JESS JUST READS

A BOOK REVIEW BLOG

Bruny by Heather Rose

In a world where a right-wing US president has withdrawn America from the Middle East and the UN, and Daesh has a thoroughfare to the sea, even the most far-flung corners of the earth can’t escape global change.

When a bomb goes off in remote Tasmania and destroys part of the Bruny Bridge, UN troubleshooter Astrid Coleman returns home to help her brother prepare for the upcoming election. What she doesn’t expect is the true extent of the conspiracy theories that have engulfed her community, amidst the conflict of her brother and sister — who are on opposite sides of politics.

Only on Bruny does the world seem sane. Until Astrid discovers how far the government is willing to go.

Bruny by Heather Rose is a political thriller about family, relationships, responsibility, and order.

Set on Tasmania’s Bruny Island, the book begins after the almost-complete Bruny Bridge is blown up in the early hours of the morning. Shocked but undeterred, the Tasmanian government want that bridge to remain a top priority and are not being deterred by the terrorist act; they do all that they can to ensure the infrastructure project stays on track, and their actions could have disastrous consequences.

The premise of the novel invites intrigue, suspense and tension. Some events and conversations in Bruny reflect the current political climate in Australia, allowing readers to feel a sense of understanding and dread at what could potentially occur as we near the conclusion.

“Farris bought the property at the end of the beach a year before the bridge project was announced. He’d thought he was retiring from world to work on his next great tome on the human species. But then people began crawling over his little bit of paradise.”

Astrid Coleman is a complex protagonist — her relationship with her mother is fractured, perhaps beyond repair; her father is incredibly unwell and now only speaks in Shakespearean, and she’s still recovering from her divorce with her ex-husband, Ben. Reflections on the past highlight the deprecating treatment she received from him — it had a damaging impact on her self-esteem and her self-worth but she’s now doing much better.

Additionally, her relationship with her siblings is at times fraught because they’re on opposite political sides and Astrid often feels she’s caught in the middle. The book features a touch of romance, enough for it to blend well with the rest of the book, but not too much where you feel it detracts from the overarching plot and themes in the book.

“I knew Mick Feltham had been offered a huge bonus for meeting the bridge deadline by JC, following that meeting with Aid-n-Abet. There were also penalties for any day it went over.”

Heather’s strengths lie in her vocabulary choice, her sentence structure, her ability to put together magnificent prose and relatable, believable and entertaining dialogue. The imagery and descriptive language is evocative, drawing the reader in and keeping them engaged throughout.

“Tasmanians are island people, Bruny Islanders even more so. It’s a very different identity to that of someone from American Midwest, the mountains of Europe, the veldts of Africa. There is always the awareness that we are somehow water-bound and water-dependent. The water is friend and foe.”

Here’s something you don’t really grasp from the blurb — the book is incredibly political. For some readers, it may be too political and this may affect their ability to finish the book. Personally, a lot of the political discussions went way over my ahead and I found it quite disorientating. I went along for the ride, but I didn’t really understand what was going on — I didn’t really understand the stakes that were at play.

The majority of the book is incredibly slow-paced, and there are some chapters where nothing really happens in the present and it’s all a reflection on past events. The climax of the book, though, is fast-paced, heated, incredible and interesting. But by then it feels a little late — it seems like a jolt because the pacing changes so quickly and you’re not quite ready for it. I just don’t know that all readers will stick around long enough to get to the climax.

Bruny is for seasoned readers who are aware they’re headed into a political thriller novel. People who don’t read very often? This isn’t for them. People who read a lot of literary fiction or political thrillers? They’ll love this.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Bruny
Heather Rose
October 2019
Allen & Unwin Publishers

That Will Never Work by Marc Randolph

The incredible untold story of how Netflix went from concept to company — all revealed by co-founder and first CEO Marc Randolph.

Once upon a time, brick-and-mortar video stores were king. Late fees were ubiquitous, video-streaming unheard of, and widespread DVD adoption seemed about as imminent as flying cars. These were the widely accepted laws of the land in 1997 when Marc Randolph had an idea.

It was a simple thought – leveraging the internet to rent movies – and was just one of many more proposals that Randolph would pitch to his business partner, Reed Hastings, on their commute to work each morning. But Hastings was intrigued, and the pair – with Hastings as the primary investor and Randolph as the CEO – founded a company.

Now with over 150 million subscribers, Netflix’s triumph feels inevitable but the twenty-first century’s most disruptive start-up began with few believers and calamity at every turn.

From idea generation to team building to knowing when it’s time to let go, That Will Never Work is not only the ultimate follow-your-dreams parable but also one of the most dramatic and insightful entrepreneurial stories of our time.

Written by co-founder and former CEO Marc Randolph, That Will Never Work is the behind-the-scenes origin story of Netflix, and how it went from idea to global brand.

It’s clear from the first few pages that Marc Randolph always preferred to work for himself. He’d previously co-founded the magazine MacUser and also worked in the marketing department of a software giant. But it wasn’t enough — it wasn’t what he wanted to continue doing. Every day on their way to work, Marc would pitch ideas to his friend Reed Hastings, who had the brains to recognise a good business prospect and the money to fund a start-up. Some of Marc’s ideas included personalised dog food, personalised baseball bats, and a shampoo delivery service.

And then Marc thought of renting videotapes.

“Every idea I brought to the whiteboard was bad, even if Christina and Te’s research made it clear just how implausible some of my middle-of-the-night revelations for a new business were, I knew that eventually we’d land on something good.”

That Will Never Work highlights Marc’s motivation and determination, his hard work and his never-give-up attitude. After he and Reed founded Netflix, Marc worked long hours every day to achieve everything that needed to be ticked off the To Do list. He employed a small, dedicated group of staff to help with the necessary tasks, and with every new problem that arose — and there were a lot — he had to find a way to solve them.

When I finished this book, I didn’t think that Marc’s success was ‘lucky’. His success was earned. He worked incredibly hard to build that company, and with a little help from investors and employees who knew more about postal services, finances, HR, PR, web design etc, he was able to launch Netflix.

I lost count of how many times things unravelled in the team while they were in the beginning stages of launching Netflix — technology they didn’t understand, posting systems that didn’t allow for what they wanted, servers that weren’t equipped to handle launch day. It wasn’t smooth sailing, and even when they solved one issue, something major was around the corner.

You can’t read this book and not feel complete admiration for the entire team in those beginning years. They’re the reason Netflix is now a global giant; they put blood, sweat and tears into launching the brand.

“I was learning that when you’re in charge, it ultimately falls on you to ensure that the most basic elements of office life — telephones, printers, staples for the stapler — are there for your workers…Not only that, I had to make decisions about things I’d never considered. Did we want the office cleaned weekly or biweekly? How do you organise keys? Which bank should we use?”

Towards the end, when Marc discusses his departure from the company, some of the language and vocabulary reads a little bitter. It feels like Marc is continually trying to justify why he left the company — like he’s trying to convince the reader that he made the right decision at the time. I think the ending could’ve been edited a bit more, perhaps to take out some of the emotional information and conclude it on more of a practical note.

It is rather funny to read about their failed meeting with Amazon and Blockbuster, considering Blockbuster is now practically non-existent and Amazon had the chance to absorb an incoming Netflix, and instead, opened up the gates for a major competitor.

This book will only interest people who read the blurb and feel intrigued. I love reading about the conceptual journey of major companies — I find the journey from idea to fame completely fascinating. This book is for people like me. Highly recommend.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

That Will Never Work: The Birth of Netflix and the Amazing Life of an Idea
Marc Randolph
October 2019
Hachette Publishers

The Confession by Jessie Burton

One winter’s afternoon on Hampstead Heath in 1980, Elise Morceau meets Constance Holden and quickly falls under her spell. Connie is bold and alluring, a successful writer whose novel is being turned into a major Hollywood film. Elise follows Connie to LA, a city of strange dreams and swimming pools and late-night gatherings of glamorous people. But whilst Connie thrives on the heat and electricity of this new world where everyone is reaching for the stars and no one is telling the truth, Elise finds herself floundering. When she overhears a conversation at a party that turns everything on its head, Elise makes an impulsive decision that will change her life forever.

Three decades later, Rose Simmons is seeking answers about her mother, who disappeared when she was a baby. Having learned that the last person to see her was Constance Holden, a reclusive novelist who withdrew from public life at the peak of her fame, Rose is drawn to the door of Connie’s imposing house in search of a confession …

The Confession by Jessie Burton is an intimate, moving novel about the power of women, and their relationship with each other. In a letter accompanying the book, Jessie acknowledges that the book is about the physical, psychological and spiritual autonomy of women —it explores love, sex, friendship, family and work, and how these things are vital to a woman’s self-esteem and sense of self. The Confession, in many ways, is an exploration of female identity.

The book follows a dual timeline, switching back and forth between 1980s, when Elise and Connie’s paths cross, to decades later in 2017, when Elise’s daughter Rose is on a desperate search to find her mother.

Elise is beautiful, young and naive — too trusting, but also desperate for love and connection. She meets the much older Constance Holden, who is bold and confident, sure of herself and charismatic. Constance is a writer whose novel is about to be turned into a Hollywood film, and when the two being a relationship, Elise follows Connie to Los Angeles.

“Elise closed her eyes and thought about how, at dinner parties, there are always other conversations not being shared. Matt and Shara and their unseen baby, lost like a ghost inside their marriage. Elise wondered whether there was any pain left in Shara’s body now, or whether it was just in her head, an occasional guest who led her down a staircase that only she could tread.”

Elise is easily overwhelmed once she moves to Los Angeles. Connie grows a bit distant and their relationship grows strained. Soon, Elise is finding comfort in someone else’s arms — someone she shouldn’t be pursuing.

In present day 2017, Rose wants to track down her missing mother. Elise abandoned Rose and her father when she was very little, and no one has heard from her since. Does Connie know? Rose creates an alias and takes a job as Connie’s assistant, working quickly to find out what happened to Elise all those years ago.

“Connie’s eyes were moist, her gnarled fingers resting on either arm of the chair as if it was a throne. She’d spoken so much, unpacking herself, and she looked exhausted. I watched as her face folded slowly into a picture of sadness. I wanted to go to her, to comfort her, to tell her that my mother was in this room, an old love, an invisible thread, trying together the ones she’d left behind.”

The three women are incredibly complex — we meet them all intimately over the course of the novel. We see them in private moments, when they’re scared or challenged. We witness their weakest moments and their strongest.

Characterisation is one of the strengths of the novel, taking us deep inside the minds and motivations of Elise, Connie and Rose. They’re all so unique and their voices so distinct — Jessie has done an exceptional job of capturing each of their personalities so vividly.

“An electric sense of my skin, my hands and feet. I did not feel triumphant. But I did, in an interesting way, feel more free. To be always waiting and wanting had been my most natural state to be. To be yearning for something, rather than having the guts to make it real.”

The Confession is a fabulous, luminous read, tackling friendship, women, motherhood, parenting and the complexities of relationships. Fans of literary fiction, women’s fiction, and the importance of strong, female-led stories will love this. I haven’t yet read Jessie Burton’s previous works but now I plan to go out and buy her books. Her writing is seamless and evocative — her sentences structure flawless.

Highly recommend.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Confession
Jessie Burton
October 2019
Pan Macmillan Publishers

A Nearly Normal Family by M.T Edvardsson

A Nearly Normal Family is the psychological thriller from M. T. Edvardsson and asks what would you do if your child was suspected of murder, how far would you go to protect them? Do you want to know the truth?

Every murder case starts with a suspect. What if the suspect is your daughter? Would you believe her, or the evidence against her?

The Father believes his daughter has been framed.
The Mother believes she is hiding something.
The Daughter believes they have no idea what she’s truly capable of . . .

There are three sides to the story. And the truth will shatter this family to pieces.

A Nearly Normal Family by M.T Edvardsson is a Scandinavian crime novel, the victim being a man in this 30s and the suspect a young teenage girl who seems the most unsuspecting type. The novel is an exploration of domestic drama and family in crisis.

18 year old Stella Sandell is a rebellious teenager who has a history of being aggressive and having a short fuse. Her parents re overprotective and are at a loss of how to help her, but they’re also in denial about how bad her behaviour really is. And then, she’s charged with murder.

“I have gone against everything I believed in. The law has been my religion. It certainly has its faults, rather extensive ones in some respects, but still I firmly believe the law to be the pillar and guiding light of a modern society.”

The book is divided into three sections, each written in first person — the father, the daughter, the mother. The father is the weakest section, which is a shame because it’s the first section. The writing is inconsistent and the character — Adam — is overdramatic and unlikeable. The language is overly affectionate for the situation and Adam comes across over the top, cringeworthy, and his ‘voice’ is very unrealistic for a man of his age and position. I doubted my ability to finish the book, and probably wouldn’t have, if it weren’t for the mystery. I wanted to know who had murdered the man found dead in their suburb.

Another element I didn’t like about Adam’s narrative was the constant mention of religion and God. Adam is a pastor and therefore an honourable and trustworthy pillar of the community. But, in his POV, he references God and religion a lot, and it doesn’t feel natural. At times, I felt like the author was preaching to me and I had to skip ahead.

Once part one ended and we moved onto the daughter’s POV, I found it much easier to settle into the narrative.

“On that Saturday night when our lives were about to change, I turned to God. I was worried about the stained blouse in the washing machine. I made the snap decision not to mention it to Ulrika. Those stains could be from anything, it didn’t necessarily mean much, and there was no reason to subject Ulrika to further anxiety.”

Unreliable narrators is a common thread across all three parts in the book — Adam is willing to deceive and lie in order to save his daughter, Stella won’t tell the whole truth, and Ulrika seems to know more than she’s letting on. As the book progresses, the truth of that night slowly reveals itself.

The ending is plausible, realistic, and surprising, but a little too convenient. However, readers will find themselves satisfied with the ending, and the twists and turns that lead them there.

“It’s all about control. People never believe that. In their minds, the need for control is a characteristic of that sort of pendant who loses it if a paper end sup in the wrong pile on their desk, the type who sorts their wardrobe by exact shades of colour…but this is a different sort of control. It’s about not losing face. Not letting anyone get too close.”

Recommended for fans of crime and thrillers. The writing is average and there is a lot of repetition, but the mystery is enough to keep you reading.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

A Nearly Normal Family
M.T. Edvardsson
July 2019
Pan Macmillan Publishers

Great Goddesses by Nikita Gill

Beautifully illustrated feminist retellings of the great mythical goddesses.

Empowering life lessons from myths and monsters. Wonder at Medusa’s potent venom, Circe’s fierce sorcery and Athena rising up over Olympus, as Nikita Gill majestically explores the untold stories of the life bringers, warriors, creators, survivors and destroyers that shook the world – the great Greek Goddesses.

Vividly re-imagined and beautifully illustrated, step into an ancient world transformed by modern feminist magic.

‘I watch Girl become Goddess
and the metamorphosis is more
magnificent than anything
I have ever known.’

Great Goddesses is a collection of poems inspired by greek goddesses and deities — their hardships, their strengths, their determination and the lessons they faced that women today can learn from.

This collection includes over 90 poems from Nikita Gill, all keeping the focus on women and their strengths and their value. Some of the poems touch on mythical tales that the reader will recognise, and some feel a lot more modern and unique, and unknown.

Scattered throughout the book are full-page black and white illustrations to accompany some of the poems. The drawings are beautiful — emotive, visual and an additional element to draw in the reader and keep them engaged. I always love a book that incorporates hand-drawn elements, it makes the reading experience feel more authentic.

“Centuries later, I will lose my son to Troy. In a battlefield scorched in crimson and steel, I will lift his lifeless body and hold him close, tears blurring my vision. He isn’t even a man yet, I will whisper, smoothing his hairless face with the same fingers I once used to smooth his father’s brow.”

Nikita’s poems draw inspiration from ancient greek myths and legends, but present them with a new feminist twist — she focuses the lens on the strengths of women and their achievements. The women in the poems include ancient legends such as Medusa, Iphigenia and Briseis, unknown to some readers no longer.

Some of my favourite poems are the ones towards the end of the book — the ones that resonate more with modern society and with my own experiences. They’re empowering and motivating, and inspiring. I feel drawn to these poems, and I find myself rereading them to savour the messages behind them.

“Maybe that’s why you demonised them,
turned them into monsters.
because you think monsters are easier
to understand than women who say no to you.”

I’m no expert in poetry, but I didn’t feel like the poems in this collection worked collectively. The stories jump around a lot, jolting the reading. The syntax doesn’t quite flow, sometimes the vocabulary is a little off the intended meaning, and overall, I just didn’t find myself lost in the writing. I just like like I was reading it for the sake of reading, rather than really enjoying the experience.

There were only a couple of poems that I really fell in love with, and the others? Well, I didn’t really feel like I was learning enough from them. Some of them were a bit vague, and some were very detailed but without that real theme at their core to drive home to the reader.

“Remind him
Remind him
how you are still valid,
still majestic
despite his best attempts
at your ruin.”

Women will enjoy this read more than men, but that doesn’t mean men shouldn’t read this. The poems showcase the power and importance of women, the influence they have on the world and the impact they’ll leave on it. Mostly, I think this book is for fans of poetry. True fans of poetry will get more out of this read than people — like me — who aren’t regularly reading that medium of writing.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Great Goddesses
Nikita Gill
September 2019
Penguin Random House Publishers

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