JESS JUST READS

A BOOK REVIEW BLOG

Elektra by Jennifer Saint

The House of Atreus is cursed. A bloodline tainted by a generational cycle of violence and vengeance. This is the story of three women, their fates inextricably tied to this curse, and the fickle nature of men and gods.

Clytemnestra
The sister of Helen, wife of Agamemnon – her hopes of averting the curse are dashed when her sister is taken to Troy by the feckless Paris. Her husband raises a great army against them and determines to win, whatever the cost.

Cassandra
Princess of Troy, and cursed by Apollo to see the future but never to be believed when she speaks of it. She is powerless in her knowledge that the city will fall.

Elektra
The youngest daughter of Clytemnestra and Agamemnon, Elektra is horrified by the bloodletting of her kin. But can she escape the curse, or is her own destiny also bound by violence?

Another absorbing and vivid retelling of ancient Greek myth, Jennifer Saint’s Elektra narrows in on the Trojan War and tells the ill-fated story of Clytemnestra and her tumultuous marriage to Agamemnon, as well as the tale of their daughter Elektra. Across the sea in Troy, we meet a young Cassandra, who is blessed with foresight but is cursed in that no one believes her premonitions.

When Elektra is a young girl, her father Agamemnon leads an army across the ocean to wage war against Troy. Her mother, Clytemnestra, seethes with rage for ten years because of what Agamemnon was willing to sacrifice to ensure safe passage across the seas. And over in Troy, Cassandra can foresee Troy’s demise but is powerless to stop it. Written in first person, Jennifer Saint’s Elektra follows these three women as they navigate this extended but turbulent era of history.

After reading the fantastic Ariadne last year, I was excited to devour this one. Jennifer crafts these mythical stories with great imagination — bringing to life long-known legends and tales of iconic Greek figures.

“At first, Agamemnon was a generous, joyful ruler of Mycenae, his project of uniting all the Greeks a long-held ambition that he was grateful to be realising. But, slowly, peevishness began to settle over him and I saw him fretting from time to time.”

Jennifer Saint’s writing is always rich and well-developed, bringing fierce women to life with emotion and vitality. Clytemnestra, in particular, felt the most visceral and animated, as we can easily relate to her feelings of anger and betrayal. She certainly felt the most candid as she played the long game — she waited ten years for Agamemnon to return so she can carry out her long-planned murder.

Pacing maintains throughout the novel, and Cassandra’s voice ads depth to the story because she is situated on the opposite side of the story. Jennifer Saint is bold in her depiction of these women — their narration is concise and observant, and they each provide an interesting element to the tale. Whilst I didn’t connect with Elektra as much as the other women – not until the end of the novel anyway — I still appreciated her perspective of the saga. She’s certainly the most loyal of the three women.

From memory, Jennifer’s previous release Ariadne featured a fair bit of info dumping in the book, but Elektra did not. Jennifer wove in information with more consideration, which will not go unappreciated by readers.

“I bathed her body alone. The cloths were soft, the water warm. I pulled away the ruined dress, her wedding dress. I kissed her clean skin. When she was small, she would shriek with laughter when I buried my face in the plump folds of her arms, the dimpled knees.”

Admittedly, it initially feels like quite the task trying to grasp the characters and settings. I was somewhat familiar with these Greek figures, particularly Clytemnestra, and yet I was struggling in the beginning to confirm her connection with Cassandra, and the backstory of her sister Helen and her marriage to Agamemnon.

“She was lying to herself; I could see it. She had made a convincing case, but she was wrong. I opened my mouth to tell her so, but I looked at Paris’ face again before I spoke.”

Documenting a period of history worth remembering, Elektra is emotion-laden and recommended for readers of historical sagas, and fans of Greek mythology. Readership skews female, 25+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

Elektra
Jennifer Saint
May 2022
Hachette Book Publishers Australia

In A New York Minute by Kate Spencer

Their love story has gone viral. But it hasn’t even begun . . .

Franny meets Hayes in the opposite of a meet-cute – when her dress gets caught in the subway doors on her way home and then rips, leaving her in the fashion equivalent of a hospital gown. Hayes is the stuffy suit whose one redeeming quality is giving Franny his jacket, saving her from showing her assets to half of New York. Franny is eager to forget the whole horribly embarrassing encounter as soon as possible, but neither of them anticipated a fellow commuter live-blogging them as #subwaybaes – turning their awkward run-in into click-bait and a manufactured love story for the ages . . .

Quick to dismiss Hayes as just another a rich guy, Franny is sure she’ll never see him again, and she’s desperate to put her three minutes of viral fame behind her. But fate isn’t done with the would-be subway sweethearts just yet . . .

Set in New York City and centred around a couple whose first meeting goes viral on the internet, Kate Spencer’s In a New York Minute is a romantic comedy that is charming, fun and incredibly heartwarming.

What feels most striking about this novel is how the premise immediately draws you in — I don’t feel like I’ve come across another book like this, which is rare in this genre. Franny and Hayes meeting on the subway is a clash between two very different people — the creative, career-struggling Franny, and the anxious, analytical, assured but closed off Hayes. As their paths continue to cross, the romantic tension and build-up is very adorable. In A New York Minute is perfect for readers on the hunt for something upbeat and feel-good.

“And in an instant, everything felt impossible again. Pizza. This was the only appropriate solution to the end of this day. Plus, I could afford it, for now at least.”

Franny and Hayes’ characterisation feels believable. Both leads are flawed in their own way, and the way they tackle their insecurities is paced well and crafted with authenticity. Additionally, setting is a strong part of the novel. From the subway and the workplace, to the restaurants and the social scene, Kate captures New York City with ease. There’s a feeling of centrality that accompanies the premise of this novel, so it’s easy to believe how Franny and Hayes’ meeting becomes so viral.

Secondary characters Lola and Cleo hold great significance in the story, not just providing emotional support for Franny but adding humour and tenderness to moments throughout the book when Franny and Hayes’ paths don’t cross.

“I was normally clear on what needed to be done. It wasn’t often that I got things wrong. But in that instant on the subway, I just might have, and my miscalculation was nagging at me. Maybe I’d overstepped, assumed she needed help when she was fine on her own.”

I did think the ending of the novel felt like it meandered. It almost seemed like the story wrapped itself, but then a tragedy befalls Franny and she knee-jerkingly breaks up with Hayes, and reconciliation must eventuate. It felt a little disjointed from the rest of the novel, like that extra part at the end was an afterthought.

Additionally, the subplot of Franny and her half-sibling in Italy felt only loosely tied into the story and like it wasn’t overly gelling with the story. Sometimes I forgot about this altogether, until it wove itself back into the story.

“Of course it was weird. It was too much, too forward. Once again, I was tripping over my tongue around this woman, I never said stuff like this to Perrine, much lest people I didn’t know.”

Heartfelt, funny and full of chemistry, In A New York Minute is highly recommended for readers of contemporary women’s fiction and romantic comedies. Readership skews female, 20+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

In A New York Minute
Kate Spencer
April 2022
Pan Macmillan Book Publishers Australia

The Patron Saint of Second Chances by Christine Simon

Local vacuum cleaner repairman and self-appointed mayor Nino Speranza is in trouble. Without the thousands of euros in taxes that he could never bring himself to collect from his neighbours, the water board will cut the town off. All 212 inhabitants will be forced to leave.

His usually reliable Compendium of Saints yields no answers to his prayers. So, in a desperate bid to save his hometown, he starts a rumour that major movie star Dante Rinaldi is filming his next movie in the village.

Soon, all the locals want to be involved: Speranza’s assistant has written a screenplay and the local butcher will invest – each of his fifteen enormous sons is given a role. It seems the only way to save the town is to actually make the movie.

And Nino Speranza starts to think he might have created the second chance they all needed . . . until word of the production reaches Dante Rinaldi himself.

Christine Simon’s debut novel The Patron Saint of Second Chances is a charming, fleeting, over-the-top tale of a struggling Italian town and their mayor’s ridiculous efforts to secure $70,000 euros to keep it from closing down.

The premise is clever and inviting — Signor Speranza, mayor and local vacuum cleaner repairman, starts a rumour that famous actor Dante Rinaldi will film his next project in their small town of Prometto. Signor plans to secure funding from enough vendors to cover off the town’s debt, but, as expected, things do not go according to plan. And soon, this rumour catches the attention of Dante and his unimpressed agent.

“This, Signor Speranza thought, was his best shot at avoiding mortal sin. If he were just to let slip, casually, that it would really be something if some famous person — Brad Pitt, for example — were thinking of buying a house in Prometto, then he wouldn’t actually be lying, would he?”

Strengths lie in the small Italian setting — there’s a strong sense of place in the novel, which upon reading Christine’s authors note, feels even more real. There’s a claustrophobic element to these kinds of settings, where everyone knows everyone and secrets do not stay hidden for long. There’s genuine concern for the younger generations, who don’t seem to understand the charm of the town as much as their parents and grandparents, and so they’re fleeing Prometto in droves.

Christine’s voice and style of writing makes the book incredibly accessible. Her writing feels almost stream of consciousness, with ample internal monologue and dialogue to give depth to the main characters. There’s a conversational tone to the novel, rendering it an appealing read for sporadic readers or reluctant readers.

“Signor Speranza regarded the pig’s carcass hanging in the window of the shop, and his spirits quailed. Don Rocco was right, of course. Maybe this was crazy. If it all blew up in his face, as Betta had said, he wondered which would be worse, being carted to jail, or having Signor Maestro after him.”

Overall, the novel is quite over-the-top and sensationalist, and rather unbelievable at times. Some elements of the plot I did find rather silly, but I know there’ll be readers who’ll find it charming and fun. I can’t say I ever laughed out aloud during this read, but I did find it an uplifting read, which is a nice discovery amidst the gloom of the world right now.

One small gripe, but there are so many characters in this novel it was really hard to keep track. There is, in particular, a lot of characters with names starting with S, and I got them confused on a regular basis.

“Fate. Chance. The Hand of God. Signor Speranza believed in the last of these, although over the next few days he did not recognise it when he saw it.”

Light-hearted, uplifting and written for the optimistic reader. Recommended for fans of comedy and familial sagas that are just that little bit over-the-top and too extreme to be believable, but are still well loved. Readership skews female, 35+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

The Patron Saint of Second Chances
Christine Simon
April 2022
Hachette Book Publishers Australia

Into the Dark by Fiona Cummins

THE PLACE: Seawings, a beautiful Art Deco home overlooking the sweep of the bay in Midtown-on-Sea.

THE CRIME: The gilded Holden family – Piper and Gray and their two teenage children, Riva and Artie – has vanished from the house without a trace.

THE DETECTIVE: DS Saul Anguish, brilliant but with a dark past, treads the narrow line between light and shade.

One late autumn morning, Piper’s best friend arrives at Seawings to discover an eerie scene – the kettle is still warm, all the family’s phones are charging on the worktop, the cars are in the garage. But the house is deserted.

In fifteen-year-old Riva Holden’s bedroom, scrawled across the mirror in blood, are three words:

Make 
Them 
Stop.

What happens next?

Fiona Cummins’ Into the Dark is a fast-paced, high-stakes psychological thriller centred around the disappearance of a family. The state of the house suggests that the family did not plan to leave, and that perhaps they did not leave of their own choice. What ensues is a unexpected series of twists as we learn the truth of what happened to the Holden family.

Stylistically, Into the Dark moves between the past and the present — in the past storyline, we come to understand bits and pieces that explain what the Holden family were going through in the days preceding their disappearance. In the present storyline, we come to understand the role that Julieanne plays in this mystery and how she feels about the Holden’s disappearance.

“None of the teachers ever pressed Emelie into taking their subjects because of her natural talent. She was proud of her friend but sometimes it was a little exhausting to bear witness to Riva’s continued brilliance.”

Whilst the book is populated with rather unlikeable characters, Fiona crafts a compelling psychological thriller. The history of the friendship between Julieanne and Piper evolves over the course of the novel — they bonded over motherhood and parenting, but over time we realise how interconnected their lives now are. What is Julieanne willing to do for Piper, and what is Piper prepared to do for herself?

Into the Dark will please fans of psychological thrillers — Fiona maintains consistent pacing and high stakes throughout the novel, keeping readers engaged. Fiona offers surprises and twists with each passing chapter, turning the initial premise on its head and ensuring readers stay absorbed throughout the novel.

“The most pressing question is not the origin of the blood used in that message — she smiled at hime and he was lost — but finding the person who wrote it.”

Into the Dark illustrates quite an unconventional relationship between Julieanne and Piper — a toxic, co-dependent friendship that holds disastrous consequences for all. Whilst the ending of the novel does feel rather farfetched and unbelievable, it still provides entertainment for the reader. I did feel like the detectives in the novel weren’t overly present – their investigation feels like it holds slim presence in the book.

There is a sub-plot that follows Julieanne and Piper’s daughters, as they navigate their friendship at school and how those events intertwine with the disappearance of the Holden family. I did find this particular sub-plot less engaging that Julieanne and Piper’s storyline, although it does serve as a bit of a red herring as we start to piece together the truth behind the mystery.

“DC Williams fired off many questions. What was Piper’s usual routine? What about the rest of the family? How long had they lived here? Did they have other properties elsewhere? What about extended family?”

Punchy and pacy, Into the Dark is recommended for readers of crime, thriller and mysteries. Readership skews 25+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

Into the Dark
Fiona Cummins
April 2022
Pan Macmillan Publishers Australia

The Golden Couple by Greer Hendricks and Sarah Pekkanen

If Avery Chambers can’t fix you in ten sessions, she won’t take you on as a client. She helps people overcome everything, from domineering parents to assault. Her successes almost help her absorb the emptiness she feels since her husband’s death.

Marissa and Mathew Bishop seem like the golden couple, until Marissa cheats. She wants to repair things, both because she loves her husband and for the sake of their 8-year-old son. After a friend forwards an article about Avery, Marissa takes a chance on this maverick therapist, who lost her license due to controversial methods.

When the Bishops glide through Avery’s door and Marissa reveals her infidelity, all three are set on a collision course. Because the biggest secrets in the room are still hidden, and it’s no longer simply a marriage that’s in danger.

The Golden Couple is the latest psychological thriller from writing duo Greer Hendricks and Sarah Pekkanen — another intriguing, entertaining tale that crime and thriller readers will enjoy.

Written in third person but moving between two perspectives — disgraced therapist Avery Chambers and polished but deceitful client Marissa Bishop — The Golden Couple felt interesting in that there actually isn’t a crime, or even the hint of a crime, for most of the novel. In the beginning, Avery is merely employed to help Marissa and her husband Matthew process recent betrayal in their marriage. Sure, there are some suspicious elements to the story — Marissa’s assistant is a little clingy and doesn’t quite seem truthful, and Matthew also doesn’t seem to be entirely honest — but other than that, I couldn’t help but wonder where this story was going. And that was what made it so enjoyable. Avery acted as some sort of private investigator, tailing the Bishop family in an effort to help bring them back together. And over the course of the novel, suspicious events arise that give way to criminal elements.

“Avery will be here in less than thirty minutes. Matthew still isn’t home. Marissa desperately wants the half glass of crisp white wine she left on the kitchen counter, which she intended to sip while she finished tidying up.”

Greer and Sarah do well to establish quite a large cast of characters, all of whom seem suspicious. Marissa and Matthew are both withholding secrets, Avery is crossing a lot of ethical lines in an effort to achieve results, Marissa’s assistant Polly is acting suspicious and establishes herself quite early on as a red herring, and there’s also a mystery from Marissa and Matthew’s past that continues to haunt her in the present.

The Golden Couple feels very commercial. Whilst some of the twists feel a little forced and atypical, I think Greer and Sarah know how to craft intriguing premises and engaging characters. This is perfect for a beach or aeroplane read, and a great gift for a reluctant reader.

“Avery already seems to have Natalie’s number. Maybe the marriage consultant knew of Natalie’s existence even before her name came up during the session. Marissa was more than a little unsettled to learn that Avery was skimming through the details of their lives, but if Matthew is okay with it, how can she object?”

The characterisation did seem to waver a bit in the beginning before the story found its groove. Marissa and Matthew’s initial session with Avery felt a bit caricature, and dialogue a little unnatural. But once the suspect built, tensions rose, and the psychological thriller aspect of the novel started to make itself known, the characterisation solidified and it finished on a really strong note.

Additionally, there’s a subplot with Avery and the drug company Acelia which felt a little unnecessary in the book and like it didn’t actually gel within the story. Prior to the events in the novel, Avery acted as whistleblower and divulged to the FDA about Acelia, and now they’re intimidating her into giving up her source. Whilst there is an element of relevance to this at the conclusion of the novel, it feels rather flimsy and far-reaching for most of the book.

“Could this be true? Marissa realizes that in the month or so that Polly has worked for her, Polly has never mentioned a boyfriend or a night out with friends. Her parents live in Milwaukee, and as far as Marissa can tell, they’ve never visited.”

Recommended for readers of psychological thrillers and crime fiction. Readership skews 25+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

The Golden Couple
Greer Hendricks and Sarah Pekkanen
March 2022
Pan Macmillan Publishers Australia