JESS JUST READS

A BOOK REVIEW BLOG

Cutters End by Margaret Hickey

A desert highway. A remote town. A murder that won’t stay hidden.

New Year’s Eve, 1989. Eighteen-year-old Ingrid Mathers is hitchhiking her way to Alice Springs. Bored, hungover and separated from her friend Joanne, she accepts a lift to the remote town of Cutters End.

July 2021. Detective Sergeant Mark Ariti is seconded to a recently reopened case, one in which he has a personal connection. Three decades ago, a burnt and broken body was discovered in scrub off the Stuart Highway, 300km south of Cutters End. Though ultimately ruled an accidental death, many people – including a high-profile celebrity – are convinced it was murder.

When Mark’s interviews with the witnesses in the old case files go nowhere, he has no choice but to make the long journey up the highway to Cutters End.

And with the help of local Senior Constable Jagdeep Kaur, he soon learns that this death isn’t the only unsolved case that hangs over the town…

Set in the South Australian outback, Margaret Hickey’s Cutters End transports us to rural Australia and centres around a suspicious death thirty years earlier. At the time it was ruled an accident, but what really happened along that deserted and dusty highway? Was the death of Michael Denby really an accident?

This novel falls fairly easily into the rural crime and Australian Outback noir genre, and doesn’t stray too far from the stereotypical elements of the space — the flawed male detective with a troubling marriage, a young woman holding a few too many secrets, a decades-old cold case that remains unsolved, and the desolate town filled with sketchy inhabitants. You’ll know from simply glancing at the cover whether this is novel you’ll want to read.

Cutters End is definitely a commercial novel and will find many valued readers looking for some sort of escapism. This would be a great book to gift for Father’s Day.

“She returned to her papers, indecisive. Since Mark’s visit, and perhaps just before, she sensed that her life was becoming unstuck. Her hand rested on the photograph from the old newspaper clipping. Nothing seemed definite and the resolve she’d enjoyed for a number of years was slipping.”

With all rural thrillers, setting is integral. Get that wrong and you’ve lost the atmosphere. In Cutters End, Margaret captures the thick heat and humidity of rural Australia with ease — the desolate town and its silences, the houses and businesses few and far in between, with plenty of distance and solitude to commit a crime and keep it hidden. Everyone knows each other and secrets can remain hidden for years.

In most rural thrillers, evidence is lacking so the story relies on the protagonist slowly unravelling the crime secret-by-secret, and this usually stems from townsfolk. In Cutters End, whilst some evidence reveals itself over the course of the novel, Mark’s interactions with other characters and his ability to piece together clues helps him solve the crime.

“The phone rang: his mother. Mark felt the familiar pang of guilt that she was calling him and not the other way around. His mother still lived in Booralama, the country town he grew up in. The rose gardens, the long, slow, winding river and the old gum trees — the town never failed to fill him with fault nostalgia for all things young and free.”

Told with a dual timeline, moving between the 1980s/1990s and the present allows Margaret to reflect on each era. In the past, hitchhiking was incredibly common but posed significant dangers for young women. Additionally, women who were abused or hurt were rarely believed, so it was easier for crimes to go unpunished. The present storyline follows a fairly standard kind of procedural pace, with Mark finding similarities between the events in Cutters End and the notorious Milat backpacker murders.

Admittedly, I did feel like a couple of loose threads undervalued the rest of the novel, particularly around TV presenter Suzanne Miller and her interest in the case. She’s in one scene and we barely hear from her again. I felt there was a missed opportunity to incorporate her into the story, because at present it feels like you could cull her and it’d barely make a difference. Secondly, Mark’s relationship with his wife felt thinly developed, and their storyline as a whole could’ve been explored a bit more.

“As the dark paddocks rolled on by, gradually giving way to subdivisions and then traffic, he thought about his own lack of resolve over the years. He seemed to float along; things came to him and he accepted them as par for the course.”

Pacy, intriguing and exhilarating, Cutters End is recommended for fans of rural crime, such as Jane Harper, Chris Hammer and Greg Buchanan. Readership skews 25+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Cutters End
Margaret Hickey
August 2021
Penguin Random House Publishers

The Echo Chamber by John Boyne

What a thing of wonder a mobile phone is. Six ounces of metal, glass and plastic, fashioned into a sleek, shiny, precious object. At once, a gateway to other worlds – and a treacherous weapon in the hands of the unwary, the unwitting, the inept.

The Cleverley family live a gilded life, little realising how precarious their privilege is, just one tweet away from disaster. George, the patriarch, is a stalwart of television interviewing, a ‘national treasure’ (his words), his wife Beverley, a celebrated novelist (although not as celebrated as she would like), and their children, Nelson, Elizabeth, Achilles, various degrees of catastrophe waiting to happen.

Together they will go on a journey of discovery through the Hogarthian jungle of the modern living where past presumptions count for nothing and carefully curated reputations can be destroyed in an instant. Along the way they will learn how volatile, how outraged, how unforgiving the world can be when you step from the proscribed path.

To err is maybe to be human but to really foul things up you only need a phone.

A satirical novel about social media and those trapped in its clutches, John Boyne’s The Echo Chamber follows one self-centred British family who are all well-versed in manipulating others and escaping retribution. The Echo Chamber takes aim at cancel culture from both sides — those ‘cancelled’, and those who cancel.

At the centre of the novel is the revered and respected TV host George Cleverley, who resembles Piers Morgan in his unapologetic, ill-advised commentary on society. His wife, Beverley, is an internationally best-selling author whose works are written by ghost writers but she claims their words are her own. Their three children, Nelson, Achilles and Elizabeth, are flawed in their own right and provide the majority of the entertainment in the novel.

“Although Beverley was sitting in the drawing room of the Cleverleys’ five-floor Belgravia home, trying to maintain a polite interest in the conversation she was holding with a ghost, her mind was far away, soaring 35,000 feet above Europe, on an aeroplane headed for the north-western shore of the Black Sea.”

Written in third person POV and switching between all five members of the family, the humour lands best with Nelson, George’s socially inept son who struggles to talk to women and wears various uniforms to feel comfort and stability. His dialogue with his psychologist is incredibly funny, and his attempts at conversing with women are equally worth a mention.

John’s razor-sharp observation on human and societal interaction takes centre stage with this novel. Prose is stripped back, and the majority of the story is told through dialogue. This shows just how easily John captures a character’s voice, because we have five different characters here and all offer their own unique personality. Whilst I felt that George’s dialogue was overly absurd in some conversations with his family, and he didn’t always feel natural when he spoke, I think John captured the rest of the family members with consistency and reliability.

“The first man he met was a married father of two from Battersea, the indent on the fourth finger of his left hand making it clear that he’d removed his wedding ring on the journey to the pub. Achilles went for a drink with him several times before asking whether he could help him out with a ‘loan’ of $1,000 because, he claimed his landlord was threatening to throw him out on the streets.”

Some people might read this book and find some segments too over the top — they might find the Cleverley family too obnoxious, and edging too far into caricature territory. And I suppose I did feel that in some moments as well. But as a whole, this book offers an entertaining exploration into how social media has shaped our society and how much value we place in our devices.

John’s commentary on social media is devastatingly accurate and rife with clarity. The cover is also a triumph. It’s rare that a novel actually has me laughing aloud, and at times this book even had me snort a little. The Echo Chamber was a joy to read, and I can’t recommend it highly enough.

“He counted the items of clothing on his body and it came to a total of five: polyester scrub top and trousers, boxer shorts, socks and a pair of old trainers. Standard hospital wear. And even though he knew that he was probably the least fashionable person in London and the South-East, he appreciated the fact that his outfit made him stand out in the crowd.”

Sharp, observant and utterly enjoyable, The Echo Chamber is recommended for readers of literary fiction and satirical works. Readership skews 25+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Echo Chamber
John Boyne
August 2021
Penguin Random House Publishers

Such A Quiet Place by Megan Miranda

There was no warning that she would come back.

Welcome to Hollow’s Edge – a picture-perfect neighbourhood where everyone has each other’s backs. At least, that’s how it used to be, until the night Brandon and Fiona Truett were found dead…

Two years ago, branded a grifter, thief and sociopath by her friends and neighbours, Ruby Fletcher was convicted of murdering the Truetts. Now, freed by mistrial, Ruby has returned to Hollow’s Edge. But why would she come back? No one wants her there, least of all her old housemate, Harper Nash.

As Ruby’s return sends shockwaves through the community, terrified residents turn on each other, and it soon becomes clear that not everyone was honest about the night the Truetts died. When Harper begins to receive threatening, anonymous notes, she realizes she has to uncover the truth before someone else gets hurt… Someone like her.

Megan Miranda’s Such A Quiet Place is a suspense novel centred around a mysterious double murder in an idyllic and close-knit neighbourhood, and the young woman they all believe to have committed the crime.

When accused murderer, Ruby Fletcher, is released without charge and returns home to Hollow’s Edge after two years, everyone in town appears unsettled. What happens when another murder is committed, and it’s clear that not everyone has been truthful about their past?

“During the investigation, we had established an official neighbourhood watch. A self-imposed curfew. The remnants of our fear carried over long after. We locked our doors and the patio gates, we pulled the curtains tight, we slept with a can of Mace beside our beds – and more.”

Written in first person from the perspective of Ruby’s former roommate and friend Harper, Ruby’s characterisation and voice is probably one of the strengths of this novel. She’s somewhat blank in her delivery and evokes this all-knowing personality – like she’s spent the last two years working out what to do when she got home to Hollow’s Edge. She’s calculated but controlled, her impulsivity mostly erased. She’s not actually a great person, and certainly not someone you’d want to be friends with, but as a character she is interesting to read about.

Harper’s paranoia grows over the course of the novel, as events start to cloud her judgement and make her doubt what she remembers and what she believes. The neighbourhood and its inhabitants provide this closed-in, suffocating setting. Everyone still believes Ruby to be a murderer, and they see nothing wrong with twisting memories or events to suit their perspective.

“There was no sign of Ruby when I woke. When I stepped out of my bedroom, groggy and light-headed, the house was eerily quiet…Last night, after the news program with her lawyer, Ruby had taken a phone call and disappeared upstairs, never to re-emerge.”

There is a strong sense of voyeurism in the novel, and it forms the backbone of the story. Who are we behind closed doors, compared with how the public view us? Would we kill to keep our secrets? There are enough characters in the novel that the truth is hard to guess and the ending didn’t feel predictable. Whilst some reviews of this book haven’t been favourable, I devoured this in one day and loved it.

Admittedly, the pacing lacks a bit in the first half of the novel. Harper is quite timid to start, and understandingly quite wary of Ruby’s sudden arrival. It isn’t until halfway through the novel, at a neighbourhood barbecue, where a new twist means the pace and tension pick up and we’re addicted until the final page.

“We knew who didn’t make it in to work (and whether they lied about the cause); we noticed whose cars didn’t make it home at night; we saw whose recycling bins were overflowing at the edge of the driveways (though we were rarely surprised); we listened to the arguments carrying from open windows and backyards, feeling more like confidants than voyeurs.”

Fast-paced and gripping, Such A Quiet Place is recommended for readers of crime, thriller and mystery. An enticing suspense novel for even the most reluctant of readers.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Such A Quiet Place
Megan Miranda
August 2021
Allen & Unwin Book Publishers

The View Was Exhausting by Mikaella Clements and Onjuli Datta

Whitman ‘Win’ Tagore and Leo Milanowski are the greatest love story of our time. International movie star meets the beautiful son of a millionaire. Their kisses write headlines and their fights break the internet. Nobody needs to know it’s not real.

Win knows that Hollywood demands perfection – especially from a woman of colour. Leo just wants to enjoy life, and shift press attention away from his dysfunctional family.

Together they control the narrative. Except this time, on the shores of Saint-Tropez, Leo is hiding a secret that is about to send Win’s world spinning. Now everyone’s dream couple must confront the messy reality of their relationship. Just as they’re starting to realise that they might actually be falling in love…

Co-authored by married couple Mikaella Clements and Onjuli Datta, The View Was Exhausting is a contemporary love story set within the high-pressure, fast-paced world of Hollywood royalty, diving into the complex political competition of celebrity culture and efforts undertaken to stay relevant in such a fast-paced society.

This book surpassed all of my expectations. The writing is sleek and stripped, the characters alive and multi-dimensional. I felt like I was glimpsing into the glamorous lives of the rich and famous, desperate to turn the page. Don’t let the blurb mistake you — this is about so much more than a relationship. It’s about identity, perception and image, and what we project to the world versus what we’re like behind closed doors with our closest family and friends. Above all else, the prose is beautiful.

“Win leaned back and exhaled. It had been a successful week of parading Leo up and down the coast. The public was back on her side. Her image had been revitalised. The first thing that came up when you googled her was a barrage of excited rumours about The Sun Also Rises.”

Flashbacks are embedded within chapters so we come to understand how their seven-year partnership began, and how it’s evolved and developed over time. Leo doesn’t really need Win, but Win frequently needs Leo.

As a British Indian woman, Win has to grapple with her identity as a woman of colour as well as a woman on the cusp of global stardom. She has to work harder than others to maintain her facade, because it’s been so easy for others to tear her down.

The View Was Exhausting feels like escapist fiction, because the settings in the novel seem like a character itself. Win and Leo fly between glamorous locations and parties, carefully working to construct a narrative around their relationship that will keep them in the news for the right reasons. Publicist Marie is a fun character, and one of my favourite. Without her, Win wouldn’t know how to build her reputation back up each time it shatters. Marie is no-nonsense and brutal, doing what she can to protect the reputation of her clients.

“It made him feel like a sulky child, unimportant and neglected, like he was part of his dad’s entourage again. He would have complained, except he was absolutely certain that Win knew and was doing it deliberately.”

I do wish there was more chemistry between Win and Leo. I’m not sure I really bought their love for each other — fake or real. Their connection was so fraught and tense for so much of the book, we don’t really witness enough tender or happy moments from them to see what a real relationship between them could resemble.

In fact, the most compelling scenes between them were when they were arguing, because their true feelings about the other and their flaws were revealed — it was quite an interesting character study to read their dialogue during moments of conflict.

“But it was becoming clear that her work wasn’t enough. And if she didn’t want to squander her gift, if she wanted to stay true to her ambition and her father’s belief in her, she would have to make sure that she got the opportunities she needed.”

Sharp, atmospheric and affecting, The View Was Exhausting is recommended for literary readers, and fans of domestic and romantic tales. If you love Taylor Jenkins Reid, you’ll love this. Readership skews female, 25+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The View Was Exhausting
Mikaella Clements and Onjuli Datta
July 2021
Hachette Book Publishers

The Sweetness of Water by Nathan Harris

In the dying days of the American Civil War, newly freed brothers Landry and Prentiss find themselves cast into the world without a penny to their names. Forced to hide out in the woods near their former Georgia plantation, they’re soon discovered by the land’s owner, George Walker, a man still reeling from the loss of his son in the war.

When the brothers begin to live and work on George’s farm, the tentative bonds of trust and union begin to blossom between the strangers. But this sanctuary survives on a knife’s edge, and it isn’t long before the inhabitants of the nearby town of Old Ox react with fury at the alliances being formed only a few miles away . . .

Set during the Civil War and portraying life after slavery, Nathan Harris’ debut literary novel The Sweetness of Water is an incredible read. I’m so pleased to see that it’s been longlisted for the Man Booker Prize.

The Sweetness of Water takes place during a time of unrest and unease. The American Civil War is almost over and the enslaved are emancipated and allowed freedom, but tensions still run high and racism runs deep. There’s still a lot of resentment among white Southerners, as they struggle to accept that their superiority is slipping away. When the level-headed and moral farmer George Walker employs two former slaves on his property, the local townspeople in Old Ox are reluctant to accept his ways of operating. Characters clash and prejudice reigns. Soon, all lives will change.

“So it began that afternoon. A life of unhappiness that transcended George’s former independence, one of unity. Two lives merged. Her beauty was secondary to the strength of her character, the fortitude in which she housed her beliefs, her way of life, that same stubbornness that he shared himself.”

For a debut, the writing is almost faultless. Prose is stripped back but insightful. Written in third person, the book allows an intimate insight into George and his relationship with wife Isabelle, and their son Caleb. Initially thought to be killed during the Civil War, Caleb returns home unexpectedly, his face deeply scarred.

Exploring complex social problems in a time of great upheaval, Nathan has captured the era with ease. There’s just as much left unsaid and off the page, and there’s much to be admired about how Nathan has captured the three-dimensional, multi-faceted nature of his many cast of characters. Nathan draws together a series of tumultuous events that will attract an array of emotions from its readers – anger, frustration, sadness and concern. I don’t often cry when reading a book, but I cried reading this one.

“Prentiss and Landry arrived back to their camp late enough that the shade of the trees brought goose bumps to their skin. Prentiss had no mind to eat, even with the potatoes in his knapsack that he’d got from the man in the tent. He was hungrier for sleep.”

Nathan possesses a sensitivity and compassion when writing about this time period. There’s something about his prose that feels historical – omniscient and encompassing, but gentle. Dialogue features sparingly, and Nathan lets internal monologue carry a lot of the book. We learn about histories through memories and reflection, as each character realises the lessons they’ve learnt and the trauma they’ve been dealt. Tragedy looms large in this story.

The Sweetness of Water asks the question, what does it really mean to be free?

“They had opened his face with the butt of a rifle. He’d cupped his face with both hands, but no amount of dabbing at the wound could prevent the blood from slipping through his fingers and wetting the ground.”

Poignant, intelligent and expertly written, The Sweetness of Water is for lovers of literature. Literary readers, historical fiction fans. This book reminded me of To Kill A Mockingbird. Readership skews 25+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Sweetness of Water
Nathan Harris
July 2021
Hachette Book Publishers