JESS JUST READS

A BOOK REVIEW BLOG

Treasure and Dirt by Chris Hammer

In the desolate outback town of Finnigans Gap, police struggle to maintain law and order. Thieves pillage opal mines, religious fanatics recruit vulnerable young people and billionaires do as they please.

Then an opal miner is found crucified and left to rot down his mine. Nothing about the miner’s death is straightforward, not even who found the body. Sydney homicide detective Ivan Lucic is sent to investigate, assisted by inexperienced young investigator Nell Buchanan.

But Finnigans Gap has already ended one police career and damaged others, and soon both officers face damning allegations and internal investigations. Have Ivan and Nell been set up and, if so, by whom?

As time runs out, their only chance at redemption is to find the killer. But the more secrets they uncover, the more harrowing the mystery becomes, as events from years ago take on a startling new significance.

For in Finnigans Gap, opals, bodies and secrets don’t stay buried forever.

Master of crime fiction, Chris Hammer returns with his latest novel – Treasure and Dirt. Once again set in a rural, desolate Australian town, the novel centres around an unexplained murder and a town full of people desperate to keep their secrets hidden.

Because I read – and loved – Chris’ first novel Scrublands, I was of course eager to read his latest. Despite his novels being quite long and complex, it’s so easy to bury yourself in the book from cover to cover. Usually, the stories are never just about one murder, or one mystery. There’s a long history of mysterious activity in Chris’ books, and so you know you’re in for a great read.

“The motel is called The Golden View, except there is no view. Ivan is happy to ignore the lack of a vista: it’s modern and well-maintained, somehow incongruous in the jumble-sale aesthetic of the town, sitting on The Way, east from the crossroads, where the road is still sealed.”

Chris’ characters are complex, well-rounded and they always lead his novels well. You don’t want a character to be too eccentric, because crime fiction feels like it should be as much about the plot and the secondary characters as it is about the protagonists. Together, Ivan and Nell create quite an interesting dynamic as they work to solve the murder of a local opal miner found crucified deep within his mine.

Ivan is guarded but trusting, and Nell feels like she has to prove herself amongst the other police officers. She’s accelerated quite quickly in her career, but she still has a lot to learn.

As with Chris’ other novels, setting is a strong element in Treasure and Dirt. You can feel the humidity and the dry, scorched landscape – you can almost feel the taste of thirst on your tongue, and the desire for air conditioner in hot cars.

“The police station is deserted when they pull up outside. No other cars, just them. Beside him, Nell leaves the engine running, not even asking: the air conditioner is essential. It’s past five, but there’s no sign of the day cooling. Here, in the hollow of the town, the sun will soon dip behind the West Ridge, promising some relief.”

I’ll admit, the intimate discussions towards the end of the novel around the stock market and fraud went over my head. And I wouldn’t say mining is a huge interest of mine. But regardless, Chris pulls together an incredibly compelling set of events to engage even the most reluctant of readers.

Some might argue there’s too much going on in the novel, but I think that’s a trademark for Chris Hammer because it’s something I recognised in Scrublands. The heightened complexity of his stories allows for a high-pressure, high stakes suite of novels. The multi-layered nature of his work means you’ll always feel unprepared for what’s next, which is a gift in crime fiction.

“Nell looks at Ivan’s face, sees the concentration there, stark in the torchlight. She wonders what he might be thinking, what significance he’s reading into the link between the mines. But she finds herself unable to ask, to break his train of thought. There is something solitary about him, something that forbids intrusion.”

Atmospheric, gritty and criminally gripping, Treasure and Dirt will please fans of crime, thriller and mystery. Readership skews male, 20+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Treasure and Dirt
Chris Hammer
October 2021
Allen & Unwin Book Publishers

The One Impossible Labyrinth by Matthew Reilly

THE END IS HERE

Jack West Jr has made it to the Supreme Labyrinth.

Now he faces one last race – against multiple rivals, against time, against the collapse of the universe itself – a headlong race that will end at a throne inside the fabled labyrinth.

AN IMPOSSIBLE MAZE

But the road will be hard.

For this is a maze like no other: a maze of mazes. Uncompromising and complex. Demanding and deadly.

A CATACLYSMIC CONCLUSION

It all comes down to this.

For it ends here – now – in the most lethal and dangerous place Jack has encountered in all of his many adventures. And in the face of this indescribable peril, with everything on the line, there is only one thing he can do.

Attempt the impossible.

After seven books, Matthew Reilly’s The One Impossible Labyrinth is the final tale in the Jack West Jr series. After a 17-year long journey, this final book offers a satisfying conclusion to the series and will please fans who have been following along with each novel.

As usual with this series, The One Impossible Labyrinth picks up where the last book — The Two Lost Mountains — left off, with Jack and his team arriving at the last puzzle in an attempt to stop the collapse of the universe. We’re immediately thrust back into the action of the story.

This final novel speeds through obstacles and puzzles, weaving in historical storylines and the potential for alternate scenarios. Jack West Jr must once again think outside the box to save the day.

“Down in the shaft, Jack snapped up at the shout. And saw a silverman falling right at him! Suddenly, a strong metal hand — Smiley’s — pulled Jack aside and the falling silverman whistled past, missing Jack by inches — before plummeting further down the shaft.”

The One Impossible Labyrinth is a classic Matthew Reilly novel — quick, compelling storylines with imaginative and engaging puzzles. The book is filled with fast-paced action and authentic, realistic dialogue. Additionally, like all other novels in this series, the pacing is break-neck and consistent. Readers won’t feel like there are any lags in this latest one.

The villains in the novel have carried across from previous reads, so it allows for three-dimensional characters that truly feel like antagonists. Jack and his team must utilise the skills and knowledge they’ve acquired over the previous six books in order to defeat the enemy.

“Each of the obelisks was huge, easily forty feet tall, and they ran in pairs down the length of the bridge, creating a striking avenue. Lily and Eaton came to the jagged void in the bridge’s middle. Two obelisks stood at its edge like posts for a missing gate.”

Admittedly, the ending was slightly predictable — whilst some of our favourite characters were killed dramatically throughout the novel, the ‘bad guys’ all got their comeuppance in the end (although, admittedly, that does suit this genre).

Apart from the that, I felt there was definitely scope for a longer, more developed novel. Each stage of Jack’s journey felt a bit thinly described to keep the pace quick, but it meant I was left feeling like the action could’ve been fleshed out a bit more. Perhaps I just feel like this because I’ve been following the series for 17 years and was sad to see it ending.

“Even though it had a parachute, the seat landed hard, and as it hit the side of the mountain, the impact sent the three men on it scattering: Aloysius and Alby tumbled down the rocky hill, while Rufus was thrown onto a nearby ledge. Alby was knocked out cold. He slumped to the dusty ground.”

Since this is the final book in a 7-book series, it’s pretty clear that the intended audience are readers who are up-to-date with Jack West Jr. If you love action and thriller, and something easy to read perhaps on holiday, I’d definitely recommended picking up the first book — Seven Deadly Wonders — and giving this series a go. Another nail-biter from Matthew Reilly, the readership for this book skews male, 16+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The One Impossible Labyrinth
Matthew Reilly
October 2021
Pan Macmillan

2 Sisters Detective Agency by James Patterson and Candice Fox

Two sisters go into the family business they didn’t know they had – catching killers. Attorney Rhonda Bird returns home to LA to bury her estranged father, and discovers that he left her two final surprises.

The first is a private detective agency. The second is a teenage half-sister named Baby.
When Rhonda goes into her father’s old office to close down the business, she gets drawn into a case involving a young man who claims he was abducted.

The investigation takes Rhonda and Baby to dark and dangerous places. Soon they are caught in the crosshairs of an angry criminal cartel and an ex-assassin seeking revenge . . .

Renowned suspense writers James Patterson and Candice Fox unite once again for the 2 Sisters Detective Agency, which follows a revenge-driven father as he hunts down his daughter’s attackers, and a young public defender whose father’s death unearths dangerous family secrets. Over time, the two timelines begin to intersect.

The novel features quite a large cast of eccentric characters – the tall, pink-haired and striking public defender, her savvy half-sister, and a psychotic, budding murderer lacking any remorse. Don’t expect every character to survive.

“Vera arrived late. She always did. She liked to keep them waiting, give them an opportunity to talk about her. The more people talked about you while you weren’t around, the more mythical you became. The more powerful.”

Whilst the story is complex and it does take a bit of time to wrap your head around the two unfolding storylines, this does allow for a complex but satisfying thriller. Each chapter is quite short, allowing for a quick and punchy read.

The strongest character probably should’ve been Rhonda, but personally, I loved Vera the most. Young, dangerous but very intelligent, she’s found her passion in being a criminal. She’s experimenting more and more, hurting people she feels deserve it but feeling no remorse for her actions. When she and her ‘crew’ break into the home of ex-assassin Jacob Kanular, it sets off a high-stakes game of cat-and-mouse that puts her entire group at jeopardy.

Rhonda’s storyline is not as fast-paced; it’s a mixture of plot-driven and character-driven. When her father, who she hasn’t seen or communicated with in twenty-five years, dies, she’s forced to take on his business and custody of his teenage daughter – Rhonda’s half-sister, who she didn’t know existed. So whilst she becomes entangled in a deranged murder plot, she’s also trying to navigate the sudden existence of a teenage sibling whose safety is her responsibility.

“Another thunk behind him. Another into the boulders of granite either side of him. He followed the narrow natural trail, stumbling over cactus and rocks, falling and getting up and pulling himself onward as the shots followed him into the night.”

Admittedly, where the story falters is the POV shift between chapters. The novel largely follows Rhonda and her chapters are written in first person. But occasionally there are other chapters following Jacob or Vera, or someone else from Vera’s crew, and they’re written in third person. This stylistic decision felt really disjointed and often I started a chapter with absolutely no idea whose story I was following – it would’ve been really helpful if each new chapter had the characters’ name alongside the chapter number, so we knew whose story we were now jumping to.

Other than this, I felt like Baby’s characterisation was a bit caricature and unnatural – she gets better throughout the novel, but when we meet her she seems like a stereotypical depiction of a teenager, and not very three-dimensional.

The only other element that I felt was a bit liming was the romance in the novel. It was small and almost inconsequential. It bubbled so late in the novel it didn’t seem realistic, and I feel like if you took it out of the book it’d make no difference.

“Jacob felt his lip twitch. It was the only outward sign of the boiling, searing rise of fury inside him, the stirring of old reserves of killer rage. He rolled the video back.”

Fast-paced and high stakes, 2 Sisters Detective Agency is recommended for readers of crime and thriller. Readership skews 30+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

2 Sisters Detective Agency
James Patterson & Candice Fox
October 2021
Penguin Random House Publishers

The Cat Who Saved Books by Sosuke Natsukawa

Bookish high school student Rintaro Natsuki is about to close the secondhand bookshop he inherited from his beloved grandfather. Then, a talking cat named Tiger appears with an unusual request. The cat needs Rintaro’s help to save books that have been imprisoned, destroyed and unloved.

Their mission sends this odd couple on an amazing journey, where they enter different labyrinths to set books free. Through their travels, Tiger and Rintaro meet a man who locks up his books, an unwitting book torturer who cuts the pages of books into snippets to help people speed read, and a publisher who only wants to sell books like disposable products. Then, finally, there is a mission that Rintaro must complete alone . . .

Japanese fiction translated by Louise Heal Kawai, The Cat Who Saved Books is a story for book lovers. At only 217 pages, and published in a small format, this book is a very short read and at its core explores love, loss, family, and the persistent power of books and reading. And with a talking cat, the novel of course dabbles in magical realism and contemporary fantasy.

Whilst this largely seems to be marketed as an adult novel, its appeal certainly expands beyond that readership. Over the course of the story, Rintaro embarks on four journeys to rescue literature, and the episodic structure of the novel is reminiscent of many children adventure stories — the grief-stricken protagonist, a talking animal driving the plot forward, and a friend in the form of a sidekick, keeping the story grounded in reality.

“It was only two days since Sayo and Rintaro had tea together. Rintaro had only replied vaguely to her pleas for him to go back to school, and ever since stayed holed up inside Natsuki Books. Really there didn’t seem any reason to go to school at all at this point.”

Underneath all the adventures, this is a story about an introverted young boy coming to terms with his grandfather’s death. When we meet him in the beginning of the novel, he’s getting ready to shut his grandfather’s bookstore. He’s barely attending school, he doesn’t have any friends and he doesn’t seem to possess passion for anything anymore. By meeting Tiger and embarking on these adventures, he comes to recognise what brings him joy and happiness, and is able to forge on without his grandfather. He learns to let others in, and let some things go from his mind.

“Rintaro took another look at the magnificent gate and the mimosa tree above. Its giant branches were covered in cottony blossoms. That was strange. It was December, which made this a very unusual mimosa indeed. But then again, from the outset everything he had seen today had defied common sense.”

Louise has done a great job with the translation, maintaining the whimsical, quirky nature of Japanese fiction and ensuring the story stays on course.

Admittedly, the short word count means the story does feel a little simplistic at times. It’s quite a clear cut story of good and bad, and does feel more like a novel for children than adults. However, it is a charming and enchanting tale that doesn’t take much time to read.

“Something in the atmosphere changed. Rintaro turned to look at the door. Beyond the darkness a wind had begun to blow. Or rather, there was a wind blowing through the hall, towards the darkness, easing Rintaro and the cat towards the fusuma door.”

Literary fiction with quite a specific audience, The Cat Who Saved Books is magical and wispy and will largely appeal to frequent readers and those who truly love reading. Readership skews 12+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Cat Who Saved Books
Sosuke Natsukawa
September 2021
Pan Macmillan Book Publishers

The Heart Principle by Helen Hoang

When violinist Anna Sun accidentally achieves career success with a viral YouTube video, she finds herself incapacitated and burned out from her attempts to replicate that moment. And when her long-time boyfriend announces that he wants an open relationship before making a final commitment, a hurt and angry Anna decides if he wants an open relationship, then she does, too. Translation: She’s going to embark on a string of one-night stands. The more unacceptable the men, the better.

That’s where tattooed, motorcycle-riding Quan Diep comes in. Their first attempt at a one-night stand fails, as does their second and their third, because being with Quan is more than sex-he accepts Anna on an unconditional level that she herself has just begun to understand.

However, when tragedy strikes Anna’s family, she takes on a role that she is ill-suited for, until the burden of expectations threatens to destroy her. Anna and Quan have to fight for their chance at love, but to do that they also have to fight for themselves.

Helen Hoang’s The Heart Principle is both a contemporary romance novel and commercial women’s fiction novel exploring identity, self-sacrifice and belonging. The second half of the novel painfully explores the role of family expectations and caregiving.

Protagonist and violinist Anna is struggling with her music — after experiencing viral fame, she feels her music is riddled with errors. She’s also struggling to connect with her family, and her sister’s continued disinterest and disregard for Anna’s feelings creates friction between them. Anna’s connection with Qual after an intended one night stand allows her to confront her insecurities and her hesitations (particularly relating to intimacy), and work to understand herself a little better.

“There’s a confidence and relaxed coordination in the way he moves that suggests he’s been in a few fights — and won them. Have I lost my mind that this is intensely appealing to me, that hint of danger?”

Helen’s strength lies in her narration and voice. Written in first person, Anna’s voice offers reflection at key moments. She’s wise and intelligent, and she’s considerate. Too considerate. She puts others before herself, and she doesn’t quite understand how unhappy she is — how she’s not living the life she wants.

For most of the novel, Anna battles with herself as she tries to overcome her music struggles and her family’s judgement of her. When Anna’s psychologist tells her that she’s likely autistic, it allows Anna the chance to understand who she really is, and how she can progress in her personal life and her career.

Many readers will understand that multi-faceted feeling of pressure — from family, partners, career, and society. Sometimes we are our own worst enemy, so it’s nice to feel reassured about who you are and where you are in life.

“Parts of me don’t look quite right anymore. That’s the simple truth and something that I feel I need to explain. There’s also the other thing, the thing that I haven’t told anyone yet, because it’s awkward and it sucks and sometimes it still makes me cry.”

Admittedly, the novel does a bit like a clash between priorities. Is this a romance first and foremost? The first half certainly feels like it, but the second half almost feels like a different story. I’m not saying it’s not enjoyable — I binged the book in one day — but it did feel a bit like a jolt as I made my way through the story. The progression of Anna and Quan’s romance certainly felt predictable, and the ending foreseeable.

Personally, I loved that Anna’s relationship with her sister was left unresolved at the end of the novel. It shows that not everything can be fixed or wrapped up in life, and that sometimes relationships can remain broken.

“His words catch me off guard, and I stare at him for a moment. I need to run, to escape, to crumple up tonight like a ruined sketch and start with a fresh sheet. And he’s telling me not to. Worse than that, he makes perfect sense. And he’s smiling again, taking my breath away and making me stupid.”

Heartwarming with a lot of soul and charm, The Heart Principle is recommended for fans of romance and commercial women’s fiction. I can see YA readers loving this as well. Readership skews female, 20+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Heart Principle
Helen Hoang
September 2021
Allen & Unwin Book Publishers