JESS JUST READS

A BOOK REVIEW BLOG

And The Ocean Was Our Sky by Patrick Ness

The whales of Bathsheba’s pod live for the hunt. Led by the formidable Captain Alexandra, they fight a never-ending war against men. Then the whales attack a man ship, and instead of easy prey they find the trail of a myth, a monster, perhaps the devil himself…

With their relentless Captain leading the chase, they embark on the final hunt, one that will forever change the worlds of whales and men. From Patrick Ness, the multi-award-winning author of A Monster Calls, and CBCA Crichton Award-winning Australian artist Rovina Cai comes a haunting tale of power and obsession that turns the story of Moby Dick upside down.

And the Ocean was Our Sky is a powerful, moving tale by bestselling author Patrick Ness. Accompanied by gorgeous illustrations from Rovina Cai, Patrick’s story is from the point of view of a whale — Bathsheba. This story is a unique twist on the classic novel, Moby Dick.

War between humans and whales has been going for generations, each hunting the other. This book illustrates the trauma and death associated with war, and the reader comes to sympathise for Bathsheba. She is the third apprentice in a hunting pod to Captain Alexandra; they spend their days searching and destroying ships and humans. Bathsheba feels conflicted about their task, and struggles to understand the necessity of this war against humans.

“Let me be clear, right from the start. I hate the hunt but I loved it then. Now, of course, after all the occurred, after all are dead, after I waited for a rescue that might never come, no one would blame me for hating it.”

The book tells the story of the hunt for Toby Wick — an enemy so evil that no whale has ever met them and survived. Captain Alexandra is desperate to find and kill Toby Wick.

The illustrations are gorgeous. They mostly follow a soft use of the colours black, grey, white and red and they capture the mood of the story perfectly. Rovina is so talented and has done an exceptional job bringing this story to life.

As the hunting pod closes in on Toby, Bathsheba wrestles with his doubts and concerns. How necessary is this war? Is it worth all this death? As the reader, we know that this hunt will likely kill almost every character because Bathsheba hints at it right at the beginning of the book.

“Call me Bathsheba. It is not my name, but the name I use for this story. A name, I hoped, that would be free of prophecy, free of the burden of a future placed upon it, free of any destiny that would tear it from my hands and destroy worlds.”

Set in the depths of the ocean, this is a stunning, brilliant work. The prose is effortless and each sentence beautiful. I did find the first person narration confusing at first, and it did take me a short while to understand the dynamic and structure of the story, but apart from that I was completely absorbed in this story and it’s artwork.

And the Ocean Was Our Sky explores themes of loyalty, friendship, family, war and revenge.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

And the Ocean Was Our Sky
Patrick Ness, illustrated by Rovina Cai
September 2018
Walkers Books Australia

Man Out Of Time by Stephanie Bishop

When Stella’s father, Leon, disappears in September 2001, the police knock at her door. She baulks at their questions, not sure how to answer. ‘What if I just write it down for you.’

One summer, a long time ago, Stella sat watching her father cry while the sky clouded over. He had tried to make amends: for his failures, for forgetting to buy the doll she once hoped for, for the terrible things he had done.

The first time Stella sensed that something was wrong was on her ninth birthday. There was an accident, and when she opened her eyes there was the tang of blood in her mouth. Leon was beside her. But not quite there. In the winter, when her father finally came home from hospital, he looked different. Looked at her differently.

Now he was missing, and Stella held the key to his discovery. But did he want to be found? And after all that has passed, could Stella bring herself to help him?

Stella’s whole life has been stained by her father’s very struggle to exist. Would this be her inheritance too? Could she choose the steady minutes of an ordinary day? Or would she follow the path of a man out of time?

Man Out of Time is Stephanie Bishop’s third novel, a moving tale of inheritance and self-destruction.

The ‘man out of time’ is Stella’s father. He’s mentally unstable and his health deteriorates as Stella grows older. He is sectioned in a psychiatric hospital, and Stephanie uses flashbacks to show the reader how Leon’s battles with mental illness effect not only him but Stella and his wife Frances. In present-day, Frances and Stella work to locate Leon. He’s been missing for a fortnight.

This novel feels very literary — mature even. The themes of family, love, legacy and relationships are complex, and Stephanie tackles the story with a very topsy-turvy kind of storytelling structure. From reading the blurb, you think this will be a very linear type of book, but it’s rather scattered. And intentionally so.

“When Leon came home, Frances was waiting for him, the dress in a crumpled heap on the table. Where have you been? she asked. He tipped his hat in mockery of the question and replied: Why, I’ve been to London to visit the queen. Then he said, Busking. In the subway.”

Leon and Stella share a complex relationship — she loves him and he loves her, but his mental health threatens his ability to make wise choices and as Stella grows older, she witnesses Leon’s deteriorated mind and she grows very self-aware.

Stephanie Bishop has captured mental illness sympathetically and realistically. She illustrates all the complexities of mental illness, and the ripple effect it has on surrounding loved ones.

The strength of this novel lies within the writing — the poetic sentences and flowing prose and the brilliant use of vocabulary and subsequent sentence structure. Stephanie has a real way with words.

“Once there, she swung a leg over and spread out along the branch, her belly and face pressed to the smooth bark, her legs hanging down on either side, kicking the late summery air that smelled of decaying fruit — the dark and soggy worm-eaten plums lying on the grass below, a haze of fruit flies hovering over the rot.”

I wanted to like this novel more than I did. I wanted to read it and be inspired by Stephanie’s manipulation of time and story-telling, but more often than not, I was left confused and I felt like I’d missed something in the preceding pages. Whilst I admire the grand story within the pages, I couldn’t help but feel disappointed with its execution.

This is an emotional novel about the bond between a father and son, and the plot is in constant motion, flicking back and forth between different periods and time. This novel isn’t my favourite, but readers who love a complex family story will find comfort in Man Out Of Time.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Man Out of Time
Stephanie Bishop
September 2018
Hachette Book Publishers

Greenlight by Benjamin Stevenson

Four years ago, in the small town of Birravale, Eliza Daley was murdered. Within hours, her killer was caught. Wasn’t he?

So reads the opening titles of Jack Quick’s new true-crime documentary. A skilled producer, Jack knows that the bigger the conspiracy, the higher the ratings – and he claims Curtis Wade was convicted on flimsy evidence and shoddy police work. Millions of viewers agree.

Just before the final episode, Jack uncovers a minor detail that may prove Curtis guilty after all. Convinced it will ruin his show, Jack disposes of the evidence and delivers the finale unedited, leading to Curtis’s eventual release.

Then a new victim is found bearing horrifying similarities to the original murder. Has Jack just helped a killer walk free?

Determined to set things right, Jack returns to Birravale looking for answers. But with his own secrets lurking just beneath the surface, Jack knows more than anyone what a fine line it is between fact and fiction. Between life and death.

Now there’s only one option left. The truth.

Greenlight by Benjamin Stevenson is a rural crime thriller about the long-solved murder of backpacker Eliza Daley.

It’s an interesting premise — a well-known television producer and presenter helps cast enough doubt on a convicted killer that he is released from prison. But perhaps this man was indeed the killer after all?

Benjamin’s writing is polished. The dialogue realistic, the characters are three dimensional and well-developed, and the mysteries of this rural town are enticing enough to keep the reader turning the page. I thoroughly enjoyed reading this story, and churned through the pages of this book.

“The shoe grew heavier in his mind every day. Jack knew what it was like to make a decision that you can’t take back, even if you want to. Some small, inconsequential choice that grows and grows into something monstrous when everyone is watching. Why had he been fine with hiding the shoe?”

Jack Quick is flawed, but he’s also determined and compassionate and desperate to find out the truth. He puts himself in dangerous situations and is able to see things that others probably wouldn’t be able to see.

He starts to piece together what happened to Eliza Daley, and also the second victim who is murdered after Curtis Wade is released from prison.

Greenlight does follow a bit of a stereotypical trope found in rural fiction — someone arrives in a small town and they are neither a policeman or a detective, and yet they’re able to solve a crime that the cops couldn’t? I’ve read quite a few crimes novel lately that feature a protagonist like this.

“Jack scanned the paper. The front page had a close-up picture of Curtis, red letters splashed diagonally across him. Of course, the sub-editor had added the question mark — The Nailbiter Killer? — to protect from defamation.”

The prologue of this book is completely unnecessary. It’s from the point of view of Eliza, shortly before being murdered and it gives away too much. It makes it very clear that she’s being kept underground, which allowed me to guess one of the twists in the novel long before it was revealed.

Despite that, this is one of my favourite crime novels from this year. There are many different mysteries to solve, not just the murder of Eliza Daley, and tension builds slowly until the reader grows very anxious about what’s going to happen.

Greenlight is utterly compelling and engrossing — an absorbing mystery with more surprises than I thought possible.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Green Light
Benjamin Stevenson
September 2018
Penguin Random House

All the Hidden Truths by Claire Askew

This is a fact: Ryan Summers walked into Three Rivers College and killed thirteen women, then himself.

But no one can say why.

The question is one that cries out to be answered – by Ryan’s mother, Moira; by Ishbel, the mother of Abigail, the first victim; and by DI Helen Birch, put in charge of the case on her first day at her new job. But as the tabloids and the media swarm, as the families’ secrets come out, as the world searches for someone to blame… the truth seems to vanish.

A stunningly moving novel from an exciting new voice in crime, ALL THE HIDDEN TRUTHS will cause you to question your assumptions about the people you love, and reconsider how the world reacts to tragedy.

All the Hidden Truths by Claire Askew is a debut crime novel about a horrific college shooting in Edinburgh. Thirteen women are killed, and the gunman — Ryan — commits suicide before the cops can arrest him.

The shooting shatters the local community, but it also ruins many families — the families of the victims, mostly. But also Ryan’s mum. She was his only family, and after Ryan’s death, Moira is demonised by society for what her son has done. She is threatened, abused and tormented.

Novels that are centred around public shootings are always tough to read, because they feel so real. Shootings happen so often, particularly in the US, and Claire Askew focuses on the aftermath and what a shooting does to the people left behind.

Claire builds suspense and tension and she causes the reader to question many things — are the parents responsible when their child murders another? Can they really say they didn’t know what their child was capable of? And if the child uses their parent’s weapon, is the parent at fault as well?

All the Hidden Truths forces the reader to really second guess their moral compass and rethink where the blame lies in a situation like this.

“She couldn’t quite believe that there were people out there who might want to kill her…but then, she could also believe it just fine She tried to imagine what she’d have felt if the roles were reversed — if someone had walked into Three Rivers College that say, and killed Ryan.”

The most heart-wrenching account is that of Ishbel, the mother of Abigail, the first victim of the shooting. Ishbel is an incredibly relatable character, and I imagine a lot of mothers would read this and see themselves in her. She cared about her daughter, who at times was reckless and rude and stubborn, and she struggles to move forward after Abigail’s death. Isabel’s chapters are very haunting for the reader.

“Ishbel wasn’t sure how she’d got there herself. She had no memory of the short drive over, though she knew she had done it: right now she was leaning against the back corner of the car to cover up the shaking in her legs. This was the first time she’d changed her clothes in two days, and she’d taken them from the drawer and put them on without really looking at them.”

I felt that a key element missing from the novel was any sense of who Ryan really was. I expected the reader to — through the lens of the other characters — find out more about him and what events really drove him to do what he did. At the very least, I wanted to understand him as a person a little better. But, we’re offered very little. Not even that much about his personality or his manner or his personal life.

Even his mother’s POV chapters don’t provide any insight, and as a result Ryan seems like a cardboard cut-out character, the stereotypical college shooter. The blurb implies that you’ll find out why Ryan shot all those women, but I don’t think you do. And it’s a bit of a letdown.

“They cut to a picture of Ryan’s face. His last school photo, a few years old now: Ryan in his navy school sweater, the stiff white collar of his shirt sitting wonky in its pilled V-neck. He was smiling, but he didn’t look happy — a handful of years back he’d decided he hated having his photograph taken.”

This is a character driven story, not the plot driven narrative you think you’re going to get. All the Hidden Truths explores family, love and the trauma and heartache of lives interrupted.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

All the Hidden Truths
Claire Askew
August 2018
Hachette Book Publishers

Give Me Your Hand by Megan Abbott

You told each other everything. Then she told you too much.

Kit has risen to the top of her profession and is on the brink of achieving everything she wanted. She hasn’t let anything stop her.

But now someone else is standing in her way – Diane. Best friends at seventeen, their shared ambition made them inseparable. Until the day Diane told Kit her secret – the worst thing she’d ever done, the worst thing Kit could imagine – and it blew their friendship apart.

Kit is still the only person who knows what Diane did. And now Diane knows something about Kit that could destroy everything she’s worked so hard for.

How far would Kit go, to make the hard work, the sacrifice, worth it in the end? What wouldn’t she give up? Diane thinks Kit is just like her. Maybe she’s right. Ambition: it’s in the blood…

Give Me Your Hand by Megan Abbott is a psychological thriller about two women and the power of a secret.

The novel explores female friendship and how two women can toe the line between friends and enemies. Diane Fleming and Kit Owens haven’t seen each other for over ten years, until Diane shows up at Kit’s work and the two women are forced to co-exist together. But no one can know the real reason why they stopped speaking after high school.

The two women were close friends once, but now seem to be professionals rivals. And since Kit knows Diane’s biggest secret, Kit is worried that Diane feels threatened by that. And if so, what she’ll do to silence Kit. Much more than just their careers are at stake.

“You always wonder, when someone is trying so hard, what it’s really about…Maybe, for Diane, working really hard was a way of crouching low in her grief, of staying under the radar. Of hiding. But in other ways she was impossible to miss.”

Megan Abbott has captured setting incredibly well. Most of this novel takes place within the walls of a science lab, so everything feels very claustrophobic and tense. It’s the perfect setting for Diane and Kit’s reunion.

Kit is a postdoc researcher for Dr. Lena Severin, a well-respected, inspiring mentor. She’s strong and determined and confident. She’s everything Kit wants to be.

There’s an exciting opportunity at the lab — Dr. Severin is spearheading a study of PMDD, which stands for premenstrual dysphoric disorder. Everyone wants a spot on that team, but there’s only room for two researchers and there are quite a few colleagues to choose from.

It’s a high-stakes environment and Diane wants this more than anything. But so do her colleagues. And as tensions rise and Diane and Kit’s working relationship starts to fracture, the people around them are starting to notice that something is amiss about the two of them.

“In the car, we don’t speak. She drives carefully. Stopping at all the yellow lights. Every time she turns a corner, her key chain smacks the ignition panel. One of those furry key chain kids used to have swinging from their backpacks.”

Something about this novel just doesn’t hit the mark. Not once did I feel like Diane was going to threaten everything Kit has accomplished. Diane is supposed to be seen as an unpredictable, unstable villain but really she seems like a complicated woman with a tragic secret and a dark mind. And Diane’s ‘secret’ — the author teases it for the first half of the book — is incredibly predictable.

If you’re a lover of crime, thriller or psychological fiction, then this story accomplishes enough to entertain you. You’ll be intrigued by Diane’s secret and the evolution of Kit and Diane’s friendship. Unfortunately, I felt like this novel fell short of what the blurb claimed, but others may enjoy it.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Give Me Your Hand
Megan Abbott
August 2018
Pan Macmillan Publishers

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