JESS JUST READS

A BOOK REVIEW BLOG

The Erasure Initiative by Lili Wilkinson

A girl wakes up on a self-driving bus. She has no memory of how she got there or who she is. Her nametag reads CECILY. The six other people on the bus are just like her: no memories, only nametags. There’s a screen on each seatback that gives them instructions.

A series of tests begin, with simulations projected onto the front window of the bus. The passengers must each choose an outcome; majority wins. But as the testing progresses, deadly secrets are revealed, and the stakes get higher and higher. Soon Cecily is no longer just fighting for her freedom – she’s fighting for her life.

Lili Wilkinson’s The Erasure Initiative is a YA psychological thriller that explores human behaviour, morality and ethical decision-making. The novel is also highly entertaining and set within a high-stakes, high-pressure environment. The Erasure Initiative ponders the possibility of using the trolley problem to re-align criminal behaviour.

Seven people wake on a driverless bus with no memory of who they are and how they got there. Our protagonist, Cecily, soon forms strong bonds with the handsome young Paxton and the brash but tech-savvy Nia. A series of hypothetical situations forces the group to come together in an unpredictable, and at times manipulative manner.

“The seatback displays don’t offer us any new information. We pace up and down the aisle. Check over everything a few more times. Hunger makes everyone jitter and snap at each other. Riley’s knee bounces up and down incessantly, and I want to yell at him, but I don’t, because I’m scared of his clumsy tattoos and scars.”

I’ve read quite a few of Lili’s books, including her other psychological thrillers After the Lights Go Out and The Boundless Sublime and I always find the twists and reveals to be incredibly clever. I genuinely don’t see them coming, so big ticks for that.

The trolley problem is only interesting and engaging the first few times you do it, so I was intrigued to find out how Lili was going to keep a reader engaged for at least 70,000 words. After the first couple of trolley problems I was bracing myself for repetition, but Lili manages to switch the rules and change the game with each chapter. I’m happy to admit my prediction was wrong.

“Inertia hurls me forward. I have just enough time to throw my hands up to protect my face as I collide with the windscreen, my body doing its damnedest to continue its forward trajectory through space. I close my eyes in involuntary defence as my face smashes into my hands, and my wrists and elbows and hips connect with the glass.”

I do think some characters were so engaging and dominant that a few characters on the bus got drowned out as a result. Riley is one of them — I kind of forgot about him until his character reached their pivotal moment. Catherine was also a bit of a sly fox, disappearing into the pages (although I’m certain that was intentional). And Edwin is a lot more interesting (and relevant) towards the end of the novel — he felt a little lost in the first half of the book.

The dynamic between Cecily and Nia is an interesting one, and something that develops really well over the course of the novel. I think Lili has done a great job of capturing the premise of missing memories very well. Being in Cecily’s head feels like climbing inside a toddler learning to walk. You can’t really look away.

“This time only Sandra chooses to save the person. I choose NO, because if Edwin’s right and the dickhead who’s behind this is trying to compare our answers, then I’m going to screw with him by always choosing NO.”

Admittedly, at times the dialogue felt a bit preach-y and like the author’s views on certain societal issues were poking through the novel. Additionally, with such a small cast of characters — there’s really only seven of them — Lili manages to tick a lot of diverse minority boxes and sometimes it felt a bit like it was approaching being tokenistic.

Compelling and enthralling right until the final page, The Erasure Initiative is recommended for fans of thriller and mystery. I don’t think this book is limited to YA readerships; adults and young readers alike with find themselves absorbed in this premise.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Erasure Initiative
Lili Wilkinson
August 2020
Allen & Unwin Book Publishers

The Ballad of Songbirds and Snakes by Suzanne Collins

Ambition will fuel him. Competition will drive him. But power has its price.

It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to out charm, outwit, and out manoeuvre his fellow students to mentor the winning tribute.

The odds are against him. He’s been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined — every choice Coriolanus makes could lead to favour or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute… and must weigh his need to follow the rules against his desire to survive no matter what it takes.

Fans of The Hunger Games will remember Coriolanus Snow as the ruthless and fascist President of Panem. In Suzanne Collins’ prequel, The Ballad of Songbirds and Snakes, readers will come to understand his backstory — how did Snow go from teenager to bitter tyrant?

In this setting, the Capitol are up to their 10th Hunger Games and things are very different from how we see them over sixty years later. Nobody is watching the Games, especially in the poorer districts where they don’t even have televisions. The Capitol need to switch things up to increase excitement in the games, and Snow has a natural ability to ponder disastrous ways to engage new audiences.

There are three parts to the novel — Snow meeting Lucy Gray and gearing up for the Hunger Games, the Hunger Games themselves, and then afterwards, where Snow spends time in District 12 with his friend Sejanus and Snow’s humanity slowly starts to dissipate.

“Could there be a bigger slap in the face?” Coriolanus wonders. “District 12, the smallest district, the joke district, with its stunted, joint-swollen kids that always died in the first five minutes, and not only that . . . but the girl?”

Lucy Gray is a fascinating and complex character — she’s a talented singer with the charm and confidence to fascinate the Hunger Games crowds. Fans will find joy when they realise that the songs we learnt in The Hunger Games — The Hanging Tree, for example — were written and sung by Lucy Gray. We come to understand the history and the significance of these songs, which is a nice touch.

Because the book is written in third person, we experience events as Snow does and we never really come to understand what’s going on inside his mind. We witness as he betrays friends and kills people, but we never experience his thoughts or conflicts and it’s both a clever and chilling stylistic device.

“He’d been to the arena several times as a small boy, to see the circus, mostly, but also to cheer military displays under his father’s command. For the past nine years he’d watched at least part of the Games on television.”

This book explores the evolution of Snow but is also explores the evolution of the Hunger Games. In the beginning, we understand just how uninterested people are in them. The Capitol want to use the games to exert control over the districts, but they can’t quite work out how to do that. By the end, Snow has plenty of ideas on how to increase obsession with the Hunger Games, and it gives readers a chilling premonition because we know just how successful the Hunger Games end up being.

The novel isn’t without its flaws. The pacing was inconsistent. It takes a long time before the Games start, and they don’t actually go for that long. And then we follow a rather slow journey to the climax of the story. Whilst I loved the ending and truly felt surprised by the story of Lucy Gray and the conclusion to her tale (not a spoiler), I felt a little cheated that it took so long to get there.

Additionally, I never believed Snow’s hatred for mockingjays. It felt like it was put into the story purely to provide another connection to The Hunger Games.

“Some of the tributes dropped in their seats, chins almost on their chests, but the more defiant ones tilted their heads back and surveyed the hall. It was one of the most impressive chambers in the Capitol, and several mouths gaped open, awed by the grandeur of the marble columns, the arched windows, the vaulted ceiling.”

Recommended for fans of The Hunger Games. You’ll find yourself captivated by the setting and the story, and engaged long enough to see the story through to the end. 14+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Ballad of Songbirds and Snakes
Suzanne Collins
May 2020
Scholastic Publishers Australia

Incendiary by Zoraida Cordova

An epic tale of love and revenge set in a world inspired by Inquisition-era Spain pits the magical Moria against a terrifying royal authority bent on their destruction. Majestic world-building on a grand scale in a knockout YA fantasy.

An epic tale of love and revenge set in a world inspired by Inquisition-era Spain pits the magical Moria against a terrifying royal authority bent on their destruction.

When the royal family of Selvina sets out to destroy magic through a grand and terrible inquisition, magic warrior-thief Renata – trained in the art of stealing memories – seeks to kill the prince, leader of the King’s Justice, only to learn through powerful memories that he may be the greatest illusion of them all … and that the fate of all magic now lies in her hands.

Loosely based on 15th century Spain, Zoraida Cordova’s Incendiary is the first novel in a new YA fantasy duology that explores the power of memory and revenge.

Renata Convida holds the power to absorb — and remove — people’s memories. As a child, she was kidnapped by the King and forced to use her powers to obtain knowledge from prisoners. After two years in the King’s clutches, Renata is rescued by a group of rebels named the Whispers.

The book is set eight years later, Renata now 17.

“When I open my eyes, it is dark once more. I register a tent. A low-burning lamp on the floor beside me. My lashes brush against soft fabric, not the dusty blanked I’ve been carrying for a week. The skin at the base of my neck is tender, the stitches like cords strung too tight. I let out a pained wail as the last thing I remember crashes over me.”

Admittedly, the book sets off to a slow start. We’re thrust deep into a storyline with characters we don’t know and the author expects us to sympathise for their plight. In reality, I was confused by the opening and found myself feeling distanced from the action. It takes some time before we understand characters enough to really sympathise for them, and I don’t think that’s reflected in Incendiary.

Renata and Dez’s romance doesn’t feel overly established in the beginnings of the novel, and so the reader doesn’t immediately care for their relationship. Fairly early on, Renata loses someone close to her but I felt we hadn’t really formed a connection with that character so the loss didn’t really hit hard. It felt like a missed opportunity to engage the reader.

Despite this, the novel picks up and the pace increases. Renata returns to the palace where she was held captive in order to save those close to her, and exact revenge on those who wronged her.

“We’ve ridden for hours, pushing our stolen horses onward without rest as the landscape changed from the Forest of Lynxes to the lush greens that border the Rio Aguadulce, but Andalucia is an oasis in a dry valley. I rub the flank of my horse. The capital is filthy, so we won’t stand out in our travel-worn clothes.”

The strengths lie within the world-building and the unique premise. Renata’s magical ability feels like a fresh addition to this genre — I felt genuinely impressed by what she could do and seduced by her character’s journey through the novel.

At times, the story feels a bit like a yo-yo. She’s kidnapped as a girl, then rescued, then willingly goes back to the Palace, and then works to escape again. I couldn’t help but wonder if the plot could’ve been simplified? Was Zoraida trying to accomplish too much in this book?

Truthfully, I never really felt like Renata was in any danger. When she returns to the Palace, she’s met with open arms because the King is in desperate need of her abilities. And whilst there are some people who are suspicious of her, the immediate threat — Justice Mendez — is not nearly as terrifying or threatening as he could’ve been.

“Silence falls in the darkness of the wagon as it jostles from our excess weight, a ship in a storm. I keep my eyes down and try to become aware of the capital’s deep night sounds. Hooves on cobblestone. Cheering from a tavern. Guards laughing from the wagon’s seat. From somewhere, a cry for help that won’t be answered.”

Readers will be propelled into an absorbing tale of magic and intrigue, and the ending will entice them to read the next in the series. There are plenty of twists and turns, unexpected deception and sketchy characters to intrigue even the most reluctant of readers.

Whilst the plot felt at times muddled and overly complex even for seasoned young readers, there are enough redeeming qualities in the characters, story and plot to maintain a readership.

Recommended for young readers, 14+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Incendiary
Zoraida Cordova
May 2020
Hachette Book Publishers

Deep Water by Sarah Epstein

A gripping mystery about a missing boy and a group of teenagers, one of whom knows something but isn’t telling.

HENRY WEAVER IS MISSING
Three months ago, thirteen-year-old Henry disappeared from The Shallows during a violent storm, leaving behind his muddy mountain bike at the train station.

MASON WEAVER IS TRAPPED
While Mason doesn’t know who he is or what he’s capable of, he knows the one thing binding him to this suffocating small town is his younger brother, Henry.

CHLOE BAXTER WANTS ANSWERS
Why would Henry run away without telling her? One of Chloe’s friends knows something and she’s determined to find out the truth.

As Chloe wades into dangerous waters and Mason’s past emerges, a chilling question ripples to the surface: how far would you go to keep a secret?

Sarah Epstein’s Deep Water is a young adult thriller novel set within a small town in the Southern Highlands of New South Wales. The residents are reticent, the past is full of secrets, and the truth about a young boy’s disappearance is about to come out.

Deep Water captures a claustrophobic setting. Set in The Shallows NSW, the atmosphere of this small town is incredibly crowded and confined, making you feel like you’re trapped along with the characters. Stylistically, this helps build tension throughout the book, because there is nothing you can do but wait for secrets to reveal themselves.

Structurally, the book shifts between character POVs but also between ‘before’ Henry went missing, and the present. Over time, we come to understand just how hard life was — and is — for Mason and his younger brother. Their mother Ivy is an alcoholic, and she’s often violent, and Mason is left to pick up the pieces.

Deep Water illustrates the notion that you never really know what’s happening behind closed doors. People suspect, but no one in The Shallows really knows how violent Ivy is when she’s alone with Mason and Henry.

“Where the hell was Henry? Surely he’d heard their mother throwing her guts up. Would it kill him to attempt the clean-up himself for once? It’s not like he hadn’t watched Mason do it a hundred times.”

When I compare this with Sarah’s previous novel, YA thriller Small Spaces, I recognise an incredible difference in how Sarah reveals clues and red herrings. When reading Small Spaces, I felt there was too much foreshadowing and the plot was a bit predictable, but with Deep Water, I felt surprised and expectant the entire length of the novel. I had theories that all turned out wrong, I had suspicions that weren’t plausible, and when I came to the ending I genuinely felt satisfied with how the storyline was wrapped up.

Sarah implements the unreliable narrator incredibly well in her novels, particularly in Deep Water with the characters Mason and Chloe. Both are very different — Mason is the rebellious, misunderstood brother of Henry who Chloe suspects might’ve had something to do with Henry’s disappearance. Chloe is stubborn, relentless and refuses to let the mystery fade from people’s minds. Truthfully, she’s kind of annoying, but she’s meant to be. She doesn’t want Henry’s disappearance to remain unsolved for any longer. She hunts down clues until she discovers the truth about what happened the night that Henry went missing.

“Both of Tom’s parents were still around back then, before the court case and his dad’s prison sentence, before his mum fled to Queensland, promising to move her son up with her when she was in a position to do so. That never happened.”

The storm, and the constant mention of water, is symbolic of the pacing in the novel. Everything happens fast, quick and without pause. As the reader, you almost feel like you’ve been taken on a ride and there’s no chance of getting off before the end.

Identity and purpose are strong themes in the book. How well do these teenagers really know their friends, or even themselves? Some of them feel stuck in The Shallows, with no way out of the town. Some feel indebted to others, forced to stay to help their family or their friends. Each character has to learn to understand where they want their life to lead, and that can be a really hard thing to do when you’re also trying to solve a disappearance.

“Henry confided in me. I knew all about the accidents and the arguments, the lean weeks when they could barely afford milk and bread. I was aware of the smashed glassware and missed birthdays, how their power was cut the same week Ivy bought a fancy display cabinet for her collectable plates.”

Admittedly, there are a lot of characters to keep up with in this town. And it’s not just the characters, but their families and their relations and as the truth starts to unravel and you realise just how people are connected to the truth, I’ll admit it got a little confusing. Sometimes it felt like there should’ve been a smaller core cast of characters to allow for a more cohesive plot.

Gripping, suspenseful, engrossing and chilling, Deep Water will have you hooked from the first chapter. Recommended for readers aged 14+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Deep Water
Sarah Epstein
April 2020
Allen and Unwin Book Publishers

Chain of Gold: The Last Hours Book One by Cassandra Clare

Cordelia Carstairs is a Shadowhunter, a warrior trained since childhood to battle demons. When her father is accused of a terrible crime, she and her brother travel to Edwardian London in hopes of preventing the family’s ruin.

Cordelia’s mother wants to marry her off, but Cordelia is determined to be a hero rather than a bride. Soon Cordelia encounters childhood friends James and Lucie Herondale and is drawn into their world of glittering ballrooms, secret assignations, and supernatural salons, where vampires and warlocks mingle with mermaids and magicians. All the while, she must hide her secret love for James, who is sworn to marry someone else. But Cordelia’s new life is blown apart when a shocking series of demon attacks devastate London.

Trapped in the city, Cordelia and her friends discover that a dark legacy has gifted them with incredible powers – and a brutal choice that will reveal the true cruel price of being a hero.

Chain of Gold by Cassandra Clare is the first instalment in The Last Hours trilogy, a new fantasy series for adult and young readers. Apparently, it’s a sequel to The Internal Devices trilogy, and a prequel to the Mortal Instruments series, but that doesn’t matter to me. I’ve only read one book from the Mortal Instruments series, and I know nothing about any of the other series. I went in blind to this (I imagine other readers will too).

Above all else, this book explores friendship, identity, legacy and love. There are many things in this book that readers will not be able to relate to — demon attacks, warlocks, ghosts etc — but the teenagers in this book experience things that all readers can understand. They go through love and heartbreak, heartache and deception, betrayal, and they uncover shock secrets from within their own family.

“Cordelia couldn’t understand why she was so worried about Lucie. Several withdrawing rooms had been opened up, and Lucie could have wandered off to any of those, or returned to her own bedroom. She really could be anywhere in the Institute.”

Set in the early 1900s, the book is approximately 600 pages. Does it need to be 600 pages? No it doesn’t. The pacing in the first half of the book is so slow, it’ll make you feel like you’re never going to get through it. It feels like a walking marathon. Once you pass the halfway mark and the demon attacks start ramping up, that’s when events start to get interesting.

Chain of Gold is told through the perspective of Cordelia, a brave, strong-willed Shadowhunter. She’s a complex character, but she’s also confident, self-assured and defiant to those who underestimate her. Over the course of the novel, the reader witnesses Cordelia at her best but also her most vulnerable.

Cassandra Clare has a way of capturing the entirety of a character, delving deep into their emotions and actions so the reader walks away feeling like they truly understood that protagonist.

“He looked away from Grace for the first time and searched the floor for Cordelia. He found her in moments — she was easy to spot. No one else had hair that colour, a deep dark red, like fire shining through blood.”

Chain of Gold features a large cast of core characters, and Cassandra takes the time to really illustrate them all (to be expected when the book is 600 pages). We come to understand motives, doubts, fears, and each character’s biggest desire. Sure, there are plenty of things left unsaid (this is a trilogy after all, we have two more books to go), but the ending to this book felt satisfactory. I’m intrigued to read the sequel.

Admittedly, there are so many teenagers and kids in this book it was easy to get confused about how they were related. Who were siblings? Who were just friends? Who were extended family? Sometimes it was easy to forget. Whilst the core characters were crafted with depth, sometimes it did feel like there were too many of them and perhaps…there didn’t need to be as many kids and teenagers?

“James had never seen the infirmary like this before. Of course he’d heard stories from his mother and father about the aftermath of the Clockwork War, the dead and the wounded, but during his lifetime there had rarely ever been more than one or two patients in the sickroom.”

Recommended for fans of fantasy fiction and young adult literature. 14+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Last Hours Book One: Chain of Gold
Cassandra Clare
March 2020
Walker Books Australia