JESS JUST READS

A BOOK REVIEW BLOG

The Orphan of Good Hope by Roxane Dhand

Transport yourself from the canals of Amsterdam, across the waves, to the rough-and-tumble frontier town at the Cape of Good Hope.

In 1683 life is gruelling for the young women in Amsterdam’s civic orphanage. The sole light in Johanna Timmerman’s existence is her forbidden love for Frans, an orphan in the boys’ section who has a smile like sunshine. Then he is gone, whisked across the globe to the Dutch East India Company’s nascent colony at Good Hope.

Floriane Peronneau’s privileged world is pleasant and fulfilling until she discovers that it is all built on lies. Far from being the devoted gentleman he seems, her husband Claes is a womanizing degenerate who has led them to the edge of ruin. And the forces are closing in on him.

While Johanna’s love drives her to make a shocking bargain to secure passage to the Cape, Floriane is caught in a terrifying game of cat and mouse. The two women’s lives could not be more different. Yet, on the long, dangerous voyage to the southern tip of Africa, they will become the best of friends – and co-conspirators . . .

Roxane Dhand’s historical fiction novel The Orphan of Good Hope is a sweeping saga about family, inheritance, truth, friendship and fighting for what’s just. Featuring multiple settings and grandiose locations, The Orphan of Good Hope features two strong female protagonists as they fight for their place in a world dominated by dishonest men.

Setting is a leading strength in Roxane’s novel. Initially, we’re engulfed in the canals of Amsterdam; readers will feel enticed and seduced by the European location. Johanna, in particular, feels most at home here. She’s hopeful and uplifted by those around her, and she’s falling in love with fellow orphan Frans. There’s a lot ahead of her.

Whilst we do spend a portion of the book in South Africa, the time spent aboard the ship is where Johanna and Floriane’s journeys really flourish. Here, there’s opportunity. Johanna is determined to pursue the connection with her love interest, and Floriane endeavours to extricate herself from her cheating, thieving husband.

I do think there was more scope to incorporate the weather. In all locations, most scenes are set indoors but there still felt like a distinct lack of temperature or scenery embedded into the chapters. How did the bitter snap of Amsterdam make the ladies feel? And how does this compare the windswept journey aboard the ship? Did they feel more free? And in South Africa, the heat? The landscape? I felt like Roxane never really focused on any of these elements, and it was a missed opportunity to set the locations apart.

“Almost eight years ago, Johanna had made this journey in reverse, but her memories were no help now. She followed behind as they turned right on Kalverstraat, crossed over Dam Square with its town hall and weighing house, and traipsed across a humped bridge to where people, crowds of them, shouted and jostled on the greasy cobbles.”

Split into three parts, The Orphan of Good Hope is written in intimate third person POV, allowing the reader to move between Johanna and Floriane’s perspectives. Johanna is young, but intelligent. She’s mature and measured. She takes chances; she’s distracted by love and the future, but she’s also cautious about her surroundings and her unknown future. Floriane, on the other hand, is older but a little daft. She’s oblivious to her husband’s secrets, and a little slow to catch on. It likely stems from her privilege in society. Whilst she eventually forges a path for herself, determined to leave her husband behind, it did take a bit of time to warm to Floriane. She’s not as relatable.

At times, the POV was a little stilted — the transitions weren’t always seamless — particularly because for most of the novel, Floriane and Johanna were in the same location so it was a little tougher to initially tell the two perspectives apart.

Despite this, I did really enjoy The Orphan of Good Hope. I always gravitate towards historical fiction, particularly any that have strong female protagonists. The exotic locations drew me into the story, and the plot and twists kept me turning the pages. I was determined to find out how Floriane and Johnana’s stories would resolve, and what their lives would look like at the end of the book.

“He crept away without interrupting them, but anger was boiling within him. Backed into a recess at the side of the ship, Claes concealed himself in darkness and chewed on his lip till blood seeped into his mouth. Slipping his hand inside his coat, he fingered his short-bladed dagger in its sheath at his belt.”

Layered within the story are hints of violence, betrayal, mystery and danger. Women weren’t safe in the 1600s, no matter where they were. Men couldn’t always be trusted, and Johanna has to be incredibly vigilant and aware of her surroundings, the threat of danger looming, forever on the cusp.

Floriane also finds herself in some potentially dangerous situations, particularly when she’s working against her husband and trying to catch him out for his thievery and dishonesty. Roxane builds tension with slow and measured scenes — The Orphan of Good Hope is a slow-build, a historical novel simmering with intrigue and possibility.

“Time on board ship passed slowly but, still, days eventually turned into weeks, and there were even moments when time got away from Johanna.”

Recommended for fans of historical fiction, and sweeping sagas with a large cast and a faraway setting.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Orphan of Good Hope
Roxane Dhand
September 2020
Penguin Book Publishers Australia

The Silk House by Kayte Nunn

Weaving. Healing. Haunting. The spellbinding story of a mysterious boarding school sheltering a centuries-old secret…

Australian history teacher Thea Rust arrives at an exclusive boarding school in the British countryside only to find that she is to look after the first intake of girls in its 150-year history. She is to stay with them in Silk House, a building with a long and troubled past.

In the late 1700s, Rowan Caswell leaves her village to work in the home of an English silk merchant. She is thrust into a new and dangerous world where her talent for herbs and healing soon attracts attention.

In London, Mary-Louise Stephenson lives amid the clatter of the weaving trade and dreams of becoming a silk designer, a job that is the domain of men. A length of fabric she weaves with a pattern of deadly flowers will have far-reaching consequences for all who dwell in the silk house.

Kayte Nunn’s The Silk House is scrumptious historical fiction set against the backdrop of the eighteenth-century silk trade. Switching between POVs, we meet three women whose lives intersect with the mysterious Silk House in very different ways.

In the present, Australian teacher Thea takes up residence in the house to manage the first intake of female students for a nearby boarding school.

In the late 18th century, Rowan Caswell is a maid in the silk house. She’s got a talent for brewing herbal concoctions that soon earn her a reputation. Mary-Louise Stephenson is an artist and designer who is struggling to build a career as a silk designer. She’s working in a man’s industry and no one will take her seriously.

“Rowan rubbed her eyes and blinked in the dim light of Prudence’s taper. There was no sign of Alice; indeed, the other side of the bed appeared as if it had not been slept in, the sheets pulled tight and the thin pillow smooth, but Rowan thought she had felt someone next to her when she rolled over in the night.”

Setting is one of the biggest strengths in this novel — the silk house is eerie and mysterious, alive and haunting. Secrets are buried within the walls and slowly, page by page, we come to understand the dangers and hidden mysteries embedded in its history.

The Silk House is rich with evocative imagery and compelling characters. Moments of supernatural and witchcraft pepper the story, enough to intrigue the reader but not too much that it feels too divergent from the genre we’re reading.

“It was all Thea could do not to gasp aloud as she pulled open the door to the library and stepped inside. The building was cavernous, with high ceilings and shadowed shelves that seemed like they might make excellent hiding places. Wall-to-wall books, some leather-bound, their spines cracked and worn, looked as old as the school itself.”

Kayte builds tension incredibly well, but she also implements a strong sense of foreboding with each passing chapter. Readers will sense the unease in all of the women’s lives, and each chapter builds to a really surprising climax.

Feminism and the female experience are explored throughout the book. Each of the main characters are female, and they’re all strong and determined in their own right. They’re working to succeed in a world dominated by men.

Thea wants to prove herself and is passionate about uncovering the mysteries of the Silk House. Rowan is incredibly skilled at brewing medicinal drinks and pills, and she is also incredibly savvy and intelligent. Mary-Louise is set up to fail, but pursues her love of designing and forges a career on her own.

“Mary tucked her sheaf of drawings, embroidery samples and dot patterns under her arm and prepared to knock on the door of every master weaver on Spital Square, Old Artillery Ground and beyond. Few would admit her. Some drew their shutters at her approach, as if they had been forewarned of her purpose.”

Admittedly, Mary-Louise’s story didn’t feel as dominant in the novel. She’s an integral part of the story, and her actions have lasting effects on the others in the house, but she doesn’t get as much real estate in the book as the other two women and so Mary ends up feeling a little lost in the pages. Truthfully, sometimes I completely forget about her until her POV turned up again.

Gothic mystery at its best, The Silk House is recommended for fans of literary fiction and historical fiction.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Silk House
Kayte Nunn
July 2020
Hachette Book Publishers

Six Tudor Queens: Katheryn Howard by Alison Weir

At just nineteen, Katheryn Howard is quick to trust and fall in love.

She comes to court. She sings, she dances. She captures the heart of the King.

Henry declares she is his rose without a thorn. But Katheryn has a past of which he knows nothing. It comes back increasingly to haunt her. For those who share her secrets are waiting in the shadows, whispering words of love… and blackmail.

My favourite series has returned for the year. Katheryn Howard: The Tainted Queen is the fifth novel in the Tudor Queens series by Alison Weir, well-known historian and author.

You can read my reviews of the other books HERE.

In each novel, Alison presents a fictional account of each of Henry VIII’s wives, from their childhood all the way through to their death. Whilst each book is considered fiction, it’s clear how much research and factual information has been used to paint these portraits — Alison always explains her basis in the Author’s Note at the end of each novel.

Written in intimate third person, Katheryn is portrayed as a naive, whimsical girl with no real thought to the consequences of her actions. She means well, but she’s quick to dismiss the possibility that her rather controversial actions will catch up with her in the years to follow.

“A maiden should be shamefast, she told herself, as she lay abed the next morning, thinking about the night before. Chastity is to be prized. But what was wrong with taking your pleasure where you found it? Why should she deny herself the delights she might know…”

The plot moves quickly, spanning close to twenty-one years in only a few hundred pages. Katheryn’s childhood is skimmed over, and most of the book focuses on her teenage years.

Katheryn’s actions are a reflection on her upbringing — her mother died when she was a little girl and whilst her gambling-addicted father remarried, he sent her away to be raised by relatives. Katheryn never really had a strong, maternal figure to guide her through her teenage years and so when she meets men she fancies, she makes foolish decisions that are difficult to keep hidden.

“After that, Tom seemed to be everywhere Katheryn went — in the gardens, at the tennis play, at the butts. Always, he was hovering. It was flattering to be the object of the attention of such a dashing gallant, and Katheryn was strongly attracted to him.”

I don’t feel like I could relate to Katheryn as much as the other wives, and I found her likability to be quite low. A couple of the other Queens were naive as well, but Katheryn felt particularly punishing at times. She was ignorant, wasn’t very educated, and had little interest in understanding what was happening around her. All of the Queens were flawed in some way, but Katheryn seemed to lack intelligence and maturity, and for that, she died. And when she died, so did those few around her that the King saw as complicit in her behaviour.

Poor Alison Weir had a difficult tasks trying to make this wife seem interesting! She was Queen at 19 and beheaded at 21, so you know it’s going to be one of the least interesting tales (Jane Seymour is probably a close second).

“It seemed that the future held nothing for her. It was not enough that she could still meet him in secret, for their trusts left her wanting and unbearably unsatisfied, and made her feel as naught in the world, as if this was all she could expect.”

As with the previous books in the series, the writing is heavy on description and internal dialogue. Towards the end of Katheryn’s life, the reader is shut out a lot because Katheryn herself didn’t know what was going on. She was locked away for months before her execution. This was an interesting stylistic technique to keep the reader guessing, and allowing the reader to understand how Katheryn must have felt.

I’m excited for 2021 to read the account of Henry’s sixth and final wife, Katherine Parr.

Recommended for fans of historical fiction. I recommended you start at the beginning of the series and make your way through each book — the books are all worth your investment. 14+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Katheryn Howard: The Tainted Queen
Alison Weir
May 2020
Hachette Book Publishers

The Viennese Girl by Jenny Lecoat

In June 1940, the horror-struck inhabitants of Jersey watch as the German army unopposed takes possession of their island. Now only a short way from the English coast, the Germans plan their invasion.

Hedy Bercu, a young Jewish girl from Vienna who fled to the isolation and safety of Jersey two years earlier to escape the Nazis, finds herself once more trapped, but this time with no way of escape.

Hiding her racial status, Hedy is employed by the German authorities and secretly embarks on small acts of resistance. But most dangerously of all, she falls in love with German lieutenant Kurt Neumann — a relationship on which her life will soon depend.

The Viennese Girl by Jenny Lecoat is WWII literary fiction, inspired by the true story of a young Jewish girl who evaded capture on the island of Jersey.

The novel paints a clear picture of life under German rule — fear, control, lack of food and amenities, and dwindling populations. Hedy is an anxious and impulsive protagonist. She’s quick on her feet and she’s resourceful, but she also keeps herself at a distance. She’s scared and frightened — she’s a Jew living in German-occupied Jersey.

When she gets a job as a translator for the Germans, she must hide her status but she’s also determined to defy the reign and do what she can to rebel.

“Anton smiled, but Hedy saw there was nothing behind it. He looked distant, remote. Now that she thought about it, Anton had been in a strange mood since they’d met earlier that afternoon. The volume of her singing dropped a little, and she began slipping her friend sly looks.”

The Viennese Girl is heartbreaking at times, but it’s also filled with hope and courage. Hedy must hide who she is from her German employers, but she must also keep her wits as the war progresses and danger approaches. The threat of being exposed bubbles under the surface of each chapter, keeping the reader engrossed until the final page.

The novel is heavy on prose, most conversations told through description instead dialogue. Whilst this technique doesn’t always work, it’s quite effective in this novel. It allows for quick pace and heightened tension — this may be a short book but it packs a punch.

“No reason, no explanation. Hedy had rushed down to the bureau in the faint hope that they might offer some kind of strategy or information. But the registrar had merely scratched his head, shrugged and said that if the Germans wished to see her, she’d be advised to comply.”

The Viennese Girl is incredibly emotion, tugging on readers’ heartstrings and pulling them along for a really engaging story. Whilst the romance felt a little weak and underdeveloped, there are many other elements to this story that readers will love.

Friendship is dominant in the story. After a rocky start, Hedy and her best friend’s girlfriend Dorothea form a close bond over the course of the novel. Whilst Hedy can be brash and judgemental, Dorothea is full of optimism and encouragement. She is always quick to help Hedy, even when punishment could be brutal.

“Another brilliant smile and he was gone. Hedy turned and continued down the path out of the compound. Her legs seemed to swing weightlessly beneath her, and the lane swam unseen in front of her eyes.”

With vivid imagery, three-dimensional characters, and engrossing prose, The Viennese Girl is recommended for fans of literary fiction and historical fiction. The readership skews female.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Viennese Girl
Jenny Lecoat
May 2020
Allen & Unwin Book Publishers

The Lost Jewels by Kirsty Manning

In the summer of 1912, a workman’s pickaxe strikes through the floor of an old tenement house in Cheapside, London, uncovering a cache of unimaginably valuable treasure that quickly disappears again.

Present day. When respected jewellery historian, Kate Kirby, receives a call about the Cheapside jewels, she knows she’s on the brink of the experience of a lifetime.

As Kate peels back layers of concealment and deception, she is forced to explore long-buried secrets concerning Essie, her great-grandmother, and her life in Edwardian London. Soon, Kate’s past and present threaten to collide and the truths about her family lie waiting to be revealed.

Inspired by a true story, Kirsty Manning’s The Lost Jewels is a historical fiction novel that weaves a charming, fascinating tale about London’s Cheapside Hoard — one of the most famous and most mysterious collection of jewels in the world, dug up in 1912 with very little information about the jewels’ origins.

Structurally, The Lost Jewels resembles most historical fiction. The POV switches between past and present. In 1912 London, we meet the loyal, compassionate, devoted daughter and sister Esther Murphy. She cares for her siblings because their mother is in no sober state to manage the household. They’re poor, but they love each other and Esther does all that she can for her siblings. Without meaning to, Esther and her brother are swept up in an extraordinary discovery of jewels found beneath a London street.

In present day, respected American historian Dr Kate Murphy investigates the Cheapside Jewels and slowly finds out more about the history of the collection.

For a small amount of time, we’re also transported back to the early 1600s in India, Persia and London to find out more about the origin of the jewellery collection and how these jewels ended up abandoned beneath the London ground.

“The jewels were discovered the same day Essie Murphy fell in love. She had her brother to thank for both, of course — though in the years to come she’d often wonder which one came first. A buried bucket of jewels. A man with emerald eyes.”

The Lost Jewels explores themes of family, obligation and expectations, but also love, desire, sacrifice and betrayal. A lot is expected of Essie Murphy, and she places an incredible amount of pressure on herself to keep her family afloat. She adores her brother and her sisters — she’s a multi-layered protagonist. She’s caring and considerate, but she’s also a little naive and too trusting. She always sees the best in people, and sometimes she puts her faith in other people too quickly.

Esther and Kate have very distinct voices. Kate is intelligent, headstrong and confident. Like Esther, she’s a romantic, but she’s experienced hardship in her life. She’s going through a divorce and hasn’t been able to emotionally recover from the death of her child. On her journey to uncover the truth about the Cheapside Hoard, Kate meets photographer Marcus and her life changes in more ways than one.

“The diamond was table-cut and clear. Kate used her eyepiece to scan the stone for variations. Flaws. Nowadays a diamond could be filled and baked, then sent off for certification that they were perfect; the rough would be brilliant-cut to throw sparkle around the room.”

Engrossing, captivating and compelling, The Lost Jewels is a tale that travels. Kate ventures from London to India, Sri Lanka and Paris to uncover the secret histories of these jewels.

Kirsty captures the locations with incredible description and vivid imagery. In a way, the settings felt like characters themselves because Kirsty had woven them into the story with incredible significance.

It’s clear how much research went into the writing of this book, not just in capturing the settings but in bringing to life the jewels and the characterisation of Kate. Every time jewellery is described or studied, the prose is evocative. The sentences paint such a gorgeous picture of the jewels, drawing the reader in and helping them imagine what our characters are seeing.

Kate is incredibly knowledgable about jewellery — she’s considered to be one of the best historians. She’s wise and intelligent, but she also learns quick. I can’t begin to imagine the time it took for Kirsty to research what was required for not only Kate’s character, but the entire premise of the novel.

“The button was a double-layered flower: a rose fashioned from gold, with just the faintest traces of blue and white paint. At the centre of the flower and dotted along the petals were blue, red and white stones. Were they precious stones, or coloured paste? Each of the inner circles also had gold indents, as if there was more to come.”

A modern day treasure hunt, The Lost Jewels is for fans of historical fiction, romance and sweeping sagas that investigate inter-generational secrets. The readership for this novel skews female.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Lost Jewels
Kirsty Manning
April 2020
Allen and Unwin Book Publishers