JESS JUST READS

A BOOK REVIEW BLOG

The Ruin of Kings by Jenn Lyons

What if you weren’t the hero?

Kihrin grew up on tales of long-lost princes and grand quests – despite being raised in a brothel, making money as a musician and street thief. One day he overreaches by targeting an absent noble’s mansion, hunting for jewels. There he witnesses a prince performing a terrifying dark-magic ritual. Kihrin flees but he’s marked by a demon and his life will never be the same again.

That night also leads to him being claimed as a lost son of that prince’s royal house. But far from living the dream, Kihrin finds himself practically a prisoner, at the mercy of his new family’s power plays and ambitions. He must also discover why his murderous father finds Kihrin more valuable alive than dead. Soon Kihrin attempts to escape his relative’s dangerous schemes, but finds himself in far deeper waters.

He becomes tangled in a plot to kill the Emperor, rob the Imperial Vaults, claim a god-slaying sword and free bound demons to wreak havoc across the land. Kihrin also discovers the old tales lied about many things: dragons, demons, gods, prophecies, true love – and the hero always winning. But maybe Kihrin isn’t fated to save the empire. He’s destined to destroy it.

The Ruin of Kings by Jenn Lyons is the first book in a new epic fantasy series, following a musician and thief as he learns of his true heritage as royalty.

Each chapter in the novel switches between two POVs — the poor young Kihrin, and Talon, a monstrous mimic who has the ability to eat people’s brains and then impersonate them, mirroring their actions, personality, memories and physicality with ease. The dual parallel storylines allow for increased tension and fast-paced action, enticing the reader.

We meet Kihrin in a jail cell, awaiting his certain death. He is being guarded by Talon, and the two enter a conversation where Kihrin begins telling Talon his life story. Throughout Kihrin’s story, Talon interjects with their own memories and stories, and thus begins a truly incredible, fast-paced, break-neck story that fantasy readers will love.

“She didn’t look like a monster. Talon looked like a girl in her twenties with wheat-gold skin and soft brown hair. Most men would give their eye-teeth to spend an evening with someone so beautiful. Most men didn’t know of her talent for shaping her body into forms crafted from pure terror.”

The plot is enthralling, the prose is sharp, the dialogue is realistic and the character development is authentic and believable to the reader. The story moves steadily throughout the book, and whilst The Ruin of Kings is over 550 pages with very small text, my attention never wavered.

One of the biggest strengths in the book is the world-building — The Known World is filled with witches, demons, ghosts, sorcerers and just about every other mythical creature you can think of, and Jenn juggles all these creatures seamlessly and with ease.

The three-dimensional and fully-fledged setting is a balanced combination of history and mythology that gives the plot depth and makes the setting feel like a real world. The Known World will draw the reader in and keep them entertained.

“That stopped me cold. Khaemezra was right, of course. The necklace couldn’t be taken by force; it had to be freely given. I forced my hand away from the stone.”

The Ruin of Kings is a perfect example of the unreliable narrator. Kihrin’s tale is subjective, telling what he believes are the important details of the story while avoiding some pivotal moments that are only revealed later on. Talon twists the truth and sometimes it’ll be hundreds of pages later when we discover that she’s been lying the reader. This stylistic technique is not always executed well, but Jenn Lyons has done an impeccable job of weaving this technique into a captivating story line.

Small negative, but I found the genealogy in the story to be a bit overwhelming. A large cast of characters pass through the book and Jenn often mentions their lineage and other characters they may be related to. Often, this was a bit much to comprehend and it was easy to be confused, especially when secrets are revealed later in the book and you need to reassess what you believed you knew.

Additionally, some of the characters could’ve been fleshed out further because they felt a bit two-dimensional, but given this is the first book in a series, I imagine more development will be embedded in later down the track.

“I watched the battle going on under the waves. Even though the ship outpaced the original site of the whales and their attacker, I saw shapes moving in the water, sometimes jumping above it. Through it all, the long slithery tentacles slammed up above the waves to come crashing back down. The creature that owned those arms had to be enormous.”

A fantastic first novel in a new series. The Ruin of Kings sets up events for an equally impressive sequel, with surprising twists and events at the end of the book. Pacing and tension is heightened as we get closer to the end of the book, and the actual ending is climactic and seductive.

Highly recommended for fantasy fans.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Ruin of Kings: A Chorus of Dragons 1
Jenn Lyons
February 2019
Pan Macmillan Publishers

Ninth House by Leigh Bardugo

The mesmerising adult debut from Leigh Bardugo. A tale of power, privilege, dark magic and murder set among the Ivy League elite. Alex Stern is the most unlikely member of Yale’s freshman class. A dropout and the sole survivor of a horrific, unsolved crime – the last thing she wants is to cause trouble. Not when Yale was supposed to be her fresh start. But a free ride to one of the world’s most prestigious universities was bound to come with a catch.

Alex has been tasked with monitoring the mysterious activities of Yale’s secret societies – societies that have yielded some of the most famous and influential people in the world. Now there’s a dead girl on campus and Alex seems to be the only person who won’t accept the neat answer the police and campus administration have come up with for her murder.

Because Alex knows the secret societies are far more sinister and extraordinary than anyone ever imagined.

They tamper with forbidden magic. They raise the dead. And, sometimes, they prey on the living . . .

Ninth House by Leigh Bardugo is an adult fantasy novel, and the first in a new series with protagonist Alex Stern.

Alex Stern is recruited to work for the mysterious and secretive Lethe society at Yale simply because she can see ghosts. Her job is to the oversee the other secret societies at the college, and make sure their rituals and practices are above board. When a young girl is murdered on campus grounds, Alex endeavours to uncover who murdered her and why.

The world is original and intriguing — at its core, it’s about a girl who needs to heal from her past. Alex Stern can see ghosts and she’s had some horrible trauma throughout her childhood/teenage years. This book is also about revenge, murder, conspiracy theories, magic, power, and secret societies at Yale university that work with magic.

“If they could find him. If they could somehow bring him home from whatever dark place he’d gone. In less than a week they’d attempt the new-moon rite. Alex didn’t understand the specifics, only that Dean Sandow believed it would work and that, until it did, her job was to make sure that no one asked too many questions about Lethe’s missing golden boy.”

After browsing all of the glowing reviews for this title, I definitely think there’s some sort of disconnect between me and this book. I thought it was…fine. I read it, enjoyed it, and finished it. Did I think it was exceptional? No. Was I underwhelmed after reading all the pre-publication buzz? Yes.

There is a distinct lack of introduction to the world, or credible world-building. Alex Stern has the rare ability to see Grays — ghosts who have yet to move on from their time on earth — and we’re thrown head first into this fantasy world with very little explanation. I had to reread chapters 1 and 2, twice.

The pacing is also incredibly slow throughout the book, and I’m not sure that the plot holds enough tension to justify the slow pacing.

“A cluster of Grays was mulling around by the gym. Alex let her eyes skim over them, landing nowhere, barely focused. A few were local Grays who could always be found in the area, a rower who had drowned off the Florida Keys but who now returned to haunt the training tanks, a heavyset man who had clearly once been a football player.”

Characterisation is a strength of the book — Alex is a high school dropout, drug addict, and her best friend recently died under suspicious circumstances. Her relationship with her mother is fractured, and her grades at Yale so far have been sub par. Her time at Yale helps her understand her gift — to trust it — and over the course of the novel, she grows and matures and comes to understand who she is as a person.

There’s a particularly fantastic moment in the book when Alex gets revenge on a sexist, abusive college boy called Blake — this could well be my favourite plot point in Ninth House. Lips are sealed!

Leigh’s language and prose is another strength in the book — the sentences feel decadent, indulgent, and inviting.

“As Darlington had known they would, the Grays began to appear, drifting through the walls, drawn by blood and hope. When at last the blood tide reached the end of the parchment, the Aurelians each lowered their sleeves, letting them brush the soaked paper.”

You’ve really got to love fantasy to read Ninth House. You’re thrust into a world with very little explanation, and to wade through that and continue on, you need to love the genre. Otherwise, you’ll just leave this book incomplete.

Personally, I thought this was just okay. I liked the twists at the end, and how it opened up for the sequel, but I felt quite let down with the book as a whole.

Recommended for fantasy lovers, 18+. This book is very dark, and deals with mature themes — rape, sexual assault, murder, suicide, drug overdose, self-harm — and is not recommended for children or young adults under the age of 18.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Ninth House
Leigh Bardugo
October 2019
Hachette Book Publishers

Assassin’s Apprentice by Robin Hobb

In a faraway land where members of the royal family are named for the virtues they embody, one young boy will become a walking enigma.

Born on the wrong side of the sheets, Fitz, son of Chivalry Farseer, is a royal bastard, cast out into the world, friendless and lonely. Only his magical link with animals – the old art known as the Wit – gives him solace and companionship. But the Wit, if used too often, is a perilous magic, and one abhorred by the nobility.

So when Fitz is finally adopted into the royal household, he must give up his old ways and embrace a new life of weaponry, scribing, courtly manners; and how to kill a man secretly, as he trains to become a royal assassin.

When I started this book, I wanted to read it as if I were a non-fantasy-reader. Since Game of Thrones became such a phenomenon, more people are opening themselves up to the genre, and it’s easy for me – a huge reader of fantasy – to read Assassin’s Apprentice and review it based on how well it utilises the conventions of fantasy fiction. But this novel, which is the first in a trilogy, has the abilty to engage all readers, even those who aren’t familiar with the genre.

Assassin’s Apprentice is fast-paced and interesting, and the first person narration is believable and realistic. And the journeying in the story doesn’t take 50,000 pages, which is usually what frustrates me about fantasy fiction (*cough* The Queen of the Tearling *cough*). Robin Hobb reveals enough about the world and the characters for the reader to understand the story, but not too much where the reader is going to feel fatigued by the excess information. I assume that Robin reveals more to the reader in the second and third novels in this trilogy.

Robin Hobb’s writing is fluid, and events seem to flow from each other in a natural sequence. There are no disjointed events or conversations that have the reader confused and flicking back through an earlier chapter. Fitz’s motivations and doubts are seen through his actions, not through telling. This is hard to accomplish, especially since fantasy authors have so much information to write down and it’s tempting for them to simply tell the reader things instead of showing them.

What I loved about the main character, Fitz, is that although he’s brave and intelligent, he’s also extremely flawed. His relationships with the other characters are sometimes misguided, or he says or does things that the reader might not understand or agree with. And because he’s flawed, the reader sympathises and engages with him on a greater scale.

My Score: 8/10
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