JESS JUST READS

A BOOK REVIEW BLOG

Leaving Time by Jodi Picoult

For more than a decade, Jenna Metcalf has never stopped thinking about her mother, Alice, who mysteriously disappeared in the wake of a tragic accident. Refusing to believe that she would be abandoned as a young child, Jenna searches for her mother regularly online and pores over the pages of Alice’s old journals. A scientist who studied grief among elephants, Alice wrote mostly of her research among the animals she loved, yet Jenna hopes the entries will provide a clue to her mother’s whereabouts.

Desperate to find the truth, Jenna enlists two unlikely allies in her quest. The first is Serenity Jones, a psychic who rose to fame finding missing persons—only to later doubt her gifts. The second is Virgil Stanhope, a jaded private detective who originally investigated Alice’s case along with the strange, possibly linked death of one of her colleagues. As the three work together to uncover what happened to Alice, they realize that in asking hard questions, they’ll have to face even harder answers.

Holy Jesus. I finished reading this book about ten minutes ago and am furiously writing this review in an attempt to come to terms with it. It’s amazing, evocative, emotional, and just pure genius.

I’ll be honest. Five years ago, I boycotted Jodi Picoult, because I’d read about ten of her books and to me, they all seemed the same. The same, overdramatic storylines with differing points of view and overly emotional, climactic endings. Plus, I’d started studying literature at university and my time was taken up reading Raymond Carver and Ernest Hemingway.

But, when everyone on Twitter can’t stop bragging about how amazing her latest book is, it’s time to renege on your boycott and pick up Leaving Time. And I’m so glad I did. The twist at the end of the book is so left field but amazing, and you feel so stupid that you didn’t see it. And the twist was so subtly revealed, I was like:

It puts the whole book into perspective, and it highlights that Jodi Picoult is such an amazingly talented writer.

Jodi Picoult, like all of her other works, has undergone a lengthy amount of research for this book. Elephants are a major metaphor in the piece, and the setting is an elephant sanctuary. Each tangent about an elephant is relevant to the story and to the character, and Jodi Picoult uses this to develop characterisation and societal relations in the piece.

I do think that Jenna’s ‘age’ is a little misguided. At the start of the novel, she seems a little immature (which makes sense, because she’s 13), but then later in the novel, she seemed to have matured too fast. She comes across as someone who is in their late teens, and although the events in the book would cause her to grow up and mature quite quickly, the change seems a little distracting.

I cannot recommend this book to you enough. It’s amazing, and prepare yourself for that twist at the end. I’m in a comatose state at the moment because I can’t deal with the ending.

My Score: 9/10
Buy HERE

Wild Things by Brigid Delaney

St Anton’s university college is a cradle for privileged young men and women. With its Elysian lush green lawns and buildings of golden sandstone, it seems like a place where nothing bad could ever happen. One weekend, members of the college cricket team go to the mountains for a wild weekend away. Things spiral rapidly out of control, and a young Malaysian student they dragged along with them as part of a cruel prank goes missing. When the boy is found by some bushwalkers on a rock ledge, barely clinging to life, most people think it’s because of a fall, but the St Anton’s men know better. The stress of keeping their collective secret however becomes harder and harder to bear, and even the heavy wrought-iron fences of the college can’t keep out reality… Dark, dangerous, bloody and visceral, this is a story of power, prestige and the pack mentality that forms the underbelly of campus life at a prestigious university. With overtones of The Secret History meets Brett Easton Ellis, this is the debut of a thrilling new Australian writer.

There’s something about a campus novel that just sucks me right in (I should note that I don’t actually know if ‘campus novel’ is the right name for a novel set within a university, but I’m just going to roll with it). I love that the setting of campus novels are reduced and confined. The students all live on university grounds and the story rarely strays from that. It makes the book seem intimate. If you, like me, have a slight obsession with campus novels, you should really pick up The Secret History by Donna Tartt. Actually, if you love campus novels, that should’ve been the first novel you picked up!

Wild Things builds suspense and tension really well. When the cricket team go to the mountains for a weekend away, it doesn’t go well, and the way that each of these characters try and deal with that really shows their character. One character turns to religion, and another turns to alcohol and girls. Brigid has done well to capture the personality of these boys and project them onto the page with authenticity and believability. This book is set in a university where problems are covered up and money can buy you out of those problems. Bullying occurs almost every second, and everyone turns a blind eye. Brigid’s writing is detailed and emotive, and allows the reader to really understand the characters – all of them.

Earlier in the year, I went to a public lecture where Brigid discussed her difficulties when writing this book, and it really helped me better understand the story. Originally, the young Malaysian student who goes missing was of a different nationality, but it didn’t come across as believable and Brigid had to change it. Brigid also talked about how she had to make all of the boys unique from each other because there were a lot of characters in all of the scenes and she needed them to stand out. And I think she did this really well.

Okay, so I must note a negative. Brigid keeps some things a secret for most of the novel. For the most part, we don’t know what happened to the missing student in the mountains. But throughout the novel, little details are revealed about what happened. I think Brigid revealed too much, because at the end of the novel, when it’s described what happened, it’s pretty much what we’ve already been told, so there’s nothing to shock the reader.

My Score: 8/10
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Gulliver’s Travels by Jonathon Swift

When Lemuel Gulliver sets off from London on a sea voyage, little does he know the many incredible misadventures awaiting. Shipwrecked at sea, nearly drowned, he washes ashore upon an exotic island called Liliput–where the people are only 6″ tall. Next he visits a land of incredible giants called the Brobdingnagians. They are more than 60′ tall. He travels to Lapauta, a city that floats in the city, & to Glubbdubdrib, the Island of Sorcerers. his final voyage brings him into contact with the Yahoos–a brutish race of subhumans–& an intelligently virtuous race of horse, the Houyhnhnms.

I appreciate how Lemuel Gulliver’s perspective changed from part one to part four. During his first voyage, Gulliver describes the characters and their actions as they unfold before him. He speaks from a distant, purely curious, point of view and doesn’t consider himself to be a citizen of Lilliput. However, after his fourth voyage Gulliver learns to communicate with the Houyhnhnms and strangely begins to refer to himself as one of them.

Gulliver is seen as an individual governing the seas alone. The idea that Gulliver’s wife and children received him with great surprise and joy after his long adventures seems inconsistent with the values of modern society. By rarely mentioning Gulliver’s family, he is seen as an individual casually wandering the seas without any real purpose in life.

An interesting link is developed between the societies that Gulliver meets on his voyages and the human society that he resides in. Gulliver spent years living amongst two flawed communities and when he returns to England, subsequently finds flaws with his family and friends. Swift has written this to ironically illustrate to the reader that England’s political controversies are an indication that all of mankind are flawed. Hence, why Gulliver wishes to live like a horse.

“My wife and family received me with great surprise and joy, because they concluded me certainly dead; but I must freely confess the sight of them filled me only with hatred, disgust, and contempt, and the more by reflecting on the near alliance I had to them. For although since my unfortunate exile from the Houyhnhnm country, I had compelled myself to tolerate the sight of Yahoos, and to converse with Don Pedro de Mendez, yet my memory and imagination were perpetually filled with the virtues and ideas of those exalted Houyhnhnms. And when I began to consider that by copulating with one of the Yahoo species I had become parent of more, it struck me with the utmost shame, confusion, and horror.”

This is probably my favourite section of the book, because Gulliver speaks about his family with bitterness and cynicism. His mental state seems to have significantly deteriorated and the reader can’t help but doubt his reliability as a narrator. Gulliver’s decision to buy horses upon returning to England shows this mental deterioration. This highlights a theme of alienation (particularly evident during his fourth voyage), which is emphasised by Gulliver’s return to England because he rejects human society and refers to Don Pedro de Mendez as a Yahoo.

 

My Score: 7/10
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The Handmaid’s Tale by Margaret Atwood

Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now…

Margaret Atwood’s ‘The Handmaid’s Tale’ is set in the near future where a Christian theocracy has overthrown the government. The main character, Offred, is a handmaid for reproductive purposes. Although Offred does not possess an authoritative role, she is in the midst of a new world that reflects contemporary society. This alterity introduces the thematic subject of gender, which revolves around its theme of existing double standards within a futuristic setting. Feminism is another thematic subject present in Atwood’s ‘The Handmaid’s Tale’ and is highlighted by the gender struggles and the class system’s marginalisation of women.

In 2005, Atwood spoke to The Guardian about how she labels her novel as speculative fiction, and the conventions that can be found within: exploring the limits of humanity, delving into the proposed changes to social organisation, and the possibility of new and advanced technologies. In ‘The Handmaid’s Tale’, there is no futuristic, advanced technology and its abandonment altogether makes way for primitive ceremonies. The limits of humanity are seen through Offred’s role as a handmaid for The Commander, and her subsequent relationship with him. There is no legal protection, no outside force trying to overthrow the totalitarian ruling, and Offred and the other handmaid’s are forced to accept the little power that they have. Also, the proposed changes to social organisation are the Gileadean regime and its efforts to control sex and sexuality. This government ultimately destroys itself, which is unsurprising because the regime seems to underestimate the importance of sexuality. Offred contemplates suicide in the novel, but she ignores this and continues her affair with Nick because she enjoys their sexual intimacy and confides in him. This enforces the power of sexual acts, and illustrates how Offred will not submit to the pressure and torture of the government.

Atwood manipulates the setting to exaggerate the flaws of contemporary society. The government enforces the unfair distribution of power between characters, and this illustrates an abuse of power. Atwood’s incorporation of setting helps drive the piece and highlights power dynamics between characters. Although this idea of a ‘new world’ is a common convention within speculative fiction, its main function is usually to challenge the nature of humanity. In addition to highlighting the flaws of contemporary society, Atwood pushes the boundaries of this genre convention by exploring each character’s reaction to their new setting and their attempt to break free from their trapped physical and psychological state.

Other influential narrative techniques in ‘The Handmaid’s Tale’ are the use of present tense to heighten and maintain suspense, and the word ‘night’ to introduce and conclude the story. This imagery represents the dark, bleak life that has befallen Offred.

My Score: 9/10

The Road by Cormac McCarthy

A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.

Cormac McCarthy’s The Road focuses on a father’s relationship with his son as they journey through a post-apocalyptic America. The novel possesses common themes and binary oppositions of speculative fiction: familiar vs. unfamiliar, insider vs. outsider, isolation, and the discovery of the unknown. These are essential in speculative fiction and dystopian novels; McCarthy’s uncanny, surreal location is a vital part of the story and propels it forward.

McCarthy omits a lot of information about the past, and in the flashbacks he instead focuses on the relationship between the father and his deceased wife. This left me wondering what happened to America prior to the events in the novel. Ultimately, McCarthy uses the dialogue between the man and his son to reveal back story; however, he reveals very little of it. The man’s flashbacks are only about his wife because in that situation, that is all he thinks about.

The dialogue effectively illustrates the relationship dynamic between the boy and his father. The boy is growing up in a post-apocalyptic world and their bleak, disruptive surroundings make me wonder why they want to continue living. The lack of punctuation and the disjointed conversation are a stylistic technique that’s not often seen in speculative fiction. This emphasises that not only has the man’s country collapsed, but civilisation has as well. Memories and dreams are revealed sporadically throughout the novel and are often cut short. Backstory is usually a major part of speculative fiction; however, McCarthy has omitted a lot of information and instead focused on the collapse of language and the breakdown of speech between the father and his son.

McCarthy’s manipulation of language is an innovative way of drawing parallels to the characters’ surroundings. The fragmented, expositional sentences compare to the fractured lives of the man and his son, and these sentences align with the characters’ fragmented process of sensory perception. These references can also be made through the objects that the man and the boy have to throw away, including the boy’s flute, which represents a contemporary medium for language. When the boy and his father discard this flute, a parallel is drawn to the loss of language that now inhabits the post-apocalyptic setting of The Road.

My Score: 8/10