JESS JUST READS

A BOOK REVIEW BLOG

Hermit by S.R. White

After a puzzling death in the wild bushlands of Australia, detective Dana Russo has just hours to interrogate the prime suspect – a silent, inscrutable man found at the scene of the crime, who disappeared without trace 15 years earlier.

But where has he been? Why won’t he talk? And exactly how dangerous is he? Without conclusive evidence to prove his guilt, Dana faces a desperate race against time to persuade him to speak. But as each interview spirals with fevered intensity, Dana must reckon with her own traumatic past to reveal the shocking truth . . .

S.R. White’s Hermit is an atmospheric and addictive psychological thriller. Set over the course of one day, detective Dana Russo has just 12 hours to interrogate the prime suspect in a murder case — a reclusive, mysterious man found at the scene of the crime, who hasn’t been seen or heard from in fifteen years and is reluctant to divulge any details to the police. Dana must follow her instincts to uncover the truth about the murder.

Set in rural Australia, S.R. White has captured the remote, secluded atmosphere of the desolate outback. Households are distanced but neighbours are nosy. Gossip runs rife through the town, and every family is hiding some sort of secret.

“Mike wasn’t veering towards the most common kinds of stabbings — drug arguments gone bad, gang wars, disrespected teenagers. Partly because they usually happened in the street, or at a location known to police already. Partly because those kinds of crimes rarely if ever happened just before dawn.”

With no CCTV, murder weapon or forensics to work with, Dana must rely on the suspect to reveal what happened, and it certainly makes for a unique crime novel.

Despite a great portion of the novel taking place within the walls of a police interview room, there are still a lot of divergence in setting. Dana and her colleagues interview different people around town — those relating to Lou and his wife, and those relating to the mysterious man found at the scene, Nathan.

The strength of this novel lies in the investigation — Dana illustrates great skill in reading other people, understanding their behaviour, and her ability to unpack Nathan’s psyche proves fascinating and enjoyable. Every conversation feels like a carefully constructed game of cat and mouse, tension rising and falling, pacing altering with every passing page. My attention never wavered.

“Because of the solitary stab wound, Dana had expected the knife to be on the floor. A single stab in panic, in the midst of a scuffle, usually prompted the stabber to drop the blade and flee. At the very least, they let go in shock at what they’d done, or in disbelief that the person in front of them was dying. That didn’t seem to have happened here.”

The concept of the ‘hermit’ is an interesting one, and executed in a way that felt fresh to the genre. I was fascinated to find out more about Nathan’s history. Where has he been for 15 years? How has he survived? Why did he leave and what dangers will suddenly arise now that he’s resurfaced?

Additionally, Hermit subtly explores themes of mental health and suicide. In the opening chapter, Dana is sitting atop a cliff contemplating plunging to her and death and trying to make it look like an accident. Every year, on this exact day, she takes annual leave and spends all day trying to decide if she should kill herself. It’s an incredibly vulnerable time for Dana, and when she’s thrust into a murder investigation unexpectedly, it throws her plans. Readers will feel a close kinship with Dana, even if they don’t necessarily relate to her. She’s intelligent and bolshy, but she also evokes empathy and sympathy in the reader.

“No response. Although he shivered: seemingly involuntarily, judging by his slight grimace. Any body language, any inflection — let alone any comment — appeared to him an unconscionable degree of exposure on his part. Perhaps he would prefer total darkness, or to be a disembodied voice: being visible and tangible was apparently unfamiliar, worrying.”

Admittedly, I found the ending a little unsatisfying. The concept of the ‘day’ that Dana keeps talking about, and what it means for her, fizzles out in the end, with no real resolution. Additionally, we’re set up to find out some of Dana’s backstory but it’s only partly revealed and feels like an info dump — unnatural, jolting.

Despite these minor flaws, I really enjoyed Hermit. An original, gripping and captivating thriller that readers will love. Recommended for fans of crime, thriller and mystery.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Hermit
S.R. White
September 2020
Hachette Book Publishers

Black by Fleur Ferris

Black
Fleur Ferris
July 2016
Published by Penguin Random House

There seems to be a trend running through Australia YA fiction this year: cults and psychological thrillers. And amongst this trend is Black by Fleur Ferris, set in a mysterious, claustrophobic town Dainsfield where the main character – Black Marshall – is cursed. Three of her best friends have died in tragic accidents and the whispers are starting up again and people are keeping their distance from Black. And then Black’s formal date ends up in intensive care and the town starts to stir – like a slumbering beast being awoken by a new threat to its kingdom.

Almost immediately, readers are thrust into a world where rumours find footing and everyone in the town seems to have the memory of an elephant. Their watchful glares and the schoolkids’ cruel remarks set the scene for the novel and open up all sorts of questions for the reader. Black Marshall is a strong, resilient character who does not shy away into the shadows or feel enveloped by what others think of her. She’s a great main character, and she really drives the novel and the pacing.

This novel is quite disturbing. It has that ominous feel to it that you get during a horror movie when someone is walking through a dark house. Fleur has dropped hints and clues around the place for the reader to compile, and this keeps the reader engaged and intrigued. Fleur has also found an entertaining way to weave cults, religion, the devil, exorcisms, haunted houses and curses into one tiny book.

There were two elements of the novel that I found to be unrealistic. I didn’t quite understand the love triangle, or either of the relationships in the novel. Black and Aidan Sweet were set up to be the love story of the novel, but then Aidan ends up in intensive care for the majority of the novel. And then Ed, who is friends with Black and has been there this whole time, suddenly glides into the novel to form the love triangle. I found the relationships in Black to be distracting and unnecessary to the rest of the plot. They seemed to shift focus too quickly, and the resolution of the issue was too quick and unrealistic. Aidan was gone so quickly from the book that it felt pointless to have him there in the first place, and Ed and Black’s chemistry didn’t seem authentic enough to warrant the ending (I won’t give it away).

The second aspect of the novel that I found disappointing were the plot points in the novel that felt ‘too easy’ – they felt like they were rushed together to solve a problem. The biggest example of this is a certain speech that a character gives at a funeral at the end of the novel. It was unrealistic and forced and I found myself cringing a little bit. No one would make that speech at a funeral in real life. I also felt like Fleur used the speech to quickly solve the problem of ‘how am I going to quickly change everyone’s mind about Black? How am I going to fix this issue?’

Despite these two things, I did enjoy reading this novel. It’s a short novel and it can be read in one sitting. The pace is fast and interesting and there are enough mysteries and twists in the novel to keep the reader interested. It’s not the best YA thriller out there in 2016, but it’s still a good read.