JESS JUST READS

A BOOK REVIEW BLOG

Girl in the Rearview Mirror by Kelsey Rae Dimberg

Desperate to put her past in the rearview mirror, Finn Hunt leaves the Midwest for Phoenix, Arizona, where no one knows her story.

While she’s working a dead-end job, a chance meeting with Philip Martin, son of a prominent US Senator, leads Finn to a position as nanny for Amabel, his precocious four-year-old daughter. Quickly seduced into the Martins’ privileged world, Finn can almost believe she belongs there, almost forget the dark past that haunts her.

Then, in the stifling heat of a desert summer as the Senator’s re-election looms, a strange woman begins to follow Finn, claiming a connection to Philip and threatening to expose the family to scandal. As Finn tries to protect Amabel, and shield the Martins, she’s inadvertently drawn deeper and deeper into their buried secrets.

The family trusts Finn, for now, but it will only take one mistake for everything she holds dear – the Martins’ world, her new life – to fall apart . . .

Girl in the Rearview Mirror by Kelsey Rae Dimberg is a mystery thriller novel about privilege, power, family and expectation. Set in Arizona, twenty-something Finn works as a babysitter for a very high profile family and she quickly finds herself entangled in a dangerous web of lies.

The family that Finn nannies for — the Martins — are rich and very powerful. Philip Martin is the son of a prominent U.S senator, and there’s nothing they can’t buy their way out of. No scandal they can’t weasel their way out of. No undesirable blackmailer they can’t pay off or make ‘disappear’.

When a woman shows up claiming to hold a secret that could destroy the Martins’ lives, Finn tries desperately to fix the situation before it implodes. But has she bitten off more than she can chew? Will she just make the situation worse?

“Marina would never miss her own party. She wouldn’t retreat from Philip Martin and let Iris have him. Yet that’s exactly what she was doing…I could tell her I knew about Iris. Offer to help. But knowing of my involvement would make her quiver. If she found out I’d know for days, she’d fire me on the spot.”

Initially, the pacing is incredibly slow. The first third of the book doesn’t move fast enough to grab the reader’s attention, and you have to hope the reader continues to invest in the storyline. Girl in the Rearview Mirror is a fantastic read, but the beginning had me bored.

Finn’s mysterious and secretive past isn’t really mentioned until the second half of the book and I couldn’t really see how her past and present were going to link. And the first third of the book is all about Finn’s babysitting, and the world of US politics — two things that I found pretty boring.

“I put together their childhood in pieces: the album, the anecdotes Philip let slip, Bryant’s longer knowledge of the tension between Philip and his father, and something else — a feeling I had of knowing Philip.”

Finn’s paranoia grows over the course of the novel — she’s an unreliable narrator. She second guesses everything and questions every moment. She embarks on some rather absurd (and unbelievable) investigatory trips. At times, she’s incredibly naive and really rather stupid. It’s super obvious that *spoiler alert* her boyfriend is drugging her at night and I’m pretty sure she realises it and yet she just keeps on downing the drinks that he makes for her and then she’s really ‘surprised’ when she wakes up the next morning feeling rubbish. It’s hard to sympathise for her and her situation when she’s so clueless.

Kelsey builds tension really well, revealing little snippets of information and secrets to intrigue you even more and pull you in further. There are plenty of plot points that I didn’t see coming. Sometimes with crime novels, the structure of the plot can be fairly predictable, but I honestly didn’t know where this one was going and so I was more than happy to keep reading.

“The redhead observed us, arms crossed, and I swore she was smirking. She was older than I’d guessed at the fair, early twenties, maybe. Even in the shadow of her hat, her skin was pale, almost opalescent. Against it, her hair was bright as a flag.”

The writing is sleek and sophisticated, the characters all unique and dynamic. Girl in the Rearview Mirror highlights issues of wealth and privilege, and how those two things can mean a lot of collateral damage for a lot of innocent people.

Recommended for fans of mysteries, crime and thrillers. Stick with the book, because the first 100 pages may be a struggle, but the effort is worth it in the end.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Girl in the Rearview Mirror
Kelsey Rae Dimberg
July 2019
Pan Macmillan Publishers

Wolfe Island by Lucy Treloar

Kitty Hawke, the last inhabitant of a dying island sinking into the wind-lashed Chesapeake Bay, has resigned herself to annihilation…

Until one night her granddaughter blows ashore in the midst of a storm, desperate, begging for sanctuary. For years, Kitty has kept herself to herself – with only the company of her wolfdog, Girl – unconcerned by the world outside, or perhaps avoiding its worst excesses. But blood cannot be turned away in times like these. And when trouble comes following her granddaughter, no one is more surprised than Kitty to find she will fight to save her as fiercely as her name suggests…

Wolfe Island is the second literary novel from Australian author Lucy Treloar, set on an estuary that is slowly disappearing in the ocean.

Wolfe Island is part of the Chesapeake Bay estuary off the east coast of the US. The ocean is slowly swallowing it and over the years, one by one, the locals have fled the island for the mainland. But not Kitty Hawke — she’s now the sole survivor of that island, and she’s determined to stay there for as long as possible.

But when four young runaway kids — one of whom is her 16-year-old granddaughter Catalina Hawke — show up desperate to hide from their families, Kitty takes them under her wing. They stay in a vacant house on the island and over a period of many months, Kitty and the group bond.

“I went to the marsh walkway, a structure that ambled above the eastern salt marsh like a caterpillar in search of a leaf. It had a way of clearing my mind, which was muddled then by many worries: about the future, and about Claudie and what she knew, and whether I should tell Claudie about Cat, and what I suspected about her.”

In Wolfe Island, America is in the midst of a climate crisis. The coast of the country is being eaten away by the ocean and scores of people from the south are venturing to the north in seek of refuge. But this is not a safe world. They’re not welcome in the north, and anyone fleeing north — ‘runners’ — are hunted, captured and locked up.

Two of Catalina’s companions are runners seeking refuge.

“Not long after, we passed a farm prison where illegals and children, perhaps their own, all dressed in orange, were in trees picking fruit. It was the first I had seen of that sort of thing.”

A talented artist, Kitty is an interesting protagonist — reserved, independent, quiet, but also fierce and brash and determined. The writing is tight and almost flawless, the characters all just as interesting, diverse and integral as the next.

Her closest friend is her wolfdog, Girl, and her memories of their time together on the island. The book moves between past and present seamlessly and regularly, taking the reader on a journey through history so that by the end, we feel like we’ve been living on Wolfe Island for centuries.

The book is atmospheric and effortless, exploring themes of fragility, flight, survival, independence and adulthood. It’s about people who runs from their problems, and the people left behind.

“Summertime. When I wake early I can pretend things haven’t changed. I wait for this moment: first light arriving on the plain of Wife Island like a can of paint-wash water of clearest watermelon pink flung in an enormous delicate rush.”

It takes a bit of time to warm to this book — the writing feels sparse at the beginning, and the characters a little dry and distant. But over time, the book finds its rhythm and the horrors of the world scarily reflect our own and you find yourself drawn to the characters and their journey.

Recommended for fans of literary fiction, and character-driven stories. Recommended for regular readers.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Wolfe Island
Lucy Treloar
September 2019
Pan Macmillan Publishers

Matters of the Heart by Fiona Palmer

A classic love story about manners, men and modern romance.

Western Australia, 2019: The Bennets are a farming family struggling to make ends meet. Lizzy, passionate about working the land, is determined to save the farm. Spirited and independent, she has little patience for her mother’s focus on finding a suitable man for each of her five daughters.

When the dashing Charles Bingley, looking to expand his farm holdings, buys the neighbouring property of Netherfield Park, Mrs Bennet and the entire district of Coodardy are atwitter with gossip and speculation. Will he attend the local dance and is he single? These questions are soon answered when he and Lizzy’s sister Jane form an instant connection on the night. But it is Charlie’s best friend, farming magnate Will Darcy, who leaves a lasting impression when he slights Lizzy, setting her against him.

Can Lizzy and Will put judgements and pride aside to each see the other for who they really are? Or in an age where appearance and social media rule, will prejudice prevail?

Matters of the Heart by Fiona Palmer is a modern-day retelling of Pride and Prejudice, set in farmlands in rural Western Australia.

Lizzy Bennet’s family have owned and run Longbourn for decades, and they’re not about to let a few rough years of drought force them to sell up and leave the town.

Charles Bingley, his sister Caroline Bingley, and his best friend Will Darcy soon arrive to the area after Charles buys the expensive neighbouring property Netherfield. If you’re familiar with Pride and Prejudice, you’ll know what comes next.

Despite the twenty-first century Australian setting, Matters of the Heart follows Pride and Prejudice pretty similarly. There are a few slight tweaks to the storyline, and some accelerations in pacing, but other than that, it’s pretty loyal to the original story. Any devoted fan of Pride and Prejudice – like me – will enjoy another fresh retelling of the classic tale.

“Ken Collins was shorter than Lizzy by half a head, and his hair was thick and black, resembling that of a Lego-man. He wore a leather belt with a shiny buckle as if he’d been a rodeo champ in his day. If you let him talk long enough he’d tell you about the time he rode a bucking bronco.”

The rural Australian setting was a nice touch to the story, and allowed us to see the Bennet family as a struggling but stoic unit. They’re supportive, compassionate, and they bond over the tough times they’ve had on the farm in previous years. The sisters are all vastly different – like in Pride and Prejudice – but they support one another and the older girls are a positive influence on the younger ones.

I did wonder if more creative liberties could’ve been taken, and if the storyline could’ve drifted a bit more from the original source. I love Pride and Prejudice, but I felt like I knew exactly where the story was going and so I didn’t feel a huge range of emotions when reading the book. I would’ve like a bit more of a difference between the book, and its source.

“You can’t save them all, her dad had said when she was six and saw her first mauled lamb. It’s nature; that lamb has fed a family of birds. It was a rough way to learn about the cycle of life, but in farming there was no shying away from it.”

This book showcases strong, independent women. Lizzie plans to take over Longbourn from her father and she is already running a lot of the operations on the farm. She’s capable, confident and she’s incredibly smart.

Lizzie is used to men assuming she doesn’t know what she’s doing. She’s used to being questioned about who will run the farm after her father passes. But she’s sure of herself, and she doesn’t let others sway her opinion. She’s feisty and she’s fun, and her romance with Will Darcy is really heartwarming. I enjoyed reading about their blossoming romance — their quirks and their clashes, and their respect for each other.

There are moments of humour scattered throughout the book. Ken Collins is ridiculous and clueless, just like his inspiration. Kitty and Lydia are overdramatic and self-centred, but they bring a smile to your face, and Will and Lizzie have incredible chemistry on the page that you can’t help but adore.

“The top envelope was addressed to Jane and Lizzy. The invitation was fancy, handmade with care, but Lizzy couldn’t imagine Charlie or Caroline making them. Probably paid someone to do them. Across the top it read Bingley Barbecue.”

I recommend this to Pride and Prejudice and Jane Austen fans, although be aware the story doesn’t venture outside the original plot-lines quite like I’d expected.

Fans of romance will enjoy this, as will any Australian reader interested in rural settings or books set amongst farmland. Matters of the Heart reminded me of McLeod’s Daughters — strong women showing men how capable they can be on their own.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Matters of the Heart
Fiona Palmer
September 2019
Hachette Book Publishers

The Family Upstairs by Lisa Jewell

In a large house in London’s fashionable Chelsea, a baby is awake in her cot. Well-fed and cared for, she is happily waiting for someone to pick her up.

In the kitchen lie three decomposing corpses. Close to them is a hastily scrawled note.

They’ve been dead for several days. Who has been looking after the baby? And where did they go?

Two entangled families.
A house with the darkest of secrets.

The Family Upstairs is a compulsive new thriller from British author Lisa Jewell, centring around a vulnerable family, the people they allow into their house, and how that has a disastrous ripple effect on generations to follow.

25 years earlier, the police arrive at 16 Cheyne Walk in Chelsea, London after concerns for the welfare of the inhabitants. They find three bodies inside in the kitchen, as well as a healthy 10 month old baby who has been well cared for. An investigation ensues, but the police are never able to uncover what happened inside that home.

The book switches POV between a few different characters. First, we have Henry Lamb 25 years earlier. He lives with his parents and his sister at the fashionable house in Chelsea. They’re rich and they’re happy. But over time, they spend too much money, their worth diminishes, and Henry’s mother seeks solace in something bigger than just family. She invites outsiders into their home, at first just for a short time. But then it becomes clear that these new tenants have no intention of leaving and over time, their influence over the family grows dangerous.

The reader follows Henry’s journey from child to adolescent to teenager to adult. At first, he’s spoilt and naive, and too trusting. Over time, he can see the effect that these visitors are having on his parents and the house that they’ve cherished over the years. Henry takes drastic measures to try and regain control.

We also meet Libby and Lucy, although it’s clear that their storylines are in the present — decades later.

Libby has recently turned 25. She rents an apartment but she’s struggling financially — she’s an adopted child. When she finds out she’s inherited a 3-storey mansion overlooking the Thames, she goes searching for the truth about her parents. We find out pretty quickly that Libby was the baby found in the mansion all those years earlier. Her parents were two of the three dead adults found in the kitchen. And Henry? Well, Henry must be her brother.

Lucy Lamb is Henry’s other sister, who he grew up with in the Chelsea mansion. Where is she now? She’s living in France but is homeless, and she has two young children. Slowly, she starts making her way back to London to find the baby that was left behind 24 years earlier.

“Her head, which a week ago had been filled with new sandals, a hen night, her split ends, the houseplants that needed watering, was now filled with people sleeping on mattresses and dead rabbits and a big, scary house, empty but for a large rocking crib from Harrods with strangely sinister pale blue roses painted on the sides.”

The Family Upstairs is a psychological thriller that had me hooked from start to finish. At first, it seemed a little confusing with the different POV — I got Lucy and Libby mixed up a couple of times — but I soon settled into the storyline. The mysterious deaths in the London mansion and the unclaimed baby left behind prove a fascinating premise.

The writing is tight and polished, building tension and inviting intrigue that keeps the reader entertained throughout the entire book. Each chapter gives you just enough information to make you think you know where the story is going, but still keeps enough mystery that you’re desperate to keep reading.

“What can I tell you about David Thomsen form my perspective then, as a young boy? Well, I can tell you that he was very handsome. Not in the soft, almost feminine way that his son was handsome, but in a more traditional way…I can tell you that he appalled me and fascinated me in equal measure.”

The storyline and the plot is incredibly complex, and so the pace moves really quickly because there’s a lot of history for the reader to take in. Henry, Libby and Lucy have all lived incredibly different lives and to give them due attention, we need to spend a lot of time understanding their circumstances, their motives, their next move

“Lucy hasn’t had a drink for weeks. She would die for a beer. But she can’t. She has to keep all her wits about her for the next half an hour or so. She shakes her head.”

Chilling and dark, and highly recommended. Anyone who loves a good mystery thriller will devour this book.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Family Upstairs
Lisa Jewell
August 2019
Penguin Random House Publishers

The Poison Garden by Alex Marwood

Where Romy grew up, if someone died you never spoke of them again.

Now twenty-two, she has recently escaped the toxic confines of the cult she was raised in. But Romy is young, pregnant and completely alone – and if she is to keep herself safe in this new world, she has some important lessons to learn.

Like how there are some people you can trust, and some you must fear. And about who her family really is, and why her mother ran away from them all those years ago.

And that you can’t walk away from a dark past without expecting it to catch up with you…

The Poison Garden by Alex Marwood is a suspenseful novel about the dark and dangerous world of cults. When the majority of the members of a dark and secretive Doomsday cult are found dead in an apparent poisoning suicide, the sole adult survivor, Romy, must learn to navigate the real world. She’s 22, pregnant, and full of secrets. What really happened at Plas Golau and how did everyone die?

The structure of the novel is what will keep readers utterly absorbed in the story. The novel switches back and forth, between past and present. Slowly, we come to understand what Pla Golau was really like, who was in charge, how the commune ran, and how they all died.

We come to realise just how brainwashed all the cult members were. They’re all preparing for the end of the world, but there are many cracks in the foundation of their cult. Everyone is assigned chores each day, with strict rules that they must follow. Lucien (Father) chooses a new girl each solstice to begin sexual relations with in the hope of getting her pregnant. But no one seems to question how young the girls are, and how Lucien only seems to choose the attractive ones each year.

Romy’s mother joined the cult when Romy was a baby, and so Romy is never considered very special because she wasn’t ‘created’ in the commune. However, her mother gives birth to two children while in the cult and the middle child — Eden — is the daughter of Lucien. And she’s doted upon by the other cult members. Even after the mass suicide, when Romy, Eden and their brother Ilo are still alive and trying to navigate the real world, Eden has a sense of entitlement. She thinks she’s some sort of saviour because Lucien is her father.

“It is very quiet. Not really. It’s just a completely different sort of loud from the rural sounds of Plas Golau. The sound of traffic outside, the rumble of the machines downstairs. I have the windows open, for the heat is stifling on a sunny day in October.”

Alex Marwood builds tension and unease really skilfully — as you read the storyline of the past, you can see the deaths coming. You can also sense a lot of other incredibly problematic and disturbing things that are happening within the cult.

There are a group of vile boys who make a habit of preying on young, drunk girls whenever the cult celebrates the solstice with a boozy party. Lucien’s son returns to the cult — now an adult — and he appears to have a hidden agenda. And whenever children die, which seems to happen fairly often, their bodies disappear and they are never spoken about again.

The writing is sharp and evocative. The reader gets a strong sense of place from The Poison Garden — Alex Marwood has done a fantastic job of capturing the entire world of Plas Golau. I found it easy to imagine all of it. Personally, I loved the ‘past’ storyline more than the present storyline, but I think that’s because of my fascination with cults.

“She stays until she’s sure I’m not going to burn myself to death. She shows me how to work the gas cooker, how to turn on the TV and where the meters are for the payment keys, and advises me to clean the fridge before I put anything in it.”

The only flaw I noticed with the book is the characterisation of Aunt Sarah. SPOILER ALERT: the evolution of her character doesn’t make much sense to me, and I felt like it didn’t fit in with how she was initially presented to readers. She’s a single woman whose reckless sister left the family decades earlier after falling pregnant at a young age. She distanced herself from her parents, and when the mass suicide happens at Plas Golau, Sarah’s sister is named as one of the dead.

Sarah’s niece and nephew — Ilo and Eden — are suddenly landed with her from social services. They’re teenagers but completely clueless about how the world works. They’re obviously very traumatised and disturbed by their years in the cult. Sarah is overwhelmed by their presence in her life, but she wants the best for them. She’s helpful, instructive, and she fights on their behalf when there are issues at school.

But then, and this is seriously spoilery, at the end of the novel she follows Romy and Ilo to a commune established by another dangerous cult leader. What? Huh? Why is Sarah there? I understand Romy and Ilo’s motivations, but Sarah? That ending didn’t feel organic. Sarah doesn’t seem like the kind of character who would join a cult.

“He squalls his way into the world when the fruit harvest is at its height and Romy doesn’t hear about it, or notice that her mother is missing, for two days. Anyone at Plas Golau who can walk and understand simple instructions is out in the orchards, and his birth has attracted none of the pleasurable anticipation that Eden’s did.”

Despite that, I highly recommend The Poison Garden, particularly if you’re intrigued by suspense, thriller, secrets, and cults.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Poison Garden
Alex Marwood
August 2019
Hachette Book Publishers

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