JESS JUST READS

A BOOK REVIEW BLOG

Lost but Found by Peter Sharp

Sydney Dogs & Cats Home is unique in its ability and commitment to find that ‘one in a million’ owner for animals in their care, as well as that ‘one in a million’ pet for people looking to adopt.

In Lost but Found, you will meet forty special dogs who have spent time at the Home. Their stories reveal how the dogs came to be lost, how and why they were in the shelter, and the love and care they received while there and in their new forever homes.

Fully illustrated and with both before- and after-adoption photography from award-winning pet photographer Peter Sharp of Tame & Wild Studio, this touching collection of precious pups will warm the hearts of animal lovers near and far.

All royalties from the sale of this book will be donated to Sydney Dogs & Cats Home.

Lost but Found by Peter Sharp is an incredible compilation of 40 dogs who have been lost then found thanks to Sydney Dogs and Cats Home.

This book is a gorgeous little package for readers — small, glossy and packed with stories of so many different types of dogs who have experienced different beginnings, and a resulting adoption.

Another day, another dog book that’s made me tear up on public transport.

This book sheds a light on the importance of finding the right dog for your family environment, and it encourages people to adopt rather than buy new puppies. There are so many dogs that need loving homes — of all ages — and they’re all worth a chance.

“Mimosa was picked up as a stray with no microchip or any other form of identification. A routine vet check revealed that this lovely girl had already birthed multiple litters of puppies and was no suffering from heart worm disease.”

The book features full-page, high-res images of each dog and most entries also feature some candids photos of the dog since being adopted by its new owner.

Most of these dogs had horrible starts. They were abandoned, left behind or found in terrible conditions in dense bushland. But the entries shy away from focusing too heavily on the dog’s earlier state, and instead spends more of the page real estate talking about their adoption.

Each dog’s present owner has written a first-person reflection on what it was like to adopt their dog, and it’s a really beautiful and tender addition to each entry.

“Dorothy had a serious case of demodectic mange and a terrible skin infection. She had lost almost her entire coat of fur and nearly every centimetre of her body was red raw, inflamed and covered in scabs, and there was a strong odour emanating from her infected skin. She was also extremely underweight.”

For those who are unfamiliar, the Sydney Dogs and Cats Home is Sydney’s only charity pound and community facility. The Home, which began in 1946, takes care of Sydney’s lost, abandoned and neglected pets. Each year, they help over 3000 animals and they service multiple council areas across Sydney.

The only thing I’d change about this book is that I’d suggest removing the interviews with the animals. I think children would be the main audience for these sections of the book, but I don’t see them picking up this kind of book. I think the main audience of Lost but Found are adult dog lovers, and adults who have adopted or rescued animals in the past. The interviews are sweet, but a little corny.

Recommended for dog lovers, and adults who have adopted or rescued dogs. A heartfelt and heartwarming compilation of really beautiful adoption stories.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Lost but Found: Rescue Dogs and their Stories of Adoption
Peter Sharp
November 2019
Pan Macmillan Publishers

REVIEW AND AUTHOR INTERVIEW: Island on the Edge of the World by Deborah Rodriguez

Haiti. A poor country rich in courage, strength and love. As these four women are about to discover.

Charlie, the rootless daughter of American missionaries, now working as a hairdresser in Northern California. But the repercussions of a traumatic childhood far from home have left her struggling for her way in life.

Bea, Charlie’s eccentric grandmother, who is convinced a reunion with her estranged mother will help Charlie heal.

Lizbeth, a Texas widow who has never strayed too far from home. She is on a daunting journey into the unknown, searching for the grandchild she never knew existed.

And Senzey, a young Haitian mother dealing with a lifetime of love and loss, who shows them the true meaning of bravery.

Together they venture through the teeming, colorful streets of Port-au-Prince, into the worlds of do-gooders doing more harm than good, Vodou practitioners, artists, activists, and everyday Haitian men and women determined to survive against all odds.

For Charlie, Bea, Lizbeth and Senzey, life will never be the same again . . .

Deborah Rodriguez’s Island on the Edge of the World is a charming novel about family, destiny and home.

In the chaotic streets of Haiti, four women come together to recover what they’ve lost. They’re all searching for a person — someone missing from their family. For Charlie, it’s her mother April. Bea, Charlie’s grandmother, is along for the search. For Senzey and Lizbeth, they’re searching for a lost baby, kidnapped in Haiti in a cruel scheme to capture and sell as many unwanted babies as possible.

A common thread that runs through Deborah’s work is setting, and a strong sense of location — more often than not, the setting feels like a character in the book. I’ve never been to Haiti, but I could imagine every street mentioned, every smell described, email location visited. Capturing setting authentically in a far-away location is not always done effectively, but I think Deborah did a marvellous job of bringing her readers to a vibrant Haiti and making them feel at home.

“As she left behind the hillsides stacked with little houses climbing halfway to the sky, she found herself surrounded by green. But even this far from the city centre, life was led on the streets — vendors chatting as they crouched near their wares, children skipping and running and just plain goofing around, and always plenty of people walking to and fro.”

All four women in the book are resilient — strong and reassured, willing to do anything to find what they’re looking for. They won’t take no for an answer, and they fight for the people they love. There is much to like about Charlie, Bea, Lizbeth and Senzey and readers will find themselves drawn to these four women as they progress through the novel.

Structurally, the novel moves around so that we learn as much there is to know about these four women. We come to learn how they came to be in their situation, but we also really come to understand their emotions — their doubts, fears, moments of joy, and their hopes for their future and their family’s future.

“In retrospect, Charlie could recognise the signs. She and her mother had adapted quickly to life in the jungle, learning the language and making friends. They were easily embraced by the community.”

There is much to learn about Haiti and Haitian women — the clothes and the lifestyle but also the poverty and what that forces young women to do to survive. Island on the Edge of the World highlights the current state of affairs in Haiti. Whilst Haitian people are full of spirit and hope that they can rebuild after the earthquake, there is a lot of corruption and poverty in their society and it’s going to take a long time to fix that.

There are some gorgeous, inviting recipes at the end of the book for any readers who fashion themselves a good chef.

A marvellous adventure of a novel, suitable for lovers of fiction, historical fiction, literary fiction and romance. The streets of Haiti will invite you in, and the characters will keep you there.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Island on the Edge of the World
Deborah Rodriguez
November 2019
Penguin Random House Publishers

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AUTHOR INTERVIEW WITH DEBORAH RODRIGUEZ

Many of your works have been inspired by — or based on — your own personal experiences abroad. What is it like translating something real world, into something on a page?
It feels magical, almost like time traveling. I get to experience a place over and over again. But sometimes it can be hard reliving my own personal drama in a public way. It can be draining and emotionally exhausting and, very often, tears are shed. But I use that emotion while working. I think it really helps in taking the readers along on the journey. I often draw on my experiences of living in Afghanistan and Mexico, because both countries are difficult, complex, and remarkable in their own way. They’ve prepared me for the challenge of absorbing a culture and accurately sharing the experience with others.

Location and setting are such dominant elements of all your works. How do you research or prepare ahead of writing, to ensure you capture the true essence of that place?
First, I read anything and everything I can get my hands on, both fiction and non-fiction. I speak to as many people from that place as I can. When I feel that the basic storyline is ready, I travel to the location and try to trace the steps of my characters. While I am in a location I make as many contacts as possible so that while I am writing, I can ask questions. I record interviews, and I am continually taking photos and shooting video. By the time I’m done, I am completely exhausted, and need a vacation. I never go alone on these trips, because it is too difficult to remember everything yourself. I always need back-up. I work hard at forming relationships with drivers, guides, hotel managers, vendors, and often tell them parts of the story to see if it feels authentic to them. I listen to anyone and everyone willing to tell me their story.

You have written both memoir and fiction. Do you have a preference?
The upside with memoir is that you know the ending, but writing the truth can get complicated. I have been sitting on a personal story that I would love to turn into another memoir, but the timing isn’t right yet, and I do worry that it could get messy. That said, many of my ideas for fiction start with a true story. I love to start with the real story and use every bit of my imagination to birth a novel I’m not answering your question very well. I think the answer is that I enjoy both.

Are you able to give us some insight into your writing and editing processes?
I always start by verbalizing different versions of the the story. I am very visual, and when I tell a story out loud, I see it like I’m watching a movie. I figure if you can’t tell the story, it will be challenging to write the story. I always work with someone, going over and over the different storylines for weeks, sometimes months on end, just talking and working through plots and characters. Then comes the massive amount of research on the location and culture. Lots of interviews with people from the area. The story gets put into a synopsis, and then the travel to the site begins. After that it’s writing and rewriting. I rely on a great group of people who lend their sharp eyes to my drafts, and offer amazingly useful criticism and suggestions. It truly takes a village. Finally, a complete draft is sent to the editor, and the process continues. I think the best way to describe writing a book is that it’s like combing tangled hair. You start at the top, get partway there, start over again, smooth out the snarls, and do it over and over again until it is all neat and tidy.

If there was an aspect of the writing process that you could skip, what would it be?
The very beginning, when you are still searching for the correct storyline and getting to know your characters. You know that there is a story there somewhere, but you still only have fragments of it. You know that if you keep pushing forward, you’ll eventually have that breakthrough. But it can be frustrating if it takes a long time, especially when you are on a deadline.

What are you working on next?
I am so excited about the book I am working on now. This book is set in Morocco and my two favorite characters, Charlie and Bea, will be returning. They travel to Morocco together to help a friend. Basically, it’s a modern tale of forbidden love, set in a country where family honor and tribal culture still rule.

The Christmas Party by Karen Swan

When Declan Lorne, the last remaining knight in Ireland, dies suddenly, an ancient title passes with him. But his estate on Ireland’s rugged south-west coast is left to his three daughters. The two eldest, Ottie and Pip, inherit in line with expectations, but to everyone’s surprise – and dismay – it is the errant baby of the family, Willow, who gets the castle.

Why her? Something unknown – something terrible – made her turn her back on her family three years earlier, escaping to Dublin and vowing never to return. So when Willow quickly announces she is selling up, her revenge seems sweet and the once-close sisters are pushed to breaking point: in desperation, Pip risks everything to secure her own future, and Ottie makes a decision that will ruin lives. It’s each woman for herself.

Before moving in, Connor Shaye, the prospective new owner, negotiates throwing a lavish party at the castle just days before Christmas – his hello, their goodbye. But as their secrets begin to catch up with them, Ottie, Willow and Pip are forced to ask themselves which is harder: stepping into the future, or letting go of the past?

The Christmas Party by Karen Swan is a joyous holiday novel about family, legacy, sisterhood, and long-held secrets.

After her father dies suddenly, Willow returns home to Ireland. Surprisingly, her father’s will reveals that Willow is to inherit the desired family castle. The sisters are surprised and disappointed, and their mother shocked.

But the castle doesn’t come without its complications. It’s expensive to run and the estate isn’t making enough money to sustain itself. The family are in a lot of debt and Willow makes the decision to sell the castle. This acts as a catalyst for the family, forcing them to face their tensions and their conflicts.

“If she sold Lorne, she’d be rich. She could go anywhere, do anything, be anyone. Wasn’t that worth the shame and the guilt that had been placed at her door? After all, her life had already changed anyway, the horrors of three years earlier, forcing her to move away from here and everything she had ever known and loved.”

Sisterhood is a strong element to the novel. The POV switches between Ottie, Pip and Willow, who are all trying to navigate their way through this new phase of their lives. Their dad has died, they’re mourning but they’re also trying to work out what to do with the estate, and the three sisters aren’t overly close. There’s an obvious wedge between each of them, and over the course of the novel they must learnt to understand and overcome their issues and move on as a family.

Ottie is the oldest sister and she expected she’d inherit the castle. She’s worked the hardest and the longest, and she was the most devoted. She sacrificed a lot to stay with her dad and help him with the estate.

Pip runs the trekking business on the estate. She’s a tomboy, loves horses, and struggles to trust others. She needs to learn to let others in, and forgive past mistakes.

Willow left home years earlier because of a secret she discovered. Now, she’s home and that secret is about to be unleashed.

“But if their love had started out as an accident, it had become a very deliberate secret and she, for one, was exhausted keeping it. Life was short, her father’s death at fifty-eight proved that. Surely they had to live for today and grab their tomorrows with both hands?”

Setting always holds a strong presence in Karen Swan’s novels, sweeping the reader into this grand tale of exotic, intriguing locations that we all fall into.

Additionally, Karen is really skilled at balancing plot and character, incorporating plenty of drama in her storylines but also delving deep enough into the character POVs that you fall in love with each of the main characters.

“The wind was punishing, pushing them back as they rode headlong into it on the quads. Ottie felt her eyes stream, her heart pounding fast as she tried to keep up. Bertie, driving just ahead, was like a man possessed…his reputation was on the line.”

A sweeping tale that explores familial responsibility and family legacy, sisterhood and relationships, and trusting your instinct.

I’ve read most of Karen’s novels and have enjoyed them all — Christmas is my favourite time of the year and most of her novels are heavily Christmas-themed. There’s plenty of romance, parties, and themed events. Recommended for romance readers.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Christmas Party
Karen Swan
November 2019
Pan Macmillan Publishers

Damascus by Christos Tsiolkas

Christos Tsiolkas’ stunning new novel Damascus is a work of soaring ambition and achievement, of immense power and epic scope, taking as its subject nothing less than events surrounding the birth and establishment of the Christian church.

Based around the gospels and letters of St Paul, and focusing on characters one and two generations on from the death of Christ, as well as Paul (Saul) himself, Damascus nevertheless explores the themes that have always obsessed Tsiolkas as a writer: class, religion, masculinity, patriarchy, colonisation, exile; the ways in which nations, societies, communities, families and individuals are united and divided – it’s all here, the contemporary and urgent questions, perennial concerns made vivid and visceral.

In Damascus, Tsiolkas has written a masterpiece of imagination and transformation: an historical novel of immense power and an unflinching dissection of doubt and faith, tyranny and revolution, and cruelty and sacrifice.

Acclaimed Australian author Christos Tsiolkas’ latest novel, Damascus, is an incredible surprise to read — an astonishing feat, tackling such a huge scope of a story in just 400 pages, but one of my favourite novels of the year and a book I felt completely blindsided by.

Damascus is an ancient biblical story about St Paul and the birth of the Christian Church, introducing us to Paul’s journey and involvement in the Church and other people along the way whose stories intersect with Paul. Christos explores class, family, status, reputation, faith and acceptance, set against the backdrop of the Roman Empire many years after the death of Jesus Christ.

“I was outraged. After such a brazen insult I was ready to go. But just then the screen was drawn and an old woman emerged, her head shrouded, her thin hands clutching a basket laden with dried fruits, breads and pickled nuts. The crowd rose as one and rushed to her….In an instant the basket had been emptied.”

If this book wasn’t written by someone as talented and acclaimed as Christos, I wouldn’t have requested it from the publisher. A tale such as this needs to be tackled properly, respectfully, compassionately, but it also needs to be interesting enough to bring in readers — like me — who don’t care that much for religion or faith. And Christos has done a marvellous job.

I can’t begin to imagine the level of research that would’ve gone into this book — the amount of time it took reading about the life of St Paul. At the end of the book, Christos’ author note tells us why he decided to write about St Paul, and I almost wish I had read this before starting the book. It’s reflective and eye-opening but it also adds a level of depth to the story that altered my perspective and made me think about Damascus on a much deeper level.

“They kill us, they crucify us, they throw us to beasts in the arena, they sew our lips together and watch us starve. They bugger children in front of their mothers and violate men in front of their wives. The temple priests flay us openly in the streets. We are hunted everywhere and we are hunted by everyone …”

Three quarters through the book and I do feel like the momentum slows down a little too much — I felt lost in the story, not entirely sure where it was headed and why we were meant to continue pursing this story. The storyline and characters become a little slow and beige, and my attention wavered. I’m glad I stuck it out though, because the conclusion to the story is authentic and welcome.

Recommended for literary fiction readers. Readers must possess some sort of interest in the Roman Empire because that forms the backdrop for this entire book. I have no interest in religion or Christianity — I am an avid Atheist and nothing will ever change that. And I loved this book. I’m therefore confident this book will appeal to many readers, and will find many loyal fans.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Damascus
Christos Tsiolkas
November 2019
Allen & Unwin Publishers

Wearing Paper Dresses by Anne Brinsden

You can talk about living in the Mallee. And you can talk about a Mallee tree. And you can talk about the Mallee itself: a land and a place full of red sand and short stubby trees. Silent skies. The undulating scorch of summer plains. Quiet, on the surface of things.

But Elise wasn’t from the Mallee, and she knew nothing of its ways.

Discover the world of a small homestead perched on the sunburnt farmland of northern Victoria. Meet Elise, whose urbane 1950s glamour is rudely transplanted to the pragmatic red soil of the Mallee when her husband returns to work the family farm. But you cannot uproot a plant and expect it to thrive.

And so it is with Elise. Her meringues don’t impress the shearers, the locals scoff at her Paris fashions, her husband works all day in the back paddock, and the drought kills everything but the geraniums she despises.

As their mother withdraws more and more into herself, her spirited, tearaway daughters, Marjorie and Ruby, wild as weeds, are left to raise themselves as best they can. Until tragedy strikes, and Marjorie flees to the city determined to leave her family behind. And there she stays, leading a very different life, until the boy she loves draws her back to the land she can’t forget…

Wearing Paper Dresses is a debut literary novel from Australian author Anne Brinsden, set in rural Mallee in the 1950s, which explores notions of family, land, mental illness and responsibility.

Glamorous, sophisticated, talented Elise leaves the city and moves with her two children and her husband to her father-in-law’s wheat and sheep farm in Mallee. The townsfolk are instantly suspicious of her and her ‘city’ ways. She drinks coffee and not tea and she doesn’t understand what it’s like to live in such a harsh environment.

Most of the novel is from the POV of Elise’s daughter Marjorie, and over the years, we witness Elise’s mental health deteriorate. She starts talking to plastic flowers and wearing tea cosies on her head. Her husband and father-in-law acknowledge her health but pretend to ignore it; they assume it’ll solve itself. Wearing Paper Dresses highlights how poorly mental illness was received in the 1950s.

“The talk might have stopped but the hint of a glittery look didn’t. The tea in the teapot went cold from then on. But naked teapots and cold tea didn’t bother Elise because she drank coffee — and coffee percolators didn’t generally dress themselves in cosies.”

Through Marjorie’s perspective, we experience the hurt, confusion and the embarrassment that she feels growing up. But we also witness the solid bond she forms with her sister Ruby, and there’s definitely a strong sense of camaraderie there as they both work together to get through their mother’s troubling illness and the effect it has on their childhood.

This book certainly wasn’t what I expected it to be, after reading the blurb and looking at the cover. I anticipated this to be a chick-lit, perhaps a rural romance novel. And whilst there’s an element of romance in this book between Marjorie and one of the boys in her class, this book is about the relationship between Marjorie and her family, and about the events that lead to Elise’s many nervous breakdowns.

Wearing Paper Dresses is as much a character-driven novel as it is plot-driven. I was pleasantly surprised by this book, and found myself enchanted by the setting, the characters, and the plot. Whilst the book explores difficult themes such as mental illness and domestic abuse, you can’t help but fall in love with the characters.

“Marjorie stayed home from school after that and helped Elise. They dug and raked and swept. And Elise was alive and burning with energy. Their waking hours were consumed with garden making. They piled red dirt into neat garden beds all over the yard, Marjorie imaging all the while the rose garden to come.”

The setting is one of the strengths of the novel — Anne has perfectly captured the harsh, sunburnt landscape of the Mallee, and it’s easy to imagine just how difficult life would be like for Elise and her family. The setting feels incredibly isolating, but also claustrophobic at the same time, a juxtaposition that evokes great unease for most of the novel.

The writing is lyrical, funny and descriptive, the imagery drawing you in and holding you hostage with enticing vocabulary and prose. The pacing is on point — authentic and realistic to the storyline. Wearing Paper Dresses is an impressive debut.

Recommended for literary fiction readers, and those readers who love a rural setting. Fans of historical fiction will also find much to love about this book.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Wearing Paper Dresses
Anne Brinsden
October 2019
Pan Macmillan Publishers