JESS JUST READS

A BOOK REVIEW BLOG

Hare’s Fur by Trevor Shearston

What a swift odd turn his life had taken. A teenage girl with a ring in her nose was sliding ware into his drying racks.

Russell Bass is a potter living on the edge of Katoomba, in the Blue Mountains. His wife has been dead less than a year and, although he has a few close friends, he is living a mostly solitary life. Each month he hikes into the valley below his house to collect rock for glazes from a remote creek bed. One autumn morning, he finds a chocolate wrapper on the path. His curiosity leads him to a cave where three siblings — two young children and a teenage girl — are camped out, hiding from social services and the police.

Although they bolt at first, Russell slowly gains their trust, and, little by little, this unlikely group of outsiders begin to form a fragile bond.

In luminous prose that captures the feel of hands on clay and the smell of cold rainforest as vividly as it does the minute twists and turns of human relationships, Hare’s Fur tells an exquisite story of grief, kindness, art, and the transformation that can grow from the seeds of trust.

Hare’s Fur by Trevor Shearston is a literary novella about life, family, loss and the fragility of life and everything in it.

‘Hare’s fur’ is a specific pottery pattern that resembles the fur of a rabbit. Protagonist Russell is in his seventies and lives alone in the Blue Mountains. He is a professional potter. Russell takes a lot of time with his work, making sure to give everything due attention and detail. Russell applies that same attention and concern to the three kids he meets in the woods. They’re frightened and wary, and he is determined to earn their trust and help them.

“He was startled on the return walk when a small hand took his. The boy didn’t risk looking to his face for consent. He gripped back and shortened stride, coughing to swallow away the tightness in his throat. He couldn’t, and finally had to pretend to sneeze so he could wipe his eyes. He thought he must have held a child’s hand since Michael, but couldn’t think whose child.”

Hare’s Fur is rich with description and imagery, taking the reader on a journey of observation and reflection. The symbolism of the story and the characters is not lost. Russell works with pottery — fragile objects. He lives alone since his wife suddenly passed, and he doesn’t have many friends.

These three kids he meets are fragile too, much like the objects he works with. They’ve run away from a troubled home life, a broken family. He befriends them and earns their trust. They have much to learn from each other.

Unfortunately, the pacing really bothered me for most of this novel. There’s so much internal monologue and so much detailed description, that I felt the story was moving too slowly for it to really grip me. I found my attention waning — I found myself flicking through to see how many pages I had left to go.

“The fire was dead, but sitting round and black in the ashes was an object it took him a moment to recognise, so long since he’d seen one, a cast-iron camp oven. It must already have been here, no child could have carried it. The cutlery looked to be of the same vintage, with thick tines and handles.”

Hare’s Fur will be ideal for readers who are looking for character-driven stories, and not necessarily plot-driven. This is for readers who love a slow burn, with overly descriptive imagery and paragraphs. If you’re looking for something fast-paced, then this book isn’t for you.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Hare’s Fur
Trevor Shearston
March 2019
Scribe Publications

The Things We Cannot Say by Kelly Rimmer


2019: Life changed beyond recognition for Alice when her son, Eddie, was born with autism spectrum disorder. She must do everything to support him, but at what cost to her family? When her cherished grandmother is hospitalised, a hidden box of mementoes reveals a tattered photo of a young man, a tiny leather shoe and a letter. Her grandmother begs Alice to return to Poland to see what became of those she held dearest.

WWII: Alina and Tomasz are childhood sweethearts. The night before he leaves for college, Tomasz proposes marriage. But when their village falls to the Nazis, Alina doesn’t know if Tomasz is alive or dead.

2019: In Poland, separated from her family, Alice begins to uncover the story her grandmother is so desperate to tell, and discovers a love that bloomed in the winter of 1942. As a painful family history comes to light, will the struggles of the past and present finally reach a heartbreaking resolution?

The Things We Cannot Say by Kelly Rimmer explores the legacy of war and the far-reaching effects of family secrets.

Like most historical fiction novels, this story has two dual POV storylines threaded together. The first, set during WWII, and the other, set in the present in 2019. The women are the centre of both storylines.

In the past, there’s Alina, a young girl whose fiancé has left for college and whose future is in doubt. And in the present, Alice is a mother of two. Her son has autism and she’s the main caretaker of her two children. She feels unsupported by her husband, who works long hours and leaves Alice to do most of the work.

“I plan out Eddie’s visual calendar, lay out his clothing and then pack his school bag — the dreidel, which he’s still taking with him everywhere he goes, his stuffed Thomas the Tank Engine toy just in case he wants it, six Go-Gurts, one can of soup and six pairs of spare underpants, each with a matching ziplock bag for the inevitable accidents.”
ALICE

I felt more emotionally invested in Alice’s storyline that Alina’s. Alina’s story felt slow. Perhaps it was the events that took place, or perhaps it was the pacing. Part of me suspects it was both. But I felt that Alina’s chapters could’ve been more succinct and punchier. There was enough emotion and heartache to keep the reader invested, but the pacing did lag a little.

Although this particular storyline is very rich with hope. Alina loves Tomasz and is desperate to see his safe return. Alina may be young, but she’s also smart, resourceful and very aware of her surroundings. She’s helpful and trusting, and she learns how to survive the sad and grim situation that she’s in.

“It was the young soldier from that day in fall, the last time I wore a dress. He was back, and he was asking about me. I was too terrified to cry out, but equally, I was too terrified to control myself and I couldn’t think rationally enough to be sure of what I might do next.”
ALINA

Alice is a flawed character. She cares deeply for her son and she’s a good mother, but her attitude is, at times, constricted. She wants her husband, Wade, to help more, she wishes he understood more, but she doesn’t really allow him the opportunity to step up. She expects him to fail. Often, she keeps her mouth shut and seethes in silence. Other times, she waits until he makes a mistake and then snaps at him.

But Wade is not perfect either. He shuts himself off and focuses on his work, and as a result, he’s not the most attentive father. He allows his wife to do everything for the kids. So, when Alice goes to Poland to delve deep into her grandmother’s childhood, her husband finally realises just how much Alice has been doing for their family. He is defeated, and at a loss. But also, he learns to be the man he should’ve been all along.

This storyline is about family, marriage and sacrifice. It shows us how a marriage can change when a child requires more care than they thought. A child with autism does require a lot of attention, and that can strain any relationship.

“I still think about my big brothers. I sometimes wonder if I would have done anything different that day, if only I’d known that within a year they’d both be dead — and that those quiet moments by the train station would be the very last time I ever saw them.”
ALINA

Kelly Rimmer has captured two very different time periods — and two very different relationships. In Alina and Tomasz, we see young love torn apart by war and horror. In Alice and Wade, we see a love that has been clouded by exhaustive, complicated circumstances.

Readers will be able to relate to all of the characters in the book, even the ones who have lived through experiences that we could not possibly understand. I’d recommend this to readers of historical fiction, and those readers who love a family saga that spans decades.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Things We Cannot Say
Kelly Rimmer
March 2019
Hachette Book Publishers

The Rip by Mark Brandi

A young woman living on the street has to keep her wits about her. Or her friends. But when the drugs kick in that can be hard.

Anton has been looking out for her. She was safe with him. But then Steve came along.
He had something over Anton. Must have. But he had a flat they could crash in. And gear in his pocket. And she can’t stop thinking about it. A good hit makes everything all right.
But the flat smells weird.

There’s a lock on Steve’s bedroom door. And the guy is intense. The problem is, sometimes you just don’t know you are in too deep, until you are drowning.

The Rip by Mark Brandi is an urban crime novel set in Melbourne.

The plot itself is not overly complex — two friends live homeless on the streets of Melbourne, with the young girl’s dog, Sunny. They’ve both come from troublesome childhoods and adolescent years, but they have learnt how to live as comfortably as they can. They feel safe where they are. Until they meet Steve.

“It’s funny how quick it happens and without you really noticing. Anton said once that it’s like walking out into the sea, and you think everything’s fine and the water’s warm, but when you turn back you’re suddenly miles from shore. I’ve never been much of a swimmer, but I get what he means. Like, being caught in a current or something. A rip.”

This book is raw and emotional, rich and powerful. These characters are troubled and flawed, but they draw the reader in. Mark Brandi is such a wonderful writer. He captures dialogue so well, and even with very little plot, he is able to engage an audience. The Rip is predominantly character-driven, and it’s fantastic.

Truthfully, this was going to be one of my favourite reads of the last 12 months. This was going to be a book that I would shove in people’s faces and demand that they read. This was, by far, one of the best examples of writing I’d come across.

…until I got to the end of the book.

The ending makes no sense to me. It’s almost like Mark wrote a few chapters and then cut them out of the manuscript. There’s a mystery in the book surrounding Steve and his bedroom, and the mysterious barrels. That mystery is never explained. All of a sudden, the plot jumps forward in time with no explanation of what happened in between. Sure, there’s a quick mention of a ‘court case’ but that’s it. What was in the barrels? We can guess, but what really happened?

The first thing I did was look at reviews online, and I found comfort in knowing many many other readers felt the same anger and frustration at the ending as I did. All the brilliant writing and masterful work Mark Brandi put into this book felt completely wasted at the end.

“I take Sunny by the rope and walk quickly up the street. He follows me for a bit, but gives up once I get round the corner. Look, I’m not ungrateful or anything — the food was nice, the apple pie especially — but it seems like everything comes with strings attached. With some people, anyway. Like, they can’t just do you a favour without expecting something in return, you know?”

The Rip is full of beautiful writing, with characters who are fragile, yet incredibly strong. The book is engrossing and riveting and I loved it all, until the end. Many readers will love this. But many readers will not love the ending.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Rip
Mark Brandi
March 2019
Hachette Book Publishers

Questions I Am Asked About the Holocaust by Heidi Fried

‘There are no stupid questions, nor any forbidden ones, but there are some questions that have no answer.’

Hédi Fried was nineteen when the Nazis snatched her family from their home in Eastern Europe and transported them to Auschwitz, where her parents were murdered and she and her sister were forced into hard labour until the end of the war.

Now ninety-four, she has spent her life educating young people about the Holocaust and answering their questions about one of the darkest periods in human history. Questions like, ‘How was it to live in the camps?’, ‘Did you dream at night?’, ‘Why did Hitler hate the Jews?’, and ‘Can you forgive?’.

With sensitivity and complete candour, Fried answers these questions and more in this deeply human book that urges us never to forget and never to repeat.

Questions I Am Asked About the Holocaust is a compact, non-fiction title that is exactly as the title suggests. Heidi Fried was a prisoner in Auschwitz and has spent most of her life educating students and children about the holocaust. She has compiled a list of the most commonly asked questions, and answered them for any readers who are interested to know the answers.

There are 44 questions in total — questions about the war, Germany and Hitler. But mainly, the questions are about Heidi’s time in concentration camps.

“Why did Hitler hate the Jews?”
“What languages were spoken at Auschwitz?”
“Were you raped?”
“How many people from your hometown survived the war?”

The book isn’t very long — under 150 pages — so it’s a quick, brief read. Each question has an answer that takes up no more than a couple of pages. Some answers are very short. Half a page at best.

This would be a valuable resource in schools when covering the holocaust and World War II. It allows readers to better understand the experience of the prisoners, and how they processed what was happening to them.

At times, it’s pretty confronting. But mostly, Heidi explains her experiences very rationally and draws more upon her emotional response to things than physical description. There isn’t much graphic detail into what went on, more a factual description and then Heidi’s memory of how she felt during that time.

“Actively fighting back in 1944 would have been suicide. There should have been active resistance before the Nazis gained power. But passive resistance could still be found in Sighet. Communist cells were organised on the sly. It was all very secretive, and I, the youngest member, was allowed to participate in the ideological training.”

Questions I Am Asked About the Holocaust also serves as a warning for the future — Heidi doesn’t want the holocaust to be forgotten, because then that allows for history to repeat itself. She wants what happened to her and the other prisoners to be remembered and reflected upon, so that it never re-occurs.

This book is fascinating because even if you feel like you know a lot of details about the holocaust and concentration camps, this book offers a new perspective. Some of the questions in the book you may have been too embarrassed to ever ask, and yet it’s a little comforting to know that other people have the same questions too.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Questions I Am Asked About the Holocaust
Heidi Fried
March 2019
Scribe Publications

The Price Guide to the Occult by Leslye Walton

From the author of The Strange and Beautiful Sorrows of Ava Lavender comes a haunting maelstrom of magic and murder in the lush, moody Pacific Northwest.

When Rona Blackburn landed on Anathema Island more than a century ago, her otherworldly skills might have benefited friendlier neighbours. Guilt and fear instead led the island’s original eight settlers to burn “the witch” out of her home. So Rona cursed them. Fast-forward one hundred–some years: All Nor Blackburn wants is to live an unremarkable teenage life.

She has reason to hope: First, her supernatural powers, if they can be called that, are unexceptional. Second, her love life is nonexistent, which means she might escape the other perverse side effect of the matriarch’s backfiring curse, too. But then a mysterious book comes out, promising to cast any spell for the right price. Nor senses a storm coming and is pretty sure she’ll be smack in the eye of it.

The Price Guide to the Occult is a young adult fantasy novel from Leslye Walton, about a young girl and her journey towards facing up to her villainous mother.

Nor is the youngest of the Blackburn women, cursed for generations. She just wants to lead a normal teenage life, until she stumbles upon a book — written by her mother — that can cast any spell. She’s thrust into a world she doesn’t fully understand, and her evil mother — who once tried to kill her — returns into her life to wreak havoc.

Truthfully, I don’t see this novel holding the attention of a child or teenager. It struggled to hold my attention, and I’m in my late twenties. The prose is very descriptive, which at first made me admire the book, but after a while, I realised the book is actually just very overwritten and the pace very slow. The book sits at 278 pages, and if it were any longer I think I would’ve given up before the end.

“Nor watched her mother’s blood inch its way across the roof, then stop. Weakened and defeated, Fern slumped to the ground as Nor breathed a shaky sigh of relief. Perhaps the madness was finally over.”

Despite the ominous setting and the murderous plot, the stakes never felt high enough in the book. The characters never felt realistic or complex enough for me to sympathise for them, and the villain never scary enough for me to fear her. Additionally, I never really warmed to the love story or the romance of the book.

My favourite part of the book was the prologue, however it’s about Nor’s ancestor Rona and so the rest of the novel isn’t about her.

“Nor was dreaming again. In her dream, she was standing in a cold and unfamiliar room. The walls and floor were made of stone. The room had a foul door to it, a mix of rot and decay, and the metallic scent of blood. The only way out was a winding stone staircase.”

The pacing is one of the major reasons this book didn’t work for me. It takes a long time before the conflict between Fern and Nor arises, and the book weaves between past and present so often that it’s easy to get confused by events.

This book has an amazing backstory. A truly wonderful prologue. But unfortunately the rest of this book wasn’t for me.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Price Guide to the Occult
Leslye Walton
April 2019
Walker Books Australia

%d bloggers like this: