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JESS JUST READS

A BOOK REVIEW BLOG

April 20, 2019

AUTHOR INTERVIEW: Natasha Lester, author of The French Photographer

April 20, 2019

How did you feel writing a character who was based on a real person? Do you prefer this over writing a character completely from scratch?
As I say in the back of the book, Jess was a real gift from the writing muse. She came to me more quickly and easily than any character ever has. I’m not sure if it is because she was based on a real person or whether it’s just because, in each book there’s something that comes easily and everything else comes hard!

Certainly basing her on a real person had its pros and cons. In some respects, it meant that I already had interesting plot points to include; I was initially fascinated by Lee Miler because her life was so very interesting. But real people don’t always do what you would want them to do to make a narrative work so that is why I chose to be inspired by Lee Miler rather than to write a story precisely about Lee Miller.

At present, you publish one book a year. How do you manage your schedule? What’s your writing routine?
I write while the kids are at school, so from 9am until about 2.45 each day. I’m pretty disciplined and I turn off the wifi and just sit down and get it done. I work another shift at night, which is for admin, social media, invoicing etc. I write better during the day, so I don’t want to waste that time on non writing work. I also work for a few hours every Saturday morning while the kids are at tennis, swimming etc.

It’s all about fitting work in to any available piece of time, and being focussed while doing it. It is possible to waste time, I find, if I don’t have goals and if I sit down for too long. I write in half hour blocks and I expect myself to get a minimum of 500 words written in that half hour block. Over the course of a regular day, this means I will write a minus of 3,000 words, but it’s usually around 4,000 words. Doing that each day adds up to a book pretty quickly!

But then comes the rewriting, which takes the most time. But again, I just set goals, establishing a certain number of pages that I have to rewrite each day to get it done.

Photography is such a huge part of this novel. How much research was involved in making sure the information was accurate and authentic?
Lots! I’m not a great photographer so I knew very little about the technical aspects. However, I didn’t do a lot of technical research but rather I read memoirs of war photographers because that told me more than the Rolleiflex manual would have, and was easier for me to understand.

More importantly, I specifically researched war photography because I think that is a very specific kind of thing. War photography can be about propaganda, about resistance, about showing the public what war really is, about so many different things. I wanted to understand all of those, as well as the effect that immersing oneself in those kinds of horrors might have on the photographer.

What is a genre you love to read, but would never write? 
I love a good memoir but I don’t think I would ever have the guts to write one! Nor do I think I have an interesting enough life.

What element of novel writing do you most struggle with?
Planning. I am not a planner when it comes to writing. I begin with a fragment of an idea – in the case of The French Photographer, it was to write a book focussing on a character similar to Lee Miller – and then I dive in and write and hope for the best: that a plot will emerge, that characters will develop, that a worthwhile story will fall out at the end. It’s a huge gamble, starting out not knowing if it will all work out but praying that it will.

What element of novel writing do you think is your biggest strength?
Writing interesting female characters. Because I love to research, I am always able to find anecdotes and incidents that bring the particular struggles my main characters face to life. I’m also fascinated by the things women did in the past, and how so much of that has been forgotten, and I’m passionate about bringing those stories to life. I think that passion comes through in my characters because I truly love what I do.

What are you working on next?
I’m working on the structural edit for a book called The Dior Legacy, which will be out in late March 2020. I can’t say too much more about that one at the moment unfortunately!

Leave a Comment · Labels: Interviews Tagged: author interview, fiction, historical fiction, interview

March 30, 2019

The French Photographer by Natasha Lester

March 30, 2019

Inspired by the incredible true story of Lee Miller, Vogue model turned one of the first female war photojournalists, the new novel by the bestselling author of The Paris Seamstress.

Manhattan, Paris, 1942: When Jessica May’s successful modelling career is abruptly cut short, she is assigned to the war in Europe as a photojournalist for Vogue. But when she arrives the army men make her life as difficult as possible. Three friendships change that: journalist Martha Gellhorn encourages Jess to bend the rules, paratrooper Dan Hallworth takes her to places to shoot pictures and write stories that matter, and a little girl, Victorine, who has grown up in a field hospital, shows her love. But success comes at a price.

France, 2005: Australian curator D’Arcy Hallworth arrives at a beautiful chateau to manage a famous collection of photographs. What begins as just another job becomes far more disquieting as D’Arcy uncovers the true identity of the mysterious photographer – and realises that she is connected to D’Arcy’s own mother, Victorine.

The French Photographer is another epic novel from Australian author Natasha Lester. Crossing a war-torn Europe from Italy to France, The French Photographer is a story of courage, family and forgiveness.

Natasha Lester is one of my favourite Australian writers. I’ve previously read and reviewed two of her other novels, The French Seamstress and Her Mother’s Secret. All of her novels are about brave women during key historical moments — women who defy the odds and prejudices against them, and work hard to earn their success. They’re inspiring for the readers and they’re also incredibly relatable, down to earth, determined women.

“Jess’s story about Victorine and the accompanying pictures were syndicated worldwide. I can’t thank you enough, Bel had written. You’ve given Vogue credibility during this period of war that it wouldn’t otherwise have. Jess’s name was one people now knew for something other than how she looked in a dress.”

Jess has always wanted to do more than just model. She’s smart, passionate, driven, and an incredibly talented photographer. When her modelling work is put on hold because of a devious boyfriend and an old photoshoot, she sets her sights on something a little different. War is raging and Vogue need a journalist on the ground to report for their magazine.

She faces challenges because she’s injected herself into a career dominated by men. They won’t allow women close to the war, and Jess is often at the mercy of superior officers who don’t feel comfortable with Jess being so close to the war. They feel threatened by her, and perhaps at times, intimidated. They make up rumours about her, deliberately making her life difficult.

“Dan laughed and suddenly it felt normal again: Jess and Dan sharing a drink and a joke the way they’d always done. Thank God! She knew her smile was too bright for a day of mourning but she was so relieved to have restored her friendship with Dan that she couldn’t wipe it away.”

Jess’ personality is a real asset to the story. She’s feisty and quick, but also witty and very funny. She doesn’t let anyone talk down to her and she certainly doesn’t let them get away with treating her like their property.

It’s evident that Natasha did a lot of research ahead of writing this book. Jess is inspired by real-life war photographer Lee Miller, who led an extraordinary life. And there is so much intimate knowledge about photography and the war, and I could really picture every scene from the book as if it were playing out in front of me like a movie.

“At her new home on French soil, she quickly became adept at diving into the slit trench behind her tent whenever the Germans flew over at night strafing, at pretending the enormous red welts of mosquito bites didn’t itch like the devil, at never being alone, not even on the toilet — the latrine had a row of six seats and more often than not at least one or two of the other places was occupied by nurses clutching their precious rations of Scott paper.”

Like Natasha’s other novels, The French Photographer follows a dual narrative. The main timeline is Jess in 1942 as she works hard to build her career as a recognised war photographer. The other timeline is D’Arcy in 2005. She’s an Australian curator who starts working with a mysterious photographer who is hiding many secrets. This mysterious photographer storyline was a little predictable, but still delightful.

I’d recommend Natasha’s novels to fans of historical fiction, romance, epic war tales, and family sagas. Her books are as gorgeous on the inside as they are on the cover.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The French Photographer
Natasha Lester
April 2019
Hachette Books Australia

Leave a Comment · Labels: 8/10, Adult Fiction, Book Reviews Tagged: book review, fiction, historical fiction, review, romance

November 11, 2018

Inheritance by Carole Wilkinson

November 11, 2018

Nic is left in the care of her grandfather at the remote family property that was once her mother’s childhood home; a place with thirty rooms, three dogs and no mobile reception.

Left to her own devices, she searches for clues about her mother – who died the day Nic was born. But when Nic learns how to slip through time, she discovers more than she could have imagined. The past holds a dark and shocking secret that haunts the land and the people who live there.

Historical fiction for middle grade readers at its compelling, shocking, fascinating best.

Inheritance by Carole Wilkinson is a historical fiction novel perfect for Australian readers aged approximately 10-12.

This book is not at all what I thought it was going to be, judging by the blurb above. Yes, it’s a novel about time travel. But it’s so much more than that. It’s about massacre and racism and understanding the mistakes of the past.

Inheritance sheds light on the shameful events in Australian history. This book would make a good classroom discussion for primary school children, using it to launch conversations around the history of Australia and the treatment of aboriginals by white people.

“My eyes were still adjusting to the sudden change from absolute darkness to brilliant daylight. In the distance, among all the yellow, I could see dark out-of-focus shapes. I blinked. One of the shapes changed. I heard a sound. It took me a while to realise it was a voice. The other shapes changed, becoming taller and thinner. They were people. Women.”

Teenager Nic Gervase lives in the present-day timeline and lives in regional Victoria. Her fathers on a cruise ship and has left her to live with her maternal grandfather. She stumbles upon a way to travel back in time, and discovers the shocking truth about what life was like back then.

Inheritance confronts the massacre of the local Gulidjan people in 1839. At times, the content in the book is a little shocking but it’s based on true events and it’s important for young readers to know the history of Australia.

“The men stared at me with curiosity, not fear. One of them spoke. The sounds made no sense to me. I couldn’t even recognise them as words. He seemed to be talking to the women. Then the men turned and ran off, their spears held high.”

At times, the vocabulary, sentence structure and prose felt a little too young for the audience but the concept of time travel is so interesting that I think it will entice and engage young readers’ minds.

I recommend this to young readers intrigued by historical fiction and Australian history.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Inheritance
Carole Wilkinson
September 2018
Walker Books Australia

Leave a Comment · Labels: 8/10, Book Reviews, Children's Fiction Tagged: book review, children's fiction, fiction, historical fiction, review

August 15, 2018

The Desert Nurse by Pamela Hart

August 15, 2018

Amid the Australian Army hospitals of World War I Egypt, two deeply determined individuals find the resilience of their love tested to its limits.

It’s 1911, and 21-year-old Evelyn Northey desperately wants to become a doctor. Her father forbids it, withholding the inheritance that would allow her to attend university. At the outbreak of World War I, Evelyn disobeys her father, enlisting as an army nurse bound for Egypt and the disastrous Gallipoli campaign.

Under the blazing desert sun, Evelyn develops feelings for polio survivor Dr William Brent, who believes his disability makes him unfit to marry. For Evelyn, still pursuing her goal of studying medicine, a man has no place in her future. For two such self-reliant people, relying on someone else for happiness may be the hardest challenge of all.

From the casualty tents, fever wards and operating theatres; through the streets of Cairo during Ramadan; to the parched desert and the grim realities of war, Pamela Hart, author of THE WAR BRIDE, tells the heart-wrenching story of four years that changed the world forever.

The Desert Nurse by Pamela Hart is a grand love story set during World War I. From 1911 – 1918, we follow headstrong nurse Evelyn Northey as she advances in her medical career and helps treat injured soldiers.

The strength lies in the very believable, detailed information on being a nurse during World War I. It’s very clear how much research went into this book to make sure that the plot was authentic and realistic.

You can really feel the exhaustion and anxiety and tension in those operating wards — the pain and fear that those soldiers felt. You come to understand the pressure placed on doctors and nurses, and the emotional toll on them when they witness injuries, death and amputations.

“Dying men, and men in unendurable pain, call for their mother. Night after night, the calls of ‘Mum…Mam…Mummy…Mama…’ All you could do was hold their hand and whisper gently to them.”

Pamela’s writing is evocative and emotional, allowing the reader to really understand the characters and sympathise for them.

Evelyn is defiant but also trustworthy. She’s compassionate and caring, but she stands up to her controlling father and follows her head and her heart. She knows what she wants, and she knows what’s important to her.

Her father is a very manipulative man, refusing to give her access to her inheritance until she’s thirty. He doesn’t want her to study; he just wants her to work with him. But Evelyn has bigger ideas.

She’s living in a very sexist time in history — it’s a man’s world. But Evelyn is not willing to accept what men tell her to do. She’s career-driven and she doesn’t apologise for that.

“Over the past two weeks the wards had begun emptying, as the casualties stopped coming in and men recovered or were transferred to the rehabilitation facility in Alexandria. The post-surgical ward was only just full, not overflowing, and there was ample space to walk between the beds.”

World War I does not just bring Evelyn injured soldiers, but also fellow nurses who become her friends. They work together over the four years, their paths crossing in many different locations and wards. They share their hopes and their fears, and they form very strong bonds.

Evelyn may not have a strong relationship with her family, but it’s really fantastic to read about her friendship with the other nurses.

“The hospital staff went to the Pyramids properly as a Sunday treat, all the nurses who were off duty. Evelyn rode on a camel (so uncomfortable!) and touched the Sphinx, astonished at its baleful beauty.”

The plot is a little slow and long-winded and perhaps should’ve been edited down. Between Evelyn and William’s many transfers and location changes, I did feel exhausted by the end.

I’d recommend this to historical fiction readers, and romance fans. Anyone with an interest in stories during World War I will love this novel.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.


The Desert Nurse
Pamela Hart
July 2018
Hachette Book Publishers

Leave a Comment · Labels: 7/10, Adult Fiction, Book Reviews Tagged: book review, fiction, historical fiction, review, romance

July 26, 2018

The Peacock Summer by Hannah Richell

July 26, 2018

At twenty-six, Lillian feels ancient and exhausted. Her marriage to Charles Oberon has not turned out the way she thought it would. To her it seems she is just another beautiful object captured within the walls of Cloudesley, her husband’s Chilterns manor house.

But, with a young step-son and a sister to care for, Lillian accepts there is no way out for her. Then Charles makes an arrangement with an enigmatic artist visiting their home and her world is turned on its head.

Maggie Oberon ran from the hurt and resentment she caused. Half a world away, in Australia, it was easier to forget, to pretend she didn’t care. But when her grandmother, Lillian, falls ill she must head back to Cloudesley. Forced to face her past, she will learn that all she thought was real, all that she held so close, was never as it seemed.

The Peacock Summer by Hannah Richell is a compelling story of secrets, betrayals and the consequences of a long-ago summer.

Maggie leaves Australia and returns home to Cloudesley to help her ailing grandmother, and when she learns that her grandmother is in serious debt, she does all she can to save the house. She could sell the land and the property, but she knows how much the manor means to her grandmother. Additionally, Maggie runs into an old boyfriend and she is forced to confront her past.

“She avoids him for two days. Or perhaps he avoids her. Either way, it is a relief not to come upon him in the immediacy of her embarrassing blunder. She busies herself with menus and staffing arrangements.”

The Peacock Summer switches back and forth between Lillian as a young woman in 1955, and Maggie in present day as she tries to restore Cloudesley. Lillian is trapped in an abusive marriage, until she meets the charming and handsome Jack Fincher.

Like many historical fiction novels, The Peacock Summer is a story about lost love, heartache, sacrifice, and family secrets travelling through generations.

“It had become the pattern in their lives: Albie blowing in and out like a leaf on the wind, and the mother she had once known featuring in only the most distant echoes of memories and dreams.”

The cover design of this book is exquisite, and the inside filled with emotion and heartache. The language is evocative and the characters engaging. The lives of Lillian and Maggie do parallel each other and in many ways, they’re similar women.

Both women are flawed. Maggie runs away from difficult decisions, and finds it tough to confront her mistakes, and Lillian always seems to be looking for an excuse not to make a difficult choice, even if it’s the right choice.

Readers will sympathise for both women in the novel, and they’ll find comfort in the close relationships that Hannah has captured. In particular, the relationship between Lillian and her stepson Albie, and of course Maggie and Lillian.

“The further they get from Cloud Green, the more she feels her shoulders relax and her jaw unclench. Away from the flower show, she can feel the mantel of her public self being cast off like a scarf tossed to the wind. It is a relief to be free from the intense scrutiny of the village.”

It’s fascinating to read the timeline from both POV, because it shows you how incorrect someone’s judgment can be. Maggie views Lillian and Charles’ relationship to be one of great, mad love. But she’s misunderstood, and it’s only as we make our way through the novel we realise just how wrong Maggie is. And Maggie realises it too — the pedestal she’d been holding that relationship on was misguided and incorrect.

Despite it being predictable how Lillian and Jack’s relationship would end, I did find myself really invested in their storyline. The mysterious art in the nursery allowed for an element of intrigue and suspense, whilst also putting a timeframe on Lillian and Jack’s love. It made the reader want to keep reading. We could sense the looming deadline, and we want to know how Hannah will deliver the ending.

As hard as I tried, I just wasn’t interested in Maggie’s storyline. She’s a caring granddaughter, desperately trying to hold on to her grandmother’s home. But, I just didn’t connect with her and the scandalous breakup with her ex-boyfriend. I was far more invested in Lillian’s story, and her relationship with the men in the Cloudesley estate.

I’d recommend this to readers of historical fiction. It contains the overused but popular dual timeline of granddaughter and grandmother, and closely kept family secrets, but it’s an interesting and compelling read.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Peacock Summer
Hannah Richell
July 2018
Hachette Book Publishers Australia

Leave a Comment · Labels: 8/10, Adult Fiction, Book Reviews Tagged: book review, fiction, historical fiction, review, romance

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