JESS JUST READS

A BOOK REVIEW BLOG

Gone Girl by Gillian Flynn

I always know when I’m reading a brilliant book because it influences my mood, and Gillian Flynn’s Gone Girl made me feel frustrated and angry for the 48 hours that I was reading it.

The novel is about Nick’s wife, Amy, who goes missing on the morning of their fifth wedding anniversary. The first third of the novel functions like any crime/thriller. Someone goes missing (presumed dead), and the first suspect is questioned (usually the husband). But when you get to Part B (the second third of the novel), you’re inundated with twists and horrible acknowledgements from both characters. Part C adds to the suspense in a ‘how will this novel end?’ kind of way. I can’t say much without ruining those twists, so I’ll keep my review vague.

You realise quite quickly that this novel is not like most crime/thriller novels. The characters have depth, and their motivations and background is explained well. Flynn switches point of view between Nick and Amy (this seems like a spoiler, but Amy’s point of view is from the past in the form of diary entries), and the transition is handled quite smoothly. Flynn has established their voices really well, and they don’t intertwine and ever feel like similar characters.

The only downside to the novel is that neither character seems relatable. Nick is a cheater (sorry for the slight spoiler, but you learn this pretty early on), and Amy is a manipulative bitch (excuse the language). It’s hard to know which character you like more, because I felt like I didn’t really like either character. Still, I wanted to know what happened to Amy. And Gillian knows how to write a great thriller.

My Score: 9/10

Perfume: The Story of a Murderer by Patrick Suskind

Occasionally, I come across a novel that is so well-written, and so engaging, that it makes me angry. It makes me angry out of pure jealousy. I get annoyed at how amazing the author is at constructing characters and plot. And right now, I’m angry at Patrick Suskind for his 1985 novel, Perfume.

The protagonist, Grenouille, is tossed aside as a baby and grows up with a sense of smell stronger than any other human being. He becomes fascinated with different smells, and learns about making perfume with the once-great perfumer, Baldini. Soon, Grenouille is not satisfied with the hundreds of smells and perfumes that he has stored within his mind. He needs to attain the smell of a virgin, because it is the one smell that has evaded him thus far.

I must mention that Grenouille’s desire to capture the scent of a virgin doesn’t actually arise until about the 200th page. So, between pages 100 and 200, I kept asking myself ‘Where is this story going?’ But, once you hit the 200th page, the pace quickens and you can’t put the book down. You think you know how the story will end and then Suskind twists the plot and it ends a different way. The ending is actually quite gruesome, in a brilliantly-satisfying kind of way.

The novel is dark, romantic, tragic, and comedic all at the same time. The writing is seamless, and at times, the novel jumps forward a few years (at one point, seven), and yet Suskind has written the transition so smoothly that the reader isn’t jolted at all. I may be jealous of Suskind, but I’ll still recommend Perfume to anyone and everyone.

My Score: 10/10

The Lord of the Rings Series by J.R.R. Tolkien

I realise that most of the novels I’ve reviewed so far have been given high scores. But, most of the novels I want to read are the ones that I’ve heard of from other writers. They’re either a classic, or they will be a classic, or they’re just amazing in a ‘that’s such a good idea for a novel. Why didn’t I think of that?’ kind of way.

This review is no different. Tolkien could do no wrong. I love The Lord of the Rings almost as much as I love Harry Potter. Although it took me until I was 21 to read the series. I must’ve tried to read The Fellowship of the Ring about 20 times when I was younger, to the point where I had Bilbo’s birthday speech memorised. Sometimes it’s hard to read the book when you’ve seen the movie so many times. And, it just killed me when I realised that most of the female characters in The Lord of the Rings films were created by Peter Jackson, and actually didn’t exist in the novels.

The series – The Fellowship of the Ring, The Two Towers, and The Return of the King – follows Frodo Baggins as he tries to destroy the ring of power, which was forged by Sauron in the depths of Mount Doom. Frodo originally sets out with nine companions, but they soon separate and multiple journeys are documented. Unlike the prequel (The Hobbit) where I felt the journey was rushed, each novel in the series is well paced and the character’s actions are realistic. The setting is described well and can be imagined easily, and the dialogue is representative of each character’s role within the novel. When the journey finally ends, it’s doesn’t feel like one of those TV shows where it’s dragged on (Prison Break and Lost). It’s bittersweet, and Tolkien did the story justice.

My Score: 10/10
The Next Novel on my List? Perfume: The Story of a Murderer by Patrick Suskind

Hamlet, by William Shakespeare

It kills me when people say that they don’t like Hamlet:
“I just don’t get it.”
“Well, I don’t get you.”

That’s the best reply that I’ve got. But when they ask me why Hamlet is my favourite Shakespeare play, I can’t seem to answer. Perhaps it’s because it feels the most realistic. Most of Shakespeare’s plays seem to have that unnecessary death and silliness. Like, ‘I heard a rumour about you and before I work out if it’s true, I’m going to kill you’ or ‘I’m sad that you’re dead so I’ll die too, even though I haven’t double checked that you’re dead yet’.

Hamlet takes place after Prince Hamlet’s father, the King, has been murdered by Hamlet’s Uncle Claudius. And now, Uncle Claudius is married to Hamlet’s mother. Hamlet can’t quite move on from this, and plots revenge. But, he’s a procrastinator, and can never quite do it. He almost does it, but then kills someone else instead, and then he puts on a play about the murder so that he can judge Claudius’ reaction to make sure that he is 100% guilty. And then he tries to stab him, but stops himself, because he doesn’t want Claudius to go to heaven. It’s take quite a while for Hamlet to do what he set out to do. And, many people die in the process. But, it wouldn’t be a Shakespeare play without death.

The play introduces themes of supernatural, god, religion, madness, and identity (my personal favourite) and is a popular choice for Grade 12 English assignments. So, naturally, teenagers are bound to hate it if they’re forced to read it. But, I was forced to read it, and I’m glad I was.

My Score: 8/10
The Next Novel on my List? The Lord of the Rings series, by J.R.R Tolkien

Nineteen Eighty-Four, by George Orwell

Because I’m studying Nineteen Eighty-Four for my Honours thesis, I’ve analysed it so much that I can’t actually remember what I initially thought of the novel. I remember reading the ending a few times, because I worried that I wasn’t fully grasping its significance. And then, I remember everyone frowning at me when I told them that this was the first time I’d ever read Nineteen Eighty-Four.

“You haven’t read 1984 before? Where did you go to school, the North Pole?”
Or
“You’re a writer, and yet you haven’t read 1984?”

It’s a thicker book, and it’s not an ‘I’ll just read a few pages before bed’ type of novel. It’s an ‘I’m feeling intellectual today and would like some stimulating material’ type of novel; you need to allocate a chunk of time in order to do it justice.

This dystopian novel was written by George Orwell on his death bed in 1948, and is set in the futuristic 1984. The protagonist, Winston Smith, inwardly defies the oppressive state, led by Big Brother. Winston buys a diary so that he can secretly express free will and thought, and starts an affair with Julia, a woman who works in his building. The novel is rife with irony and internal conflict, and Winston is presented as a fractured but defiant character.

This novel is faultless. The characters are fleshed out, and the development of the storyline is gradual, but needed. The final third of the novel – I won’t ruin it for anyone else who went to school in the North Pole – is powerful, in a way that the reader feels they haven’t quite grasped the meaning of it, yet they know they have. You feel like you have to re-read the novel a few times before you feel that you understand it. Nevertheless, if you have the time to read it, I highly recommend it.

My Score: 10/10
The Next Novel on my List? Hamlet by William Shakespeare.