JESS JUST READS

A BOOK REVIEW BLOG

The Heart Goes Last by Margaret Atwood

Living in their car, surviving on tips, Charmaine and Stan are in a desperate state. So, when they see an advertisement for Consilience, a ‘social experiment’ offering stable jobs and a home of their own, they sign up immediately. All they have to do in return for suburban paradise is give up their freedom every second month – swapping their home for a prison cell. At first, all is well. But then, unknown to each other, Stan and Charmaine develop passionate obsessions with their ‘Alternates,’ the couple that occupy their house when they are in prison. Soon the pressures of conformity, mistrust, guilt and sexual desire begin to take over.

I am a huge Margaret Atwood fan. I haven’t read all of her novels (who has? There’s about 40 of them. Who has that kind of spare time?) but this is the best one I’ve read so far. Yes, I enjoyed this more than The Handmaid’s Tale. More than Oryx and Crake. And more than last year’s release, Stone Mattress: Nine Tales.

Whilst I was reading The Heart Goes Last, I was trying to work out why I loved it so much. Were the characters any more three dimensional than in her other works? No. Was the plot development any more realistic than her other works? No. But there were a few things that I think set this book apart from the others.

Other than literary novels and young adult novels, I love campus novels (stories set within a university campus). That is, novels that are set within a secluded and enclosed environment. The characters seem trapped. The entire plot of the novel takes place at the same location, and it’s almost like the characters can’t escape their problems. It’s fantastic for a reader, and this kind of enclosed setting/environment is seen in The Heart Goes Last. The main characters, Charmaine and Stan, volunteer for a social experiment where they live within a gated community. The spend every second month working in the community, and every other month locked in prison.

Margaret Atwood does a fantastic job of creating characters that are flawed but realistic as well. They might be narrow minded, but they offer interspersed societal comments that reflect well on their current situation. They might be ignorant, but they’re ironically very aware of their own feelings and emotions and desires. In The Heart Goes Last, Charmaine and Stan aren’t the most likeable. Stan seems complacent and unassuming and well, a little boring. Charmaine is the real star of the book, but she at times seems naive and silly.

The novel is meant to be funny. The most absurd and bizarre things happen, including robots that people can have sex with. Prostitute Robots, I call them. And it makes the book seem like black comedy. Odd, utterly bizarre characters and odd, utterly bizarre happenings within this social experiment.

I love it because of that. I love it because Margaret Atwood never does what you think she’ll do. She never does what she’s done before, and she uses beautiful, lyrical prose to flesh out her characters, no matter how unlikeable they may be.

My Score: 9/10

Stone Mattress: Nine Tales by Margaret Atwood

A recently widowed fantasy writer is guided through a stormy winter evening by the voice of her late husband. An elderly lady with Charles Bonnet’s syndrome comes to terms with the little people she keeps seeing, while a newly-formed populist group gathers to burn down her retirement residence. A woman born with a genetic abnormality is mistaken for a vampire. And a crime committed long-ago is revenged in the Arctic via a 1.9 billion year old stromatalite. In these nine tales, Margaret Atwood ventures into the shadowland earlier explored by fabulists and concoctors of dark yarns such as Robert Louis Stevenson, Daphne du Maurier and Arthur Conan Doyle.

I just read the most amazing comment on Goodreads: “I would read IKEA assembly instructions if Margaret Atwood wrote them.” Margaret Atwood couldn’t ruin anything she wrote. Her stories are ripe with societal insight and character development that all other writers are envious of.

Each short story seems to include a different level of loss and despair. Some of the stories relate to each other (the first three, for example), whilst others are standalone. The first three stories seem to make up a trilogy, in the loose sense that Oryx and Crake, The Year of the Flood, and Maddadam make up a trilogy. There’s long paragraphs about the characters, which would usually deter me and cause me to skip ahead, but Margaret Atwood describes her characters using flashbacks or tangents, and it makes the piece flow easily. Her dialogue is always believable and her characters’ reactions to their situations are plausible and realistic to that character.

I will point out that the last couple of stories aren’t as good as the start of Stone Mattress. They aren’t bad; they just don’t seem to have that same feeling resonating with the reader at the end of the story. You usually read a Margaret Atwood short story and you know that you got all of the information necessary to understanding it, but you still have so many questions. Margaret is the queen of giving the reader only what they need to know and nothing more.

My Score: 9/10
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