Emily Ratajkowski is an acclaimed model and actress, an engaged political progressive, a formidable entrepreneur, a global social media phenomenon, and now, a writer. Rocketing to world fame at age twenty-one, Ratajkowski sparked both praise and furor with the provocative display of her body as an unapologetic statement of feminist empowerment. The subsequent evolution in her thinking about our culture’s commodification of women is the subject of this book.

My Body is a profoundly personal exploration of feminism, sexuality, and power, of men’s treatment of women and women’s rationalizations for accepting that treatment. These essays chronicle moments from Ratajkowski’s life while investigating the culture’s fetishization of girls and female beauty, its obsession with and contempt for women’s sexuality, the perverse dynamics of the fashion and film industries, and the grey area between consent and abuse. Nuanced, unflinching, and incisive, My Body marks the debut of a fierce writer brimming with courage and intelligence.

In her memoir, international model and actor Emily Ratajkowski reflects on her relationship with her body, and in return, how other people seem to build a relationship with her body. Famous for her tiny waist and countless nude photoshoots, Emily is internationally regarded for her beauty. Whilst I’ve long been aware of Emily, I’ve not spent much time following her career. She did indeed catapult to international fame when she appeared in the Blurred Lines music video, and this success has allowed her access to an even greater array of career opportunities.

Whilst the book feels scattered with Emily hopping between memories, experiences and reflections, she ponders many aspects of her life in such a short amount of pages. My Body allows her to reflect on how people view her through her body — people deem her worthy of their time based on her looks, rather than her personality or her intelligence. And she does come across very intelligent in this memoir.

“The shoot for the video was at a large studio in Silver Lake, only a fifteen-minute drive from my loft. I arrived with an empty stomach, having made sure not to eat too much the night before because I knew I’d be naked — topless at the very minimum — on set the next day.”

My Body is quite remarkable and far exceeded my expectations. Emily writes with ease, and her introspection and reflection of past events paints her to be quite the smart, resourceful writer. Her writing is clear-cut and stripped back — dialogue and prose flow together seamlessly. The way she reflects on other people’s behaviour and body language resembles a high level of awareness and ability to observe others.

Emily is unapologetic in her essays, allowing herself the opportunity to tell her truth exactly as she wants it. She doesn’t appear to fear other opinions of her, if they’re accurate. This memoir feels like an opportunity to correct those who only think of Emily in connection with Blurred Lines. Her biggest aim, it seems, is for people to stop underestimating her.

“My body was light and fragile, like a shell doomed to shatter, as I walked through my aunt’s front door, a bell jingling as it swung open. I greeted my extended family, feeling my uncle’s cool skin against my cheek when I hugged him, knowing that they’d be even more disapproving of me than my mother had been.”

Emily seemingly does not address her role in the industry she chastises. She critiques the kind of money one can earn by flaunting products on Instagram, but does not seem to suggest she will stop doing any of this on her own accounts. She describes oppressive moments in her career — powerful, rich men paying for her attendance at events, for example — but does not seem interested in changing the system. The memoir reads like a recount of events, a diary perhaps, but does not seem to make commentary on more expansive ideas or beliefs.

Despite this, I found the book enlightening and the writing of considerable talent. I dare say people will walk away with a newfound insight into her career trajectory. With greater understanding into some of these moments in her life, Emily has opened herself up to divergent career paths perhaps outside the realm of modelling and acting.

“At the spa, we all understand that we can see each other, but we don’t look. We’re comforted by our collective nakedness. We’re not here to perform. We don’t have to be self-aware. Our bodies are simply undergoing maintenance. When I’m here, I’m anonymous, just another body.”

Raw and emotional, and incredibly insightful and well-written, this memoir comes highly recommended. Readership skews female, 20+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

My Body
Emily Ratajkowski
November 2021
Hachette Book Publishers

Two ordinary young girls lured into the sex trade. The horrifying true story of life behind the curtains of Amsterdam’s Red Light District.

Growing up in a quiet, middle-class suburb outside of Amsterdam, childhood best friends Anna and Olivia had their whole lives ahead of them. But every parent’s worst nightmare came true when the teenagers fell in with the wrong crowd. Eleven years their senior, Ricardo was charming and good-looking – and Anna and Olivia easy prey. Blind to his grooming, the girls were soon trapped in a terrifying cycle of sexual and physical abuse.

But their nightmare was only just beginning.

Trafficked to the neon-lit windows of Amsterdam’s Red Light District, Anna and Oliva were forced to work as prostitutes, servicing countless men night after night against their will.

Body for Rent reveals the disturbing truth behind Amsterdam’s Red Light District, and the shocking ease with which ordinary girls can be exploited. But despite the unimaginable horrors they endured, the damage done to their bodies and their minds, their friendship remained as strong as ever, giving them hope that one day, they would escape…

Body for Rent by Anna Hendriks and Olivia Smit is a harrowing and shocking memoir from two women who were forced into prostitution in Amsterdam’s Red Light District as teenagers.

Anna and Olivia are childhood best friends who both grew up in unstable homes — Anna’s father left the family when she was young, and when Anna had the option of choosing which parent to live with, her mother said “If you go to live with him, I shall hang myself.” Anna’s relationship with her mother was forever strained, and her father’s attention was thereafter focused on his new girlfriend.

Olivia’s father was violent and abusive towards their mother and Olivia never felt she could form the right bond with her parents after the childhood she endured. When she met Anna, the two bonded over their dysfunctional home lives and found family in each other.

“It was Olivia who came up with the idea to write notes to the school, faking our parents’ signatures and saying that we were too ill to come to class. Although I was more than ready and very willing to play truant, she was the one with the guts to actually say it out loud that we should do it.”

Whilst Olivia and Anna desperately needed each other, their friendship was toxic. They skipped school, stole, and became heavily reliant on drugs and alcohol. And then they met Ricardo, an older man who slowly began grooming them for prostitution.

It would be easy for a reader to learn about this story and fail to understand how the girls became entrapped in this situation, but Anna and Olivia use their voices to educate readers on grooming, manipulation, control, and how easily young girls can find themselves in a similar situation.

At its core, Body for Rent is about friendship and the strength that it can give individuals — Anna and Olivia were able to get through their years of prostitution because they had each other for support. There were incredibly terrifying moments for each of them — abuse, violence, abortion, rape — but the girls always had each other to help pull through.

“Over. It was over. My first customer as a full-time window prostitute. I reached for the whisky, the Red Bull, cigarettes — and my phone. As much as I craved my numbing shot of alcohol and the soothing pull of nicotine into my lungs, my most urgent need was Olivia; I had to hear her voice, and feel the warmth of her love for me as I told her that it was done and I was safe.”

Highly recommended. At times, it’s hard to read. What happened to these girls is horrifying and just very upsetting, but Olivia and Anna wouldn’t be the only girls to have gone through this and I’m sure there are young girls currently going through this situation right now. It’s important to read these kinds of stories to understand how they happen so they can be recognised in the future.

Will the Red Light District change because of this book? Probably not, it’s a huge business and very popular. But will people who are naive about the workings of the Red Light District — like me — come to understand more about this world? Yes, they will. This book is important for educating society.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Body for Rent
Anna Hendriks and Olivia Smit
December 2019
Hachette Book Publishers

A memoir from the revolutionary editor credited with bringing social consciousness to the pages of Teen Vogue and an inspiring exploration of what it means to be enough.

In this part-manifesto, part-memoir, the revolutionary editor explores what it means to come into your own – on your own terms.

Elaine Welteroth has climbed the ranks of media and fashion, shattering ceilings along the way. In this riveting and timely memoir, the groundbreaking editor unpacks lessons on race, identity, and success through her own journey, from navigating her way as the unstoppable child of a unlikely interracial marriage in small-town California to finding herself on the frontlines of a modern movement for the next generation of change makers.

Welteroth moves beyond the headlines and highlight reels to share the profound lessons and struggles of being a barrier-breaker across so many intersections. As a young boss and the only black woman in the room, she’s had enough of the world telling her – and all women – they’re not enough. As she learns to rely on herself by looking both inward and upward, we’re ultimately reminded that we’re more than enough.

Elaine Welteroth is a dynamic groundbreaker in media and fashion. In her memoir, More than Enough, she talks about her journey towards being a journalist and rising above the ranks in the world of fashion magazines. At 29, Elaine became the youngest Editor-In-Chief at Teen Vogue, and the second black editor-in-chief of a Conde Nast publication.

At first, I wondered if Elaine had enough of a story for a memoir. The book moves quite slow to begin with and I worried that it was going to be another one of those memoirs where the person has written it quite young and perhaps too early — I often question the need for a memoir from someone under the age of 35. Wouldn’t it be better if they waited another ten years and had more to tell readers? But I soon squashed that thought, because this book has so much to offer and so much insight for all types of readers.

“When I look back, I see a little girl running, pushing, working creatively to compensate for things that were beyond her control. For years, I felt like an imposter with a hidden flaw waiting to be found out. I worried that I might be stained, too, just like that cheque in my dad’s pocket.”

Elaine grew up in California, the child of a black mother and a white father. From childhood, she was ambitious, devoted and determined to succeed. Elaine talks a lot about how different she felt from other kids — because of her hair, her skin colour, her upbringing or her heritage. As a biracial girl, she didn’t always feel like she belonged with the black kids, but she knew she didn’t belong with the white girls either.

But, in college, Elaine met like-minded people who shared the same drive and passion for a successful career as she did, and she prospered. She thrived with internships and work and by trusting her instincts and always pursuing what she felt was right, she climbed to the top of the fashion world incredibly quick. She worked for fashion powerhouses such as Ebony, Glamour, and then Teen Vogue.

Young girls will read this memoir and be inspired — particularly if those young girls are interested in working in the fashion industry. But, more importantly, young black girls will read this memoir and be reassured that they have a place at the table. They’ll realise how important it is for their voices to be heard and acknowledged, and they’ll realise that they have the power to make real change in the world.

“When I returned to college after my New York internship, I felt overwhelmed and intimidated. Not just by East Coast White People and the extremely ill-fitting advertising world. But by the entire world. And the daunting notion of figuring out where I belonged in it.”

More than Enough highlights Elaine’s devotion to celebrating diversity in the fashion industry — an industry that is predominantly full of white and privileged people. Elaine uses her own experiences to transform Teen Vogue into a more socially conscious publication, with girls of all colours on the covers and feature stories within its pages that reflect our multicultural society.

An empowering memoir from an incredibly inspiring trailblazer.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

More than Enough: Claiming Space for Who You Are (No Matter What They Say)
Elaine Welteroth
July 2019
Penguin Random House Publishers