JESS JUST READS

A BOOK REVIEW BLOG

River Stone by Rachel Hennessy

Pandora, of the River People, wants more than her village can provide. When disaster comes to her people, Pan has the opportunity to become their saviour and escape her inevitable pairing with life-long friend Matthew. She wants to make her own choices. Deep in her soul, she believes there is something more out there, beyond the boundaries, especially since she encountered the hunter of the Mountain People.

A story of confused love, difficult friendships and clumsy attempts at heroism, Pan’s fight for her village will bring her into contact with a whole new world, where the truth about the past will have terrifying reverberations for her people’s future survival.

River Stone is the first book in a new dystopian YA series from Australian author Rachel Hennessy. The story is about survival and bravery, but it’s also about family, legacy and expectation.

At first, I thought The River People were a cult. The village is small, ruled by a male elder, and teenagers are told who they are to be paired with. They don’t get to choose who to have children with, and who or what they want isn’t really taken into consideration.

It all seemed very cultish, and I guess it kind of is, but in a dystopian setting. Most of the world was wiped out after a mysterious virus started infecting people, and The River People are just doing their best to survive and continue procreating so that they don’t die off. In the blurb, it says “when disaster comes to her people”, and I half expected that to be a mass suicide like you see in cults, but I was just overthinking it. Pandora’s people are struck down with the mysterious virus and it’s up to Pandora and her friends to travel into the city and find the cure.

“Caro chews on a large piece of meat. He and Bayat have prepared a piece of the cougar on a long, whittled spear which they’ve placed over there pit, held up by two forked branches driven into the ground. They have turned it sporadically over the course of the afternoon and then carved slices off it.”

Young readers will be drawn to Pandora’s resilience, determination and strength. She’s worried for her parents, but she’s also worried for her village. She doesn’t want to let anyone down and she certainly doesn’t want to fail on this mission.

Pandora has to navigate this new world if she’s going to succeed. But she also has to navigate a love triangle, and the group of friends she’s traveling with. Tensions rise and friendships are damaged.

“At the very least, the training had ensured I could just keep up with Bayat and as we sped along the path to the caves, I realised my muscles were stronger than they’d ever been.”

As an adult, I picked up on a few things about the plot that I thought could’ve used some work. Firstly, there’s a lot of travel involved in this book, which is something most commonly seen in the second book of a series. Travel is very important in fantasy or dystopian fiction, but it can also be a little boring. I certainly felt like the travelling in River Stone could’ve been condensed, or sped up.

Secondly, I found it awfully convenient how easy it was for Pandora and her friends to gain the Mountain People’s trust. Things seemed quite….easy for the team. They’re trained in both information and combat, and they’re given pretty much everything they need to succeed in their mission. It seemed a little unrealistic.

But, I’m an adult. Whilst I certainly think teenagers are at risk of getting bored of the travelling, I don’t think Pandora’s quick connection with the Mountain People will deter young readers.

River Stone entertained and intrigued me enough to want to read the sequel. The premise is refreshingly unique, and whilst the plot is a little slow at times, and the pacing lagging, I think teen readers will be enthralled by the story. I recommend this for readers aged 11-15.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

River Stone
Rachel Hennessy
May 2019
Midnight Sun Publishing

White Stag by Kara Barbieri

As the last child in a family of daughters, seventeen-year-old Janneke was raised to be the male heir. While her sisters were becoming wives and mothers, she was taught to hunt, track, and fight. On the day her village was burned to the ground, Janneke—as the only survivor—was taken captive by the malicious Lydian and eventually sent to work for his nephew Soren.

Janneke’s survival in the court of merciless monsters has come at the cost of her connection to the human world. And when the Goblin King’s death ignites an ancient hunt for the next king, Soren senses an opportunity for her to finally fully accept the ways of the brutal Permafrost. But every action he takes to bring her deeper into his world only shows him that a little humanity isn’t bad—especially when it comes to those you care about.

Through every battle they survive, Janneke’s loyalty to Soren deepens even as she tries to fight her growing attraction to him. After dangerous truths are revealed, Janneke must choose between holding on or letting go of her last connections to a world she no longer belongs to. She must make the right choice to save the only thing keeping both worlds from crumbling.

White Stag by Kara Barbieri is the first book in a new dark fantasy series, featuring a large cast of magical creatures and abilities. This book was originally self-published and after it became a success, White Stag was picked up by a major publisher for print distribution.

Before the story has even begun, there are trigger warnings — There are things in this book that you may find distressing or disturbing. Be warned there is content in this book that may trigger you. — and an author’s note where Kara addresses to readers what you can expect to come across in the book. Trauma, sexual violence, rape, assault, mutilation, eating disorders and body dysmorphia are all topics that come up throughout the novel. I think readers who have experienced violent pasts will appreciate these notices, and it will help them decide whether or not this is a book they would like to read.

Janneke is a human girl who was kidnapped when her entire village and family were murdered over a century earlier. She was taken across the border by goblins and has been living as a goblin thrall in a land called the Permafrost — she ages slowly and her body adapts to live with goblins. She starts to become like them, against her will.

“If I could forget where I was, who I was with, what I was doing, it was almost as if I were back home so many years ago, hunting for my family. My heart sank in my chest; that would never happen again. Even if I managed to escape this and live in the human world, there was a nagging part of me that feared I would never belong.”

Lydian abused and mutilated Janneke for just under one year before passing her off to his nephew Soren. It’s been 100 years since Soren claimed ownership of Janneke, and her pain is very much still present and raw. She has flashbacks over what Lydian did to her, but Soren seems caring and trusting and he treats her better.

At its core, White Stag is about identity. Janneke doesn’t know who she is anymore, or who she wants to be. She’s not really fully human anymore, but not full goblin either. If she could leave Permafrost, would she want that? If she could become goblin, would she want that either?

Janneke really learns what she wants out of her life, and she discovers who she is among all these strangers and villains. She morphs into who she is meant to be.

You do have to suspend your disbelief a fair bit for this book, because even though this is fantasy and therefore anything is possible, the idea that a human can turn into a goblin because she’s been among them for so long does seem a little farfetched.

“The hurt in the young girl’s voice was clear. Perhaps whatever you were, you loved your family in some way. Perhaps knowing you were being taken to your likely death was just as painful as knowing you were being taken as a thrall. I shook myself. Attempting to humanise them would only make this worse.”

This first novel is really about the ancient goblin hunt. The Goblin King dies and so there’s a hunt to find the next goblin king. Soren and Lydian go up against each other, and there are high stakes involved. Janneke is at risk of being returned to Lydian. Soren is at risk of death.

Janneke accompanies Soren on this ancient hunt, and that’s when she must choose who she is meant to be. Her humanity is starting to fade and the goblin spirit within her is developing and growing stronger. It scares her.

Humans living in the Permafrost usually die after a few years, so the fact that Janneke is still alive after a century shows you just how strong and determined she is. She’s smart and she’s resourceful, and she and Soren bond over the course of the novel. They both need each other; they make each other stronger.

“He reached out and brushed my cheek with his thumb. i shivered, but not from fear. There was something burning deep inside of me that was beginning to make itself noticed. Something about his soft words and caresses, the strange mingle of fury and concern drew me close.”

Recommended for fans of fantasy, science fiction or paranormal fiction.

Please note the trigger warnings. I found some of the scenes very graphic and very violent and distressing. I can’t begin to imagine how sexual assault survivors may react to this book, so if that’s you, be aware before diving into this story.

Thank you to the publisher for sending me a copy in exchange for an honest review.

White Stag
Kara Barbieri
January 2019
Pan Macmillan Publishers

City of Bones (10th Anniversary Edition) by Cassandra Clare

Celebrate the tenth anniversary of Cassandra Clare’s City of Bones with this gorgeous new edition, complete with special content including a new piece from Cassie and exclusive colour illustrations.

The pride of any fan’s collection, City of Bones now has new cover art, over thirty interior illustrations, and six new full-page colour portraits of everyone’s favourite characters! This beautifully crafted collector’s item also includes four bonus stories that have previously only appeared in limited distribution, and – best of all – a new piece written by Cassandra Clare.

This is the book where Clary Fray first discovered the Shadowhunters, a secret cadre of warriors dedicated to driving demons out of our world and back to their own. The book where she first met Jace Wayland, the best Shadowhunter of his generation. The book that started it all.

I first read City of Bones by Cassandra Clare many years ago; I was completely absorbed in the story and the characters, and I devoured the book. Unfortunately, I never got around to reading the rest of the series and as time went by, I forgot everything that had happened in City of Bones.

Enter the 10th Anniversary edition. This was the perfect opportunity for me to reread City of Bones and also review it for Jess Just Reads.

City of Bones is the first book in The Mortal Instruments series. This anniversary edition is gorgeous — just perfect for a Cassandra Clare fan. It’s hardback, cloth-bound, with gorgeous colour illustrations inside of the characters.

Additionally, there are black and white illustrations scattered throughout the whole book. There are whole page illustrations and there are also illustrations underneath each chapter heading.

My favourite part of the book was and always will be the dialogue between the characters. Isabelle Lightwood is bold and witty, but also self-aware and at times caring. Jace is hilarious — snarky and sarcastic and a very fun character.

“You want me to hold your hand?”
Clary put both her hands behind her back like a small child. “Don’t talk down to me.”
“Well, I could hardly talk up to you. You’re too short.” Jace glanced past her, the torch showering sparks as he moved.

City of Bones has always felt a little long to me. I did find myself getting a little exhausted in the final few chapters, even though that’s when most of the action is happening.

Despite this, though, Cassandra Clare is really great at weaving dialogue and prose together so that one doesn’t dominate the other. The dialogue is relatable, funny, and easy to read, and the prose is detailed yet necessary when building a world like this.

“Hodge, gasping, stared after him, his fists clenching and unclenching at his sides. His left hand was gloved with the wet dark fluid that had seeped from his chest. The look on his face was a mixture of exultation and self-loathing.”

This edition is definitely a collector’s item, so I recommend this to people who have read and loved City of Bones. If you’re not sure whether this series is for you, I’d probably recommend buying the regular paperback.

But regardless of what edition you buy, this is a really fantastic series and this first book is fun and a fantastic launch to the series.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

City of Bones 10th Anniversary Edition
Cassandra Clare
November 2017
Walker Books