JESS JUST READS

A BOOK REVIEW BLOG

REVIEW AND AUTHOR INTERVIEW: What I Like About Me by Jenna Guillaume

You know those movies where teenagers have the summer of their lives?
This summer is probably not going to be that.

Here lies Maisie Martin, dead from embarrassment, aged sixteen.

The last thing Maisie Martin thought she’d be doing this summer is entering a beauty pageant. Not when she’s spent most of her life hiding her body from everyone.

Not when her Dad is AWOL for Christmas and her best friend starts going out with the boy she’s always loved. But Maisie’s got something to prove. And she’s not going to let anything or anyone – including herself – hold her back.

What I Like About Me is the debut YA novel from Jenna Guillaume, exploring topics such as body image, self-love, feminism, body positivity, relationships and family turmoil. This book is perfect for readers aged 12+

Maisie goes to a lot of effort to hide her body from others. When everyone else is swimming on the beach, she’s on the sand wearing jeans. Maisie avoids the summer beauty pageant because she doesn’t feel like she’d get in, despite being very keen to be involved. She’s a kind, compassionate girl who has to learn to love herself, and above all else, she needs to learn that she is worth loving. Just because someone is a certain body size doesn’t mean they don’t deserve their happy ending.

“When we were younger, Eva and I talked about entering together. We couldn’t wait until we were both old enough. We’d do a joint talent entry and dance together. We didn’t care if that was allowed or not. We’d do it anyway.”

The novel takes place over one summer holiday. Maisie Martin accompanies her mum and her glamorous childhood best friend Anna to the beach, where she’s forced to face her unrequited crush on Seb. Unfortunately, Maisie’s dad can’t come on holiday because he has to work, but over the course of the novel her dad grows more and more distant and her parents are fighting and Maisie wonders if there’s more to his absence than he’s saying.

What I Like About Me is written in diary form, so the book allows for Maisie’s voice to really shine through the pages. She’s sassy and intelligent, but also really considerate. She wants to love and be loved, and she has always wanted that with the gorgeous Seb. But when Seb and Anna start dating, Maisie forms a bond with an unlikely friend — Beamer.

“If this were a montage in a movie, it would have been all romantic and cute. It would have been with the dreamy leading guy and the beautiful leading girl, not the smart-arse best friend the chubby sidekick. But Anna and Sebastian were off making out somewhere in the dark — probably next to a dumpster, let’s be real. Because life is not a movie.”

Maisie has poor self-esteem, particularly when she’s around her sister Eva. Her sister has always been a high achiever and popular, and thin, and Maisie’s confidence slips whenever she’s around her. When Maisie applies to be in the local beauty pageant and is accepted, she must learn to love the body she has and to stop comparing herself to others. She’s beautiful — inside and out.

One of the strengths of this book is how well Jenna has captured the glorious Australian summer and the teenage experience. Reading it, you can remember how it feels to hang out with your friends by the beach, but readers will also relate to how nervous and worried you got as a teenager whenever you had a crush on someone else and you weren’t sure if they felt the same way.

“Here lies Maisie Martin,
dead from embarrassment,
aged sixteen.”

Young YA readers will love this book, and there’s plenty of teen romance in these pages to satisfy young fans of romance. The most important relationship, however, is the one that Maisie has with herself.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

What I Like About Me
Jenna Guillaume
March 2019
Pan Macmillan Publishers

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AUTHOR INTERVIEW WITH JENNA GUILLAUME

How has your love of romance fiction evolved or changed since your teenage years?
I’ve been a sucker for romance ever since I was a kid. Even when I was 8 and reading The Baby-Sitter’s Club, my fave stories were ALWAYS the ones where one of the girls had a crush or went on a date. That never changed as a teen and has carried on through to adulthood – if anything, I’ve embraced my love of romance more and spend more time reading it! It’s my comfort reading and happy place.

Alongside writing your novel, you also have years of experience writing short-form pieces for outlets such as Girlfriend and Buzzfeed, and now many more through your freelancing career. What do you like about short-form writing, but also novel writing? How do the two compare?
I like writing about a variety of things, and sharing my thoughts and feelings on topics that are interesting me at any given moment. With short-form writing, it’s great to have an idea and quickly be able turn it around so you can see it published and immediately get feedback on it. Novel-writing is obviously a much bigger and much, much longer process. It’s a lot more work overall but it’s incredibly rewarding and satisfying. To have people contacting me about how much they love What I Like About Me, after years of hard work, means the world to me.

What I Like About Me explores many important messages and topics – self-esteem, body positivity, bullying, relationships etc. But it’s also about Maisie learning to love herself. How important do you think it is for a teenager to reflect on what they like about themselves? Is this something you wish you could tell your younger self, given the chance?
When I was a teen and even as an adult, every time I looked in the mirror, I’d automatically see the things I didn’t like about myself. I really wanted to challenge that all-too-natural instinct and make people stop and consider what they actually do like about themselves. I think girls in particular are socialised to minimise their accomplishments and strengths, when really we should be recognising and celebrating what makes us ALL great. I always say you should treat yourself like you treat your best friend – you point out all their good points and don’t criticise them, so you should love yourself like that as well. You deserve nothing less.

And finally, is there anything you can tell us about what you’re working on right now (either novel or freelance writing)?


I’m freelancing for a lot of publications – like the Sydney Morning Herald, Junkee, GOAT, Flicks and even BuzzFeed! It’s a lot of fun to be writing for different audiences and on a range of topics. In terms of novel-writing, I am working on a follow-up – I can’t say too much, but it is another YA rom-com standalone. It’s hopefully going to be a lot of fun!

The French Photographer by Natasha Lester

Inspired by the incredible true story of Lee Miller, Vogue model turned one of the first female war photojournalists, the new novel by the bestselling author of The Paris Seamstress.

Manhattan, Paris, 1942: When Jessica May’s successful modelling career is abruptly cut short, she is assigned to the war in Europe as a photojournalist for Vogue. But when she arrives the army men make her life as difficult as possible. Three friendships change that: journalist Martha Gellhorn encourages Jess to bend the rules, paratrooper Dan Hallworth takes her to places to shoot pictures and write stories that matter, and a little girl, Victorine, who has grown up in a field hospital, shows her love. But success comes at a price.

France, 2005: Australian curator D’Arcy Hallworth arrives at a beautiful chateau to manage a famous collection of photographs. What begins as just another job becomes far more disquieting as D’Arcy uncovers the true identity of the mysterious photographer – and realises that she is connected to D’Arcy’s own mother, Victorine.

The French Photographer is another epic novel from Australian author Natasha Lester. Crossing a war-torn Europe from Italy to France, The French Photographer is a story of courage, family and forgiveness.

Natasha Lester is one of my favourite Australian writers. I’ve previously read and reviewed two of her other novels, The French Seamstress and Her Mother’s Secret. All of her novels are about brave women during key historical moments — women who defy the odds and prejudices against them, and work hard to earn their success. They’re inspiring for the readers and they’re also incredibly relatable, down to earth, determined women.

“Jess’s story about Victorine and the accompanying pictures were syndicated worldwide. I can’t thank you enough, Bel had written. You’ve given Vogue credibility during this period of war that it wouldn’t otherwise have. Jess’s name was one people now knew for something other than how she looked in a dress.”

Jess has always wanted to do more than just model. She’s smart, passionate, driven, and an incredibly talented photographer. When her modelling work is put on hold because of a devious boyfriend and an old photoshoot, she sets her sights on something a little different. War is raging and Vogue need a journalist on the ground to report for their magazine.

She faces challenges because she’s injected herself into a career dominated by men. They won’t allow women close to the war, and Jess is often at the mercy of superior officers who don’t feel comfortable with Jess being so close to the war. They feel threatened by her, and perhaps at times, intimidated. They make up rumours about her, deliberately making her life difficult.

“Dan laughed and suddenly it felt normal again: Jess and Dan sharing a drink and a joke the way they’d always done. Thank God! She knew her smile was too bright for a day of mourning but she was so relieved to have restored her friendship with Dan that she couldn’t wipe it away.”

Jess’ personality is a real asset to the story. She’s feisty and quick, but also witty and very funny. She doesn’t let anyone talk down to her and she certainly doesn’t let them get away with treating her like their property.

It’s evident that Natasha did a lot of research ahead of writing this book. Jess is inspired by real-life war photographer Lee Miller, who led an extraordinary life. And there is so much intimate knowledge about photography and the war, and I could really picture every scene from the book as if it were playing out in front of me like a movie.

“At her new home on French soil, she quickly became adept at diving into the slit trench behind her tent whenever the Germans flew over at night strafing, at pretending the enormous red welts of mosquito bites didn’t itch like the devil, at never being alone, not even on the toilet — the latrine had a row of six seats and more often than not at least one or two of the other places was occupied by nurses clutching their precious rations of Scott paper.”

Like Natasha’s other novels, The French Photographer follows a dual narrative. The main timeline is Jess in 1942 as she works hard to build her career as a recognised war photographer. The other timeline is D’Arcy in 2005. She’s an Australian curator who starts working with a mysterious photographer who is hiding many secrets. This mysterious photographer storyline was a little predictable, but still delightful.

I’d recommend Natasha’s novels to fans of historical fiction, romance, epic war tales, and family sagas. Her books are as gorgeous on the inside as they are on the cover.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The French Photographer
Natasha Lester
April 2019
Hachette Books Australia

Blood Orange by Harriet Tyce

Alison has it all. A doting husband, adorable daughter, and a career on the rise – she’s just been given her first murder case to defend. But all is never as it seems…

Just one more night. Then I’ll end it.

Alison drinks too much. She’s neglecting her family. And she’s having an affair with a colleague whose taste for pushing boundaries may be more than she can handle.

I did it. I killed him. I should be locked up.

Alison’s client doesn’t deny that she stabbed her husband – she wants to plead guilty. And yet something about her story is deeply amiss. Saving this woman may be the first step to Alison saving herself.

I’m watching you. I know what you’re doing.

But someone knows Alison’s secrets. Someone who wants to make her pay for what she’s done, and who won’t stop until she’s lost everything….

Blood Orange by Harriet Tyce is a debut thriller novel about murder, sex and family, and one woman’s messy life — personally and professionally.

After working for 15 years, British barrister Alison Wood has just been assigned her first murder case. Madeleine Smith is accused of murdering her husband after she was found next to his body, covered in his blood. Madeleine is ready to confess, and is not interested in a defence. But Alison convinces her otherwise. She knows there’s more to the story, and she’s determined to work hard on the case.

Alison is harbouring a very severe alcohol problem, drinking heavily every night and often coming home very drunk. Her husband Carl is the main carer for their 6-year-old daughter Matilda and he spends most of his time being disappointed in his wife for her behaviour. She’s incredibly neglectful. At one point in the novel, Carl’s friends come over for dinner and Alison gets drunk and screeches out terrible karaoke, and the two guests leave early, embarrassed.

“I look at the dresses hanging up in my wardrobe and pull one out, a wrap dress I’ve always liked. Carl’s never been that keen on it — something about the length — but I think it suits me. I fold it and put it into the bad I’ve laid on the bed…I pull the wrap dress out of the bag and hang it back up again. Then I take out the dress he bought me a couple of Christmases ago, the time we screamed at each other for hours after we’d finished dinner.”

I think some blurb re-wording is needed. In the synopsis, it says Alison has a ‘doting husband’. That should actually read ‘a manipulative, controlling and angry husband’ because that’s no plot twist. It’s clear from the first page we meet him. Actually, at no point in the novel is he ‘doting’. Infuriating, yes. But not doting.

To be perfectly honest, I don’t think Alison is ever a likeable character. She’s too much of a mess to really sympathise for, and her career success is not redeeming enough to make the reader really care for her. She neglects her daughter a lot, and part of me is surprised she’s managed to hold down her job for as long as she has —and be good at it.

Her husband Carl is also not a likeable character, and neither is Alison’s boss Patrick. Alison and Patrick have been having an affair for some time, having rough sex after work and sometimes on weekends. Alison spends too much time wondering if Patrick is seeing anybody else, or sleeping with other women. She spends too much time hoping he’ll text her, or getting mad at him when he doesn’t return her texts or calls. At times, she acts like a teenager with a crush.

When someone finds out about her affair with Patrick and starts sending Alison anonymous, hateful messages as blackmail, she starts to worry for her safety.

“Carl doesn’t say if he’s talked to his mother about looking after Matilda for the night but I don’t want to push it — I know he’ll come around to the idea in his own time. He can see that I mean it, that I’m trying.”

What lets this book down is the obvious, not-at-all subtle hints about Alison’s psychotherapist husband, Carl. He’s clearly gas lighting her. And he’s *SPOILER ALERT* so clearly drugging her at night. She drinks alcohol, he serves her tea or water, and then she blacks out, and then she wakes up the next morning and he tells her she blacked out from the alcohol and makes her feel guilty. It was such an obvious move that I kept rolling my eyes when Alison didn’t realise. Here’s this incredibly talented, hot-shot attorney who completely owns the courtroom, and yet she can’t work out her husband is drugging her?

Additionally, the ‘twist’ in Madeleine Smith’s case was also obvious from when we first meet her and the details of the case are read out. There are just too many clues pasted throughout the novel for the reader not to see these twists coming.

Not a spoiler, but the ending — in relation to Carl — is so quick I had to reread it four times just to check I had understood correctly what had happened. In 2-3 pages, something major happens and it’s so random and personally, I felt that it didn’t fit the book at all. It’s not credible, and is so rushed. And it also means that all of Alison’s problems are solved without her having to doing anything or work that hard to fix things, and that feels like a cop out.

There are a lot of readers out there who will love this — who will love the disastrous, self-destructing marriage between Alison and Carl, and her affair with her boss. There’s a lot of people who have actually loved this book, as I can see from online reviews. But personally, this novel felt really underdeveloped and too chaotic.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Blood Orange
Harriet Tyce
March 2019
Hachette Books Australia

Lady Smoke by Laura Sebastian

The Kaiser murdered Theodosia’s mother, the Fire Queen, when Theo was only six. He took her country and kept her prisoner, crowning her Ash Princess – a pet to toy with and humiliate for ten long years. That era has ended. The Kaiser thought his prisoner weak and defenceless. He didn’t realise that a sharp mind is the deadliest weapon.

Theo no longer wears a crown of ashes. She has taken back her rightful title, and a hostage – Prinz Soren. But her people remain enslaved under the Kaiser’s rule, and now she is thousands of miles away from them and her throne.

To get them back, she will need an army. Only, securing an army means she must trust her aunt, the dreaded pirate Dragonsbane. And according to Dragonsbane, an army can only be produced if Theo takes a husband. Something an Astrean Queen has never done.

Theo knows that freedom comes at a price, but she is determined to find a way to save her country without losing herself.

Lady Smoke is the sequel to Ash Princess and the second book in this new fantasy series from US author Laura Sebastian. You can read my review of Ash Princess on the blog HERE.

Lady Smoke picks up immediately after the conclusion of Ash Princess — Queen Theodosia has escaped the Kaiser’s imprisonment in Astrea, seeking refuge and alliance with her aunt, the famed pirate Dragonsbane. Theo is accompanied by her Shadows — Blaise, Artemisia and Heron —aboard a ship captained by Dragonsbane. Soren, the Kalovaxian prince, is in their custody.

Theo knows she’ll need allies to retake her kingdom from the conquering Kalovaxians and free her people, who are still enslaved by the Kaiser and his new wife Cress. So Theo aligns with the manipulative Dragonsbane and along with her fleet, they seek refuge in Sta’Crivero with King Etristo. Eligible suitors from all other countries arrive at a grand invitational to meet Theo and offer her their hand in marriage. With a husband, Theo can acquire an army and take back her throne in Astrea.

“Sta’Crivero is a country of sand. As we approach the shore, I scan the horizon but there is little to see. Rolling dunes crest like waves all the way to the horizon, unbroken by trees or any kind of foliage. It doesn’t look like the sort of place where anything could survive.”

The series maintains the POV from Theo’s perspective, allowing readers a deeper dive into her mindset and her emotions. She immerses herself in political issues and takes it upon herself to learn more and more about the world she lives in, so she’ll know how best to rule her people when she reclaims her throne. This first person narration also helps give the story a stronger sense of urgency, propelling the story forward and keeping the reader engaged.

I would’ve loved a little more involvement with Cress. She was a major character in Ash Princess, and we don’t see her again until the end of Lady Smoke. And she’s really changed. She’s powerful, ballsy, confident and a really scary antagonist. I can’t wait to see more of her in the next book.

“I suppose Archduke Etmond is the most pleasant of the lot, though that title largely falls to him by default. Most of our time is spent in an uncomfortable silence that I’m actually grateful for — it gives me a moment of peace in what has been a very chaotic day — but there are moments when he surprises me, like when he very shyly asks how I escaped the Astrean palace and seems to actually care about the answer.”

The ending of the book is very satisfying. Alliances are broken and some are strengthened. Major characters are defeated or saved by unlikely circumstances, and the pacing is quickened to keep the reader engaged.

Lady Smoke delivers an amazing sequel, with heightened stakes and three-dimensional characters that help drive the story forward. This book exceeded all of my expectations and Laura Sebastian has delivered something really fantastic.

“Even as I say the words, though, I know they aren’t true. I might know Blaise better than anyone, but in this moment I am afraid of him. Not Blaise — not necessarily — but what he’s capable of. What he can do without even meaning to.”

I remember feeling that Ash Princess was generic and not too dissimilar to other fantasy books, but Lady Smoke took the series in a completely different direction and I really enjoyed the journey. I’m looking forward to the third and final instalment in 2020.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Lady Smoke: Ash Princess 2
Laura Sebastian
February 2019
Pan Macmillan Publishers

On the Come Up by Angie Thomas

The award-winning author of The Hate U Give returns with a powerful story about hip hop, freedom of speech and fighting for your dreams, even as the odds are stacked against you.

Bri wants to be one of the greatest rappers of all time. As the daughter of an underground hip hop legend who died right before he hit big, Bri’s got massive shoes to fill.

But when her first song goes viral for all the wrong reasons, Bri finds herself at the centre of controversy and portrayed by the media as more menace than MC. And with an eviction notice staring her family down, Bri no longer just wants to make it – she has to. Even if it means becoming the very thing the public has made her out to be.

On the Come Up is the highly anticipated second novel from Angie Thomas, exploring racism, class, wealth and status, and also identity. Bri is a talented young rapper who wants to help lift her family out of poverty — her father was shot dead 12 years earlier by a rival gang and her mother Jay has recently lost her job. Jay used to be a drug addict and those years of unemployment mean that it’s really hard for her to find a new job. They’re struggling to pay the bills and Bri hopes that her rapping — and any money that comes from that — will help her family.

Bri is a teenager who doesn’t know who she wants to be. Yes, she wants to be a rapper. But what does she want to say to the world? When she writers her songs, what does she want people to know about her world?

All she knows is she wants to be on stage, performing for crowds. And when she does that, people listen. They cheer for her. Her talent and her ambition mean that her debut single On the Come Up becomes an overnight sensation. Radio hosts want to talk to her and kids are singing her lyrics in their cars.

But most people misunderstand her lyrics. Her song is about challenging and deconstructing stereotypes and calling out the unfairness of authority, but when people hear it they take it as proof that she’s a dangerous person.

When she sings her lyrics — “Strapped like backpacks, I pull triggers. All the clips on my hips change my figure” — it sounds to others like she’s boasting about violence and guns and painting herself to be an angry, black girl capable of killing cops. People misunderstand what she’s trying to say.

“That look on his face says more than he’s saying. ‘What’s wrong?’ I ask.
‘It’s just…you talked about doing stuff you’ve never actually done, Bri.’

On the Come Up explores talent and ambition, and the road blocks that come with that, not only for someone so young but for a person of colour who comes from a poor family. Bri is expected to be a certain kind of person because of where she comes from. Because of who her father was. And with that comes the expectation that she’ll rap about topics or situations that she knows nothing about.

At first, Bri doesn’t care. She’s rapping about what she wants and people are loving it. And then she catches the eye of a music manager and he’s pressuring her to be the kind of artist she never wanted to be, and it’s hard for Bri to choose the right path.

“Thing is, sometimes I follow the rules and still deal with crap. Sonny, Malik, and I went into a comic shop a few months back, and the clerk followed us around until we left the store. Malik recorded the whole thing on his camera.”

On the Come Up explores racism in a number of settings, but more specifically within Bri’s high school. A security guard targets her and throws her to the ground because she’s been selling candy to other students. This isn’t code word for drugs, she’s really just selling candy to other students and using the money to help her family.

There are no repercussions for the two security guards who did this. They return to work, and members of the public flock to support them. Bri feels wronged, like no matter what she does she’ll always be seen as the troublesome, angry black teenager because of the colour of her skin and where she comes from.

“Suddenly, it’s as if that punch was the green light some students were waiting for. A cluster of boys charge Long and Tate, taking them to the ground. Curtis is one of them. Fists fly and feet kick.”

This book is very powerful, and important for readers who come from a place of privilege. There’s a lot happening between the pages of this book that many readers will never come to understand.

This is not just recommended for teenage readers or young eyes. All readers will enjoy this story — all readers will find something in this book that will help them better understand a world they probably don’t know anything about.

Thank you to the publisher for sending me a copy in exchange for an honest review.

On the Come Up
Angie Thomas
February 2019
Walker Books Australia

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