four hours later teenager Nora Florette is reported missing. Local parents fear a maniac is preying on their children, and demand answers from the police.

Fourcade and Broussard discover something shocking about Genevieve’s past. She is both victim and the accused; a grieving mother and a woman with a deadly secret. Could she have something to do with the disappearance of teenager Nora Florette?

A unbearable loss or an unthinkable crime? Number One New York Times bestselling author Tami Hoag keeps you guessing in her most gripping thriller yet.

The Boy by Tami Hoag is a crime thriller set in a small town in the United States; the book follows the investigation of the brutal murder of a young boy, KJ, and the disappearance of the boy’s teenage babysitter, Nora.

The book is set in the Cajun country in Louisiana, and Tami encapsulates the setting perfectly. You can picture the small town easily, with the distinct class systems and the gossip and the hidden secrets behind closed doors.

The Boy works really well as a standalone novel, with only a few brief mentions to previous cases and enough information that you can follow along easily.

“The house looked even worse on television than it did in real life. People would watch this and think she lived in a dump — because she did. They would have no way of knowing it was only temporary, that as soon as Jeff was able to give her an office job and she had managed to scape together enough for a deposit and first month’s rent, she planned to move someplace better.”

The plot is twisted and full of mysteries, with fully fleshed characters and plenty of secrets. Nick is a very unpredictable man, with a lot of anger simmering beneath the surface. He’s snappy and unable to keep his opinion to himself.

His wife Annie is warm and comforting and is a much more approachable character. She helps calm her husband down, trying to make him see reason so that he doesn’t piss off the wrong person and get himself fired. Their dynamic works really well, and I thought they were both great protagonists.

I certainly didn’t see the ending coming, and all my guesses were wrong. I ploughed through this book so fast, completely enraptured by the mysteries of this small town.

The Boy switches between character POV, allowing the reader to find out different information about the victims. Slowly, information is revealed and you can start to form your own opinions about who killed KJ and where Nora has disappeared to.

Tensions builds throughout the whole novel, delivering the reader to a really intense finale. The ending is as satisfying as the lead up.

“As he rose, he reached out and gently touched her uninjured shoulder in a gesture of sympathy and reassurance. She seemed as slight as a bird. It was hard to imagine her fighting off an armed assailant, but people often found physical strength beyond imagining when faced with the choice of life or death.”

The book touches on many societal issues that people will recognise — bullying, suicide and class. Nora is from a poor family that have a very unconventional home life. Her single mother never really knows where Nora is, nor her other children. She cares about her children and she loves them, but isn’t able to always be there for them or support them in the way that they need. They’re left to their own devices a lot, and they’re really irresponsible. Nora’s brother Dean is a bully and really abusive, and a couple of Nora’s sisters are young single mothers who are also struggling.

Most of the people in the town judge them and shun them and refuse to let their children hang around the Florette family. A lot of people also judge KJ’s mum Genevieve because she’s a single mum and she’s poor and living in a rundown rental property.

“Still young enough to be momentarily intimidated by authority, the boy’s expression sobered as Annie walked up to him with her hands jammed on her hips. He was about the same size as her, she thought, and he was still more little boy than young man.”

In the first 100 pages or so, the dialogue between the detectives — in particular, Detective Nick Fourcade — was very cliche and over the top. It was antagonistic and actually made me cringe on many occasions. This seemed to mellow out as the book progressed, though.

Something else I disliked about the book was the unrealistic, overly sensitive inner monologue that both Nick and Annie shared. Sometimes their inner dialogue — in particular when they were thinking about how much they loved the son — read identical, like they were the same character. This was a point in the novel where I felt like the author’s voice, and her own feelings towards her family members and how she’d feel if anything happened to them, was coming through the page. The lovey-dovey thoughts of Annie and Nick actually made me cringe and roll my eyes, and it really jolted against the pacing of the book.

A fast-paced thriller novel with more than one mystery to solve, crime readers will be turning the pages desperate to find out the ending.

Thank you to the publisher for sending me a copy in exchange for an honest review.

The Boy
Tami Hoag
January 2019
Hachette Book Publishers

Archenemies by Marissa Meyer

Time is running out.
Together, they can save the world.
But they are each other’s worst nightmare.

Nova’s double life is about to get a lot more complicated:
As Insomnia, she is a full-fledged member of the Renegades, a syndicate of powerful and beloved superheroes. She works with Adrian’s patrol unit to protect the weak and maintain order in Gatlon City.

As Nightmare, she is an Anarchist – a member of a group of villains who are determined to destroy the Renegades. Nova wants vengeance against the so-called heroes who once failed her when she needed them most.

But as Nova, her feelings for Adrian are deepening, despite the fact that he is the son of her sworn enemies.

Nova, Adrian, and the rest of their crew are faced with escalating crime in Gatlon City, while covert weapons and conflicting missions have Nova and Adrian questioning not only their beliefs about justice, but also the feelings they have for one another.

The line between good and evil has been blurred, but what’s clear to them both is that too much power could mean the end of their city – and the world – as they know it.

Archenemies by Marissa Meyer is the second instalment in the Renegades trilogy, a vivid and exceptional series about superheroes and villains and the blurred boundaries between good and evil.

You can read my review of Renegades HERE.

In Archenemies, Nova and Adrian are still living their double lives. Nova is a member of the Renegades, but she’s secretly working with the Anarchists to bring down the Renegades and help super villain Ace Anarchy rise to power again. Throughout this sequel, Nova’s main task is to track down Ace’s old helmet and bring it back to him. With his helmet, Ace will regain his full power.

Adrian’s alter ego is The Sentinel, a hero working solo. Adrian has created his suit and spends as much time as he can capturing villains and saving civilians. But, neither the Renegades or the Anarchists are welcoming towards him. The Sentinel bends rules, breaks protocol, and he just may be a liability rather than an asset.

“For a long second, no one moved, Simon was standing only five or six paces away from Max, close enough that he should have felt the effects of Max’s power immediately. He would feel weak, first, and then the draining away of his abilities. When it had happened to Adrian, he had felt it most in his hands.”

Archenemies introduces a fresh set of problems for the characters. HQ unveils everyone to Agent N, an irreversible serum that erases a prodigy’s powers and forces them to become a common civilian. It’s a neutralising agent, designed to stop villains from ever harming others again.

This is very risky and Nova is concerned that errors will be made. Renegades are given training on how to administer the agent, but are given free reign to neutralise any prodigy who they deem to be a threat. Nova is vocally against Agent N.

Adrian also discovers the Vitality Charm, a necklace that means people can interact with his brother Max and not have their powers stolen. This is a long-awaited development for Max, who lives inside a sealed area and isn’t allowed to physically interact with other prodigies.

Nova and Adrian’s relationship develops over the course of the novel. Adrian is unsure about his feelings for Nova, and Nova has been instructed to get close to Adrian so she can get access to his family and Ace Anarchy’s helmet. This poses all sorts of problems for Nova as she starts to develop genuine feelings for Adrian.

“Once she was finished with her inspection, Nova raised the gun, gripping it in both hands, and fired. It was so fast Adrian wondered if she’d even bothered to take aim at anything, but a glance at the targets showed her dart dead centre in a distant bull’s-eye.”

I’ve been looking forward to this sequel all year; Renegades was one of my favourite reads of 2017. The universe is unique and imaginative, and the characters fully-fledged and relatable. This series explores the concept of right and wrong, evil and good, but it also immerses the reader in a really fast-paced, fun and exciting plot.

A highly enjoyable sequel to Renegades, the tension and pacing never wavering and the stakes only getting higher.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Archenemies (Renegades #2)
Marissa Meyer
November 2018
Pan Macmillan Publishers

Fed Up by Gemma Hartley

Gemma Hartley wrote an article in Harper’s Bazaar in September 2017 called ‘Women Aren’t Nags – We’re Just Fed Up’, which instantly went viral. The piece, and this book, is about ’emotional labour’, i.e. the unpaid, often unnoticed work, done by women, that goes into keeping everyone comfortable and happy.

FED UP tackles the hard-hitting issues surrounding emotional labour: the historical underpinnings and roots in feminism, the benefits and burdens of this kind of effort, and the specific contexts where emotional labour, otherwise known as the ‘mental load’, plays a major but undervalued role, including relationships, work, sex, parenting, politics and self-care.

Dubbed as the next feminist frontier, emotional labour couldn’t be more relevant to these times we’re living in. Fed Up is a must-read for those who want to harness the power of emotional labour and create a more connected, equal world.

Fed Up by Gemma Hartley is a feminist memoir and critical analysis around the concept of ‘emotional labour’. This is a truly fascinating read and I’m now going to thrust this book into the hands of every female friend.

Gemma explores the imbalance in relationships regarding ‘emotional’ tasks. This is usually things that people, or partners, don’t ‘see’. This may be remembering to buy a gift for a family member, remembering to book a doctors appointment or keeping a calendar of upcoming commitments for the whole family.

This kind of organisational activity is often performed by the woman in a relationship, whereas a man justifies ‘work’ as physical things that people can see, like mowing the lawn, walking the dog, fixing the car.

They often don’t understand the extra work that a woman performs to keep the house tidy, the kids behaving, or the friendships maintained. And then when the woman complains, she might find it hard to really explain what she means and then her partner is confused and perhaps frustrated.

I’ve certainly heard a lot of my female friends complain about their partner’s lack of help around the house or the family, and after reading this book I’ve realised it’s because they’re performing all the emotional labour and they feel unsupported by their partners.

Fed Up is engaging and exploratory, inviting discussion and deep reflection around gender imbalance in relationships and domestic responsibilities.

I was initially drawn to this book not because I share the same experiences as Gemma, but because I read — and loved — her Harpers Bazaar piece and thought this would be a well researched, well-written piece. And I wasn’t wrong.

Gemma has done so much research ahead of writing this book. She interviews many woman in relationships who lead different kinds of lives, and statistics are scattered throughout the chapters to help prove a point.

“The movies focus on the sweeping proposals and fairy-tale weddings, but what they don’t show is what ‘happily ever after’ actually looks like. We are presented with the beginning of a relationship, or else an act of emotional labour serves as a second chance, a promise for the future. The movies show us that the beginning of love requires an investment of emotional labour on the man’s behalf. Sometimes we get that in real life, albeit on a smaller scale. Sometimes we don’t.”

Initially, I did wonder about same-sex relationships. Who performs the emotional labour in relationships where there is not just one man and one woman? This book is about how woman do more emotional labour than their male partner, but not all relationships fit this description.

Gemma does indeed explore this in the novel, interviewing same sex couples and uncovering the balance of emotional labour in each relationship and analysing how that balance affects each person.

“Women’s experience with emotional labor makes them adept problem solvers. We are trained to always look at all of the different parts that are in motion and then carefully consider the choices that will put us, an those around us, in the most advantageous position.”

A few times in the book I felt like Gemma was repeating herself, but it was only occasionally done and it helped her reiterate a point she’d made earlier in the book.

I like that Gemma gives many examples from her own relationship and family and that of her friends and interviewees. This helps balance out the statistics and factual evidence in the book so as to not bog down the reader.

This is an eye-opening, fascinating read. Female readers — and any person who acknowledges that they’re performing most of the ‘emotional labour’ in their relationship — will love this book.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Fed Up: Navigating and redefining emotional labour for good
Gemma Hartley
November 2018
Hachette Publishers

Elevation by Stephen King

Castle Rock is a small town, where word gets around quickly. That’s why Scott Carey wants to confide only in his friend Doctor Bob Ellis about his strange condition: he’s losing weight, without getting thinner, and the scales register the same when he is in his clothes or out of them, however heavy they are.

Scott also has new neighbours, who have opened a ‘fine dining experience’ in town, although it’s an experience being shunned by the locals; Deidre McComb and her wife Missy Donaldson don’t exactly fit in with the community’s expectations. And now Scott seems trapped in a feud with the couple over their dogs dropping their business on his lawn. Missy may be friendly, but Deidre is cold as ice.

As the town prepares for its annual Thanksgiving 12k run, Scott starts to understand the prejudices his neighbours face and he tries to help. Unlikely alliances form and the mystery of Scott’s affliction brings out the best in people who have indulged the worst in themselves and others.

Elevation by Stephen King is a touching, captivating novella about how one man’s mysterious medical condition results in a small town growing closer together and overcoming prejudices.

There are a couple of different strands to the story. Firstly, we have Scott Carey and his strange affliction. When he steps onto the scales every day, it shows him that he’s rapidly losing weight. But, he doesn’t look any different. He looks 240 pounds and he continues to do so, but the scales tell a very different story. Scott’s ailment prompts him to become more aware of the world around him, and he starts to notice just how horrible some his neighbours are.

There is a lesbian couple — Deirdre and Missy — who are new to town and they have opened up a new vegetarian Mexican restaurant, Holy Frijole. But no one is dining there and it’s mostly because Deirdre and Missy are openly married and a lot of the residents in Castle Rock are homophobic.

Scott makes attempts to connect with Deirdre and Missy and change the townsfolk’s attitude towards them and their restaurant. Scott wants to fix the prejudices against them.

“Mike’s smile went away. ‘Nothing to be proud of. She’s a lesbian. That would probably be okay if she kept it to herself — no one cares what goes on behind closed doors — but she has to introduce that one who cooks at Frijole as her wife. Lot of people around here see that as a big old screw you.”

Stephen King is a master storyteller, and in only 132 pages he’s captured so many amazing characters and a heartfelt story. I thought this novella was brilliant. There were a few things unanswered but I still felt that the book was complete. I was left wanting more.

I was intrigued by Scott’s story arc and how he grew over the course of the book. At first, he seemed like the kind of man who kept to himself and didn’t want to cause drama. But then, when he overhears some of his friends talking disrespectfully about Deirdre and Missy, he stands up to them and addresses how inappropriate their behaviour is.

“In the centre of the sheet was a photo of Deirdre McComb. There were other runners, most of them behind her. A big number 19 was pinned to the waistband of her tiny blue shorts. Above them was a tee-shirt with NEW YORK CITY MARATHON 2011 on the front. On her face was an expression Scott would not have associated with her: blissful happiness.”

The story is propelled forward by Scott’s weight decrease. Over time, he’s getting lighter and lighter and he doesn’t know what’s going to happen to him when he gets down to zero. This kind of supernatural, fantastical element to the story is Stephen King’s trademark — the unexplainable.

This novella is quite different to Stephen King’s usual writing, and so I think it has a really broad appeal. It’s also perfect for people who don’t have the time to commit to Stephen’s usual novels that are hundreds and hundreds of pages.

This is a tender and charming tale that I highly recommend to all ages.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Elevation
Stephen King
November 2018
Hachette Book Publishers

Girls of Paper and Fire by Natasha Ngan

Each year, eight beautiful girls are chosen as Paper Girls to serve the king. It’s the highest honour they could hope for…and the most demeaning. This year, there’s a ninth. And instead of paper, she’s made of fire.

Lei is a member of the Paper caste, the lowest and most persecuted class of people in Ikhara. Ten years ago, her mother was snatched by the royal guards, and her fate remains unknown. Now, the guards are back and this time it’s Lei they’re after – the girl with the golden eyes, whose rumoured beauty has piqued the king’s interest.

Over weeks of training in the opulent but oppressive palace, Lei and eight other girls learn the skills and charm that befit a king’s consort. There, Lei does the unthinkable – she falls in love. Her forbidden romance becomes enmeshed with an explosive plot that threatens her world’s entire way of life. Lei, still the wide-eyed country girl at heart, must decide how far she’s willing to go for justice and revenge.

Girls of Paper and Fire is a YA novel by Natasha Ngan, set in a fictional fantasy world where nine girls are chosen to serve the King — they are to be his concubines.

Before the story has even begun, there are trigger warnings — Please be aware that this book contains scenes of violence and sexual assault — and an author’s note where Natasha addresses the reasons behind the story and the importance of telling stories like this. I think readers who have experienced violent pasts will appreciate these notices, and it will help them decide whether or not this is a book they would like to read.

“A high voice cuts through the quiet. It’s the girl we heard outside, Blue. She’s tall, even standing next to Madam Himura, with narrow shoulders and glossy azure-black hair, straight and smooth. Her features match the sharpness in her voice, angled cheekbones like two blades and narrow eyes shadowed with paint glinting out from beneath blunt bangs.”

Girls of Paper and Fire is a trilogy with an Asian-inspired setting, and Natasha leaves many questions unanswered to entice readers to continue with the series. Yes, there are some triggering scenes but it’s written delicately and is not too graphic. The characters discuss their feelings about what happens, and they have the opportunity to think and talk with each other about how they’re handling their situation.

17-year-old Lei is brave and outspoken, unwilling to accept her circumstances because others deem it to be an ‘honour’. She fights for what she wants, and she doesn’t want to be the King’s concubine. She wants to return to her family and she also wants to find out what happened to her mother years earlier when she was kidnapped.

Girls of Paper and Fire explores friendship and love, and the girls in the book are all very supportive and grow together over the course of the novel. Yes, there are fights and betrayals and not all of the girls are close friends, but they’re all going through this very scary situation and they come together in support of each other.

Lei falls in love with the secretive Wren, and this same-sex relationship is explored with sensitivity and authenticity. It’s heartwarming, reading about these two girls finding love and happiness when they’re surrounded by terror and threats.

“Silence, and rainfall, and Wren watching me with uneasy eyes. It’s the first time I’ve seen her undone like this, so unsure. The collar of her nightdress has fallen low, exposing the swell of her breasts, and from under it her bare legs are long and glossy in the moonlight. I think of her and the wolf, what intimate moment I might have interrupted. My gut twists.”

The writing and pacing is tight and very dialogue heavy, but the chapters flow and the prose is swift. Tension builds throughout the novel right up until its dramatic climax. We’re left wanting to know more. At times, the supporting characters were more interesting than Lei, but she’s still an engaging protagonist.

I enjoyed the story and am looking forward to the next instalment. This book isn’t going to be appropriate for every reader, so all I’d advise is to read the author’s note in the beginning so that you’re aware of what’s to come.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Girls of Paper and Fire
Natasha Ngan
November 2018
Hachette Book Publishers

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