JESS JUST READS

A BOOK REVIEW BLOG

Bruny by Heather Rose

In a world where a right-wing US president has withdrawn America from the Middle East and the UN, and Daesh has a thoroughfare to the sea, even the most far-flung corners of the earth can’t escape global change.

When a bomb goes off in remote Tasmania and destroys part of the Bruny Bridge, UN troubleshooter Astrid Coleman returns home to help her brother prepare for the upcoming election. What she doesn’t expect is the true extent of the conspiracy theories that have engulfed her community, amidst the conflict of her brother and sister — who are on opposite sides of politics.

Only on Bruny does the world seem sane. Until Astrid discovers how far the government is willing to go.

Bruny by Heather Rose is a political thriller about family, relationships, responsibility, and order.

Set on Tasmania’s Bruny Island, the book begins after the almost-complete Bruny Bridge is blown up in the early hours of the morning. Shocked but undeterred, the Tasmanian government want that bridge to remain a top priority and are not being deterred by the terrorist act; they do all that they can to ensure the infrastructure project stays on track, and their actions could have disastrous consequences.

The premise of the novel invites intrigue, suspense and tension. Some events and conversations in Bruny reflect the current political climate in Australia, allowing readers to feel a sense of understanding and dread at what could potentially occur as we near the conclusion.

“Farris bought the property at the end of the beach a year before the bridge project was announced. He’d thought he was retiring from world to work on his next great tome on the human species. But then people began crawling over his little bit of paradise.”

Astrid Coleman is a complex protagonist — her relationship with her mother is fractured, perhaps beyond repair; her father is incredibly unwell and now only speaks in Shakespearean, and she’s still recovering from her divorce with her ex-husband, Ben. Reflections on the past highlight the deprecating treatment she received from him — it had a damaging impact on her self-esteem and her self-worth but she’s now doing much better.

Additionally, her relationship with her siblings is at times fraught because they’re on opposite political sides and Astrid often feels she’s caught in the middle. The book features a touch of romance, enough for it to blend well with the rest of the book, but not too much where you feel it detracts from the overarching plot and themes in the book.

“I knew Mick Feltham had been offered a huge bonus for meeting the bridge deadline by JC, following that meeting with Aid-n-Abet. There were also penalties for any day it went over.”

Heather’s strengths lie in her vocabulary choice, her sentence structure, her ability to put together magnificent prose and relatable, believable and entertaining dialogue. The imagery and descriptive language is evocative, drawing the reader in and keeping them engaged throughout.

“Tasmanians are island people, Bruny Islanders even more so. It’s a very different identity to that of someone from American Midwest, the mountains of Europe, the veldts of Africa. There is always the awareness that we are somehow water-bound and water-dependent. The water is friend and foe.”

Here’s something you don’t really grasp from the blurb — the book is incredibly political. For some readers, it may be too political and this may affect their ability to finish the book. Personally, a lot of the political discussions went way over my ahead and I found it quite disorientating. I went along for the ride, but I didn’t really understand what was going on — I didn’t really understand the stakes that were at play.

The majority of the book is incredibly slow-paced, and there are some chapters where nothing really happens in the present and it’s all a reflection on past events. The climax of the book, though, is fast-paced, heated, incredible and interesting. But by then it feels a little late — it seems like a jolt because the pacing changes so quickly and you’re not quite ready for it. I just don’t know that all readers will stick around long enough to get to the climax.

Bruny is for seasoned readers who are aware they’re headed into a political thriller novel. People who don’t read very often? This isn’t for them. People who read a lot of literary fiction or political thrillers? They’ll love this.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Bruny
Heather Rose
October 2019
Allen & Unwin Publishers

A Nearly Normal Family by M.T Edvardsson

A Nearly Normal Family is the psychological thriller from M. T. Edvardsson and asks what would you do if your child was suspected of murder, how far would you go to protect them? Do you want to know the truth?

Every murder case starts with a suspect. What if the suspect is your daughter? Would you believe her, or the evidence against her?

The Father believes his daughter has been framed.
The Mother believes she is hiding something.
The Daughter believes they have no idea what she’s truly capable of . . .

There are three sides to the story. And the truth will shatter this family to pieces.

A Nearly Normal Family by M.T Edvardsson is a Scandinavian crime novel, the victim being a man in this 30s and the suspect a young teenage girl who seems the most unsuspecting type. The novel is an exploration of domestic drama and family in crisis.

18 year old Stella Sandell is a rebellious teenager who has a history of being aggressive and having a short fuse. Her parents re overprotective and are at a loss of how to help her, but they’re also in denial about how bad her behaviour really is. And then, she’s charged with murder.

“I have gone against everything I believed in. The law has been my religion. It certainly has its faults, rather extensive ones in some respects, but still I firmly believe the law to be the pillar and guiding light of a modern society.”

The book is divided into three sections, each written in first person — the father, the daughter, the mother. The father is the weakest section, which is a shame because it’s the first section. The writing is inconsistent and the character — Adam — is overdramatic and unlikeable. The language is overly affectionate for the situation and Adam comes across over the top, cringeworthy, and his ‘voice’ is very unrealistic for a man of his age and position. I doubted my ability to finish the book, and probably wouldn’t have, if it weren’t for the mystery. I wanted to know who had murdered the man found dead in their suburb.

Another element I didn’t like about Adam’s narrative was the constant mention of religion and God. Adam is a pastor and therefore an honourable and trustworthy pillar of the community. But, in his POV, he references God and religion a lot, and it doesn’t feel natural. At times, I felt like the author was preaching to me and I had to skip ahead.

Once part one ended and we moved onto the daughter’s POV, I found it much easier to settle into the narrative.

“On that Saturday night when our lives were about to change, I turned to God. I was worried about the stained blouse in the washing machine. I made the snap decision not to mention it to Ulrika. Those stains could be from anything, it didn’t necessarily mean much, and there was no reason to subject Ulrika to further anxiety.”

Unreliable narrators is a common thread across all three parts in the book — Adam is willing to deceive and lie in order to save his daughter, Stella won’t tell the whole truth, and Ulrika seems to know more than she’s letting on. As the book progresses, the truth of that night slowly reveals itself.

The ending is plausible, realistic, and surprising, but a little too convenient. However, readers will find themselves satisfied with the ending, and the twists and turns that lead them there.

“It’s all about control. People never believe that. In their minds, the need for control is a characteristic of that sort of pendant who loses it if a paper end sup in the wrong pile on their desk, the type who sorts their wardrobe by exact shades of colour…but this is a different sort of control. It’s about not losing face. Not letting anyone get too close.”

Recommended for fans of crime and thrillers. The writing is average and there is a lot of repetition, but the mystery is enough to keep you reading.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

A Nearly Normal Family
M.T. Edvardsson
July 2019
Pan Macmillan Publishers

Girl in the Rearview Mirror by Kelsey Rae Dimberg

Desperate to put her past in the rearview mirror, Finn Hunt leaves the Midwest for Phoenix, Arizona, where no one knows her story.

While she’s working a dead-end job, a chance meeting with Philip Martin, son of a prominent US Senator, leads Finn to a position as nanny for Amabel, his precocious four-year-old daughter. Quickly seduced into the Martins’ privileged world, Finn can almost believe she belongs there, almost forget the dark past that haunts her.

Then, in the stifling heat of a desert summer as the Senator’s re-election looms, a strange woman begins to follow Finn, claiming a connection to Philip and threatening to expose the family to scandal. As Finn tries to protect Amabel, and shield the Martins, she’s inadvertently drawn deeper and deeper into their buried secrets.

The family trusts Finn, for now, but it will only take one mistake for everything she holds dear – the Martins’ world, her new life – to fall apart . . .

Girl in the Rearview Mirror by Kelsey Rae Dimberg is a mystery thriller novel about privilege, power, family and expectation. Set in Arizona, twenty-something Finn works as a babysitter for a very high profile family and she quickly finds herself entangled in a dangerous web of lies.

The family that Finn nannies for — the Martins — are rich and very powerful. Philip Martin is the son of a prominent U.S senator, and there’s nothing they can’t buy their way out of. No scandal they can’t weasel their way out of. No undesirable blackmailer they can’t pay off or make ‘disappear’.

When a woman shows up claiming to hold a secret that could destroy the Martins’ lives, Finn tries desperately to fix the situation before it implodes. But has she bitten off more than she can chew? Will she just make the situation worse?

“Marina would never miss her own party. She wouldn’t retreat from Philip Martin and let Iris have him. Yet that’s exactly what she was doing…I could tell her I knew about Iris. Offer to help. But knowing of my involvement would make her quiver. If she found out I’d know for days, she’d fire me on the spot.”

Initially, the pacing is incredibly slow. The first third of the book doesn’t move fast enough to grab the reader’s attention, and you have to hope the reader continues to invest in the storyline. Girl in the Rearview Mirror is a fantastic read, but the beginning had me bored.

Finn’s mysterious and secretive past isn’t really mentioned until the second half of the book and I couldn’t really see how her past and present were going to link. And the first third of the book is all about Finn’s babysitting, and the world of US politics — two things that I found pretty boring.

“I put together their childhood in pieces: the album, the anecdotes Philip let slip, Bryant’s longer knowledge of the tension between Philip and his father, and something else — a feeling I had of knowing Philip.”

Finn’s paranoia grows over the course of the novel — she’s an unreliable narrator. She second guesses everything and questions every moment. She embarks on some rather absurd (and unbelievable) investigatory trips. At times, she’s incredibly naive and really rather stupid. It’s super obvious that *spoiler alert* her boyfriend is drugging her at night and I’m pretty sure she realises it and yet she just keeps on downing the drinks that he makes for her and then she’s really ‘surprised’ when she wakes up the next morning feeling rubbish. It’s hard to sympathise for her and her situation when she’s so clueless.

Kelsey builds tension really well, revealing little snippets of information and secrets to intrigue you even more and pull you in further. There are plenty of plot points that I didn’t see coming. Sometimes with crime novels, the structure of the plot can be fairly predictable, but I honestly didn’t know where this one was going and so I was more than happy to keep reading.

“The redhead observed us, arms crossed, and I swore she was smirking. She was older than I’d guessed at the fair, early twenties, maybe. Even in the shadow of her hat, her skin was pale, almost opalescent. Against it, her hair was bright as a flag.”

The writing is sleek and sophisticated, the characters all unique and dynamic. Girl in the Rearview Mirror highlights issues of wealth and privilege, and how those two things can mean a lot of collateral damage for a lot of innocent people.

Recommended for fans of mysteries, crime and thrillers. Stick with the book, because the first 100 pages may be a struggle, but the effort is worth it in the end.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Girl in the Rearview Mirror
Kelsey Rae Dimberg
July 2019
Pan Macmillan Publishers

The Family Upstairs by Lisa Jewell

In a large house in London’s fashionable Chelsea, a baby is awake in her cot. Well-fed and cared for, she is happily waiting for someone to pick her up.

In the kitchen lie three decomposing corpses. Close to them is a hastily scrawled note.

They’ve been dead for several days. Who has been looking after the baby? And where did they go?

Two entangled families.
A house with the darkest of secrets.

The Family Upstairs is a compulsive new thriller from British author Lisa Jewell, centring around a vulnerable family, the people they allow into their house, and how that has a disastrous ripple effect on generations to follow.

25 years earlier, the police arrive at 16 Cheyne Walk in Chelsea, London after concerns for the welfare of the inhabitants. They find three bodies inside in the kitchen, as well as a healthy 10 month old baby who has been well cared for. An investigation ensues, but the police are never able to uncover what happened inside that home.

The book switches POV between a few different characters. First, we have Henry Lamb 25 years earlier. He lives with his parents and his sister at the fashionable house in Chelsea. They’re rich and they’re happy. But over time, they spend too much money, their worth diminishes, and Henry’s mother seeks solace in something bigger than just family. She invites outsiders into their home, at first just for a short time. But then it becomes clear that these new tenants have no intention of leaving and over time, their influence over the family grows dangerous.

The reader follows Henry’s journey from child to adolescent to teenager to adult. At first, he’s spoilt and naive, and too trusting. Over time, he can see the effect that these visitors are having on his parents and the house that they’ve cherished over the years. Henry takes drastic measures to try and regain control.

We also meet Libby and Lucy, although it’s clear that their storylines are in the present — decades later.

Libby has recently turned 25. She rents an apartment but she’s struggling financially — she’s an adopted child. When she finds out she’s inherited a 3-storey mansion overlooking the Thames, she goes searching for the truth about her parents. We find out pretty quickly that Libby was the baby found in the mansion all those years earlier. Her parents were two of the three dead adults found in the kitchen. And Henry? Well, Henry must be her brother.

Lucy Lamb is Henry’s other sister, who he grew up with in the Chelsea mansion. Where is she now? She’s living in France but is homeless, and she has two young children. Slowly, she starts making her way back to London to find the baby that was left behind 24 years earlier.

“Her head, which a week ago had been filled with new sandals, a hen night, her split ends, the houseplants that needed watering, was now filled with people sleeping on mattresses and dead rabbits and a big, scary house, empty but for a large rocking crib from Harrods with strangely sinister pale blue roses painted on the sides.”

The Family Upstairs is a psychological thriller that had me hooked from start to finish. At first, it seemed a little confusing with the different POV — I got Lucy and Libby mixed up a couple of times — but I soon settled into the storyline. The mysterious deaths in the London mansion and the unclaimed baby left behind prove a fascinating premise.

The writing is tight and polished, building tension and inviting intrigue that keeps the reader entertained throughout the entire book. Each chapter gives you just enough information to make you think you know where the story is going, but still keeps enough mystery that you’re desperate to keep reading.

“What can I tell you about David Thomsen form my perspective then, as a young boy? Well, I can tell you that he was very handsome. Not in the soft, almost feminine way that his son was handsome, but in a more traditional way…I can tell you that he appalled me and fascinated me in equal measure.”

The storyline and the plot is incredibly complex, and so the pace moves really quickly because there’s a lot of history for the reader to take in. Henry, Libby and Lucy have all lived incredibly different lives and to give them due attention, we need to spend a lot of time understanding their circumstances, their motives, their next move

“Lucy hasn’t had a drink for weeks. She would die for a beer. But she can’t. She has to keep all her wits about her for the next half an hour or so. She shakes her head.”

Chilling and dark, and highly recommended. Anyone who loves a good mystery thriller will devour this book.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Family Upstairs
Lisa Jewell
August 2019
Penguin Random House Publishers

The Chain by Adrian McKinty

VICTIM. KIDNAPPER. CRIMINAL. You will become each one. You are now part of the chain. Don’t break the chain.

The morning starts like any other. Rachel Klein drops her daughter, Kylie, at the bus stop and heads into her day. But then a phone call changes everything. A woman has Kylie bound and gagged in her back seat, and the only way Rachel will ever see her again is if she pays a ransom – and kidnaps another child. The caller is a mother herself, whose son has also been abducted, and if Rachel doesn’t do exactly as she’s told, both children will die. Rachel is now part of a terrifying scheme – The Chain.

The rules are simple: find the money, find your victim, and then commit a horrible act you’d have thought yourself incapable of just 24 hours ago. Rachel is an ordinary woman, but over the coming days she will be pushed beyond ordinary limits to save her daughter. What the anonymous masterminds behind The Chain know is that parents will do anything for their children. But what they don’t know is that they may have met their match.

Can Rachel be the one person to finally break The Chain?

The Chain by Adrian McKinty is a thrilling crime novel about a large-scale kidnapping scheme involving children.

The premise is pretty simple to grasp. Kidnap another child to save your own child. But don’t tell anyone. You tell anyone, you try to call the police, and you’ll be found out and your child will be murdered.

The premise of the novel is, of course, absurd. Someone has to kidnap a child in order to save their own child, and this ‘chain’ has been going on for years and everyone has kept their mouth shut? Obviously wacky and crazy premise, and I totally loved it — a fun read, an engrossing read, and it’s really easy to finish this novel in the one day.

“She thinks about her mom. Her mom will be worried sick. She’ll go to pieces. She isn’t as strong as she pretends to be. It hasn’t even been a year since she finished her chemo. And her dad — her dad’s awesome but maybe not the most dependable guy in the world.”

The Chain explores the lengths that a parent will go to in order to save their child — what they’ll sacrifice, who they’ll sacrifice, and what they’ll pay in ransom.

Adrian McKinty is skilled at crafting characters who we grow to like and sympathise for. Rachel has overcome cancer once before but it looks like her breast cancer has returned. She’s divorced from her husband, she’s not wealthy, and now her only child — Kylie — has been kidnapped. Rachel must transfer a large sum of money as a ransom, but she must also kidnap someone else’s child to keep ‘The Chain’ going. She must now assume the role of kidnapper.

Rachel doesn’t think she’s capable of doing that — can she really commit that kind of crime? But as we learn in the book, parents are capable of almost anything to save their child, and Rachel is not the only one. The Chain has been going on for years.

This novel is not just about Rachel and Kylie. Through flashbacks, we come to understand the people behind The Chain, and how their childhood and their adult lives led them to create a dangerous and risky kidnapping ring. The POV shift is a fascinating method of building tension.

“Kylie waits until she thinks it’s very late, but naturally she has no way of telling the time. No iPhone, no iPad, no Mac. No watch, of course, but who wears a watch these days?”

Two weaknesses in the book are dialogue and inner dialogue. I don’t think Adrian has captured an accurate female voice — younger or older — in Rachel and Kylie. Rachel comes across a little over the top, too flowery and cringe-y, and Kylie comes off as older and beyond her teenage years. Kylie’s voice often doesn’t match the voice of teenager, and many times throughout the novel, she’s just a little too self-aware for someone her age.

Additionally, some of the interactions don’t quite add up. Rachel is divorced from her ex-husband, but they still talk like they’re emotionally close, and despite his relationships with younger women, he seems to still care about her a little too much for an ex-husband. It comes across as loving and doting, which doesn’t quite add up to the rest of his characterisation as an unreliable, flaky Dad who is always dating a newer, younger girlfriend.

“The Hampton Mall is the perfect place to buy burner phones. She slides the car into a spot in the parking lot, opens up the trunk, and rummages around looking for Kylie’s Red Sox cap…she finds the cap, puts it on, and pulls it low over her face.”

The ending of the book is unrealistic, jolty and a little clunky, but by then you’re so hooked by the story that you don’t really care. Fans of psychological thrillers and crime novels will love this book.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Chain
Adrian McKinty
July 2019
Hachette Publishers