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A BOOK REVIEW BLOG

Harmless Like You by Rowan Hisayo Buchanan

Harmless Like You
Rowan Hisayo Buchanan
September 2016
Hachette Publishers
Literary Fiction

Harmless Like You is a dual POV literary fiction novel by Rowan Hisayo Buchanan. We’re introduced to Japanese-American Yuki in 1968 when she is 16 years old and has not one friend in New York City. Her parents have moved back to Tokyo and she decides to stay and live with her friend, aspiring model Odile. The book alternates to the year 2016, where gallery owner Jay – whose father has recently died – is accepting his role as a new father. He believes that he is a happily married man, but it’s the year that he will finally confront his mother Yuki, who abandoned their family when he was two years old.

Rowan Hisayo Buchanan explores the blurred boundary between love and pain, selfishness and sacrifice. This novel highlights that the meaning of ‘home’ is complicated and that by starving for a sense of connection, our main character Yuki has actually detached herself from her roots. She’s strayed so far from what she envisioned herself being, that the sacrifices she made almost seem to have been made without real intention to do so. Yuki does not seem to be in control of herself, and she does not seem able to climb out of the painful hole that she finds herself in when she enters an abusive relationship. She is also a deeply lonely character who strives for artistic fulfilment.

“He deposited the bag on the table. Silently, he bent, picking up pages, stacking them, smoothing the edges of the manuscript. He came right to her, still silent, and eased the last sheet from between her fingers, tapped the pile three times, and dropped it back in the drawer. The drawer clattered as he punched it shut. He crouched, eyes level with Yuki’s. He hit her – not hard, but she was unprepared. She fell, landing on the point of her elbow. Her limbs went loose. She slid across the floor. His nail had caught her lip and she tasted blood. Out the window, she saw aeroplane trails. And she didn’t move. She lay and watched them decay.”

Harmless Like You explores the notion that children can inherit identity from their parents. Pain travels through the generations in this novel. Jay, having been abandoned by his mother when he was two years old, is finding fatherhood travelling and his marriage even more so. He loves his wife, but he is not attentive or present, much like his mother Yuki.

“I think the real cowards are the ones over there killing harmless little girls like you”

This novel is unflinchingly honest and captures some of the ugliest aspects of life that a person can experience. Harmless Like You highlights the messier side of life – both Yuki and Jay struggle with fidelity, and at one point, Jay wonders if he loves his child at all. He wonders what it would be like if he just dropped her.

Both characters are looking for fulfilment in life, and this resulted in Yuki abandoning her child. It seems like Jay is thinking the same thing. By delving into Yuki’s past, we come to understand her as a character and the need she has for artistic fulfilment, and how that trumps her being a parent to Jay. The separate stories from her life allow the reader to see why she left her husband and son and why she never came back.

Harmless Like You is an elegant and moving novel that explores the difficulty of life, love and family. It’s extremely well-written and beautifully eloquent and Rowan leaves more unsaid that said. The reader comes to understand the complicated relationships between parents and children, and how actions can cause unintended consequences.

A World of Other People by Steven Carroll

A World of Other People rightfully co-won the Prime Minister’s Literary Awards for Fiction in 2014, and is a literary fiction novel set in 1941 during the Blitz. This novel traces the love affair of Jim, an Australian lot in Bomber Command, and Iris, a forthright Englishwoman finding her voice as a writer. The two struggle to build their future together amidst secrets and malign coincidence, and their lives are plagued by the constant presence of society’s disapproval.

Steven Carroll is a wonderful writer, weaving beautiful descriptive prose alongside realistic, haunting dialogue and characterisation. A World of Other People documents Jim and Iris over many years, and through circumstance, coincidence and life, the two weave in and out of each other’s lives over the years. In most cases, they disappear from each other’s lives not out of choice, but out of necessity or pure circumstance.

Steven Carroll is able to describe their lives with such detailed, imaginative prose, that this story, which really only possesses enough of a plot to be a novella at most, has become an illustrious novel filled with multi-dimensional characterisation and class act writing. The reader becomes immersed in Iris and Jim’s love story, both doubting their future together, and fighting for it.

There aren’t many sub plots in this book that accompany Jim and Iris’ storyline, but since Jim and Iris are separate for most of their lives, Steven Carroll uses those times in the story to follow each of their storylines and show the reader the two sides to the couple. Steven then brings them together for short periods of time to emphasise both their compatibility and their intense need for each other during that time in their lives.

The pace is extremely slow and the plot seems almost non-existent, but by exploring this young couple and their time (or lack there of) spent together, Carroll pulls on heartstrings and produces a beautifully written but heartbreaking novel.

My Score: 7/10

The Heart Goes Last by Margaret Atwood

Living in their car, surviving on tips, Charmaine and Stan are in a desperate state. So, when they see an advertisement for Consilience, a ‘social experiment’ offering stable jobs and a home of their own, they sign up immediately. All they have to do in return for suburban paradise is give up their freedom every second month – swapping their home for a prison cell. At first, all is well. But then, unknown to each other, Stan and Charmaine develop passionate obsessions with their ‘Alternates,’ the couple that occupy their house when they are in prison. Soon the pressures of conformity, mistrust, guilt and sexual desire begin to take over.

I am a huge Margaret Atwood fan. I haven’t read all of her novels (who has? There’s about 40 of them. Who has that kind of spare time?) but this is the best one I’ve read so far. Yes, I enjoyed this more than The Handmaid’s Tale. More than Oryx and Crake. And more than last year’s release, Stone Mattress: Nine Tales.

Whilst I was reading The Heart Goes Last, I was trying to work out why I loved it so much. Were the characters any more three dimensional than in her other works? No. Was the plot development any more realistic than her other works? No. But there were a few things that I think set this book apart from the others.

Other than literary novels and young adult novels, I love campus novels (stories set within a university campus). That is, novels that are set within a secluded and enclosed environment. The characters seem trapped. The entire plot of the novel takes place at the same location, and it’s almost like the characters can’t escape their problems. It’s fantastic for a reader, and this kind of enclosed setting/environment is seen in The Heart Goes Last. The main characters, Charmaine and Stan, volunteer for a social experiment where they live within a gated community. The spend every second month working in the community, and every other month locked in prison.

Margaret Atwood does a fantastic job of creating characters that are flawed but realistic as well. They might be narrow minded, but they offer interspersed societal comments that reflect well on their current situation. They might be ignorant, but they’re ironically very aware of their own feelings and emotions and desires. In The Heart Goes Last, Charmaine and Stan aren’t the most likeable. Stan seems complacent and unassuming and well, a little boring. Charmaine is the real star of the book, but she at times seems naive and silly.

The novel is meant to be funny. The most absurd and bizarre things happen, including robots that people can have sex with. Prostitute Robots, I call them. And it makes the book seem like black comedy. Odd, utterly bizarre characters and odd, utterly bizarre happenings within this social experiment.

I love it because of that. I love it because Margaret Atwood never does what you think she’ll do. She never does what she’s done before, and she uses beautiful, lyrical prose to flesh out her characters, no matter how unlikeable they may be.

My Score: 9/10

The Bees by Laline Paull

Born into the lowest class of her society, Flora 717 is a sanitation bee, only fit to clean her orchard hive. Living to accept, obey and serve, she is prepared to sacrifice everything for her beloved holy mother, the Queen. Yet Flora has talents that are not typical of her kin. And while mutant bees are usually instantly destroyed, Flora is reassigned to feed the newborns, before becoming a forager, collecting pollen on the wing. Then she finds her way into the Queen’s inner sanctum, where she discovers secrets both sublime and ominous. Enemies roam everywhere, from the fearsome fertility police to the high priestesses who jealously guard the Hive Mind. But Flora cannot help but break the most sacred law of all, and her instinct to serve is overshadowed by a desire, as overwhelming as it is forbidden…

This book is very, very original. It is written from the point of view of a bee named Flora, and the book presents a dystopian and almost totalitarian society. Flora doesn’t seem to think too many things — she doesn’t dwell on her situation or her surroundings, and her actions are described more often than her thoughts are. And yet, she is so vivid to the reader. We come to understand who she is and what she wants and we come to understand her purpose in this novel. Laline has done a fantastic job of creating a fleshed out, three dimensional character within this dystopian (and extremely unique) environment.

For the first fifty pages, I almost felt like I was reading another language. There are specific terms for bees within each level of ‘society’ in their hive, and their life and their actions and their ‘work’ has been described with a specific terminology. It does take a bit of getting used to — the writing style is very descriptive. The author goes into great detail about Flora’s world and what she sees in that world.

Since this entire novel is written from the point of view of a bee, the reader has to adapt to what their threats are, and thus, what the ‘tension’ is in the book. Bees fear wasps and spiders and rain. Naturally, readers don’t find those as threatening, but we are forced to imagine the situation from Flora’s point of view.

Laline must have done a fair bit of research before writing this novel, because there are a lot to things to be learnt from the day-to-day life presented to us readers. Bees do dance to communicate, and the different ‘work’ that is performed in a hive is true to reality. However, I do think this novel would’ve been better had it of been shorter. It’s about 100-150 pages too long. By the end, I just wanted to finish it. I’ve read a lot of reviews where readers felt the story dragged on and it got monotonous and that The Bees would’ve been better as a novella or short story. I agree. I would’ve liked to have seen this cut down. But, it is fascinating and it is extremely well-written and it’s a great piece of literary fiction.

My Score: 7/10

The Children Act by Ian McEwan

Fiona Maye is a High Court judge in London presiding over cases in family court. She is fiercely intelligent, well respected, and deeply immersed in the nuances of her particular field of law. Often the outcome of a case seems simple from the outside, the course of action to ensure a child’s welfare obvious. But the law requires more rigor than mere pragmatism, and Fiona is expert in considering the sensitivities of culture and religion when handing down her verdicts.

But Fiona’s professional success belies domestic strife. Her husband, Jack, asks her to consider an open marriage and, after an argument, moves out of their house. His departure leaves her adrift, wondering whether it was not love she had lost so much as a modern form of respectability; whether it was not contempt and ostracism she really fears. She decides to throw herself into her work, especially a complex case involving a seventeen-year-old boy whose parents will not permit a lifesaving blood transfusion because it conflicts with their beliefs as Jehovah’s Witnesses. But Jack doesn’t leave her thoughts, and the pressure to resolve the case—as well as her crumbling marriage—tests Fiona in ways that will keep readers thoroughly enthralled until the last stunning page.

I really wanted to like this short novel because it’s written by Ian McEwan, but truthfully, I found it slow and dry.

The main character seems a little devoid of emotion, and maybe that’s the point (her husband wants her blessing to have an affair). But when she meets a child whose parents refuse a life-saving because of their religious beliefs, she still seems to have the personality of a stone.

The story weaves between the apparent breakdown of her marriage and the court case, and the most interesting and engaging part of the entire novel is the during the court case when she has to decide and justify her decision about forcing the boy to have a blood transfusion. Apart from that, the story just seems to plod along with short dialogue and a bit too much description.

The good thing about this novel is that it’s only 200 pages, so it’s easy to finish quite quickly. I’d recommend this novel to literary readers and McEwan fans. As for everybody else, keep in mind that this novel is good and it’s well written, but it’s not a page-turner – I could easily put it down for three days and pick it up again and not have it concern me. This book exists for the literary prose and the moral themes it unearths, not for the thrilling plot or interesting and relatable characters.

My Score: 5/10
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