Inspired by the incredible true story of Lee Miller, Vogue model turned one of the first female war photojournalists, the new novel by the bestselling author of The Paris Seamstress.

Manhattan, Paris, 1942: When Jessica May’s successful modelling career is abruptly cut short, she is assigned to the war in Europe as a photojournalist for Vogue. But when she arrives the army men make her life as difficult as possible. Three friendships change that: journalist Martha Gellhorn encourages Jess to bend the rules, paratrooper Dan Hallworth takes her to places to shoot pictures and write stories that matter, and a little girl, Victorine, who has grown up in a field hospital, shows her love. But success comes at a price.

France, 2005: Australian curator D’Arcy Hallworth arrives at a beautiful chateau to manage a famous collection of photographs. What begins as just another job becomes far more disquieting as D’Arcy uncovers the true identity of the mysterious photographer – and realises that she is connected to D’Arcy’s own mother, Victorine.

The French Photographer is another epic novel from Australian author Natasha Lester. Crossing a war-torn Europe from Italy to France, The French Photographer is a story of courage, family and forgiveness.

Natasha Lester is one of my favourite Australian writers. I’ve previously read and reviewed two of her other novels, The French Seamstress and Her Mother’s Secret. All of her novels are about brave women during key historical moments — women who defy the odds and prejudices against them, and work hard to earn their success. They’re inspiring for the readers and they’re also incredibly relatable, down to earth, determined women.

“Jess’s story about Victorine and the accompanying pictures were syndicated worldwide. I can’t thank you enough, Bel had written. You’ve given Vogue credibility during this period of war that it wouldn’t otherwise have. Jess’s name was one people now knew for something other than how she looked in a dress.”

Jess has always wanted to do more than just model. She’s smart, passionate, driven, and an incredibly talented photographer. When her modelling work is put on hold because of a devious boyfriend and an old photoshoot, she sets her sights on something a little different. War is raging and Vogue need a journalist on the ground to report for their magazine.

She faces challenges because she’s injected herself into a career dominated by men. They won’t allow women close to the war, and Jess is often at the mercy of superior officers who don’t feel comfortable with Jess being so close to the war. They feel threatened by her, and perhaps at times, intimidated. They make up rumours about her, deliberately making her life difficult.

“Dan laughed and suddenly it felt normal again: Jess and Dan sharing a drink and a joke the way they’d always done. Thank God! She knew her smile was too bright for a day of mourning but she was so relieved to have restored her friendship with Dan that she couldn’t wipe it away.”

Jess’ personality is a real asset to the story. She’s feisty and quick, but also witty and very funny. She doesn’t let anyone talk down to her and she certainly doesn’t let them get away with treating her like their property.

It’s evident that Natasha did a lot of research ahead of writing this book. Jess is inspired by real-life war photographer Lee Miller, who led an extraordinary life. And there is so much intimate knowledge about photography and the war, and I could really picture every scene from the book as if it were playing out in front of me like a movie.

“At her new home on French soil, she quickly became adept at diving into the slit trench behind her tent whenever the Germans flew over at night strafing, at pretending the enormous red welts of mosquito bites didn’t itch like the devil, at never being alone, not even on the toilet — the latrine had a row of six seats and more often than not at least one or two of the other places was occupied by nurses clutching their precious rations of Scott paper.”

Like Natasha’s other novels, The French Photographer follows a dual narrative. The main timeline is Jess in 1942 as she works hard to build her career as a recognised war photographer. The other timeline is D’Arcy in 2005. She’s an Australian curator who starts working with a mysterious photographer who is hiding many secrets. This mysterious photographer storyline was a little predictable, but still delightful.

I’d recommend Natasha’s novels to fans of historical fiction, romance, epic war tales, and family sagas. Her books are as gorgeous on the inside as they are on the cover.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The French Photographer
Natasha Lester
April 2019
Hachette Books Australia

Amid the Australian Army hospitals of World War I Egypt, two deeply determined individuals find the resilience of their love tested to its limits.

It’s 1911, and 21-year-old Evelyn Northey desperately wants to become a doctor. Her father forbids it, withholding the inheritance that would allow her to attend university. At the outbreak of World War I, Evelyn disobeys her father, enlisting as an army nurse bound for Egypt and the disastrous Gallipoli campaign.

Under the blazing desert sun, Evelyn develops feelings for polio survivor Dr William Brent, who believes his disability makes him unfit to marry. For Evelyn, still pursuing her goal of studying medicine, a man has no place in her future. For two such self-reliant people, relying on someone else for happiness may be the hardest challenge of all.

From the casualty tents, fever wards and operating theatres; through the streets of Cairo during Ramadan; to the parched desert and the grim realities of war, Pamela Hart, author of THE WAR BRIDE, tells the heart-wrenching story of four years that changed the world forever.

The Desert Nurse by Pamela Hart is a grand love story set during World War I. From 1911 – 1918, we follow headstrong nurse Evelyn Northey as she advances in her medical career and helps treat injured soldiers.

The strength lies in the very believable, detailed information on being a nurse during World War I. It’s very clear how much research went into this book to make sure that the plot was authentic and realistic.

You can really feel the exhaustion and anxiety and tension in those operating wards — the pain and fear that those soldiers felt. You come to understand the pressure placed on doctors and nurses, and the emotional toll on them when they witness injuries, death and amputations.

“Dying men, and men in unendurable pain, call for their mother. Night after night, the calls of ‘Mum…Mam…Mummy…Mama…’ All you could do was hold their hand and whisper gently to them.”

Pamela’s writing is evocative and emotional, allowing the reader to really understand the characters and sympathise for them.

Evelyn is defiant but also trustworthy. She’s compassionate and caring, but she stands up to her controlling father and follows her head and her heart. She knows what she wants, and she knows what’s important to her.

Her father is a very manipulative man, refusing to give her access to her inheritance until she’s thirty. He doesn’t want her to study; he just wants her to work with him. But Evelyn has bigger ideas.

She’s living in a very sexist time in history — it’s a man’s world. But Evelyn is not willing to accept what men tell her to do. She’s career-driven and she doesn’t apologise for that.

“Over the past two weeks the wards had begun emptying, as the casualties stopped coming in and men recovered or were transferred to the rehabilitation facility in Alexandria. The post-surgical ward was only just full, not overflowing, and there was ample space to walk between the beds.”

World War I does not just bring Evelyn injured soldiers, but also fellow nurses who become her friends. They work together over the four years, their paths crossing in many different locations and wards. They share their hopes and their fears, and they form very strong bonds.

Evelyn may not have a strong relationship with her family, but it’s really fantastic to read about her friendship with the other nurses.

“The hospital staff went to the Pyramids properly as a Sunday treat, all the nurses who were off duty. Evelyn rode on a camel (so uncomfortable!) and touched the Sphinx, astonished at its baleful beauty.”

The plot is a little slow and long-winded and perhaps should’ve been edited down. Between Evelyn and William’s many transfers and location changes, I did feel exhausted by the end.

I’d recommend this to historical fiction readers, and romance fans. Anyone with an interest in stories during World War I will love this novel.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Desert Nurse
Pamela Hart
July 2018
Hachette Book Publishers

At twenty-six, Lillian feels ancient and exhausted. Her marriage to Charles Oberon has not turned out the way she thought it would. To her it seems she is just another beautiful object captured within the walls of Cloudesley, her husband’s Chilterns manor house.

But, with a young step-son and a sister to care for, Lillian accepts there is no way out for her. Then Charles makes an arrangement with an enigmatic artist visiting their home and her world is turned on its head.

Maggie Oberon ran from the hurt and resentment she caused. Half a world away, in Australia, it was easier to forget, to pretend she didn’t care. But when her grandmother, Lillian, falls ill she must head back to Cloudesley. Forced to face her past, she will learn that all she thought was real, all that she held so close, was never as it seemed.

The Peacock Summer by Hannah Richell is a compelling story of secrets, betrayals and the consequences of a long-ago summer.

Maggie leaves Australia and returns home to Cloudesley to help her ailing grandmother, and when she learns that her grandmother is in serious debt, she does all she can to save the house. She could sell the land and the property, but she knows how much the manor means to her grandmother. Additionally, Maggie runs into an old boyfriend and she is forced to confront her past.

“She avoids him for two days. Or perhaps he avoids her. Either way, it is a relief not to come upon him in the immediacy of her embarrassing blunder. She busies herself with menus and staffing arrangements.”

The Peacock Summer switches back and forth between Lillian as a young woman in 1955, and Maggie in present day as she tries to restore Cloudesley. Lillian is trapped in an abusive marriage, until she meets the charming and handsome Jack Fincher.

Like many historical fiction novels, The Peacock Summer is a story about lost love, heartache, sacrifice, and family secrets travelling through generations.

“It had become the pattern in their lives: Albie blowing in and out like a leaf on the wind, and the mother she had once known featuring in only the most distant echoes of memories and dreams.”

The cover design of this book is exquisite, and the inside filled with emotion and heartache. The language is evocative and the characters engaging. The lives of Lillian and Maggie do parallel each other and in many ways, they’re similar women.

Both women are flawed. Maggie runs away from difficult decisions, and finds it tough to confront her mistakes, and Lillian always seems to be looking for an excuse not to make a difficult choice, even if it’s the right choice.

Readers will sympathise for both women in the novel, and they’ll find comfort in the close relationships that Hannah has captured. In particular, the relationship between Lillian and her stepson Albie, and of course Maggie and Lillian.

“The further they get from Cloud Green, the more she feels her shoulders relax and her jaw unclench. Away from the flower show, she can feel the mantel of her public self being cast off like a scarf tossed to the wind. It is a relief to be free from the intense scrutiny of the village.”

It’s fascinating to read the timeline from both POV, because it shows you how incorrect someone’s judgment can be. Maggie views Lillian and Charles’ relationship to be one of great, mad love. But she’s misunderstood, and it’s only as we make our way through the novel we realise just how wrong Maggie is. And Maggie realises it too — the pedestal she’d been holding that relationship on was misguided and incorrect.

Despite it being predictable how Lillian and Jack’s relationship would end, I did find myself really invested in their storyline. The mysterious art in the nursery allowed for an element of intrigue and suspense, whilst also putting a timeframe on Lillian and Jack’s love. It made the reader want to keep reading. We could sense the looming deadline, and we want to know how Hannah will deliver the ending.

As hard as I tried, I just wasn’t interested in Maggie’s storyline. She’s a caring granddaughter, desperately trying to hold on to her grandmother’s home. But, I just didn’t connect with her and the scandalous breakup with her ex-boyfriend. I was far more invested in Lillian’s story, and her relationship with the men in the Cloudesley estate.

I’d recommend this to readers of historical fiction. It contains the overused but popular dual timeline of granddaughter and grandmother, and closely kept family secrets, but it’s an interesting and compelling read.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Peacock Summer
Hannah Richell
July 2018
Hachette Book Publishers Australia