Berlin, 1934. Sofie Rhodes is the aristocratic wife of a scientist whose post-WWI fortunes change for the better when her husband, Jurgen, is recruited for Hitler’s new rocket project. But too late they realise the Nazis’ plans to weaponise Jurgen’s technology as they begin to wage war against the rest of Europe.

Alabama, 1949 Jurgen is one of hundreds of Nazi scientists offered pardons and taken to the US to work for the CIA’s fledgling space program. Sofie, now the mother of four, misses Germany terribly and struggles to fit in among the other NASA wives.

When news about the Rhodes family’s affiliation with the Nazi party spreads, idle gossip turns to bitter rage, and the act of violence that results will tear apart a community and a family before the truth is finally revealed – but is it murder, revenge or justice?

Inspired by true events, Kelly Rimmer’s The German Wife explores morality and guilt within WWII Germany, examining how one couple manage to survive the Nazi regime but then struggle to build a life for themselves in the United States. While they may not have directly enacted the horrors in those concentration camps or forced labour camps, they did nothing to stop the regime and must process their guilt over the events that transpired.

The German Wife is split between two time periods and two POVs — in present, we’re in 1950 and in the past, 1930. Over the course of the novel, we progress through the past through two different perspectives. First, Sofie Rhodes, German, the wife of a scientist who feels coerced into joining Hitler’s regime to help him build rockets for his war. And in the other perspective we meet Lizzie, a young American woman and the hardworking daughter of a farmer, whose brother has never recovered — physically or mentally — from his service in the war. When Sofie and other German families move into her Alabama town, she feels uncomfortable about them living in such close proximity. At times, her behaviour turns hostile.

“The drought changed a lot of things and none of it made sense to me either. I still got out of bed and I still did my share. Mother, Henry, and I didn’t have a choice — we had to get used to a new way of operating because running the farm was a four-man operation.”

Kelly raises some interesting questions around accountability and morality during a time in history like WWII Germany. On the one hand, Sofie and her husband are doing what they can to survive. On the other, do they deserve a comfortable life in Alabama after the horrors they witnessed? Should Sofie’s husband see punishment for what he witnessed and did nothing to stop?

As always, Kelly crafts three-dimensional characters with heart. We come to understand their pain and so we sympathise for them, even if their actions are not necessarily worthy of sympathy.

The element of the novel that I think will interest most readers is the rocket program that Sofie’s husband was involved in — this is based on true events, and was certainly something I’d never known about. It’s clear that a lot of research has gone into making this element of the story authentic and believable. The detailed depiction of this rocket program added considerable depth to Sofie’s story.

“Adele was savvy, hardworking, stubborn, and compassionate. It stung sometimes that she seemed capable of boundless love for strangers, but she still seemed to have little affection for me.”

With the dual timeline and dual perspectives, I did find it quite hard to keep track of the different voices in the beginning of the novel. Particularly given most chapters are actually not that long, so we are jumping between women and decades in quick succession.

“I knew he was thinking about the millions of souls injured or killed in our name…on our watch. I did that too, constantly cycling through memories and facts, as it this time when I played them through my mind, I could change the outcome.”

Observational and taut with its writing, The German Wife is recommended for readers of historical fiction. Readership skews female, 30+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

The German Wife
Kelly Rimmer
May 2022
Hachette Book Publishers Australia

From the Booker-shortlisted, million-copy bestselling author of We Are All Completely Beside Ourselves comes an epic novel about the infamous, ill-fated Booth family. Charmers, liars, drinkers and dreamers, they will change history forever.

Junius is the patriarch, a celebrated Shakespearean actor who fled bigamy charges in England, both a mesmerising talent and a man of terrifying instability. As his children grow up in a remote farmstead in 1830s rural Baltimore, the country draws ever closer to the boiling point of secession and civil war.

Of the six Booth siblings who survive to adulthood, each has their own dreams they must fight to realise – but it is Johnny who makes the terrible decision that will change the course of history – the assassination of Abraham Lincoln.

Karen Joy Fowler’s recent offering Booth pivots around the assassination of Abraham Lincoln, but at its core is about family and loyalty, and the threads that tie us together even during tragedy.

Written in third person but moving perspectives between members of the Booth family, we’re thrust into the theatrical 19th-century setting. Junius Booth is a well-renowned Shakespearean actor, but his children are just as complex and interesting to read as he is. Even after he passes, his legacy tails them wherever they go. Each child grows into a very different person, some plagued with addiction, some a little bit more fortunate.

“Enter Edwin. He’s walking alone, carrying, in secret rebellion, a set of foils that belong to his father. June has been giving him and Johnny both lessons in fencing when he visits, not real fencing, but stage fencing, and Edwin is desperate to be better at this than his athletic little brother.”

Set against the backdrop of the American Civil War, Booth is more about the fraught and complex dynamics within a family than it is about the assassination of Abraham Lincoln. After all, this novel explores the dysfunctional family responsible for the creation and upbringing of Lincoln’s killer.

With such a large family founded on bigamy, there are bound to be moments of both surprise and humour woven throughout the story. Junius himself offers quite a charming, upbeat element to the novel — I felt like his daughters inherited more of his charm than his sons did. Rosalie, in particular, was my favourite. She’s resilient, determined and observant, and attacks as caretaker for almost everyone except herself.

Karen Joy Fowler’s writing is always strong — taut and clean, with stark observations and notable dialogue. Interspersed throughout the novel are excerpts of Lincoln’s movements — his speeches and actions. It builds tension, allowing the inevitable to bubble away under the surface of the page.

“Rosalie knows about Harriet because Aunty Rogers has told her. Poor Mother couldn’t bake biscuits and she couldn’t manage a slave. Aunty Rogers could have mentioned Harriet during that quarrel they’d almost had about slavery.”

Pacing does lag during the middle of the book. Lincoln’s assassination occurs in the final chapters of the book, and it feels like it comes through too late. I know this novel is more about the people who surround the assassination, and so I would’ve loved more of an exploration into how the assassination ripples through the family in its aftermath, rather than just the era that precedes it.

At first I felt like Johnny’s characterisation in the lead-up to his assassination was thinly developed — there were moments where his murderous intent was being crafted, peppered moments where you could see what he would become. But ultimately, I felt he was too ‘quiet’ in the book, and then I realised that was intentional. Johnny went largely unnoticed in the family, as did most of the Booth children. They were hopeful and hopeless, and no one was going to save them.

“She’s become so attuned to her mother’s moods that there are times when Rosalie can’t be sure what she’s feeling belongs to her. Her mother complains that her back hurts, and Rosalie begins to feel an ache just below her neck, a cramping in her shoulders, a twisting of her spine.”

Recommended for readers of literary fiction. Readership skews 30+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

Booth
Karen Joy Fowler
March 2022
Allen & Unwin Book Publishers

Nobody knows yet that she is a murderer…

Abandoned at the gates of a London park one winter’s night in 1850, baby Lily Mortimer is saved by a young police constable and taken to the London Foundling Hospital. Lily is fostered by an affectionate farming family in rural Suffolk, enjoying a brief childhood idyll before she is returned to the Hospital, where she is punished for her rebellious spirit. Released into the harsh world of Victorian London, Lily becomes a favoured employee at Belle Prettywood’s Wig Emporium, but all the while she is hiding a dreadful secret…

Across the years, policeman Sam Trench keeps watch over the young woman he once saved. When Sam meets Lily again, there is an instant attraction between them and Lily is convinced that Sam holds the key to her happiness – but might he also be the one to uncover her crime and so condemn her to death?

Set in 1850s and 1860s Victorian London, Rose Tremain’s 16th novel Lily is a revenge tale exploring rejection, poverty, guilt and redemption.

As a baby, Lily Mortimer is abandoned on a cold London evening at the gates of a park. Discovered by a patrolling police constable, she is taken to the London Foundling Hospital. Despite spending the first six years of her life in a loving foster home, she is returned to the hospital for the remainder of her childhood and is subjected to years of abuse that charts her path towards murder.

“She dreams of her death. It comes as a cold October dawn is breaking in the London sky. A sack is put over her head. Through the weave of the burlap, she can take her last look at the world, which is a cluster of tiny squares of grey light, and she thinks whyever did I struggle so long and so hard to make my way in a place which was bent on my destruction ever since I came into it?”

Lily is a relatively short novel, written in third person and moving between past and present seamlessly. I rather enjoyed reading about Lily’s upbringing in the foster home, and then again when she’s older and attempting to come to terms with her recent murderous act. Despite being offered shelter and family, Lily does venture out on her own to make her own way, highlighting how independent she’s grown since the time she was a terrified six-year-old attempting to run away from the hospital.

Despite being a rather bleak tale, there are bright moments. It may be short-lived, but Lily’s friendship with Bridget in the foundling hospital is really wholesome, and so is her relationship with her foster mother. When she’s older, Lily’s friendship with her employer Belle is supportive and it offers Lily opportunities she never would’ve had available to her.

“She thought of the downward threads as soldiers standing in a perfect line and the taut loops joining them along the edge of the fabric as their arms reaching out and reaching out to one another, to give themselves courage, until the line was ended.”

Admittedly, the build-up to the murder feels a bit slim, as is the confession and subsequent conclusion of the novel. The abuse that Lily suffered isn’t overly present in the novel, so it feels like an afterthought at times. As such, this novel felt more like an exploration into her life, rather than her murderous act, because we spend so much time just setting up Lily’s story.

Whilst I genuinely did enjoy reading this novel, it did feel a little muddled at times — like even the author wasn’t sure what kind of book she wanted to write. Is she exploring the story of a poor orphan in Victorian London? Is she exploring the story of how someone becomes a murderer? Or perhaps tries to get away with it? Or is this also a story of a young orphan girl trying to find her mother, because that was a momentary thread in this novel that wasn’t really fleshed out or resolved.

“A ‘good’ life. How can you live a good life if you have been precious to nobody and made to feel burdened by shame? How can your heart not be vengeful?”

An atmospheric setting with rich, compelling characters, Lily is recommended for readers of historical fiction and period fiction. Readership skews female, 25+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Lily: A Tale of Revenge
Rose Tremain
November 2021
Penguin Random House Publishers