A Nearly Normal Family is the psychological thriller from M. T. Edvardsson and asks what would you do if your child was suspected of murder, how far would you go to protect them? Do you want to know the truth?

Every murder case starts with a suspect. What if the suspect is your daughter? Would you believe her, or the evidence against her?

The Father believes his daughter has been framed.
The Mother believes she is hiding something.
The Daughter believes they have no idea what she’s truly capable of . . .

There are three sides to the story. And the truth will shatter this family to pieces.

A Nearly Normal Family by M.T Edvardsson is a Scandinavian crime novel, the victim being a man in this 30s and the suspect a young teenage girl who seems the most unsuspecting type. The novel is an exploration of domestic drama and family in crisis.

18 year old Stella Sandell is a rebellious teenager who has a history of being aggressive and having a short fuse. Her parents re overprotective and are at a loss of how to help her, but they’re also in denial about how bad her behaviour really is. And then, she’s charged with murder.

“I have gone against everything I believed in. The law has been my religion. It certainly has its faults, rather extensive ones in some respects, but still I firmly believe the law to be the pillar and guiding light of a modern society.”

The book is divided into three sections, each written in first person — the father, the daughter, the mother. The father is the weakest section, which is a shame because it’s the first section. The writing is inconsistent and the character — Adam — is overdramatic and unlikeable. The language is overly affectionate for the situation and Adam comes across over the top, cringeworthy, and his ‘voice’ is very unrealistic for a man of his age and position. I doubted my ability to finish the book, and probably wouldn’t have, if it weren’t for the mystery. I wanted to know who had murdered the man found dead in their suburb.

Another element I didn’t like about Adam’s narrative was the constant mention of religion and God. Adam is a pastor and therefore an honourable and trustworthy pillar of the community. But, in his POV, he references God and religion a lot, and it doesn’t feel natural. At times, I felt like the author was preaching to me and I had to skip ahead.

Once part one ended and we moved onto the daughter’s POV, I found it much easier to settle into the narrative.

“On that Saturday night when our lives were about to change, I turned to God. I was worried about the stained blouse in the washing machine. I made the snap decision not to mention it to Ulrika. Those stains could be from anything, it didn’t necessarily mean much, and there was no reason to subject Ulrika to further anxiety.”

Unreliable narrators is a common thread across all three parts in the book — Adam is willing to deceive and lie in order to save his daughter, Stella won’t tell the whole truth, and Ulrika seems to know more than she’s letting on. As the book progresses, the truth of that night slowly reveals itself.

The ending is plausible, realistic, and surprising, but a little too convenient. However, readers will find themselves satisfied with the ending, and the twists and turns that lead them there.

“It’s all about control. People never believe that. In their minds, the need for control is a characteristic of that sort of pendant who loses it if a paper end sup in the wrong pile on their desk, the type who sorts their wardrobe by exact shades of colour…but this is a different sort of control. It’s about not losing face. Not letting anyone get too close.”

Recommended for fans of crime and thrillers. The writing is average and there is a lot of repetition, but the mystery is enough to keep you reading.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

A Nearly Normal Family
M.T. Edvardsson
July 2019
Pan Macmillan Publishers

VICTIM. KIDNAPPER. CRIMINAL. You will become each one. You are now part of the chain. Don’t break the chain.

The morning starts like any other. Rachel Klein drops her daughter, Kylie, at the bus stop and heads into her day. But then a phone call changes everything. A woman has Kylie bound and gagged in her back seat, and the only way Rachel will ever see her again is if she pays a ransom – and kidnaps another child. The caller is a mother herself, whose son has also been abducted, and if Rachel doesn’t do exactly as she’s told, both children will die. Rachel is now part of a terrifying scheme – The Chain.

The rules are simple: find the money, find your victim, and then commit a horrible act you’d have thought yourself incapable of just 24 hours ago. Rachel is an ordinary woman, but over the coming days she will be pushed beyond ordinary limits to save her daughter. What the anonymous masterminds behind The Chain know is that parents will do anything for their children. But what they don’t know is that they may have met their match.

Can Rachel be the one person to finally break The Chain?

The Chain by Adrian McKinty is a thrilling crime novel about a large-scale kidnapping scheme involving children.

The premise is pretty simple to grasp. Kidnap another child to save your own child. But don’t tell anyone. You tell anyone, you try to call the police, and you’ll be found out and your child will be murdered.

The premise of the novel is, of course, absurd. Someone has to kidnap a child in order to save their own child, and this ‘chain’ has been going on for years and everyone has kept their mouth shut? Obviously wacky and crazy premise, and I totally loved it — a fun read, an engrossing read, and it’s really easy to finish this novel in the one day.

“She thinks about her mom. Her mom will be worried sick. She’ll go to pieces. She isn’t as strong as she pretends to be. It hasn’t even been a year since she finished her chemo. And her dad — her dad’s awesome but maybe not the most dependable guy in the world.”

The Chain explores the lengths that a parent will go to in order to save their child — what they’ll sacrifice, who they’ll sacrifice, and what they’ll pay in ransom.

Adrian McKinty is skilled at crafting characters who we grow to like and sympathise for. Rachel has overcome cancer once before but it looks like her breast cancer has returned. She’s divorced from her husband, she’s not wealthy, and now her only child — Kylie — has been kidnapped. Rachel must transfer a large sum of money as a ransom, but she must also kidnap someone else’s child to keep ‘The Chain’ going. She must now assume the role of kidnapper.

Rachel doesn’t think she’s capable of doing that — can she really commit that kind of crime? But as we learn in the book, parents are capable of almost anything to save their child, and Rachel is not the only one. The Chain has been going on for years.

This novel is not just about Rachel and Kylie. Through flashbacks, we come to understand the people behind The Chain, and how their childhood and their adult lives led them to create a dangerous and risky kidnapping ring. The POV shift is a fascinating method of building tension.

“Kylie waits until she thinks it’s very late, but naturally she has no way of telling the time. No iPhone, no iPad, no Mac. No watch, of course, but who wears a watch these days?”

Two weaknesses in the book are dialogue and inner dialogue. I don’t think Adrian has captured an accurate female voice — younger or older — in Rachel and Kylie. Rachel comes across a little over the top, too flowery and cringe-y, and Kylie comes off as older and beyond her teenage years. Kylie’s voice often doesn’t match the voice of teenager, and many times throughout the novel, she’s just a little too self-aware for someone her age.

Additionally, some of the interactions don’t quite add up. Rachel is divorced from her ex-husband, but they still talk like they’re emotionally close, and despite his relationships with younger women, he seems to still care about her a little too much for an ex-husband. It comes across as loving and doting, which doesn’t quite add up to the rest of his characterisation as an unreliable, flaky Dad who is always dating a newer, younger girlfriend.

“The Hampton Mall is the perfect place to buy burner phones. She slides the car into a spot in the parking lot, opens up the trunk, and rummages around looking for Kylie’s Red Sox cap…she finds the cap, puts it on, and pulls it low over her face.”

The ending of the book is unrealistic, jolty and a little clunky, but by then you’re so hooked by the story that you don’t really care. Fans of psychological thrillers and crime novels will love this book.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Chain
Adrian McKinty
July 2019
Hachette Publishers

Abby Graven is a dreamer. She dreams her way through her small, lonely life – hiding back at her parents, working at the grocery store. At night, she collects tabloid clippings that taunt her with Elise – her best friend, now Hollywood’s hot new starlet.

When a school reunion throws Elise in her path, Abby seizes her chance. With feverish certainty, she boards a one-way flight to LA to become Elise’s assistant and enters her gauzy realm of film sets and glamorous actors.

But behind Elise’s glossy magazine veneer, she is drowning in Hollywood’s vicious social cycle. Ever the devoted friend, Abby conceals her own burning desire for greatness.

For she is smarter than Elise. More talented. A true artist. And as she edges closer to her own ambitions, Abby can see only one way to make her dream come true.

The Paper Wasp by Lauren Acampora is an addictive, seductive psychological thriller about obsession, greed and betrayal. This novel will draw you in from the very first page, keep you hostage until the very end, and then leave you reeling for a long time afterwards.

This book is utterly bizarre, from the storyline to the setting to the characters. But it all works. It’s an addictive read, and one that I highly recommend to others.

Abby Graven was once valedictorian of her high school class and on a path to a successful adult life. But, now, she’s a 28-year-old college dropout who is living at her parents’ home in Michigan and is obsessed with the life that her high school best friend — Elise Van Dijk — now leads.

Elise is on the cusp of fame. She’s living in Hollywood, she’s featured in glossy fashion magazines, and she’s starring in upcoming lead movies. She appears to be leading a glamorous life, and Abby is enraptured by Elise’s ascent to stardom.

Abby and Elise briefly reconnect at their 10-year high school reunion. When Elise makes a throwaway comment that Abby should call her if she’s ever in LA, I’m sure that Elise didn’t actually expect Abby to do just that. But, a couple of months later, Abby buys a ticket to LA and calls her upon arrival at the airport. Elise, stumped, politely offers up her home for Abby while she’s in town.

Already, the reader is feeling the unease. We can see just how obsessive and dangerous Abby is, showing up to LA with no accommodation in mind, and with the singular hope that Elise will let her crash at her fancy mansion.

“A moment later, the cab was gone and I was alone outside the gate, shielding my eyes in the white light. Through the glare I saw there was a call box, a button I needed to push. I looked at it for a long moment and felt myself come slowly awake. My frenzy had been so absorbing, it was almost as if my body had been hijacked.”

Soon, Abby and Elise reconnect and Abby takes on the role of Elise’s personal assistant. But Abby is scheming, desperate to be as close to Elise as she possibly can. Abby is deluded enough to believe that her own fantasies could become real — that they are real. On the surface, she’s helping Elise, but really, she’s collating information in her mind to propel her own career in Hollywood.

There are so many logistical elements that make this novel work. The pacing is flawless — consistent, unwavering. The tension is heightened with each chapter we read, and the stakes are enormous for the main characters.

Elise and Abby are both fantastic characters. They’re intriguing and engaging, and you’re not sure who to root for. Abby, the unreliable narrator who you can’t help but sympathise with and love. Or Elise, the misunderstood, naive woman who has been caught up in the bright lights of Hollywood.

Acampora’s skill lies in her ability to capture the relationship between Elise and Abby in a way that doesn’t come across as just petty jealousy, but something far more extreme and inviting.

“How silly to have never come to California. Already Michigan was a figment, a prolonged, dank dream from which I’d finally woken. I’d left my winter coat behind, and I found myself thinking of it now, trying to recall the weight and feel of the boiled wool, the hide that I’d sloughed and abandoned.”

The Paper Wasp is about female friendship, ambition, and the consequences of obsession — the unwillingness to let go of your childhood, when everything seemed a lot easier and success seemed simpler to achieve.

I highly recommend this read. It’s fiction at its finest, and fans of crime, thrillers and psychological novels will tear through this book.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Paper Wasp
Lauren Acampora
June 2019
Hachette Publishers