JESS JUST READS

A BOOK REVIEW BLOG

The Little Veggie Patch Co: An A-Z Guide to Growing Food in Small Spaces

After years of helping clients grow fruit and vegetables, the Little Veggie Patch Co. crew believe anyone can grow their own food, in most any area in Australia. And in this bestselling easy-to-use guide they show you how simple it is!

Fundamentals such as Soil, Climate, Watering, Composting, Worm Farms, Saving and Sowing Seeds, and Raised Garden Beds and Crates are all covered comprehensively – each with fully illustrated step-by-step plans that show how to create your own little veggie patch in any space.

A complete A-Z of Edible Plants gives you vital information on more than 40 vegetables (and fruit trees), including detailed planting information, ongoing maintenance advice, tips on best companions and when to harvest. And the Weekend Activities scattered throughout the book will get the kids involved too, whether they’re Making a Scarecrow, Building a Spud Tower or Growing Beans in a Bean Can.

Lots of fun, and packed full of all the knowledge you’ll need – plus recipes and some hilarious stories – this colourful guide is for anyone interested in growing their own food.

Back in April, when COVID-19 was spreading at a rapid rate and I started working from home, we built two veggie boxes in the backyard and started growing vegetables — snow peas, Brussels sprouts, carrots and onions. The Brussels sprouts got eaten by birds, twice, the snow peas are currently flourishing and providing an abundance of greens to my weekly stir fry, and the carrots and onions are still growing. With the end of Winter and the start of Spring, I’ve just planted lettuce, parsnips, eggplant, capsicum and radishes, and I’ve also built a herb box on the concrete wall next to the veggie boxes.

When I was embarking on this new hobby of mine, I watched every Youtube video by The Little Veggie Patch Co. I read every blog post. I also tried really hard to buy their earlier books, but struggled to find them in stock anywhere.

Enter their latest release, An A-Z Guide to Growing Food in Small Spaces. It’s hard to explain how excited I was to read about the upcoming publication of this book. This is a re-release of their first book, a compact guide to cooking vegetables all year round in Australia. This is the perfect book for anyone else who has been interested in growing vegetables during COVID-19, or any time in their lives really. This is for anyone who would like a companion guide on their shelf to refer to whenever embarking on a new vegetable plant.

“Capsicums are typically a late summer vegetable but in some areas can be harvested into winter. If you have trouble deadline with the glut, slow roast them, then preserve them in good olive oil — a delight to eat on a crusty loaf with a rub of garlic.”

I’ve lost track of the sections in this book that I’ve followed religiously since it arrived on my doorstep — I’ve read every chapter at least twice, studied every vegetable so I could decide what to plant next. I’ve already decided I’m going to build a spud tower in the backyard when I have a spare weekend, and I’m also working out the best spot to plant a lemon tree.

This book includes information on every major vegetable, from tomatoes and carrots to beans and corn. You’ll find out when to plant, how to plant, when to harvest, and how often to water. Scattered throughout the book are also some fun activities to involve the kids, as well as DIY tasks around the backyard to help you on your gardening journey.

Information is clear and concise, very easy to follow. You’ll read this book and then want to plant absolutely everything. The zone map is particularly helpful, as well as the section at the back on pests and insects, and how to fight them off when they’re trying to eat your food!

“If you intend on growing bulbing onions, be prepared for a lengthy growing period, as it will take 4-6 months before they’re ready for harvest. For the home vegetable garden, where space is at premium, multiple bulbing and bunching varieties are a better investment of your veggie-growing real estate.”

The only thing I feel is missing from this book is an indication of how long each vegetable takes to grow. I just planted parsnips in the backyard veggie box and then googled it, only to find out they take six months to grow! I would’ve liked to know the average time from seed to harvest without having to resort to the internet, but other than that, this book has everything.

Recommended for keen gardeners — from novice to experienced, this book will be a welcome addition to any household library.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Little Veggie Patch Co: An A-Z guide to growing food in small spaces
Mat Pember and Fabian Capomolla
September 2020
Pan Macmillan Publishers

None Shall Sleep by Ellie Marney

It’s 1982, and the innovative FBI Behavioral Science section is breaking new ground. Emma Lewis and Travis Bell, two teenagers with valuable skills, are recruited to interview convicted juvenile killers for information on cold cases.

When they’re drawn into an active case targeting teenagers, everything starts to unravel. Over Travis’s objections, Emma becomes the conduit between the FBI and an incarcerated serial killer, nineteen-year-old Simon Gutmunsson, who is a super-intelligent sociopath. And although Simon seems to be giving them the information they need to save lives, he’s also an expert manipulator playing a very long game …

Can Emma and Travis stop a serial killer on the loose – or will they fall victim themselves?

In Ellie Marney’s latest YA crime None Shall Sleep, two 18-year-olds in the US find themselves interviewing juvenile killers for the FBI — soon, they’re on the hunt for a vicious and fast-moving serial killer, who targets teenagers.

I’ve read a few of Ellie’s books and this is by far my favourite, and the strongest writing I’ve seen from Ellie. The prose is sharp and blunt; Ellie only uses words she needs to, propelling us through the story with efficiency.

The premise is a little absurd, sure, but it’s easy to put that aside and just let yourself fall into this thriller. I’m a sucker for a good crime story and Ellie kept me guessing with each chapter. All my predictions were wrong — all my guesses were misguided. Readers will find themselves engrossed in the story, desperate to turn each page.

“The inside of Behavioural Science is all low ceilings, crummy carpet, and cubicle hallways. Not as impressive as he imagined. Bell hears the sound of someone hanging up a phone farther ahead, then a muffled question, answered by an unfamiliar voice.”

Both Emma and Travis have troubled pasts that they avoid speaking about. Emma was kidnapped two and a half years earlier by a serial killer, but managed to escape. She still carries the scars — physically and mentally. Travis’ dad was murdered by a serial killer, and when that same serial killer crosses their path, Travis struggles to process the events.

Somehow, just somehow, I managed to read this entire book without realising it was set in 1982. I’d read the blurb multiple times and somehow missed it, and then I read the book and assumed it was set in the present. And to be honest? It works in the present. I mean, the premise is all a little ridiculous and unbelievable, which is probably why it’s not set in the present, but there didn’t really feel like any key descriptors or atmospheric indication that this was the 80s.

I think it’s both a good and bad thing. Good, because if it was too heavily embedded in 80s culture/landscape, teenagers today might not have enough of an interest in that to keep reading. And perhaps bad because…isn’t it a little weird you can read a whole book set in the 1980s and not realise? Ellie probably could’ve captured the setting a little stronger, without alienating her young readers.

“Kristin Gutmunsson’s resemblance to her twin is striking. She has the same gifts of good breeding, the poise and length of bone. She’s barefoot, in a simple cream linen shift that likely cost about as much as a small car. Her hair is ice-white and hands down in long tassels that remind Emma of Spanish moss — which makes her thinks of chiggers.”

It’s clear that a lot of research has gone into the writing of this book — the technicalities around the cognitive behavioural strategies, the descriptions of the killings and the crime scenes, the PTSD that Emma suffers from. Ellie has crafted a multi-layered story that sucks you deep into its clutches with each passing chapter.

Notorious serial killer Simon Gutmunsson plays a large role in this book, which I loved. He’s a fearsome character — he terrifies the reader with his quiet demeanour, his careful and considered actions. His characterisation is flawless, his dialogue chilling. He is both charming and intimidating, you can’t help but fall in love with him even though he’s a cold-blooded and remorseless killer. Readers will sympathise with his one weak spot — his love and devotion to his sister. It’s important to give antagonists something in their personality that makes them relatable, it allows the reader to understand them a bit better and perhaps like them. Simon’s connection with his twin sister Kristin makes him relatable, well-rounded, three-dimensional, and even that bit more human. It also allows for a few tender moments within the story.

“Cooper navigates the roads towards the Capitol Building, and Bell’s eyes move over the scrawl of Emma’s handwriting. She’s taken the entire interview down like dictation, and Bell finds the part he’s reading disturbing.”

As a long-time fan of Criminal Minds, I absolutely loved this book. I was genuinely shocked at how obsessed I became with this novel — how quickly I ditched plans just so I could finish this. The chapters snap at your heels, demanding you to keep reading, daring you to venture further.

Chilling and disturbing, but also really fucking entertaining. Recommended for readers of all ages.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

None Shall Sleep
Ellie Marney
September 2020
Allen & Unwin Book Publishers

The Vanishing Half by Brit Bennett

The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities.

Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ story lines intersect?

From author Brit Bennett comes The Vanishing Half, another powerful, epic novel that weaves multiple strands and generations of one family, spanning the Deep South of the United States to California and New York, and set between the 1950s to the 1990s.

In The Vanishing Half, we meet identical twin sisters Stella and Desiree, who grow up in the small town of Mallard, Louisiana — it’s inhabited by people who strive to marry lighter. When they’re sixteen, the twins stage their runaway and settle into a new life in New Orleans. However, Stella soon disappears to lead her own life and the book documents how their lives progress over the next couple of decades.

The Vanishing Half explores identity, and the impact of decisions and choices, and how childhoods and adolescent years have a lasting influence on how a person shapes the rest of their life. While Stella and Desiree both came from the same family and the same small town, the stark contrast between their adult lives — Desiree is a single mother running from an abusive husband, and Stella is trying to pass as a white woman in an affluent, all-white LA neighbourhood — illustrate how differently they regard their origins.

“Leaving Mallard was Desiree’s idea but staying in New Orleans was Stella’s, and for years, Desiree would puzzle over why. When the twins first arrived in the city, they found work together in the mangle room at Dixie Laundry, folding sheets and pillowcases for two dollars a day.”

The writing is exquisite — poetic and lyrical, and so incredible I felt absorbed in the story from beginning to end. Brit has a way of weaving sentences together; they’re paired back and they hit the reader straight, but they also evoke incredible imagery and emotion.

The novel weaves between past and present incredibly well, inviting the reader into Desiree and Stella’s childhoods to explain why they left, where they went, and how they separated. The Vanishing Half does span decades, allowing us to meet the girls’ children. Desiree returns home to Mallard with her eight-year-old daughter Jude, and a decade later, Jude is pursuing a career as an athlete when she meets Kennedy — Stella’s daughter, an aspiring actress.

“She felt pathetic, drinking alone in the middle of the day, but what else could she do? She needed a job. Money. A plan. But those children staring at her daughter. The deputy dismissing her. Sam gripping her throat. She waved over Lorna again, wanting to forget it all.”

The Vanishing Half features a cast of characters who are all fleeing in search of a better life. There’s Desiree and Stella, and their children Jude and Kennedy. Additionally, Jude meets and falls in love with a trans man called Reese, who has run away from his unsupportive family.

Brit draws parallels between many of the characters.

Stella and Desiree’s plights are noticeably reminiscent in their children’s lives. Jude leaves Mallard to pursue bigger dreams, much like her mother, and Kennedy spends a lot of time trying to better understand her mother and her origins — Stella is incredibly closed off, and reluctant to share information on her childhood.

The Vanishing Half is a crisp examination of racism in 1950s-1980s America. Stella’s decision to “pass” as white allows her to forge a comfortable, safe existence with considerable wealth. Stella’s life improves after she casts her family aside and starts pretending to be a white woman, but Desiree — who marries a black man and gives birth to a “blueback” baby — goes through incredible torment and pain before fleeing back to Mallard to live with her mother again.

“The landlady grew silent after that, then said she had to go. A coloured man asking after a white woman — she’d already said too much. But not enough for Early, who hadn’t even found a forwarding address.”

Rich and riveting, The Vanishing Half will have you enraptured and mesmerised. Recommended for all readers, particularly fans of literary fiction and stories that sweep across generations of family.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Vanishing Half
Brit Bennett
June 2020
Hachette Book Publishers

Tender is the Flesh by Agustina Bazterrica

Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think about how he makes a living. After all, it happened so quickly. First, it was reported that animals had been infected with a virus and their meat had become poisonous. Then governments initiated the Transition. Now, human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing.

Then one day he’s given a gift: a specimen of the finest quality. He leaves her in his barn, tied up, a problem to be disposed of later. But she haunts Marcos. Her trembling body, her watchful, knowing eyes. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

Tender is the Flesh by Argentinian author Agustina Bazterrica is a dystopian horror novel set in a world where humans are being bred and harvested for food. Translated from Spanish by Sarah Moses, the novel explores what society would be like if animals couldn’t be eaten — a virus that is fatal to humans spreads through them all — and humans relied on cannibalism to survive.

This novel explores themes of consumption and greed, and how quickly we’re willing to sever our morals if it means feeling satiated. Tender is the Flesh explores a depressing response from humankind. The world is suffering, people are poor or hungry or neglected, but instead of helping others they do whatever they can to feel comfortable, happy, and content. And that’s to eat other humans.

Tender is the Flesh explores society’s priorities — what’s important to us? what would we fight for if animal meat was suddenly fatal? Would we adapt, and eat plant-based meals? Or would we kill others to continue our lifestyles?

The book is a short read — approx. 200 pages —and you feel ensnared in the story and intrigued by the plot progression. The intensity of this story is maintained throughout the entire novel; you can’t look away from what’s happening.

The setting is bleak. Marcos’ father is in a nursing home and requires a lot of care, he has a strained — and mostly forced — relationship with his insufferable sister, his son died from cot death, and he’s estranged from his wife. And his job is killing humans and preparing them to be eaten.

“He thinks this man is dangerous. Someone who wants to assassinate that badly is someone who’s unstable, who won’t take to the routine of killing, to the automatic and dispassionate act of slaughtering humans.”

Agustina must be commended on the pacing of the novel. The premise of the novel is intense and a little anxiety-inducing, and that never falters throughout the story.

The writing is spectacular. The prose is filled with imagery and metaphors that evoke a crystal clear story. The subject matter in the book may be filled with blood and horror, but the writing feels light, quick, and uplifting — a considerable irony.

There is a key stylistic element to this book that is worth noting — humans are not called humans or even people. They’re called ‘heads’ and they’re housed and transported in ways very similar to how cattle are treated today. Perhaps it’s to illustrate how de-sensitised we are to the killing of animals and how we don’t really take the time to think about what’s being killed and how they’re bred to be killed. And so when it’s humans, which should repulse or disgust the reader, the complete omission of the word ‘human’ or even ‘person’ clouds the image and makes the characters seem like the ‘meat’ we all know in the present.

“He explains that when the heads arrive, they’re given a spray wash and then examined. They need to fast, he adds, and are given a liquid diet to reduce intestinal content and lower the risk of contamination when they’re handled after slaughter.”

Tender is the Flesh delves deep into the meat industry, and how the killings occur. Trucks bring humans to Marcos’ factory, and it’s clear the poor and the marginalised have very little chance of surviving in this world. The rich have means to work and live without being eaten — the struggling do not.

There is an underlying political element to this book as well. The powerful decision-makers weave in and out of the story. They’re greedy, unfeeling, and treat the business of slaughtering humans as just that — business.

“El Gringo tells him that this female is a luxury, repeats that she’s got pure genes, as if he didn’t know it, and says that she’s from a consignment that’s been given almond-based feed for over a year now.”

At times, hard to stomach. Terrifying, gut-renching and chilling, Tender is the Flesh will entice and excite readers as much as it will repulse them. Recommended for adults, 18+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Tender is the Flesh
Agustina Bazterrica
April 2020
Allen & Unwin Publishers

American Dirt by Jeanine Cummins

The unforgettable story of a mother and son fleeing a drug-cartel to cross the US-Mexico border.

Vivid, visceral, utterly compelling, AMERICAN DIRT is the first novel to explore the experience of attempting to illegally cross the US-Mexico border.

Yesterday, Lydia had a bookshop.
Yesterday, Lydia was married to a journalist.
Yesterday, she was with everyone she loved most in the world.

Today, her eight-year-old son Luca is all she has left.

For him, she will carry a machete strapped to her leg.
For him, she will leap onto the roof of a high speed train.
For him, she will find the strength to keep running.

In Jeanine Cummins’ American Dirt, a mother and son embark on a treacherous journey through Mexico to escape a dangerous drug cartel. The fictitious story follows these characters — and a few others we meet along the way — as they attempt to illegally cross the US-Mexico border.

We meet Lydia and her eight-year-old son Luca in Acapulco, Mexico. They’re cowering in the bathroom as armed men murder their family and extended family in the backyard during a family barbecue. It’s an absolute massacre, and it’s sheer luck that Lydia and Luca survive. But they don’t have time to grieve their loved ones because now they’re on the run, desperate to escape the clutches of the drug cartel responsible for the mass murder.

“One of the very first bullets comes in through the open window above the toilet where Luca is standing. He doesn’t immediately understand that it’s a bullet at all, and it’s only luck that it doesn’t strike him between the eyes…but the wash of bullets that follows is loud, booming and thudding, clack-clacking with helicopter speed.”

Told through intimate third person perspective, the break-neck pacing never wavers from that first sentence, and Jeanine brings succinct, sharp prose to the novel with every passing page.

Jeanine evokes emotion and empathy through her prose, allowing the reader to sympathise for Lydia and Luca as they continue on their journey. The mother and son suffer many mishaps along the treacherous route to freedom, and Jeanine captures their characterisation and their personalities through their actions, not just their dialogue.

“Luca thinks of the men running alongside the train in the clearing outside Lecheria, the way they ascended, one by one, and disappeared, while he and Mama watched, unable to move.”

Tension is heightened throughout the novel because Lydia and Luca are never safe — there are moments where the cartel are right on their heels, sometimes taunting them.

There is also a stark contrast in the book between the horrors around Lydia, and the love between her and her son. Lydia will do everything to keep her son safe, and there are some really tender moments between the two of them, often when they’re alone, that will really resonate with readers.

“Lydia doesn’t stare at the boy at the other end of the freight car, but she’s hyperaware now of his attention. He sits with his legs outstretched and his weight leaned back on his propped hands, and he’s watching them. Lydia does recognise him now, but only because Luca mentioned it.”

Over the course of the novel, Lydia and Luca meet and befriend other migrants, and these friendships keep readers on the edge of their seat. The cartel has many spies, and everyone who works for the cartel knows to be on the lookout for Lydia and Luca. Who can be trusted? Who will sell them out?

Unsettling and moving, American Dirt is highly recommended reading.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

American Dirt
Jeanine Cummins
February 2020
Hachette Publishers