JESS JUST READS

A BOOK REVIEW BLOG

Stone Town by Margaret Hickey

With its gold-rush history long in the past, Stone Town has seen better days. And it’s now in the headlines for all the wrong reasons . . .

When three teenagers stumble upon a body in dense bushland one rainy Friday night, Senior Sergeant Mark Ariti’s hopes for a quiet posting in his old home town are shattered. The victim is Aidan Sleeth, a property developer, whose controversial plan to buy up local land means few are surprised he ended up dead.

However, his gruesome murder is overshadowed by a mystery consuming the entire nation: the disappearance of Detective Sergeant Natalie Whitsed.

Natalie had been investigating the celebrity wife of crime boss Tony ‘The Hook’ Scopelliti when she vanished. What did she uncover? Has it cost her her life? And why are the two Homicide detectives, sent from the city to run the Sleeth case, so obsessed with Natalie’s fate?

Following a late-night call from his former boss, Mark is sure of one thing: he’s now in the middle of a deadly game . . .

Margaret Hickey’s latest rural crime offering Stone Town reintroduces us to Senior Sergeant Mark Ariti, investigating the apparent murder of local property developer Aidan Sleeth in the secluded Stone Town, and the simultaneous kidnapping of Detective Sergeant Natalie Whitsed. It isn’t until Natalie’s car is located near Aidan’s residence that Mark starts to suspect the two crimes may be connected.

Once again, Margaret brings us an intriguing rural crime drama, navigating two crimes simultaneously and with ease. Interspersed throughout the book are italicised chapters written from Natalie’s perspective, designed to make sure that plotline doesn’t get lost amid the search for Aidan’s killer.

“Luke told them the story in a sad drawl: how he’d known Aidan from when he moved to Booralama from Warrnambool in Victoria two years ago. Followed a girl, she broke up with him, went off with some Fitter and Turner from Nhill. He got a job at Aidan’s real estate office in town, started playing footy for the seconds, liked the town, liked the job, liked Aidan well enough. Stayed.”

Mark’s past definitely had more real estate in Cutters End, but there isn’t as much of a need for his backstory in this one. With one murder victim and one missing police officer, there is enough material to fill the chapters and keep the reader turning the pages.

Stone Town manages the delicate balance between prose and dialogue – the dialogue is realistic, believable and authentic, and the prose quite descriptive and generous, particularly during chapter openings.

Themes explored in the book include family, community and service. There is quite clever foreshadowing in the opening couple of chapters, and the suspect pool is large enough to keep the reader guessing – I certainly didn’t correctly guess Aidan’s murderer.

“He didn’t run on Sundays. That was the weekly treat he granted himself, but still, he wished he could sleep in a little longer. The day would be stormy. Already, he could see the dark clouds gathering across the grey sky, wind whipping the tops of the gums in his yard. More rain was predicted. Flood warnings in place.”

This is another novel from Hickey with a strong small-town noir setting – Stone Town used to be an old gold mining town, which plays a role in the disappearance of Natalie Whitsed. Hickey writes setting with ease, capturing the vast, open landscape and that helpless feeling that a missing person could stay lost forever.

My only small gripe with the book was that some of the dialogue towards the end of the book – in the scenes where Mark confronted the perpetrator – felt a little caricature and over-the-top. Straight out of a movie scene and so on the page it didn’t quite feel natural.

“In the background, Mark could see that John had risen from his weed killing and was poking at something in the corner of the garden bed with his shoe. A tiny round thing was squirming in the dirt.”

Taut, gritty and pacey, Margaret Hickey’s Stone Town is recommended for readers of crime, mystery and thriller. Like most of the titles in this genre, you don’t need to read previous stories with this detective just to understand the present one. Readership skews 30+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

Stone Town
Margaret Hickey
July 2022
Penguin Random House Publishers

Lying Beside You by Michael Robotham

Twenty years ago, Cyrus Haven’s family was murdered. Only he and his brother survived. Cyrus because he hid. Elias because he was the killer.

Now Elias is being released from a secure psychiatric hospital and Cyrus, a forensic psychologist, must decide if he can forgive the man who destroyed his childhood.

As he prepares for the homecoming, Cyrus is called to a crime scene in Nottingham. A man is dead and his daughter, Maya, is missing. Then a second woman is abducted . . . The only witness is Evie Cormac, a troubled teenager with an incredible gift: she can tell when you are lying.

Both missing women have dark secrets that Cyrus must unravel to find them – and he and Evie know better than anybody how the past can come back to haunt you . . .

The next psychological thriller from Michael Robotham, Lying Beside You centres around two missing woman, an attack on a third woman years earlier, and the secret that binds all three victims together.

Regular readers of Michael Robotham will recognise forensic psychologist Cyrus Haven from two of his earlier works – in this latest iteration, Cyrus’ brother is being released from psychiatric hospital and the troubled young adult living with him is the only witness to the abduction of a drunk woman outside of a bar. Over the course of the novel, the case of two missing women will intersect with a seemingly ‘solved’ crime from years earlier.

“I hate arguing with Cyrus. I hate that he’s older than me and that he thinks he knows everything. I hate how he picks me up on my grammar and my vocabulary, like when I say literally when I mean figuratively (whatever the fuck that means). I hate how he laughs at me, but not in a cruel way.”

Whilst this is the third appearance of Cyrus Haven, readers need not have read the first two books to follow this plot. Written in first person and moving between Cyrus and Evie’s perspectives, Robotham’s writing is stripped and almost methodical – no unnecessary prose or dialogue, only containing the elements needed to keep the reader turning the page.

Lying Beside You explores the complex relationship between Cyrus and his brother Elias – Cyrus’ line of work means that he is able to separate Elias from what he did all those years earlier, but that doesn’t mean he can necessarily forgive him, or feel uneasy leaving him alone.

Crime and thriller readers will be pleased with this offering – the pacing quickens, there are multiple mysteries to maintain a reader’s attention, and Robotham weaves them together seamlessly with an explosive conclusion.

“As I walk to my car in the hospital parking area, the air seems saturated with oxygen, making the colours brighter and my senses sharper. I lean back in the driver’s seat of my Fiat and feel my heart beating in my chest. Elias is being allowed out on day release. He expects to come home. The next step will be overnight stays.”

Admittedly, it did feel like there were two separate elements to this plot that didn’t necessarily gel with each other – the central mystery surrounding the two women, and the release of Cyrus’ brother.

The latter storyline felt a bit underdeveloped and quite lost within the overarching story. Elias is on the periphery of the story, not making enough of an impact to give the reader a lasting impression. I kept waiting for something to happen, but nothing in the plot really eventuated and so I’m wondering if this is merely setting something in motion for the next book that features Cyrus Haven?

“Half an hour later, I hear the door open and keys hitting the side table. Boots are kicked off. Mail is checked. An envelope is torn open. Cyrus appears in the kitchen. He looks at the bench, which is covered in flour, caster sugar and cocoa powder.”

Pacey, engaging and original, Lying Beside You is recommended for readers of crime, thriller and mystery. A great present for Father’s Day, readership skews 25+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

Lying Beside You
Michael Robotham
July 2022
Hachette Book Publishers Australia

The House of Fortune by Jessie Burton

Amsterdam in the year 1705. Thea Brandt is turning eighteen, and is ready to welcome adulthood with open arms. At the theatre, Walter, the love of her life, awaits her, but at home in the house on the Herengracht, winter has set in – her father Otto and Aunt Nella argue endlessly, and the Brandt family are selling their furniture in order to eat. On Thea’s birthday, also the day that her mother Marin died, the secrets from the past begin to overwhelm the present.

Nella is desperate to save the family and maintain appearances, to find Thea a husband who will guarantee her future, and when they receive an invitation to Amsterdam’s most exclusive ball, she is overjoyed – perhaps this will set their fortunes straight. And indeed, the ball does set things spinning: new figures enter their life, promising new futures. But their fates are still unclear, and when Nella feels a strange prickling sensation on the back of her neck, she wonders if the miniaturist has returned for her . . .

Set in 18th century Amsterdam, Jessie Burton’s The House of Fortune is the companion novel to her internationally best-selling novel ‘The Miniaturist’. Taking place 18 years after the end of The Miniaturist, Nella has helped raise Otto and Marin’s daughter Thea without any reappearances of the miniaturist. But that doesn’t mean she isn’t far away.

Nella’s family are struggling financially — Otto has lost his job and Nella and Thea are keeping up appearances despite their savings drying up. Thea, unbeknownst to anyone else, is conducting an affair with a local painter who she hopes to marry — she rejects Nella’s suggestion of marrying into wealth to save the family from financial distress.

“Thea closes the front door and leans against it in the cold air, placing the golden dress on the step in order to rip apart the paper. When she sees what is lying inside, she lets out a gasp of delight. It seems impossible, but it’s true. Here is Walter, miniaturised to absolute perfection.”

Written in third person and moving between Nella and Thea’s perspectives, we once again experience that reserved, distant voice that Jessie Burton is known for. Despite being set one generation later, the events from the first book still loiter in this tale — the circumstances surrounding Thea’s birth, the identity of her mother and what she was like as a person, the death of Nella’s first husband, and of course, the miniaturist who plagued her marriage. When Thea begins receiving small miniatures delivered to the house, it propels her in a direction no one could foresee, quickening the pacing towards a tense finale.

Whilst I didn’t love this as much as the first book (I don’t feel that the magic and intrigue is as prevalent as this one),Thea takes the reins throughout the story and is quite the fascinating protagonist. The period setting of the book is, as always, elegant and enticing to read, and it is enjoyable to step back into these lives eight years later.

“There is a long silence. The four of them contemplate a future that has suddenly become yet more uncertain. It’s as if the ropes that were tethering the have been severed, and are snaking away, and Thea and her family are drifting into unknown waters with no sense of where they might go.”

Through Thea’s role and presence in society, we come to understand the inherent prejudice of a child born from an upper class, white mother and an African servant. Other people’s feelings towards Thea’s lineage can be felt bubbling under the surface, threatening to rise with each passing chapter. And because Thea feels she is left in the dark about her mother, and the circumstances leading up to her death, she rebels against the family’s expectations of her.

I know this is marketed as a companion novel and not a sequel, but I feel that prior knowledge of The Miniaturist is advised for this one – truthfully, I wouldn’t recommend it to anyone who hasn’t read the first book. There’s something so magical about the original story, which makes it all the more enticing to step back into this world for The House of Fortune. If you have read The Miniaturist, but it’s been some time and you can’t really remember what happened, I was the same and just did a quick Google search to refresh my memory.

“Jacob is impressed by the house, Nella can tell. Its flesh might be scanter these days, but the bones are strong. He cranes his head back to admire the trompe l’oeil on the ceiling. He stares at the grisailles on the wall with the same intensity he had focused upon Thea in Clara Sarragon’s antechamber.”

Recommended for fans of The Miniaturist, as well as sweeping, magical sagas set in 18th century Europe. There’s a beauty to this setting and these characters, brought to life with Jessie’s signature prose and dialogue. Readership skews female, 25+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The House of Fortune
Jessie Burton
July 2022
Pan Macmillan Publishers

Wrong Place, Wrong Time by Gillian McAllister

It’s every parent’s nightmare. Your happy, funny, innocent son commits a terrible crime: murdering a complete stranger.

You don’t know who. You don’t know why. You only know your teenage boy is in custody and his future lost.

That night you fall asleep in despair. Until you wake . . .
. . . and it is yesterday.

Every morning you wake up a day earlier, another day before the murder. Another chance to stop it.

Somewhere in the past lie the answers, and you don’t have a choice but to find them . . .

A highly original psychological thriller, Gillian McAllister’s Wrong Place, Wrong Time starts with a murder and travels back in time to illustrate the circumstances that led to the violent death.

Up late one night, Jen witnesses her 18-year-old son Todd stab a man to death out the front of their home. There is no doubt that her son committed the crime, but there’s no indication that he feels remorse for the murder. And the victim? He seems to be a stranger to Jen and the family. So why did her son kill him?

When she wakes up the next day and discovers she’s now 24 hours in the past, it kickstarts a journey back through time to discover what led her son to kill a complete stranger, and hopefully, it might lead Jen to understand how the death can be prevented.

“Jen stands there, staring at it, at this betrayal in her hand. She hadn’t thought what she would do if she found something. She never thought she would. She holds the long, sinister black handle. The panic begins again, a tide of anxiety that goes out to sea but always, always returns.”

Written in third person and intricately plotted, Wrong Place, Wrong Time is an incredibly clever feat, and I genuinely think this is one of the best thrillers I’ve read in a long time. The premise feels original and unique, and I felt fully invested in the storyline. As Jen travels further into the past and events start to get quite complex, I still found it easy to keep track of characters, sequences, events and timelines. This shows how much meticulous planning has gone into this book.

Books that experiment with time travel can be hit-and-miss but readers will love this one. At its core, this is a story about a mother who will do anything to help her son and keep him out of harm. As soon as she starts travelling back in time, she infiltrates his world and comes to learn the people he surrounds himself with are not as authentic and trustworthy as they may initially seem.

“He folds his arms, his wedding ring catching the sunlight. He is looking closely at her, his eyes scanning her face. She is suddenly self-conscious under his gaze, as though he is about to uncover something awful, something deadly.”

Whilst we follow Jen for most of the novel, there are some chapters from the perspective of a young police officer. For a time I was wondering why his story was relevant to the overarching plot, but when the twist hits it really sideswipes you as the reader — what a fantastic plot device!

The only element of the book that I couldn’t quite love is the reasonings behind why Todd committed the murder in the first chapter. Even after we learn about the past, there does seem to be a slight disconnect between what Todd knew and why he felt the need to murder someone – did he try anything else before resorting to murder? It did feel a little extreme…

“She does nothing, so he brushes past, leaving her there, alone, in the mist, wondering what’s happening. Whether the future has continued on without her. If there’s another Jen somewhere. Asleep, or too shocked to function? In the world where Todd is probably currently remanded, arrested, charged, convicted. Alone.”

Fast-paced, high-stakes, and highly engrossing, Gillian McAllister’s Wrong Place, Wrong Time is recommended for readers of crime, thriller and mystery. Readership skews 25+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Wrong Place, Wrong Time
Gillian McAllister
June 2022
Penguin Random House Book Publishers

Here for the Right Reasons by Jodi McAlister

When Cece James agrees to be cast as a ‘Juliet’ on the next season of the hit television show Marry Me, Juliet, it’s certainly not for the right reasons. She’s knee deep in debt and desperate for the associated paycheck. The last thing on her mind is the hunky ‘Romeo’ waiting for her at the end of the gravel driveway.

But Dylan Jayasinghe Mellor isn’t your usual fame-hungry TV star. An Olympic gold medallist with calloused hands, kind eyes and a propensity for panic attacks, it turns out he’s not here for the right reasons either. As spokesperson for a men’s mental health foundation, and the franchise’s first non-white male lead, Dylan’s got a charity to plug and something to prove.

When Cece gets eliminated on the first night, it seems like her and Dylan’s awkward first meeting will be their last conversation. But when the TV set is shut down unexpectedly, Cece and Dylan suddenly get a little more time together than they’d expected.

Will love bloom when the cameras stop rolling?

Heartwarming fiction for the romance fans, Jodi McAlister’s Here For the Right Reasons is commercial women’s fiction taking place on the film set of a Bachelor-style reality program. Our main character, Cece, is desperate for some easy money. But when she’s eliminated on the first night and then the mansion goes into COVID lockdown, she’s forced to come up with an alternate plan to keep her on camera and on the payroll.

Anyone who has watched The Bachelor or The Bachelorette, or even the drama series UnReal, will understand almost immediately the setup of this novel. A large cast of women are searching for love…on television. Cece struggles in front of the camera and so makes quite a fool of herself on the opening night. But she’s tenacious and motivated by money, and so she’s able to find an alternate solution for staying valuable during production.

“The crowds parted in a very dramatic, very unrealistic way (had they rehearsed that while I was in with Murray?), and Lily strutted towards me, a smirk curling her lips.”

This novel has a very commercial hook, drawing readers in almost immediately from the blurb alone. The setting is familiar and so it has a very clear, established readership. Overall, the story is fun, cute and light-hearted. It’s the kind of book you take on holiday or a plane – something you read when you just need something to pick you up, nothing too heavy.

Whilst the ending felt a little predictable, the journey along the way certainly didn’t feel that way. This was an entertaining read, bringing some really colourful and at times outlandish characters to the forefront of the story and building pace with each chapter.

My favourite character was Murray. He appears largely on the periphery, but he toggles being jaded and sceptical, stressed and exhausted. As such, he adds comic value during key moments of the book and holds a steady presence in the book.

“He wasn’t wrong. It was gorgeous. A long lawn stretched out before us, bracketed on either side by rows of tall, dark hedges, straight and green like a fairway on a gold course. Downhill from us, it rolled to the edge of a sparkling lake.”

I did feel like Cece’s character possessed a lack of agency in the story – most of the time, she was simply waiting around for her time with Dylan, and it meant those in-between scenes lulled quite a bit.

Additionally, I do think there was opportunity for some more interactions and bonding between her and the other eliminated girls. We really only got small glimpses of them (usually when they were angry and only discussing Dylan) that felt largely one-dimensional. What were these girls actually like? I genuinely felt that we got very little insight into their personalities.

“Our first friend spot was early the next morning. At the crack of dawn, a couple of the camera crew came in and installed the mounted cameras in the corners of the room. Close behind them was a soundie, who strung up some tiny little mics dangling from long strings attached to the ceiling.”

Fun, readable and full of heart, Jodi McAlister’s Here For the Right Reasons is recommended for romance and women’s fiction readers. Readership skews female, 20+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Here For The Right Reasons
Jodi McAlister
July 2022
Simon and Schuster Book Publishers