JESS JUST READS

A BOOK REVIEW BLOG

Book Lovers by Emily Henry

Nora is a cut-throat literary agent at the top of her game. Her whole life is books.

Charlie is an editor with a gift for creating bestsellers. And he’s Nora’s work nemesis.

Nora has been through enough break-ups to know she’s the woman men date before they find their happy-ever-after. That’s why Nora’s sister has persuaded her to swap her desk in the city for a month’s holiday in Sunshine Falls, North Carolina. It’s a small town straight out of a romance novel, but instead of meeting sexy lumberjacks, handsome doctors or cute bartenders, Nora keeps bumping into…Charlie.

She’s no heroine. He’s no hero. So can they take a page out of an entirely different book?

Emily Henry’s Book Lovers follows an unapologetic, cutthroat literary agent as she vacations to a small town, only to run into the belligerent, grumpy book editor that she despises. The book explores the cliche of the small town love story, and the common trope of enemies to lovers.

Perpetually single, Nora is career-driven and thrives under pressure. She loves books — editing them and advocating for them — and she strives for success. She is goal-oriented and never feels she has to apologise for her ambition. On her vacation, when she’s constantly crossing paths with the devious editor Charlie, she realises just how similar they really are. Maybe there’s more to him than she realised.

“It’s late in the day for lunch, so the crowd is thin, and I spot Charlie Lastra near the back, dressed in all black like publishing’s own metropolitan vampire.”

Book Lovers is upbeat and relatable, bringing to life a cast of characters who are fun to read.

The setting is quaint and cosy, and the character banter enjoyable. Nora’s relationship with her sister provides a nice additional layer to the story, exploring family responsibilities and what we owe to each other when each other is all we’ve had.

The chemistry between Nora and Charlie builds over the course of the novel and will please romance readers — whilst the heat builds quickly, an energy of ‘will they or won’t they’ persists throughout the book because their circumstances make it difficult to pursue any kind of relationship.

“I go toward her, wrap my arms around her, and hold tight. She circles me in hers too, her lemon-lavender scent settling over me like a blanket, her glossy strawberry waves falling across my shoulders as she runs a hand over the back of my head.”

Emily Henry’s books suit readers looking for light content — perhaps someone looking for a beach read, or something to take on vacation. You’ll power through this in a short amount of time, and when you’re finished, there are two other Emily Henry books out there for you to discover.

“Happy doesn’t begin to cover it. The image of stern-browned, highly polished Charlie tucked into a plastic Corvette and scowling at his Kindle makes me laugh so hard it’s a struggle to stay upright. He’s probably the last person I could picture in a race car bed, aside from myself.”

Fun and light-hearted, Book Lovers is recommended for readers of romance, comedy and contemporary women’s fiction. Readership skews female, 20+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Book Lovers
Emily Henry
May 2022
Penguin Random House Publishers Australia

The Island by Adrian McKinty

The Island is the next thrilling adventure from the mastermind behind The Chain, and a family story unlike any you’ve read yet.

You should not have come to the island.
You should not have been speeding.
You should not have tried to hide the body.
You should not have told your children that you could keep them safe.
No one can run forever . . .

Adrian McKinty’s The Island is a psychological thriller set largely on a remote Australian island off Melbourne, after a British family become trapped there during a holiday from hell. When they accidentally kill a local young woman, the chaotic, unhinged family of Australians who live on the island start to hunt them down.

When Tom and his children, along with his second wife Heather, travel to Australia off the back of a business trip, they’re unexpectedly thrust in to a life-and-death cat and mouse chase through remote Australian terrain.

“She could feel herself sinking. She was so thirsty. Everything ached. She was sitting cross-legged on the ground. A blood trail was making its way toward her through the dust. She tried to breathe. Breathing hurt. Her ribs hurt. The air was thick.”

I really wanted to like this book, and there were elements of the premise and the plot that intrigued me, but the writing is flawed and the story thinly developed. The dialogue is cliche and caricature, and there’s very little depth to the characters. Every conversation felt like something out of an action movie, not at all realistic nor believable. The main characters were so one-dimensional I didn’t like any of them – even the young teenage girl read much younger in some sections, like a scared child rather than the impressionable teenager she’s meant to be.

I know Adrian spent some time living in Australia, but this reads like someone who hasn’t spent enough time here. He wrote Australians to be so stereotypical and over-the-top. It’s rare to find an Australia who actually says ‘fair dinkum’ once, let alone regularly in a conversation. Even the British family weren’t overly likeable. The husband, Tom, freaks out about not getting his chosen hire car, but the main character talks about him like he’s an amazing husband and father — her feelings and his personality don’t match up.

“Olivia buried herself in Heather’s chest. She’d never really hugged her before except that one time at the wedding, before Christmas. And that was only out of politeness.”

On top of that, you have characters who make foolish decisions based on false beliefs (like believing, after the locals have killed people they love, that they might actually let them go if they surrender?). Other inconsistencies include the family on the island not actually being very good at tracking or hunting, even though they’re supposed to live and breathe this terrain? And why are the villains so overwritten? Jacko is ridiculous and so is Ma, to name just a couple of them. Unfortunately this just wasn’t the book for me.

“Heather watched helplessly as the children were sat down on the floor, their hands tied in front of them, and a noose run from each one’s neck to a hook in the ceiling. Another rope around the neck tied them to the wall of the shearing shed.”

The Island is suited for thriller and crime readers. Readership skews male, 25+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

The Island
Adrian McKinty
May 2022
Hachette Book Publishers

The Dance Tree by Kiran Millwood Hargrave

In Strasbourg, in the boiling hot summer of 1518, a plague strikes the women of the city. First it is just one – a lone figure, dancing in the town square – but she is joined by more and more and the city authorities declare an emergency. Musicians will be brought in. The devil will be danced out of these women.

Just beyond the city’s limits, pregnant Lisbet lives with her mother-in-law and husband, tending the bees that are their livelihood. Her best friend Ida visits regularly and Lisbet is so looking forward to sharing life and motherhood with her. And then, just as the first woman begins to dance in the city, Lisbet’s sister-in-law Nethe returns from six years penance in the mountains for an unknown crime. No one – not even Ida – will tell Lisbet what Nethe did all those years ago, and Nethe herself will not speak a word about it.

It is the beginning of a few weeks that will change everything for Lisbet – her understanding of what it is to love and be loved, and her determination to survive at all costs for the baby she is carrying. Lisbet and Nethe and Ida soon find themselves pushing at the boundaries of their existence – but they’re dancing to a dangerous tune . . .

Well this was a delight. Kiran Millwood Hargrave’s The Dance Tree explores lust, family secrets and women under the eye of the Church, set against the backdrop of a captivating dance plague overtaking a small Strasbourg village in 1518. The Dance Tree is also about a returned sister, silenced by a past transgression, and a main character constrained by her marriage and her crowded home.

The Dance Tree is a very female-centric story. At its heart is the pregnant Lisbet, who is hoping her current pregnancy will be her first successful one. Her mother-in-law shames her for her past miscarriages and stillborns, and no one will tell her why Nethe, her husband’s sister, was sent away to the mountains for seven years. What crime did she commit and how will her return affect Lisbet’s life? There is also her best friend Ida, who made a substantial sacrifice years ago and is still living with the repercussions.

“The smell comes like a cloud from the river that cuts east of Strasbourg. It is brown and sluggish beneath the sun, and as they near the city proper, the smell grows solid, grows guts and breath.”

Based on true events, Kiran captures the religious condemnation of the time period with clarity. When the dance plague starts, and then spreads, those in charge are wielded even more power to make it stop. The plague frightens them, and then in turn, they begin to frighten the rest of the townsfolk. People are already hungry and desperate and oppressed by those more powerful than them. Over time, their control over the town begins to fracture, and women band together to exert their force over those in charge.

The writing is one of the strengths in the book – Kiran’s ability to capture human emotion through actions and reactions. There is no ‘telling’ in this book; we learn everything we need to know through social interactions and dialogue. We come to understand feelings and emotions through movement and song and tender conversations between the unlikeliest of friends. And as the pages progress, Kiran builds tension and pacing with ease.

“The ground is scattered with leaves and her gifts. She brings the babies magpie offerings and places them at the base of the tree: pleasingly patterned stones, found feathers, flowers pressed and weighted with pebbles. She used to be superstitious about it, making deals and promises with each token.”

Other strengths in the book include female friendship and relationships between family — particularly Lisbet and her mother-in-law — setting, temperature and weather, and capturing lust and love between two people who struggle to part from one another.

Lisbet reflects on how her relationship with her husband has changed over the years, from intense passion to disappointment, and finally, to what feels like complacency. Lisbet feels guilty for not being able to carry a pregnancy, and thus she feels lost and alone, even when surrounded by others. She has much to learn about life and living, and Nethe’s return acts as the catalyst towards this.

“Nethe said in the abbey such judgements between holy mania and demonic possession rested on whether someone was liked or not. Lisbet eyes her, wondering what effect such a pronouncement will have on her. But Nethe has turned to stone again.”

Lyrical, atmospheric and imaginative, The Dance Tree is recommended for literary fiction readers. Readership skews female, 30+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

The Dance Tree
Kiran Millwood Hargrave
May 2022
Pan Macmillan Publishers Australia

Those Who Return by Kassandra Montag

Amid the desolate wilderness of the Great Plains of Nebraska, a region so isolated you could drive for hours without seeing another human being, sits Hatchery House. Having served as a church, an asylum and an orphanage, Hatchery is now a treatment facility for orphaned or abandoned children with psychiatric disorders. Haunted by patients past and present, only the most vulnerable find a home within its walls.

Dr. Lorelei ‘Lore’ Webber, a former FBI psychiatrist, has almost grown used to the unorthodox methods used at Hatchery House. But when one of her patients is murdered, Lore finds herself dragged into the centre of an investigation that unearths startling truths, shocking discoveries, and untold cruelty. And as the investigation unravels, Lore is forced to confront the past she’s spent her whole life running from – a secret that threatens to undo her entirely.

Kassandra Montag’s Those Who Return is a psychological thriller exploring guilt and redemption within a desolate and remote landscape. Largely taking place inside a mysterious treatment facility, with nowhere to run these characters are forced to accept their fate within the confined walls of this facility.

Protagonist Lore is a physiatrist at the facility, working with disadvantaged children until they are ready to return to their home. Some are evidently more trouble than others — manipulative bullies that prey on the younger children in the group. And so when one, and then two, children end up murdered on the grounds of the facility, there is a long list of potential suspects.

“I hoped it was nothing more than a shadow that had startled her. Carly was scared of everything, so anything could set her off. She was so terrified of going outside that she sometimes wore paper bags over her head.”

Those Who Return features a large suite of characters, which kept me guessing right until the end. I didn’t feel an ounce of predictability about this story, and thought Kassandra brought a unique offering to the psychological thriller genre.

The secluded and remote setting deliberately feels claustrophobic for the reader, building tension and pace with each chapter. We know things are going to get worse before they get better. And Lore did feel like a compelling protagonist — as an ex-FBI psychiatrist still reeling from a traumatic death, she had to battle her demons in her to solve the murders in the book. There was certainly enough richness to her character to carry through the book and keep the story feeling multi-dimensional.

“I reached out and touched her arm and she trembled against my hand, her whole body vibrating like a harpsichord that’d been plucked. She gripped a single tomato so tightly that its juice dripped to the dirt floor in soft plops.”

Whilst the story is a bit slow to start, I did like the time that Kassandra dedicated to setting up the backstory, the characterisation and the dynamic between the children. It allows for an enriched plot and does help the reader later on when the events grow chaotic and start to spiral out of control.

Admittedly, I did feel like Cedar’s presence in the novel felt underdeveloped — his connection to Lore was strong, but he got swallowed by the other characters in the book and I couldn’t help but feel like he was too forgettable.

“Other people couldn’t stop the hallucinations, so what was the point in telling them? Everyone lives with things: obsessions, tragedies, disruptive thoughts. I wanted to believe everything could be treated for all people, but knew there were limits, or at least, limits for me.”

Tense and fast-paced, Those Who Return is recommended for readers of mystery and psychological thriller. Readership skews 25+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

Those Who Return
Kassandra Montag
April 2022
Hachette Book Publishers Australia

The German Wife by Kelly Rimmer

Berlin, 1934. Sofie Rhodes is the aristocratic wife of a scientist whose post-WWI fortunes change for the better when her husband, Jurgen, is recruited for Hitler’s new rocket project. But too late they realise the Nazis’ plans to weaponise Jurgen’s technology as they begin to wage war against the rest of Europe.

Alabama, 1949 Jurgen is one of hundreds of Nazi scientists offered pardons and taken to the US to work for the CIA’s fledgling space program. Sofie, now the mother of four, misses Germany terribly and struggles to fit in among the other NASA wives.

When news about the Rhodes family’s affiliation with the Nazi party spreads, idle gossip turns to bitter rage, and the act of violence that results will tear apart a community and a family before the truth is finally revealed – but is it murder, revenge or justice?

Inspired by true events, Kelly Rimmer’s The German Wife explores morality and guilt within WWII Germany, examining how one couple manage to survive the Nazi regime but then struggle to build a life for themselves in the United States. While they may not have directly enacted the horrors in those concentration camps or forced labour camps, they did nothing to stop the regime and must process their guilt over the events that transpired.

The German Wife is split between two time periods and two POVs — in present, we’re in 1950 and in the past, 1930. Over the course of the novel, we progress through the past through two different perspectives. First, Sofie Rhodes, German, the wife of a scientist who feels coerced into joining Hitler’s regime to help him build rockets for his war. And in the other perspective we meet Lizzie, a young American woman and the hardworking daughter of a farmer, whose brother has never recovered — physically or mentally — from his service in the war. When Sofie and other German families move into her Alabama town, she feels uncomfortable about them living in such close proximity. At times, her behaviour turns hostile.

“The drought changed a lot of things and none of it made sense to me either. I still got out of bed and I still did my share. Mother, Henry, and I didn’t have a choice — we had to get used to a new way of operating because running the farm was a four-man operation.”

Kelly raises some interesting questions around accountability and morality during a time in history like WWII Germany. On the one hand, Sofie and her husband are doing what they can to survive. On the other, do they deserve a comfortable life in Alabama after the horrors they witnessed? Should Sofie’s husband see punishment for what he witnessed and did nothing to stop?

As always, Kelly crafts three-dimensional characters with heart. We come to understand their pain and so we sympathise for them, even if their actions are not necessarily worthy of sympathy.

The element of the novel that I think will interest most readers is the rocket program that Sofie’s husband was involved in — this is based on true events, and was certainly something I’d never known about. It’s clear that a lot of research has gone into making this element of the story authentic and believable. The detailed depiction of this rocket program added considerable depth to Sofie’s story.

“Adele was savvy, hardworking, stubborn, and compassionate. It stung sometimes that she seemed capable of boundless love for strangers, but she still seemed to have little affection for me.”

With the dual timeline and dual perspectives, I did find it quite hard to keep track of the different voices in the beginning of the novel. Particularly given most chapters are actually not that long, so we are jumping between women and decades in quick succession.

“I knew he was thinking about the millions of souls injured or killed in our name…on our watch. I did that too, constantly cycling through memories and facts, as it this time when I played them through my mind, I could change the outcome.”

Observational and taut with its writing, The German Wife is recommended for readers of historical fiction. Readership skews female, 30+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

The German Wife
Kelly Rimmer
May 2022
Hachette Book Publishers Australia