JESS JUST READS

A BOOK REVIEW BLOG

The Astrid Notes by Taryn Bashford

Astrid Bell
Dutiful daughter. Classical singer. Secret pop songwriter. And suffering from stage fright.

Jacob Skalicky.
Trust-fund kid. Indie singer. Immensely gifted performer. And refusing to sing again.

Are they polar opposites? In his grief and fury at the world, Jacob certainly thinks so. But when Jacob loses everything and Astrid uncovers a shocking family secret, they may need each other to make sense of their lives.

The Astrid Notes is the second YA novel from Queensland author Taryn Bashford, this time set within the complex and high-pressure world of music and singing.

Jacob — who readers may remember from The Harper Effect — is navigating his way through a difficult time. After a late night gig, his fellow band members all die in a car accident. Jacob has survivor’s guilt, feeling like he’s lost his purpose and he starts to give up on his music and his singing.

To make everything worse, Jacob’s parents are fairly absent from his life but his father is constantly pressuring him to reconsider his career and his path, and to give up on this music dream of his. His father is a bully, and the reader can physically feel the effect that his father is having on Jacob’s physical and mental state.

Astrid is conflicted about many things. She’s an incredibly talented opera singer but she has stage fright and she doesn’t know how to fix it. She’s six months shy of 18, which is when her father promised to tell her how her mother died, but she wants to know now. Why does she have to wait? Astrid assumes her mother —who was an extraordinarily talent singer as well — died giving birth to her, and Astrid feels an enormous amount of guilt about this.

Naturally, when Astrid and Jacob’s paths cross, they have much in common.

“Four days after breaking my hand. I bite the bullet and am standing outside the doc’s house listening to Astrid sing. I like her sound even more than I like Yolanda Gustav. How can someone so small pack that much power?”
JACOB

The Astrid Notes explores some pretty heavy topics — death, alcoholism, depression, and parental pressure. I imagine there’ll be many readers out there who could find some comfort in what these characters are going through.

The POV shifts between Jacob and Astrid quite often — sometimes after only two pages — and I think the characterisation within these short moments was managed really well. From the beginning, we understand the characters’ motivations, their fears and their worries, and how their interactions with other people is a reflection of their struggle to overcome the issues they’ve been going through.

“Something has changed. He’s changed. It’s as if the older I get, the more the unpredictable side of him is taking over. Mr Maestro’s winning. It’s like living inside my own opera and the demon has gained ground. And I’m to sing, whether I want to or not.”
ASTRID

I think what does let this book down is some of the jarring references to pop culture that date the book and add nothing to the character’s inner dialogue. It makes the text read a little too juvenile for the characters, and the references do feel out of place — if there was no way to seamlessly weave them in, then I think they should’ve been culled in the editing.

“As always, I lost that argument. Should’ve kept my mouth shut because I probably made everything worse. Like the main character in a Step Up movie, I either pass this audition or my music dreams are over.”
JACOB

“I’m small, so being engulfed by Maestro has always felt like being hugged by the hero at the end of a movie or when the music score from the final scene of Lord of the Rings blasts in your head and you’re sure everything’s going to end well.”
ASTRID

A heartwarming and engaging follow up to The Harper Effect, with loveable, relatable characters and a rich plot. Taryn Bashford captures the world of elite music with authenticity. You’ll fall in love with Astrid and Jacob from the beginning, all the way through to the last pages. Recommend for young readers, 12+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Astrid Notes
Taryn Bashford
July 2019
Pan Macmillan Publishers

Castle of Lies by Kiersi Burkhart

Thelia isn’t in line to inherit the crown, but she’s been raised to take power however she can. She’s been friends with Princess Corene her whole life, and she’s scheming to marry Bayled, the heir to the throne. But her plans must change when an army of elves invades the kingdom.

Thelia, her cousin Parsival. and Corene become trapped in the castle. An elf warrior, Sapphire, may be Thelia’s only hope of escape, but Sapphire has plans of their own. Meanwhile, an ancient magic is awakening within the castle, with the power to destroy the whole kingdom. Can Thelia find a way to protect her future – and her life?

Castle of Lies by Kiersi Burkhart is a YA fantasy novel that explores magic, loyalty and secrets, amidst a terrifying elvish invade.

The Holy Kingdom is bankrupt, ruled by an alcoholic King who isn’t concerned with much except himself. His daughter, Corene, is secretly engaged to the King’s ward Bayled, who has been promised the throne. Corene’s cousin Thelia is scheming to take the crown, despite having no right to it. And then, the King announces that he’s promised his daughter Corene to a Southern Lord to help secure an alliance ahead of an oncoming Elvish invade.

This book really disappointed me. The plot is not engaging, and there isn’t much depth to the story. There are too many characters in the book, and it switches POV between four different ones — Thelia, Bayled, Parsifal and Sapphire. Half the time, I forgot whose POV I was in, because a lot of the voices read the same and I found myself very disinterested in all of them.

The characterisation is very surface level and the characters themselves felt very flat. For example, Thelia is supposed to be savvy, secretive and sneaky, but that’s not how I felt when I read her. She doesn’t feel threatening or intelligent. She’s bold and brash but she’s not frightening.

The writing in the book is a little too simplistic. Descriptions are basic, and the vocabulary doesn’t quite connect with the atmosphere and setting. The war and politics in the book doesn’t read authentic, and a lot of it seems skimmed over, thus losing its credibility.

“Washing and brushing and putting up my hair takes all my willpower. Sitting at my vanity, I stare into my own brown eyes as I draw dark lines like a barrier around them, holding me in. I reach for my lip stain, but like a gust of wind has swept through my room, it falls off the edge of the vanity and rolls away.”

Many of the characters read very immature, even for their age. The stakes are high, the tension is mounting, and there’s a very real threat coming their way, and yet the main characters seem to be involved in such petty arguments and unnecessary altercations.

The world-building in the book is one of its strengths — the castle and the kingdom, and the lands surrounding Four Halls are fully fleshed out and I could easily imagine how this setting physically looked.

There’s plenty of romance in this book, if that’s of interest to you. There are multiple pairings, or love triangles, and most of the tension in the book is between characters who are either together, or want to be together.

“Every conversation with Thelia I’ve ever had since I came here as a little boy has been like this one — with her reflexively condescending to me. I’m wrong, I’m ignorant, I’m a foreigner. I tried over and over to befriend her because she was so close to Corene, but it wasn’t many cycles before I gave up.”

Castle of Lies has potential, but I wouldn’t recommend this book to adult readers. It’s a shame because I feel like the premise of the book, and the writing style, would be interesting to a young reader — 12 or 13. But, there are sex scenes in this book and that means I can’t confidently recommend this book to a young audience. I don’t know that the storyline will be enough to hold their attention.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Castle of Lies
Kiersi Burkhart
July 2019
Walker Books

I Am Change by Suzy Zail

They told her that her body belonged to men and her mind didn’t matter. They were wrong.

“What if I don’t want to marry?” Lillian held her breath. She had never said the words out loud. “Not want to marry?” Her aunt frowned. “What else would you do?” Set in an Ugandan village, Lilian has learned to shrink herself to fit other people’s ideas of what a girl is. In her village a girl is not meant to be smarter than her brother. A girl is not meant to go to school or enjoy her body or decide who to marry. Especially if she is poor. Inspired by and written in consultation with young Ugandan women, I Am Change is the tragic but empowering story of how a young girl finds her voice and the strength to fight for change.

I Am Change is an extraordinary novel from Suzy Zail, about dreams, destiny, expectations, and one young girl’s determination to follow her passion and reject the future that is expected of her.

Suzy Zail’s book is fictional, but it is based on countless research and interviews with young Ugandan women. Lilian’s story in the book was inspired by 30 different Ugandan women, and all of the experiences that Lilian had in the book, are based on real life events that happened to at least one Ugandan woman.

At times, it was incredibly distressing because Ugandan women are often subjected to horrible customs and treatment from others. I Am Change explores traumatic topics such as genital mutilation, rape, forced child marriage, infant death, and poverty.

In developing countries around the world, over 200,000 million girls don’t have the opportunity to go to school or develop an education. In I Am Change, Lilian is determined to finish her schooling and go to university. She doesn’t want to be forced into a marriage, and she doesn’t want to follow the path that her mother expects of her purely because she’s a girl.

“The final bell rang and the class spilled from the room. Masani had followed one of the older boys to the back of the sports shed. Lilian snuck after them to watch. She wanted to look away, wanted to feel angry with Masani, but she couldn’t muster disgust, or even disappointment, just guilt that the watching warmed her body.”

Lilian wants to be a teacher, but no one believes it’s possible, or that she’s able to achieve that. She must get married and have babies — that is her role. That is the role of every woman in Uganda. Lilian’s father and aunt are the only two people who believe in her, and combined, they help her throughout the novel. But I imagine in the real world, many girls do not have support from their parents or extended family.

I Am Change is essential reading for adults and young readers — most readers in Australia probably have no idea what it’s like to live the kind of disadvantaged life that Lilian and her friends go through. And it’s horrifying to think that there are hundreds of thousands of women who have lived or are living these kinds of experiences around the world.

Not only is the story beautiful and the characters inviting, but the writing is fantastic. Suzy Zail crafts sentences that flow incredibly well, the dialogue is realistic to the age of the characters, and the story itself is engaging.

“Dimple didn’t return to school at the end of the wet season and with Trinah gone and Nasreen about to be married, Lilian’s only female company was Masani, who spent her lunchtimes emptying boys’ pockets of coins. Thomas still tried to buy Lilian with pencil sharpeners and cold drinks but his greasy smirk made her skin crawl.”

I Am Change is about awareness and education, and the importance of women receiving the same opportunities as men in developing countries. I anticipate many people will read this book and be moved by the characters, the circumstances, and Lilian’s courageous actions to break the cycle of poverty and disadvantage in her family. Highly recommended.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

I Am Change
Suzy Zail
August 2019
Walker Books Australia

Rogue (Vault #2) by A.J. Betts

There was no going back; there was no choice, anymore. I’d chosen out and this was it: hot-cold, dry-wet, bright-dark and lonely.

Hayley has gone rogue.

She’s left everything she’s ever known – her friends, her bees, her whole world – because her curiosity was too big to fit within the walls of her underwater home.

But what is this new world she’s come to? Has Hayley finally found somewhere she can belong? Or will she have to keep running?

Rogue is the second and final book in the Vault series by Australian author A.J. Betts. Vault is a dystopian YA series about a young girl — Hayley — who lives in an enclosed vault with a large community and her curiosity leads her to the discovery that they’re in fact living underwater.

Rogue picks up exactly where Hive left off — Hayley travels up in the pod and arrives on land. She has no idea where she is, or even what this place is. Over the course of the novel, you find out why Hayley’s community was living underwater and what happened to those people who were left on land and where they are now.

“Time behaved differently in this world. I didn’t know what I was supposed to do with it. There were no coloured grow lights to signal when to eat, work, rest or sleep. There were no morning meetings to allocate jobs. No bath-time rituals. No prayers, and though I still felt the impulse, I wasn’t sure what to pray for here.”

There were so many possibilities for where this book could go, but I just feel like nothing much happened. This is a really short book and I stand by my original thought that Hive and Rogue should just be one book, but with two parts.

Hayley travels a lot in the book, and it’s kind of boring. Sure, she meets people and they build a family together and there are hurdles she has to overcome and danger she must avoid, and information about the land and the people that she has to learn really quickly. But ultimately, I finished this book quite disappointed at the lack of plot. The final 50 pages has a lot going on but by then, it felt too late. I think this book is let down by its structure and its plot, which is a shame because A.J Betts is a really talented writer and I freaking loved Hive.

“I tried to recall what Will had said about the first generation, and why they went down. They had a problem, you understand? Was it a famine that had caused our ancestors to flee the terrestrial world?”

Rogue explores many themes, including climate change and asylum seeking. The book is mainly set in Tasmania, which is now called Terrafirma. Terrafirma is essentially a prison for drifters — this setting feels really relevant in 2019 and there is a terrifyingly strong connection between Terrafirma in Rogue, and Manus and Nauru in Australia.

Hayley’s characterisation is a strength in the book — she’s thrust into a new world that she has no knowledge of and she’s forced to adapt to her surroundings. She’s resilient and she trusts her instincts, and she is incredibly courageous.

“I’d once resented Will for his freedom. I’d envied his privilege, as the son, to wander unquestioned through the houses, and I often imagined the things I would do, if I were him. I would go to the kitchen for no reason but to smell the nutmeg and touch the polished copper pots.”

The Vault series is recommended for young adult readers, aged 12+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Rogue (Vault #2)
A.J. Betts
July 2019
Pan Macmillan Publishers

We Hunt the Flame by Hafsah Faizal

Zafira is the Hunter, disguising herself as a man to brave the cursed forest of the Arz to feed her people.

Nasir is the Prince of Death, assassinating those foolish enough to defy his autocratic father, the king.

If Zafira was exposed as a girl, her achievements would be rejected; if Nasir displayed compassion, his father would brutally punish him. War is brewing in Arawiya, and when Zafira embarks on a quest to uncover an artifact that can restore magic and stop the Arz, Nasir is sent by the king on a similar mission: retrieve the artifact and kill the Hunter. But an ancient evil stirs-and the prize they seek poses a threat greater than either can imagine.

We Hunt the Flame by Hafsah Faizal is the first book in a new fantasy series set in the fictional, once-magical country called Arawiya — inspired by the Middle East and ancient Arabia. The book is about conquering fear and taking identity into your own hands.

Zafira is a hunter who disguises herself as a man every time she enters the Arz — a dark, dangerous and cursed forest where people have gone missing or deranged. Everyone else avoids the forest, but Zafira hunts inside it to provide for her family, friends and village, and to support herself.

Nasir is a Prince and an assassin, and he’s very good. He’s the son of the cruel and horrid Sultan and Nasir does his father’s bidding without ever questioning his actions or his father’s motives. In a way, he seems to have been brainwashed by his father.

“Nasir took the weapons on his person, along with a rucksack containing a few provisions and a change of clothes. He expected this journey to be quick, no longer than a few weeks. Head straight through the Arz, sail to Sharr, follow the Hunter, and bring back the lost Jawarat.”

I had such high hopes for this book, and I’ve been looking forward to it for months. And whilst the premise is intriguing enough and the characters readable, the pacing is a huge letdown. Zafira and Nasir are given a task right at the beginning of a book — they must hunt down a lost artefact that will restore magic to the land, rid the world of evil, and destroy the cursed Arz forest — but then not much happens for the first half of the book. There’s so much dialogue and so much banter, but not a lot of action or plot.

The prose is a bit up and down — sometimes it’s wonderful, lyrical, beautiful. Other times it’s jilted and awkward, and a little too forced. I think perhaps the story was overwritten and needed a good stripping back in the editing stage.

Additionally, the book is told with dual perspectives and most chapters are really short. There’ll be a tense moment in Zafira’s perspective, and then when we get to a heightened moment, the chapter ends and the POV switches to Nasir. It’s a bit jolting and uncomfortable for the reader, and I think the structure could’ve been improved for a better reading experience.

“Her pulse quickened. Against reason, she wanted to go on the quest. To claim this victory for herself. At the very least, she wanted answers. Could a book really bring back magic? Was the caliph involved? He wasn’t bad. If, somehow, he found out she was a woman, she would find her way around. He wouldn’t chop off her head.”

Grief is a strong theme in the book. Zafira’s father went crazy in the Arz and it led to his death, and she’s still very much traumatised by his passing. And Nasir’s mother recently died, and he’s been left alone to deal with his cruel and evil father. It’s a strong theme that runs throughout the book, and I’m sure many readers will be able to relate to Zafira and Nasir’s grief over the death of their beloved parents.

“For once, she appreciated the fearsome, incalculable strangeness of the Arz that made the men disappear. The two Sarasins could be leagues away, and neither she nor they would ever know it. Such was the Arz. This was why so many people who entered never returned — they couldn’t find their way back.”

This book will appeal to fantasy readers, but seasoned readers. This is not the kind of book to give a reluctant reader, and this is not the kind of book that will keep the attention of someone who doesn’t read often. The pacing is too slow and the characters a little too one-dimensional.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

We Hunt the Flame
Hafsah Faizal
May 2019
Pan Macmillan Publishers