JESS JUST READS

A BOOK REVIEW BLOG

Girl in the Rearview Mirror by Kelsey Rae Dimberg

Desperate to put her past in the rearview mirror, Finn Hunt leaves the Midwest for Phoenix, Arizona, where no one knows her story.

While she’s working a dead-end job, a chance meeting with Philip Martin, son of a prominent US Senator, leads Finn to a position as nanny for Amabel, his precocious four-year-old daughter. Quickly seduced into the Martins’ privileged world, Finn can almost believe she belongs there, almost forget the dark past that haunts her.

Then, in the stifling heat of a desert summer as the Senator’s re-election looms, a strange woman begins to follow Finn, claiming a connection to Philip and threatening to expose the family to scandal. As Finn tries to protect Amabel, and shield the Martins, she’s inadvertently drawn deeper and deeper into their buried secrets.

The family trusts Finn, for now, but it will only take one mistake for everything she holds dear – the Martins’ world, her new life – to fall apart . . .

Girl in the Rearview Mirror by Kelsey Rae Dimberg is a mystery thriller novel about privilege, power, family and expectation. Set in Arizona, twenty-something Finn works as a babysitter for a very high profile family and she quickly finds herself entangled in a dangerous web of lies.

The family that Finn nannies for — the Martins — are rich and very powerful. Philip Martin is the son of a prominent U.S senator, and there’s nothing they can’t buy their way out of. No scandal they can’t weasel their way out of. No undesirable blackmailer they can’t pay off or make ‘disappear’.

When a woman shows up claiming to hold a secret that could destroy the Martins’ lives, Finn tries desperately to fix the situation before it implodes. But has she bitten off more than she can chew? Will she just make the situation worse?

“Marina would never miss her own party. She wouldn’t retreat from Philip Martin and let Iris have him. Yet that’s exactly what she was doing…I could tell her I knew about Iris. Offer to help. But knowing of my involvement would make her quiver. If she found out I’d know for days, she’d fire me on the spot.”

Initially, the pacing is incredibly slow. The first third of the book doesn’t move fast enough to grab the reader’s attention, and you have to hope the reader continues to invest in the storyline. Girl in the Rearview Mirror is a fantastic read, but the beginning had me bored.

Finn’s mysterious and secretive past isn’t really mentioned until the second half of the book and I couldn’t really see how her past and present were going to link. And the first third of the book is all about Finn’s babysitting, and the world of US politics — two things that I found pretty boring.

“I put together their childhood in pieces: the album, the anecdotes Philip let slip, Bryant’s longer knowledge of the tension between Philip and his father, and something else — a feeling I had of knowing Philip.”

Finn’s paranoia grows over the course of the novel — she’s an unreliable narrator. She second guesses everything and questions every moment. She embarks on some rather absurd (and unbelievable) investigatory trips. At times, she’s incredibly naive and really rather stupid. It’s super obvious that *spoiler alert* her boyfriend is drugging her at night and I’m pretty sure she realises it and yet she just keeps on downing the drinks that he makes for her and then she’s really ‘surprised’ when she wakes up the next morning feeling rubbish. It’s hard to sympathise for her and her situation when she’s so clueless.

Kelsey builds tension really well, revealing little snippets of information and secrets to intrigue you even more and pull you in further. There are plenty of plot points that I didn’t see coming. Sometimes with crime novels, the structure of the plot can be fairly predictable, but I honestly didn’t know where this one was going and so I was more than happy to keep reading.

“The redhead observed us, arms crossed, and I swore she was smirking. She was older than I’d guessed at the fair, early twenties, maybe. Even in the shadow of her hat, her skin was pale, almost opalescent. Against it, her hair was bright as a flag.”

The writing is sleek and sophisticated, the characters all unique and dynamic. Girl in the Rearview Mirror highlights issues of wealth and privilege, and how those two things can mean a lot of collateral damage for a lot of innocent people.

Recommended for fans of mysteries, crime and thrillers. Stick with the book, because the first 100 pages may be a struggle, but the effort is worth it in the end.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Girl in the Rearview Mirror
Kelsey Rae Dimberg
July 2019
Pan Macmillan Publishers

The Family Upstairs by Lisa Jewell

In a large house in London’s fashionable Chelsea, a baby is awake in her cot. Well-fed and cared for, she is happily waiting for someone to pick her up.

In the kitchen lie three decomposing corpses. Close to them is a hastily scrawled note.

They’ve been dead for several days. Who has been looking after the baby? And where did they go?

Two entangled families.
A house with the darkest of secrets.

The Family Upstairs is a compulsive new thriller from British author Lisa Jewell, centring around a vulnerable family, the people they allow into their house, and how that has a disastrous ripple effect on generations to follow.

25 years earlier, the police arrive at 16 Cheyne Walk in Chelsea, London after concerns for the welfare of the inhabitants. They find three bodies inside in the kitchen, as well as a healthy 10 month old baby who has been well cared for. An investigation ensues, but the police are never able to uncover what happened inside that home.

The book switches POV between a few different characters. First, we have Henry Lamb 25 years earlier. He lives with his parents and his sister at the fashionable house in Chelsea. They’re rich and they’re happy. But over time, they spend too much money, their worth diminishes, and Henry’s mother seeks solace in something bigger than just family. She invites outsiders into their home, at first just for a short time. But then it becomes clear that these new tenants have no intention of leaving and over time, their influence over the family grows dangerous.

The reader follows Henry’s journey from child to adolescent to teenager to adult. At first, he’s spoilt and naive, and too trusting. Over time, he can see the effect that these visitors are having on his parents and the house that they’ve cherished over the years. Henry takes drastic measures to try and regain control.

We also meet Libby and Lucy, although it’s clear that their storylines are in the present — decades later.

Libby has recently turned 25. She rents an apartment but she’s struggling financially — she’s an adopted child. When she finds out she’s inherited a 3-storey mansion overlooking the Thames, she goes searching for the truth about her parents. We find out pretty quickly that Libby was the baby found in the mansion all those years earlier. Her parents were two of the three dead adults found in the kitchen. And Henry? Well, Henry must be her brother.

Lucy Lamb is Henry’s other sister, who he grew up with in the Chelsea mansion. Where is she now? She’s living in France but is homeless, and she has two young children. Slowly, she starts making her way back to London to find the baby that was left behind 24 years earlier.

“Her head, which a week ago had been filled with new sandals, a hen night, her split ends, the houseplants that needed watering, was now filled with people sleeping on mattresses and dead rabbits and a big, scary house, empty but for a large rocking crib from Harrods with strangely sinister pale blue roses painted on the sides.”

The Family Upstairs is a psychological thriller that had me hooked from start to finish. At first, it seemed a little confusing with the different POV — I got Lucy and Libby mixed up a couple of times — but I soon settled into the storyline. The mysterious deaths in the London mansion and the unclaimed baby left behind prove a fascinating premise.

The writing is tight and polished, building tension and inviting intrigue that keeps the reader entertained throughout the entire book. Each chapter gives you just enough information to make you think you know where the story is going, but still keeps enough mystery that you’re desperate to keep reading.

“What can I tell you about David Thomsen form my perspective then, as a young boy? Well, I can tell you that he was very handsome. Not in the soft, almost feminine way that his son was handsome, but in a more traditional way…I can tell you that he appalled me and fascinated me in equal measure.”

The storyline and the plot is incredibly complex, and so the pace moves really quickly because there’s a lot of history for the reader to take in. Henry, Libby and Lucy have all lived incredibly different lives and to give them due attention, we need to spend a lot of time understanding their circumstances, their motives, their next move

“Lucy hasn’t had a drink for weeks. She would die for a beer. But she can’t. She has to keep all her wits about her for the next half an hour or so. She shakes her head.”

Chilling and dark, and highly recommended. Anyone who loves a good mystery thriller will devour this book.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Family Upstairs
Lisa Jewell
August 2019
Penguin Random House Publishers

The Chain by Adrian McKinty

VICTIM. KIDNAPPER. CRIMINAL. You will become each one. You are now part of the chain. Don’t break the chain.

The morning starts like any other. Rachel Klein drops her daughter, Kylie, at the bus stop and heads into her day. But then a phone call changes everything. A woman has Kylie bound and gagged in her back seat, and the only way Rachel will ever see her again is if she pays a ransom – and kidnaps another child. The caller is a mother herself, whose son has also been abducted, and if Rachel doesn’t do exactly as she’s told, both children will die. Rachel is now part of a terrifying scheme – The Chain.

The rules are simple: find the money, find your victim, and then commit a horrible act you’d have thought yourself incapable of just 24 hours ago. Rachel is an ordinary woman, but over the coming days she will be pushed beyond ordinary limits to save her daughter. What the anonymous masterminds behind The Chain know is that parents will do anything for their children. But what they don’t know is that they may have met their match.

Can Rachel be the one person to finally break The Chain?

The Chain by Adrian McKinty is a thrilling crime novel about a large-scale kidnapping scheme involving children.

The premise is pretty simple to grasp. Kidnap another child to save your own child. But don’t tell anyone. You tell anyone, you try to call the police, and you’ll be found out and your child will be murdered.

The premise of the novel is, of course, absurd. Someone has to kidnap a child in order to save their own child, and this ‘chain’ has been going on for years and everyone has kept their mouth shut? Obviously wacky and crazy premise, and I totally loved it — a fun read, an engrossing read, and it’s really easy to finish this novel in the one day.

“She thinks about her mom. Her mom will be worried sick. She’ll go to pieces. She isn’t as strong as she pretends to be. It hasn’t even been a year since she finished her chemo. And her dad — her dad’s awesome but maybe not the most dependable guy in the world.”

The Chain explores the lengths that a parent will go to in order to save their child — what they’ll sacrifice, who they’ll sacrifice, and what they’ll pay in ransom.

Adrian McKinty is skilled at crafting characters who we grow to like and sympathise for. Rachel has overcome cancer once before but it looks like her breast cancer has returned. She’s divorced from her husband, she’s not wealthy, and now her only child — Kylie — has been kidnapped. Rachel must transfer a large sum of money as a ransom, but she must also kidnap someone else’s child to keep ‘The Chain’ going. She must now assume the role of kidnapper.

Rachel doesn’t think she’s capable of doing that — can she really commit that kind of crime? But as we learn in the book, parents are capable of almost anything to save their child, and Rachel is not the only one. The Chain has been going on for years.

This novel is not just about Rachel and Kylie. Through flashbacks, we come to understand the people behind The Chain, and how their childhood and their adult lives led them to create a dangerous and risky kidnapping ring. The POV shift is a fascinating method of building tension.

“Kylie waits until she thinks it’s very late, but naturally she has no way of telling the time. No iPhone, no iPad, no Mac. No watch, of course, but who wears a watch these days?”

Two weaknesses in the book are dialogue and inner dialogue. I don’t think Adrian has captured an accurate female voice — younger or older — in Rachel and Kylie. Rachel comes across a little over the top, too flowery and cringe-y, and Kylie comes off as older and beyond her teenage years. Kylie’s voice often doesn’t match the voice of teenager, and many times throughout the novel, she’s just a little too self-aware for someone her age.

Additionally, some of the interactions don’t quite add up. Rachel is divorced from her ex-husband, but they still talk like they’re emotionally close, and despite his relationships with younger women, he seems to still care about her a little too much for an ex-husband. It comes across as loving and doting, which doesn’t quite add up to the rest of his characterisation as an unreliable, flaky Dad who is always dating a newer, younger girlfriend.

“The Hampton Mall is the perfect place to buy burner phones. She slides the car into a spot in the parking lot, opens up the trunk, and rummages around looking for Kylie’s Red Sox cap…she finds the cap, puts it on, and pulls it low over her face.”

The ending of the book is unrealistic, jolty and a little clunky, but by then you’re so hooked by the story that you don’t really care. Fans of psychological thrillers and crime novels will love this book.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Chain
Adrian McKinty
July 2019
Hachette Publishers

The Paper Wasp by Lauren Acampora

Abby Graven is a dreamer. She dreams her way through her small, lonely life – hiding back at her parents, working at the grocery store. At night, she collects tabloid clippings that taunt her with Elise – her best friend, now Hollywood’s hot new starlet.

When a school reunion throws Elise in her path, Abby seizes her chance. With feverish certainty, she boards a one-way flight to LA to become Elise’s assistant and enters her gauzy realm of film sets and glamorous actors.

But behind Elise’s glossy magazine veneer, she is drowning in Hollywood’s vicious social cycle. Ever the devoted friend, Abby conceals her own burning desire for greatness.

For she is smarter than Elise. More talented. A true artist. And as she edges closer to her own ambitions, Abby can see only one way to make her dream come true.

The Paper Wasp by Lauren Acampora is an addictive, seductive psychological thriller about obsession, greed and betrayal. This novel will draw you in from the very first page, keep you hostage until the very end, and then leave you reeling for a long time afterwards.

This book is utterly bizarre, from the storyline to the setting to the characters. But it all works. It’s an addictive read, and one that I highly recommend to others.

Abby Graven was once valedictorian of her high school class and on a path to a successful adult life. But, now, she’s a 28-year-old college dropout who is living at her parents’ home in Michigan and is obsessed with the life that her high school best friend — Elise Van Dijk — now leads.

Elise is on the cusp of fame. She’s living in Hollywood, she’s featured in glossy fashion magazines, and she’s starring in upcoming lead movies. She appears to be leading a glamorous life, and Abby is enraptured by Elise’s ascent to stardom.

Abby and Elise briefly reconnect at their 10-year high school reunion. When Elise makes a throwaway comment that Abby should call her if she’s ever in LA, I’m sure that Elise didn’t actually expect Abby to do just that. But, a couple of months later, Abby buys a ticket to LA and calls her upon arrival at the airport. Elise, stumped, politely offers up her home for Abby while she’s in town.

Already, the reader is feeling the unease. We can see just how obsessive and dangerous Abby is, showing up to LA with no accommodation in mind, and with the singular hope that Elise will let her crash at her fancy mansion.

“A moment later, the cab was gone and I was alone outside the gate, shielding my eyes in the white light. Through the glare I saw there was a call box, a button I needed to push. I looked at it for a long moment and felt myself come slowly awake. My frenzy had been so absorbing, it was almost as if my body had been hijacked.”

Soon, Abby and Elise reconnect and Abby takes on the role of Elise’s personal assistant. But Abby is scheming, desperate to be as close to Elise as she possibly can. Abby is deluded enough to believe that her own fantasies could become real — that they are real. On the surface, she’s helping Elise, but really, she’s collating information in her mind to propel her own career in Hollywood.

There are so many logistical elements that make this novel work. The pacing is flawless — consistent, unwavering. The tension is heightened with each chapter we read, and the stakes are enormous for the main characters.

Elise and Abby are both fantastic characters. They’re intriguing and engaging, and you’re not sure who to root for. Abby, the unreliable narrator who you can’t help but sympathise with and love. Or Elise, the misunderstood, naive woman who has been caught up in the bright lights of Hollywood.

Acampora’s skill lies in her ability to capture the relationship between Elise and Abby in a way that doesn’t come across as just petty jealousy, but something far more extreme and inviting.

“How silly to have never come to California. Already Michigan was a figment, a prolonged, dank dream from which I’d finally woken. I’d left my winter coat behind, and I found myself thinking of it now, trying to recall the weight and feel of the boiled wool, the hide that I’d sloughed and abandoned.”

The Paper Wasp is about female friendship, ambition, and the consequences of obsession — the unwillingness to let go of your childhood, when everything seemed a lot easier and success seemed simpler to achieve.

I highly recommend this read. It’s fiction at its finest, and fans of crime, thrillers and psychological novels will tear through this book.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Paper Wasp
Lauren Acampora
June 2019
Hachette Publishers

Blood River by Tony Cavanaugh

Three women. A city in fear. And a killer who will alter them all.

Brisbane 1999. It’s hot. Stormy. Dangerous. The waters of the Brisbane River are rising. The rains won’t stop. People’s nerves are on edge. And then . . .
A body is found.
And then another.
And another.

A string of seemingly ritualised but gruesome murders. All the victims are men. Affluent. Guys with nice houses, wives and kids at private schools. All have had their throats cut. Tabloid headlines shout, THE VAMPIRE KILLER STRIKES AGAIN!

Detective Constable Lara Ocean knows the look. The ‘my-life-will-never-be-the-same-again look’. She’s seen it too many times on too many faces. Telling a wife her husband won’t be coming home. Ever again. Telling her the brutal way he was murdered. That’s a look you never get used to.

Telling a mother you need her daughter to come to the station for questioning. That’s another look she doesn’t want to see again.

And staring into the eyes of a murderer, yet doubting you’ve got it right. That’s the worst look of all – the one you see in the mirror. Get it right, you’re a hero and the city is a safer place. Get it wrong and you destroy a life. And a killer remains free. Twenty years down the track, Lara Ocean will know the truth.

Blood River by Tony Cavanaugh is a gripping and glorious crime novel set in Brisbane in 1999. This is one of the best crime reads I’ve come across in the last year, and I tore through those pages in one day. I was fascinated by the storyline, the characters, the murders, and the conclusion. What a compelling read.

Three men are gruesomely murdered near the Brisbane River in 1999, and the police suspect high school student Jen. But is she really capable of the heinous crimes they’re accusing her of?

“How could I forgot. Girl after girl after girl, all saying the same: she’s weird, she carries a flick-knife around school, and what’s with the Celtic thing? And Bettany knows she’s into Satan, like worships him and stuff, rituals and stuff, and Olivia saw her in the Queen Street Mall one Sunday and she was, like, so stoned and….and….and…”

The book shifts in timeline and POV a fair bit. It’s written in first person, but switches between a teenage Jen soon after being accused of murdering three men in Brisbane, to Lara Ocean the police officer working on the case, to the unidentified killer who is trying to hide their identity.

A good crime novel is when your guesses — your theories — are wild and unrealistic, and you have no idea if you’re going to pick the twist or not. Tony Cavanaugh manages to capture this incredibly well — he has nailed the balance between revealing enough information to entice readers, but not too much where the reader feels like they’ve ‘solved it’.

“It was the case. Three victims in less than a week. It was the rain, the grey sky, the hammering relentlessness of blood and water, a river rising. It was Damon, it was mum, it was Nils and my stupid decision-making teen years that were coming back to me after I thought I had buried them and started anew.”

Police officer Lara Ocean has a complex past and her teenager years seemed pretty rebellious and disturbing — there are some similarities between her childhood, and Jen’s childhood. As a result, she’s able to look at the case from an unbiased perspective.

She’s calm and more considering of the evidence and she’s more sympathetic towards Jen, but she’s also fairly new to the job and she’s easily influenced by others. Her police partner Billy is dodgy — he doesn’t always obey rules, and he thinks he knows how to get results in a case. Additionally, Lara’s ex-boyfriend resurfaces and he is terrifying. Soon, Lara is conflicted about how to move forward with the case.

“We found her wandering through Missing Persons — how on earth did she get there? Don’t ask; police headquarters is supposed to be secure — but here was our dilemma. Jen’s mother had clearly taken some medication and was on another planet, and while, yes, she could respond and speak to us and give her approval for a record of the interview with her daughter, we had to ask ourselves; would this come back to haunt us if, if, we ever took Jen to court?”

I really enjoyed the atmosphere and setting of the book — Tony has captured the flood and the anxieties of Brisbane residents incredibly well. I could really picture the locations that were mentioned in the book, and I found it comforting to read so many references to so many Brisbane places.

If you love crime fiction, please buy this. You won’t regret it. It’s mesmerising and memorable, taunting and terrific.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Blood River
Tony Cavanaugh
May 2019
Hachette Publishers

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