JESS JUST READS

A BOOK REVIEW BLOG

Instant Karma by Marissa Meyer

Chronic overachiever Prudence Daniels is always quick to cast judgement on the residents of her coastal town. Her dreams of karmic justice are fulfilled when, after a night out with her friends, she wakes up with the sudden ability to cast instant karma on those around her.

Pru giddily makes use of the power, flexing it on everyone from public vandals to karaoke hecklers. But there is one person on whom her powers consistently backfire: Quint Erickson, her slacker of a lab partner and all-round mortal enemy.

Soon, Pru begins to uncover truths about Quint, her peers and even herself. She discovers how thin the line is between virtue and vanity, generosity and greed . . . love and hate.

Marissa Meyer’s Instant Karma is a rom-com YA novel about the perception of others, how quick we are to cast judgement, and the importance of understanding how multi-layered justice is.

An outing with her friends results in Prudence developing supernatural powers, allowing her to wreak karma on those she thinks deserves it. It feels like the perfect punishment for her lazy, sloppy lab partner, Quint Erickson. Until she starts volunteering at the local sea animal rehabilitation centre and learns there’s more to Quint than she thought.

Teenage readers will enjoy this novel — the setting, characters, and direction. Admittedly, this book doesn’t really feel like it’s about karma at all. It’s actually quite an insignificant part of the story, feels a little like the author jammed it in post-first-draft. There certainly doesn’t feel like there’s a resolution to it.

However, readers will appreciate the lessons that uptight, goody-two-shoes Prudence learns along her journey. In the beginning, she’s borderline insufferable. By the end, she’s quite an engaging protagonist.

“It’s not that deep, but when she lands on her backside with a splash, the water comes nearly to her neck. She scrambles to her feet and bolts from the water, her dress coated in sand and clinging to her thighs.”

Setting feels like its own character in this novel. The Southern California beach is the perfect backdrop to this setting — it offers a light, fun, carefree story. This is the perfect summer read, an ideal book to take to the beach or by the pool. A real resort read.

There are some important issues and themes to digest in the book — nurturing animals, wildlife rescue and rehabilitation, littering, the environment — but Marissa presents them in a manner that doesn’t feel overbearing or preachy. Ideally, the reader must possess some kind of interest or affection for animals, or they might find themselves a little bored. The opening of the book is certainly a little slow to start, because it’s dominated by a biology project that is a little snoozy.

“I start to read the text, and…my opinions begin to plummet. Typos. Misspellings. Run-on sentences. Rambling, almost incoherent statements. Criminy. How did this guy pass ninth-grade English?”

I loved that Pru was confident, dominant, sure of herself, but I also really appreciated it when Quint put her in her place — when he pointed out when she was being unreasonable. When her perfectionist tendencies were putting unrealistic pressure on those around her, it was important for that to be checked.

Despite Quint feeling a bit one-dimensional and not overly layered, he was relatable in those moments, and it was important for Prudence to be put in her place so she could learn from her mistakes and grow as a character.

“How is it that I can have such high expectations, for myself and those around me, while Quint can be so…so Quint. I’ve even spent the last year lowering my expectations for him, bit by bit, and still he manages to disappoint. I’ve truly asked so little of him.”

A little predictable, but highly recommended for teenage readers, perhaps even 10+ depending on the individual.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Instant Karma
Marissa Meyer
November 2020
Pan Macmillan Publishers Australia

You Were Made For Me by Jenna Guillaume

The day I created a boy started out like any other.

Katie didn’t mean to create a boy. A boy like a long-lost Hemsworth brother: six-foot tall with floppy hair and eyes like the sky on a clear summer’s day; whose lips taste like cookie dough and whose skin smells like springtime.

A boy who is completely devoted to Katie. He was meant to be perfect. But he was never meant to exist.

You Were Made for Me is Jenna Guillaume’s second YA novel, another heartfelt rom-com for a teenage audience. I loved her first book, What I Like About Me, and so I was excited to pick up this next read.

Teenager Katie swoons over romance and wants her first kiss to be perfect, but she’s having trouble getting any guy to notice her. When she sculpts the ‘perfect guy’ and then wakes up to find him naked in her bed, she suddenly finds herself with not just a boyfriend, but the perfect boyfriend. He’s sweet, affectionate and absolutely adores her. He’s everything that she ever wanted — but now that she has the perfect man, she starts to doubt whether he is actually what she needs. Over the course of the novel, Katie learns what it means to have a meaningful connection with someone.

“I felt around on my bedside table for my glasses and slipped them on. They were still wonky, but they did their job. The room came into focus, and I got a proper look at the naked guy for the first time. He was scratching his head, his face placid, like he didn’t have a care in the world.”

You Were Made For Me explores themes of love, relationship and friendship, but also family, body image, grief, self-confidence and following your heart no matter where it leads you.

Young readers may recognise themselves in Katie — anyone who feels alone, perhaps lonely. Anyone who isn’t popular in school. Anyone who is craving the experience of a first kiss and feels like the perfect guy will never exist.

Jenna is skilled at crafting a premise that teenagers can relate to, and older readers can recognise and sympathise with. We were all teenagers once! Admittedly, the characters did seem younger than 16 at times. Katie and Libby are optimistic and positive, but perhaps a little naive. Katie’s reliable and dependent neighbour Theo seemed the most consistent in terms of age vs. personality. He was also one of the most likeable characters in the book.

“I don’t know why I was so shocked to see him there. I mean, he lived down the road, in one of the big houses by the beach. I’d seen him skateboarding past, usually with a package from the fish and chip shop next door tucked under one arm. But he’d never come in before.”

The chapters are short and the layout really accessible to young eyes. And inside this gorgeous front-cover design, Jenna’s latest read features a diverse cast of characters — culturally, physically and sexually — so young readers will be able to see themselves reflected in the pages.

“We were at the park down the road from Libby’s place to do our official Guy handover. I had to go to work, which meant Libby was on Guy duty for the day. I felt weird about leaving him and had been tempted to call in sick…”

Stylistically and structurally, the narration bothered me. It’s hard to explain, but the book is written in first person POV, as if telling a story to the reader, but every so often Katie’s best friend chimes in and the two start having a conversation. It feels very stilted and unnatural — a little awkward? I would’ve preferred the narration to stick to first person POV without the back-and-forth with the best friend.

Additionally, the girl-gets-a-boy-and-ignores-the-best-friend is a stereotypical trope I was a little sad to see in this book. And the fact that Katie’s boyfriend suddenly appears out of thin air and she’s able to hide this grown teenager from her family and her parents is a little comical.

I do think Jenna’s first book is a stronger read — the characters are a little more likeable and the book has a more seamless style and format. But young teenage girls will enjoy this story, the quirks of the characters, the quick dialogue and the absurdity of the premise. It reminds me a little of the Life-size film with Tyra Banks, which is showing my age.

Readership skews female, 12+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

You Were Made For Me
Jenna Guillaume
August 2020
Pan Macmillan Publishers

The Erasure Initiative by Lili Wilkinson

A girl wakes up on a self-driving bus. She has no memory of how she got there or who she is. Her nametag reads CECILY. The six other people on the bus are just like her: no memories, only nametags. There’s a screen on each seatback that gives them instructions.

A series of tests begin, with simulations projected onto the front window of the bus. The passengers must each choose an outcome; majority wins. But as the testing progresses, deadly secrets are revealed, and the stakes get higher and higher. Soon Cecily is no longer just fighting for her freedom – she’s fighting for her life.

Lili Wilkinson’s The Erasure Initiative is a YA psychological thriller that explores human behaviour, morality and ethical decision-making. The novel is also highly entertaining and set within a high-stakes, high-pressure environment. The Erasure Initiative ponders the possibility of using the trolley problem to re-align criminal behaviour.

Seven people wake on a driverless bus with no memory of who they are and how they got there. Our protagonist, Cecily, soon forms strong bonds with the handsome young Paxton and the brash but tech-savvy Nia. A series of hypothetical situations forces the group to come together in an unpredictable, and at times manipulative manner.

“The seatback displays don’t offer us any new information. We pace up and down the aisle. Check over everything a few more times. Hunger makes everyone jitter and snap at each other. Riley’s knee bounces up and down incessantly, and I want to yell at him, but I don’t, because I’m scared of his clumsy tattoos and scars.”

I’ve read quite a few of Lili’s books, including her other psychological thrillers After the Lights Go Out and The Boundless Sublime and I always find the twists and reveals to be incredibly clever. I genuinely don’t see them coming, so big ticks for that.

The trolley problem is only interesting and engaging the first few times you do it, so I was intrigued to find out how Lili was going to keep a reader engaged for at least 70,000 words. After the first couple of trolley problems I was bracing myself for repetition, but Lili manages to switch the rules and change the game with each chapter. I’m happy to admit my prediction was wrong.

“Inertia hurls me forward. I have just enough time to throw my hands up to protect my face as I collide with the windscreen, my body doing its damnedest to continue its forward trajectory through space. I close my eyes in involuntary defence as my face smashes into my hands, and my wrists and elbows and hips connect with the glass.”

I do think some characters were so engaging and dominant that a few characters on the bus got drowned out as a result. Riley is one of them — I kind of forgot about him until his character reached their pivotal moment. Catherine was also a bit of a sly fox, disappearing into the pages (although I’m certain that was intentional). And Edwin is a lot more interesting (and relevant) towards the end of the novel — he felt a little lost in the first half of the book.

The dynamic between Cecily and Nia is an interesting one, and something that develops really well over the course of the novel. I think Lili has done a great job of capturing the premise of missing memories very well. Being in Cecily’s head feels like climbing inside a toddler learning to walk. You can’t really look away.

“This time only Sandra chooses to save the person. I choose NO, because if Edwin’s right and the dickhead who’s behind this is trying to compare our answers, then I’m going to screw with him by always choosing NO.”

Admittedly, at times the dialogue felt a bit preach-y and like the author’s views on certain societal issues were poking through the novel. Additionally, with such a small cast of characters — there’s really only seven of them — Lili manages to tick a lot of diverse minority boxes and sometimes it felt a bit like it was approaching being tokenistic.

Compelling and enthralling right until the final page, The Erasure Initiative is recommended for fans of thriller and mystery. I don’t think this book is limited to YA readerships; adults and young readers alike with find themselves absorbed in this premise.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Erasure Initiative
Lili Wilkinson
August 2020
Allen & Unwin Book Publishers

The Ballad of Songbirds and Snakes by Suzanne Collins

Ambition will fuel him. Competition will drive him. But power has its price.

It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to out charm, outwit, and out manoeuvre his fellow students to mentor the winning tribute.

The odds are against him. He’s been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined — every choice Coriolanus makes could lead to favour or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute… and must weigh his need to follow the rules against his desire to survive no matter what it takes.

Fans of The Hunger Games will remember Coriolanus Snow as the ruthless and fascist President of Panem. In Suzanne Collins’ prequel, The Ballad of Songbirds and Snakes, readers will come to understand his backstory — how did Snow go from teenager to bitter tyrant?

In this setting, the Capitol are up to their 10th Hunger Games and things are very different from how we see them over sixty years later. Nobody is watching the Games, especially in the poorer districts where they don’t even have televisions. The Capitol need to switch things up to increase excitement in the games, and Snow has a natural ability to ponder disastrous ways to engage new audiences.

There are three parts to the novel — Snow meeting Lucy Gray and gearing up for the Hunger Games, the Hunger Games themselves, and then afterwards, where Snow spends time in District 12 with his friend Sejanus and Snow’s humanity slowly starts to dissipate.

“Could there be a bigger slap in the face?” Coriolanus wonders. “District 12, the smallest district, the joke district, with its stunted, joint-swollen kids that always died in the first five minutes, and not only that . . . but the girl?”

Lucy Gray is a fascinating and complex character — she’s a talented singer with the charm and confidence to fascinate the Hunger Games crowds. Fans will find joy when they realise that the songs we learnt in The Hunger Games — The Hanging Tree, for example — were written and sung by Lucy Gray. We come to understand the history and the significance of these songs, which is a nice touch.

Because the book is written in third person, we experience events as Snow does and we never really come to understand what’s going on inside his mind. We witness as he betrays friends and kills people, but we never experience his thoughts or conflicts and it’s both a clever and chilling stylistic device.

“He’d been to the arena several times as a small boy, to see the circus, mostly, but also to cheer military displays under his father’s command. For the past nine years he’d watched at least part of the Games on television.”

This book explores the evolution of Snow but is also explores the evolution of the Hunger Games. In the beginning, we understand just how uninterested people are in them. The Capitol want to use the games to exert control over the districts, but they can’t quite work out how to do that. By the end, Snow has plenty of ideas on how to increase obsession with the Hunger Games, and it gives readers a chilling premonition because we know just how successful the Hunger Games end up being.

The novel isn’t without its flaws. The pacing was inconsistent. It takes a long time before the Games start, and they don’t actually go for that long. And then we follow a rather slow journey to the climax of the story. Whilst I loved the ending and truly felt surprised by the story of Lucy Gray and the conclusion to her tale (not a spoiler), I felt a little cheated that it took so long to get there.

Additionally, I never believed Snow’s hatred for mockingjays. It felt like it was put into the story purely to provide another connection to The Hunger Games.

“Some of the tributes dropped in their seats, chins almost on their chests, but the more defiant ones tilted their heads back and surveyed the hall. It was one of the most impressive chambers in the Capitol, and several mouths gaped open, awed by the grandeur of the marble columns, the arched windows, the vaulted ceiling.”

Recommended for fans of The Hunger Games. You’ll find yourself captivated by the setting and the story, and engaged long enough to see the story through to the end. 14+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Ballad of Songbirds and Snakes
Suzanne Collins
May 2020
Scholastic Publishers Australia

Incendiary by Zoraida Cordova

An epic tale of love and revenge set in a world inspired by Inquisition-era Spain pits the magical Moria against a terrifying royal authority bent on their destruction. Majestic world-building on a grand scale in a knockout YA fantasy.

An epic tale of love and revenge set in a world inspired by Inquisition-era Spain pits the magical Moria against a terrifying royal authority bent on their destruction.

When the royal family of Selvina sets out to destroy magic through a grand and terrible inquisition, magic warrior-thief Renata – trained in the art of stealing memories – seeks to kill the prince, leader of the King’s Justice, only to learn through powerful memories that he may be the greatest illusion of them all … and that the fate of all magic now lies in her hands.

Loosely based on 15th century Spain, Zoraida Cordova’s Incendiary is the first novel in a new YA fantasy duology that explores the power of memory and revenge.

Renata Convida holds the power to absorb — and remove — people’s memories. As a child, she was kidnapped by the King and forced to use her powers to obtain knowledge from prisoners. After two years in the King’s clutches, Renata is rescued by a group of rebels named the Whispers.

The book is set eight years later, Renata now 17.

“When I open my eyes, it is dark once more. I register a tent. A low-burning lamp on the floor beside me. My lashes brush against soft fabric, not the dusty blanked I’ve been carrying for a week. The skin at the base of my neck is tender, the stitches like cords strung too tight. I let out a pained wail as the last thing I remember crashes over me.”

Admittedly, the book sets off to a slow start. We’re thrust deep into a storyline with characters we don’t know and the author expects us to sympathise for their plight. In reality, I was confused by the opening and found myself feeling distanced from the action. It takes some time before we understand characters enough to really sympathise for them, and I don’t think that’s reflected in Incendiary.

Renata and Dez’s romance doesn’t feel overly established in the beginnings of the novel, and so the reader doesn’t immediately care for their relationship. Fairly early on, Renata loses someone close to her but I felt we hadn’t really formed a connection with that character so the loss didn’t really hit hard. It felt like a missed opportunity to engage the reader.

Despite this, the novel picks up and the pace increases. Renata returns to the palace where she was held captive in order to save those close to her, and exact revenge on those who wronged her.

“We’ve ridden for hours, pushing our stolen horses onward without rest as the landscape changed from the Forest of Lynxes to the lush greens that border the Rio Aguadulce, but Andalucia is an oasis in a dry valley. I rub the flank of my horse. The capital is filthy, so we won’t stand out in our travel-worn clothes.”

The strengths lie within the world-building and the unique premise. Renata’s magical ability feels like a fresh addition to this genre — I felt genuinely impressed by what she could do and seduced by her character’s journey through the novel.

At times, the story feels a bit like a yo-yo. She’s kidnapped as a girl, then rescued, then willingly goes back to the Palace, and then works to escape again. I couldn’t help but wonder if the plot could’ve been simplified? Was Zoraida trying to accomplish too much in this book?

Truthfully, I never really felt like Renata was in any danger. When she returns to the Palace, she’s met with open arms because the King is in desperate need of her abilities. And whilst there are some people who are suspicious of her, the immediate threat — Justice Mendez — is not nearly as terrifying or threatening as he could’ve been.

“Silence falls in the darkness of the wagon as it jostles from our excess weight, a ship in a storm. I keep my eyes down and try to become aware of the capital’s deep night sounds. Hooves on cobblestone. Cheering from a tavern. Guards laughing from the wagon’s seat. From somewhere, a cry for help that won’t be answered.”

Readers will be propelled into an absorbing tale of magic and intrigue, and the ending will entice them to read the next in the series. There are plenty of twists and turns, unexpected deception and sketchy characters to intrigue even the most reluctant of readers.

Whilst the plot felt at times muddled and overly complex even for seasoned young readers, there are enough redeeming qualities in the characters, story and plot to maintain a readership.

Recommended for young readers, 14+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Incendiary
Zoraida Cordova
May 2020
Hachette Book Publishers