JESS JUST READS

A BOOK REVIEW BLOG

Scythe by Neal Shusterman

Thou Shalt Kill

A dark, gripping and witty thriller in which the only thing humanity has control over is death.

In a world where disease, war and crime have been eliminated, the only way to die is to be randomly killed (“gleaned”) by professional scythes.

Citra and Rowan are teenagers who have been selected to be scythes’ apprentices, and despite wanting nothing to do with the vocation, they must learn the art of killing and understand the necessity of what they do. Only one of them will be chosen as a scythe’s apprentice and as Citra and Rowan come up against a terrifyingly corrupt Scythedom, it becomes clear that the winning apprentice’s first task will be to glean the loser.

Scythe by Neal Shusterman is a speculative fiction novel set in a world where people don’t die of natural causes. They can live for decades, and they can even reset their bodies and turn themselves young again.

In order to curb the population growth, Scythes are employed to kill people. They act like assassins. There is a system to their decisions, but ultimately, a lot of the time the deaths are random. They could be women, men or children. They could be hundreds of years old, or toddlers. They could be teenagers with lots of promise, or someone evil who hasn’t lived a very moral life.

“That afternoon, just as the scythe had said, they went to the shipping company where the woman worked, and they watched — just as Rowan had watched Kohl’s gleaning.
‘I have chosen for you a life-terminating pill,’ Scythe Faraday told the speechless, tremulous woman. He reached into his robe and produced a small pill in a little glass vial.”

This novel is both original and engrossing; Neal has set this series up really well, drawing the reader into this crazy and chaotic world. The characters are all really different, but the danger is real. The book may be long, but it’s fast-paced and the stakes are high. Despite the fact that the final third of the book dragged on a little too much and it could’ve been edited down, I did really like this read.

The world building is the biggest strength of this series — technology is incredibly advanced and society is a lot more civilised. And yet, fear is so dominant. Despite the fact that people in this world don’t feel pain and they don’t suffer and war doesn’t exist, there is still something in the world that scares them — petrifies them. And that is death. Because it is something they can’t control.

“The scythe attack came less than a minute after she was given her slice, piping hot from the oven. ..Esme turned to see them. Four of them. They were clad in bright robes that glittered. They looked like no one Esme had ever seen. She had never met a scythe.”

Citra and Rowan are moral and compassionate, one of the reasons that they were chosen as apprentices. I liked their dynamic, and their budding relationship. They were in competition with each other, always challenging one another to be the best.

“There were men and there were women. The subjects represented different ages, ethnic mixes, and body types, from muscular to obsess to gaunt. He yelled and screamed and grunted with every thrust, slice and twist. He had trained well. The blades sunk in with perfect precision.”

I’d recommend this to fantasy or science fiction lovers. The storyline is still grounded in reality, but with alternate, fantastical elements. Young adult readers may find this to be a little long, but it’s still a great launch for the series and I think readers will follow Neil onto book number two.

I don’t think this book is necessarily just for young adult readers, but for people who love adult fiction as well. If you love crime or thrillers, you’ll love how Neal has woven fact with fiction, the real vs. the unreal. The main characters may be young but they’re mature and they’re self-aware, and they drive the book. The concept of the series is intriguing enough to pull in even the most reluctant of readers.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Scythe
Neal Shusterman
February 2018
Walker Books Australia

Neverland by Margot McGovern

After doing herself near-fatal harm, Kit has returned to her island home. But it’s a place she hardly recognises: the witch and the mermaids are hiding and the pirates have sailed to more bountiful shores. In their place is Neverland and its inhabitants – damaged teens too sick to be in regular school, watched over by her psychiatrist uncle. And now Kit is one of them.

Kit has a choice. She can use illicit night-time adventures with friends and mysterious new boy Rohan to avoid the truth. Or she can separate harsh reality from childhood fantasy and remember the night of her parents’ deaths.

What really prompted her family’s departure from the island? Did a monster drive them away? Is the monster still there?

Neverland by Margot McGovern is a debut contemporary YA novel that explores family, trauma and mental illness.

This is a contemporary retelling of Peter Pan, transforming the classic fairytale we all love into a vastly different YA novel about a school for mentally ill teenagers — The Lost Ones — and their journey towards becoming better. Kit is sent there after self-harming.

Margot captures mental illness incredibly well but she also approaches it with sensitivity. Kit is damaged and bitter, but she’s had a really tough childhood that she’s struggling to overcome.

“Dr Ward had been angling to get me on her couch for years. She’d pestered me to make appointments with her whenever I was home between schools, ostensibly offering a sympathetic ear after Doc had finished chewing me out over whatever I’d done to merit my latest expulsion.”

The setting of Neverland is one of its strengths. Kit was raised in Neverland, which is the unofficial name for Learmonth. This island is enclosed and secluded, allowing the reader to feel like they’re invited to this private story full of secrets and twists.

Additionally, there is this magical element to this world. Kit tells stories to help herself cope with the death of her parents — her memories are deeply repressed and she doesn’t really know what is real and what isn’t. Kit has retreated into her own fantasy stories because she’s struggling to deal with reality. At night, she escapes her boarding house to go on adventures and to explore the island that she grew up on. Slowly, memories from her childhood resurface and she’s forced to face what she’s been trying to bury.

“Speaking with Doc had gummed up my thoughts and left me feeling guilty. I knew I wouldn’t sleep and wanted nothing more than to disappear into Neverland, so I veered off the path and made my way to Siren Rock, which jutted over Smugglers Cove.”

Neverland is engaging and suspenseful, but also incredibly confronting. Margot doesn’t shy away from Kit’s self-harm, and at times it’s incredibly detailed and descriptive. Kit’s mental illness is also very well developed, and Margot shows the reader just how complicated mental illness is and how many layers there are to one’s mental health.

This school is for teenagers who are troubled, so the book explores more than just self-harm, but also anorexia and bi-polar disorder. This adds depth to the location in the book, and the dynamic between all of the characters. And these teenagers are not just navigating their way through their illness, but also their relationships, family and friendships. All of the this contributes to the rich layers in Neverland.

“The reason I couldn’t talk about my parents’ deaths was because I couldn’t remember. Which is odd, because I was there when it happened. Dissociative amnesia, Doc called it.”

Despite there being a few unrealistic elements to this story, in particular how these teenagers always manage to sneak out at night quite easily, there’s not much I can fault about Neverland. I found it brave and powerful, but also unique and a complete surprise. It’ll be an enjoyable read for all readers — young and old. I highly recommend this book.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Neverland
Margot McGovern
April 2018
Penguin Random House Australia

When Dimple Met Rishi by Sandhya Menon

Dimple Shah has it all figured out. With graduation behind her, she’s more than ready for a break from her family, from Mamma’s inexplicable obsession with her finding the “Ideal Indian Husband.”

Rishi Patel is a hopeless romantic. So when his parents tell him that his future wife will be attending the same summer program as him—wherein he’ll have to woo her—he’s totally on board. Because as silly as it sounds to most people in his life, Rishi wants to be arranged, believes in the power of tradition, stability, and being a part of something much bigger than himself.

Dimple and Rishi may think they have each other figured out. But when opposites clash, love works hard to prove itself in the most unexpected ways.

When Dimple Met Rishi by Sandhya Menon is a heartfelt romantic comedy about two indian teenagers. Their arranged marriage forms the basis of their story, but their common interests and their experiences at a coding convention in San Francisco over one exciting summer allow them to grow closer.

Dimple is a determined, confident character, not afraid to speak her mind or stand up for what she believes in. Rishi is a bit more timid, and afraid to pursue his real interests instead of feeling like he has to pursue what his family expects of him. Despite this, Rishi is a really sweet guy, full of compassion and heart.

“Dimple’s heart fluttered. Rishi had make a real effort for their non-date. He’d scoped out a place he knew she’d love — and she did; if she could live her under one of the tables forever, she’d be perfectly content to do just that.”

When Dimple Met Rishi is a unique romance novel for teenagers — it is fun and enjoyable. The characters are well-developed and the premise of the book is quirky but entertaining. You follow these two characters over the summer as they pursue their creative endeavours.

Both Dimple and Rishi are incredibly nerdy but they don’t care, and they don’t apologise for it. They’re determined to succeed and they’re both incredibly talented and creative. I think teenagers will find them quite inspiring, especially if there are any teenagers reading this who perhaps feel embarrassed by their interests. When Dimple Met Rishi shows readers that ‘nerdy’ can be fun and there’s nothing uncool about following your passions.

“Dimple opened the paper. It was an amazing sketch, which, if she hasn’t seen Rishi do in about a minute, she would have believed had taken a lot longer. It showed a boy, hair flopping in his eyes and bulging muscles ripping his shirt sleeves — Dimple snorted — hand ing a fierce-looking girl a paper flower.”

There were a few inconsistencies in their characterisation. For example, Dimple is set up to be the bold one, and yet it’s Rishi who stands up to the bullies when they are horrible to Dimple. The way that the two characters were set up, it would’ve made more sense for Dimple to be the argumentative, defensive character and for Rishi to just want to keep the peace and sink into the background.

“Dimple wanted to die. She couldn’t believe Rishi. What was he thinking? Hadn’t she specifically told him not to interfere? He was supposed to just hang out, not basically challenge Hari to a duel. Her fist itched with the urge to punch something, and his ribs were so close…”

Something else that I disliked about the structure of the book was how quickly the POV changed, particularly towards the end of the novel. Sometimes there’d be only a couple of paragraphs and then the POV would switch from Dimple to Rishi. Although it’s cute to discover how each of them is feeling in each situation, I found the constant transition to be really jolting and awkward.

I recommend this for the younger end of a teenage audience, so 13-15 year olds. It’s a really sweet novel, but the language is quite young and the banter quite over the top, so I think older teenagers might find the book — and the relationship — a little unrealistic.

When Dimple Met Rishi
Sandhya Menon
June 2017
Hachette Book Publishers

The Shape of Water by Guillermo Del Toro and Daniel Kraus

It is 1962, and Elisa Esposito—mute her whole life, orphaned as a child—is struggling with her humdrum existence as a janitor working the graveyard shift at Baltimore’s Occam Aerospace Research Center. Were it not for Zelda, a protective coworker, and Giles, her loving neighbor, she doesn’t know how she’d make it through the day.

Then, one fateful night, she sees something she was never meant to see, the Center’s most sensitive asset ever: an amphibious man, captured in the Amazon, to be studied for Cold War advancements. The creature is terrifying but also magnificent, capable of language and of understanding emotions…and Elisa can’t keep away. Using sign language, the two learn to communicate. Soon, affection turns into love, and the creature becomes Elisa’s sole reason to live.

But outside forces are pressing in. Richard Strickland, the obsessed soldier who tracked the asset through the Amazon, wants nothing more than to dissect it before the Russians get a chance to steal it. Elisa has no choice but to risk everything to save her beloved. With the help of Zelda and Giles, Elisa hatches a plan to break out the creature. But Strickland is on to them. And the Russians are, indeed, coming.

The Shape of Water weaves fantasy, fable and mystery. It was put together by two artists — award-winning director Guillermo del Toro and author Daniel Kraus. Scattered throughout the novel are black and white sketch illustrations by visual artist James Jean. These illustrations help give the reader a sense of vision, and they allow us to imagine this story on the big screen.

I was intrigued to read this novel after the movie won Best Picture at the Oscars. It has such an odd plot and quite a quirky romance that I was definitely keen to see what all the fuss was about.

This novel may appeal to all age groups, but it is written like an adult novel, with complex vocabulary and a dry third-person narration. The pacing is quite slow but the characters are full of depth. Given Elisa’s mutism, there isn’t much dialogue to the book. The Shape of Water is mostly prose and description.

“Man should be better than monsters.”
“Ah, but who are the monsters?”

The Shape of Water also highlights the gender inequality of the 1960s. The two main female characters are cleaners, with low-paying jobs and very little respect. The ‘important’ workers involved in the project are all men, and some of them are very dismissive towards Elisa and Zelda. The novel also explores the relationship between Strickland and his wife Lainie. She stays at home with the children, not working or having the chance to make many friends. He’s away for work, sometimes months at a time, and there is very little communication between the two.

There is a definite imbalance in each relationship. Strickland is rarely home and when he is, he doesn’t treat his wife with much respect. He’s dismissive and doesn’t understand how demanding their children are. Over the course of the novel, Lainie finds her own purpose and starts to imagine a life without Strickland.

Additionally, Zelda’s husband Brewster is useless and unappreciative of his wife. He’s demanding and he belittles her and Elisa often thinks about how Zelda would be better off without him in her life.

“Working women don’t get to scurry home and bury their faces in pillows when they’ve been yelled at. You settle your trembling hands by wrapping them around your tools and returning to work.”

The pacing is a little inconsistent. The book takes a long time to kick off — with a lot of backstory and build up — and then the final third of the book moves so quickly that I actually had to go back and reread a few chapters because I was sure that I had missed something integral.

I haven’t seen the movie, but this novel feels void of character emotion. This is supposed to be a grand love story between Elisa and the sea creature, and yet, their romance seems to blossom very quickly but behind the scenes so the reader doesn’t really witness it. And then there’s this grand plan to save the creature from his fate, and I found it quite predictable. Truthfully, I didn’t find myself hugely invested in their romance.

“Zelda kneels to pick up the punch card. Yolanda’s going wild behind her. But all Zelda hears is Brewster carrying on about how she shouldn’t trust anyone. He doesn’t know Elisa, though, does he? Of course he doesn’t. Despite their long years of friendship, Elisa’s never been to Zelda’s home, not once.”

This novel will appeal to people who, like me, want to read the book before they see the movie. It’s not my favourite novel, nor my favourite fantastical romance, but it is something rather different and the characters carry this novel just as much as the plot does.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Shape of Water
Guillermo Del Toro & Daniel Kraus
March 2018
Pan Macmillan Publishers

Before I Let You Go by Kelly Rimmer

As children, Lexie and Annie were incredibly close. Bonded by the death of their beloved father, they weathered the storms of life together. When Lexie leaves home to follow her dream, Annie is forced to turn to her leather-bound journal as the only place she can confide her deepest secrets and fears…

As adults, sisters Lexie and Annie could not be more different. Lexie is a successful doctor and happily engaged. Annie is an addict – a thief, a liar and unable to remain clean. When Annie’s newborn baby is in danger of being placed in foster care, Annie picks up the phone to beg her sister for help. Will Lexie agree to take in her young niece? And how will Annie survive, losing the only thing in her life worth living for?

At its core, Before I Let You Go by Kelly Rimmer poses a moral dilemma: what would you do if your sister — a drug addict — tells you that she’s pregnant and that she needs your help? How far would you go to ensure the safety of that child, even if it means being taken away from the mother?

Lexie is exhausted by her sister always catapulting into her life. The two haven’t spoken in two years, but when Annie resurfaces, Lexie knows her life is going to change dramatically. And it does. Annie is pregnant, but addicted to drugs, and she needs help. Lexie acts fast, admitting her to hospital until the baby is born and helping Annie try to get better for the sake of her child.

“Instead of planning a wedding and focusing on my work, I’m going to be once again diving down a rabbit hole with Annie, this time, dragging Sam along behind me.”

At first, Lexie frustrated me. She was too nice to her sister, given how much pain and danger the baby was in. She seemed too forgiving — too sympathetic. Addicts can’t control their behaviour most times, but even after Annie starts to get clean, Lexie is by her bedside trying to please Annie and give her everything she wants.

But Kelly Rimmer has done a fantastic job of Lexie’s characterisation. She grows over the course of the novel. Yes, at times she’s frustrating because she shuts out her partner and she makes decisions without really thinking about them, but she learns that her sister is not her sole responsibility. She can’t heal her, nor can she mother her. She needs to let her heal herself.

“In all of this, Sam has never once judged me. Maybe that’s why I can’t tell him. He’s been so perfect in all of this. What’s going to be the straw that breaks his back? When am I going to see the moment when it’s all just too much?”

Kelly Rimmer weaves backstory into the prose really effortlessly. Through Annie’s diary entries, we learn how the two girls grew up, and what caused their tumultuous relationship with their mother. We learn how Annie found her way to drugs, and what caused her down the path she is on.

Annie’s storyline and character arc is incredibly realistic — Kelly has captured her anguish and addiction very effectively and I actually think Annie is a much stronger character than Lexie. She seems to have an internal conflict between her best and worst self — her past and present self.

“When I realised I was pregnant, I thought I’d found The Answer. You’ve probably heard other patients talk about the same idea — every addict knows about The Answer. It’s the silver bullet that you think you need to fix your life — usually something that will cure the addiction — or even better, some way to solve your problems but allow you to keep right on using, which is what you really want to do.”

This isn’t a novel about a troubled sister getting clean. This is a tale about the complexities of addiction; it is about how difficult it can be to kick your habit, even though you have a little baby to live for. Addiction is cruel, and unforgiving. It takes hard work to get clean, and sometimes even the strongest fail.

Filled with warmth and wisdom, Before I Let You Go is both heart-wrenching and heartwarming. I won’t give away too much, but I felt that the ending to this novel was satisfactory. It was realistic, given what has happened between these two women and how the story progressed.

This may be a fiction novel about the relationship between two sisters and their hidden past, but I actually think that readers who love mystery/thrillers will really like this. The book is pacy and punchy, and the characters really pull you into the story. The novel leaves you in anticipation along the way, and you find yourself continually trying to guess what will happen at the end and also what you would do if you were in Lexie’s situation.

Given the moral dilemma that forms the basis of the premise, this novel will also appeal to fans of Jodi Picoult.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Before I Let You Go
Kelly Rimmer
March 2018
Hachette Book Publishers

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