JESS JUST READS

A BOOK REVIEW BLOG

Deeper Water by Jessie Cole

Innocent and unworldly, Mema is still living at home with her mother on a remote, lush hinterland property. It is a small, confined, simple sort of life, and Mema is content with it.

One day, during a heavy downpour, Mema saves a stranger from a flooded creek. She takes him into her family home, where, marooned by floods, he has to stay until the waters recede. And without either of them realising it, he opens the door to a new world of possibilities that threaten to sweep Mema into the deep

‘They say every hero has to leave home, but what those first steps are like I’m yet to know’

Jessie Cole’s latest title is quite similar to her debut novel: an outsider’s life intersects with someone from a small town. The novel is very character-driven (again, much like Darkness on the Edge of Town) and allows the reader to seep into these characters’ lives unnoticed and observe their somewhat personal circumstances.

The story is subtly tragic – Mema’s growing desire for the stranger disturbs the reader because they know that they don’t quite fit and that it’ll never work out. They live two completely different lifestyles, and Mema’s isolation from society is highlighted even further when she saves the stranger. He’s obsessed with gaining access to his email accounts and his laptop, and Mema struggles to understand why those things are important to him.

The characters intersect at the right moments so that the reader doesn’t feel overpowered by the plot or character relations. And the development of character is gradual and graceful. The novel illustrates a comparison between two separate lives and details the resulting conflict when those lives clash.

At times, the pace of the story seemed to be slow and the characters seemed stagnant. But if you can get past that and appreciate the fluidity of the writing and the raw beauty of the characters, then you’ll enjoy this novel.

My Score: 8/10

Never Let Me Go by Kazuo Ishiguro

As a child, Kathy – now thirty-one years old – lived at Hailsham, a private school in the scenic English countryside where the children were sheltered from the outside world, brought up to believe that they were special and that their well-being was crucial not only for themselves but for the society they would eventually enter. Kathy had long ago put this idyllic past behind her, but when two of her Hailsham friends come back into her life, she stops resisting the pull of memory.

And so, as her friendship with Ruth is rekindled, and as the feelings that long ago fueled her adolescent crush on Tommy begin to deepen into love, Kathy recalls their years at Hailsham. She describes happy scenes of boys and girls growing up together, unperturbed – even comforted – by their isolation. But she describes other scenes as well: of discord and misunderstanding that hint at a dark secret behind Hailsham’s nurturing facade. With the dawning clarity of hindsight, the three friends are compelled to face the truth about their childhood–and about their lives now.

Ishiguro is a stylistic genius. This novel is written almost in stream of consciousness and jumps all around between past, present, and future. And yet, it all seems to make perfect sense. And his writing is poetic and lyrical and beautiful.

Kathy narrates the novel in first person and details her time spent at Hailsham with Ruth and Tommy and how they’re destined to finish their lives as donors for people in the ‘real world’. Ishiguro weaves past and present together seamlessly, and manages to break up sections of each chapter so that you know where the story is headed. Although some believe that the story moves a little slowly, this novel is meant to be character-driven and not plot-driven. Kathy, Ruth, and Tommy are all deeply-imagined characters that have been fleshed out and presented as three-dimensional protagonists.

Since I consider this novel to be a classic, I’d recommend it to anyone who reads and loves classics. I’d also recommend it to those people who are looking for something that’s ‘easy to read’ (I don’t really know how to define something like that). This conversationalist style of writing that Ishiguro has employed definitely proves easy to read and easy to follow.

My Score: 9/10

Broken Monsters by Lauren Beukes

In Detroit, violent death – along with foreclosure and despair – is a regular occurrence. But the part-human, part-animal corpses that have started appearing are more disturbing than anything Detective Gabriella Versado has ever seen. As Gabriella works the case, her teenage daughter Layla embarks on a secret crime-fighting project of her own – hunting down online paedophiles – but it all goes horribly wrong…

TK has learned how to make being homeless work for him and his friends, but something evil is threatening the fragile world he’s constructed on the streets…

Ambitious blogger Jonno is getting desperate. The big four-oh isn’t that far away, and he’s still struggling to make his mark. But then he stumbles across some unusual and macabre art, which might just be the break he needs to go viral…

Lauren Beukes travelled to Detroit and spent time taking photos of the city, and then walked around and spoke to locals about their experiences there. Lauren wanted to capture the beauty of Detroit, even though it’s a decaying city full of crime and run down, abandoned buildings. This book is about seeing the beauty in broken things, and presents a serial killer who the reader can sympathise with and feel sorry for.

Lauren illustrates a few different characters and captures each of their voices uniquely. Each point of view adds a different element to the story, and enriches the tale. Stephen King recently read this novel and said that it was “Scary as hell and hypnotic. I couldn’t put it down. Next month. I’d grab it, if I were you.”

You wouldn’t want to read this novel at night – a boy is attached to a deer and a melted woman is found in a kiln. It’s a haunting tale that brings chills to the reader, and it’s written beautifully with realistic dialogue and three dimensional characters. I must admit, I was a little confused and taken aback by the ending – I won’t give it away, but prepare for paranormal presence that seems a little jolting. Despite this, I would happily recommend this novel to anyone who enjoys crime, thrillers, or who-dunnit novels.

My Score: 9/10

Game of Thrones, by George R.R. Martin

Summers span decades. Winter can last a lifetime. And the struggle for the Iron Throne has begun.

As Warden of the north, Lord Eddard Stark counts it a curse when King Robert bestows on him the office of the Hand. His honour weighs him down at court where a true man does what he will, not what he must … and a dead enemy is a thing of beauty.

The old gods have no power in the south, Stark’s family is split and there is treachery at court. Worse, the vengeance-mad heir of the deposed Dragon King has grown to maturity in exile in the Free Cities. He claims the Iron Throne.

I started the first book in the Game of Thrones series last year, but I only made it about three quarters of the way through before I needed to sacrifice it for my uni work. When I picked it up again on the weekend, I realised that I couldn’t remember anything that happened and I’d need to start again.

Game of Thrones presents a bleak, melancholic setting in the Seven Kingdoms where being a ‘good’ character doesn’t necessarily mean you’re going to stay alive. When you play the Game of Thrones, you either win or you die. A lot of people die. A lot. And George R.R. Martin’s writing style is direct, pace-y (not sure that’s a word), and invites the reader into the story. The book changes point of view between Eddard, Catelyn, Jon, Arya, Sansa, Tyrion, Bran, and Daenerys. Despite the vast number of POV’s, Martin has captured a different, unique voice for all of the characters and you don’t ever feel like there’s a cross over. Martin captures Tyrion’s quick wit and humour, but then uses Daenerys to illustrate naivety and fragility.

I do wonder what will happen with Bran, because after he ‘falls’ from the tower and becomes a cripple, his POV seems to set up what is going to happen to him later in the series. At least you know he’s going to live for a while, because after the shock death at the end of the novel, the reader will want to know that their favourite characters are actually going to make it through the Game of Thrones.

I applaud Martin on the world he’s built and the way in which he reveals information. When _____ (that line is intentional – I don’t want to give away the ending) dies at the end of the novel, Martin doesn’t bog the story down with revealing how each character found out about the death. Catelyn’s POV is set after she’s already found out, so the pace doesn’t slow down and the reader doesn’t have to relive ______’s death. I’ll definitely be picking up the next book in the series, A Clash of Kings, although I’ll wait until I have the time to read it, because if I pause even for a few days, I’ll have to start over again, and the book is too long for me to want to do that.

My Score: 9/10

Lolita by Vladimir Nabokov

The novel is notable for its controversial subject: the protagonist & unreliable narrator, a 37–38-year-old literature professor, Humbert Humbert, is obsessed with the 12-year-old Dolores Haze, with whom he becomes sexually involved after he becomes her stepfather.

Ah Nabokov. If only I could bottle up your talent and use it.

There are so many ways that Nabokov could’ve written this story, and so many stylistic techniques he could’ve used to achieve it. The novel is poetic, lyrical, and subtly written and although it’s in third person, it really seems to be written from Humbert’s point of view. You find yourself sympathising with him, and then you become slightly horrified and confused when you realise it.

The reader is given a (disturbing) insight into Humbert’s paedophilic desires and not only is Humbert a richly fleshed out, dimensional character, but Lolita is as well. She almost seems to seduce him at times, and then is quite happy to move on when she feels it is the right time.

“I am convinced however, that in a certain magic and fateful way Lolita began with Annabel.”

Humbert’s paranoia and – at times – murderous desires capture a truly disturbed mind willing to do anything to attain and keep Lolita. And then Humbert believes he’s being followed and he and Lolita roadtrip around to various motels and hotels so that they – but mostly he – can remain undetected.

My Score: 9/10