JESS JUST READS

A BOOK REVIEW BLOG

If This Gets Out by Sophie Gonzales and Cale Dietrich

Eighteen-year-olds Ruben Montez and Zach Knight are two members of the boy-band Saturday, one of the biggest acts in America. Along with their bandmates, Angel Phan and Jon Braxton, the four are teen heartbreakers in front of the cameras and best friends backstage. But privately, cracks are starting to form: their once-easy rapport is straining under the pressures of fame, and Ruben confides in Zach that he’s feeling smothered by management’s pressure to stay in the closet.

On a whirlwind tour through Europe, with both an unrelenting schedule and minimal supervision, Ruben and Zach come to rely on each other more and more, and their already close friendship evolves into a romance. But when they decide they’re ready to tell their fans and live freely, Zach and Ruben start to truly realize that they will never have the support of their management. How can they hold tight to each other when the whole world seems to want to come between them?

Co-written by Sophie Gonzales and Cale Dietrich, YA drama and romcom If This Gets Out is set within the exclusive but fraught world of international musical stardom. When two members of a boy band start dating, they feel stifled by those around them who want to keep their relationship and sexuality a secret.

Written in first person POV and switching chapters between Ruben and Zach, If This Gets Out centres around a male/male relationship between two famous teenagers as they attempt to navigate what others expect of them. It’s an emotional but uplifting story for teenage readers. Amidst relationship turmoil, this YA novel is about a group of young boys who feel exploited by the music industry and the disastrous consequences that ensue.

“I climb into the minibus, following after Jon. Luckily none of the fans try to get into the vehicle. That’s as terrifying as it sounds, and I’d know: a girl jumped onto my lap once trying to get to Jon and she had to be pulled off by Pauline.”

Strengths lie in how Sophie and Cale have captured Ruben and Zach’s voices. Their internal dialogue allows for character depth and also character growth, and it was pleasing to read about their various relationships with family members — the good and the bad.

Sophie and Cale have also captured a realistic and authentic setting with this music world environment. Music producers and record labels are incredibly focused on image and perfection, so much so that what fans see is rarely the real thing — just a carefully constructed image put together by a team of people. From the security team to the manager to the publicity director, there’s a sense of familiarity in this if you’ve been involved in the entertainment industry and therefore know what that environment is like. It’s clear that a lot of research has gone into this book.

“Erin doesn’t deny it, and I suddenly realise I was stupid to think I’d been voted in by adoring fans. Of course Chorus picked who went on the list. I’ve understood the importance of maintaining our roles as romantic fantasies at all costs since the very beginning.”

Whilst Ruben, Zach and Angel all felt multi-layered and well-developed, I felt that Jon was a bit of a loose end in the story. His character arc revolves a little around his father’s power and control over the band, but Jon’s presence in the story felt thin and at times invisible.

Perhaps it’s hard to achieve this when there are four people in the band, plus a large cast of secondary characters, but I got to the end of the novel and couldn’t help but feel there was a missing element to Jon’s characterisation.

“My phone is sitting heavy in my pants pocket, so I pull it out and check it. Ruben is the last person I messaged, and seeing his name makes my heart rate spike. All I can picture now is his wounded expression. It fills my vision, taking over everything, making my stomach sink.”

Punchy, poignant and emotional, If This Gets Out is recommended for young adult readers, and those looking for LGBTQI+ representation in literature. Readership skews 14+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

If This Gets Out
Sophie Gonzales and Cale Dietrich
December 2021
Hachette Book Publishers

The Christmas Pig by J.K Rowling

One boy and his toy are about to change everything…

Jack loves his childhood toy, Dur Pig. DP has always been there for him, through good and bad. Until one Christmas Eve, something terrible happens – DP is lost. But Christmas Eve is a night for miracles and lost causes, a night when all things can come to life… even toys. And Jack’s newest toy – the Christmas Pig (DP’s annoying replacement) – has a daring plan: Together they’ll embark on a magical journey to seek something lost, and to save the best friend Jack has ever known…

Illustrated by award-winning artist Jim Field, J.K Rowling’s latest children’s fantasy novel The Christmas Pig encapsulates the spirit of the holidays, telling the story of a lost beloved toy and the journey that his heartbroken owner goes on in order to retrieve him.

Whilst magic doesn’t feel as dominant in this one, something J.K Rowling captures well in her children’s novels is a cast of relatable characters who draw empathy from readers. They’re also fast-paced, fun and easily digestible for young eyes.

“All his adventures gave DP his interesting smell, which Jack liked very much. It was a mixture of the places DP had gone on his adventures, along with the warm dark cave under Jack’s blankets, and just a trace of Mum’s perfume…”

I particularly enjoyed J.K Rowling’s depiction of emotions like happiness, power and ambition — the way they can alter a person’s attitude to others and then be easily discarded depending on circumstances and setting.

The Christmas Pig will help children process emotions such as loss, when they lose something or perhaps when something or someone is no longer in their life. It’s nice to imagine a place where toys come alive, and this is certainly not a unique trope in children’s literature. Another aspect of the book that may help children is the family dynamic for our protagonist Jack — his parents are divorced and his mother remarries. He gains a teenage step-sister who is awful to him, and I think many young readers may find elements of their own home life within these pages.

“After that, Jack was shouting and crying too loudly to hear anything anyone said to him. He couldn’t stand feeling the car bearing him away from the place where DP was lying, lost and bewildered and wondering why Jack wasn’t coming back for him.”

Whilst there are some moments in the book that aren’t as digestible, such as the subtle messages around climate change and the somewhat cliche villains we meet towards the end, that’s only noticeable for adult readers — children will love this book. There’s a sense of urgency to the plot that drives the story forward and will keep children entertained. Each chapter is relatively short, encouraging young readers to keep turning.

“Sure enough, within a few seconds Jack was able to see the Christmas Pig again. Like Jack, he was floating downwards. Their surroundings became gradually lighter until Jack realised they were both sinking through their own column of golden light.”

With a gorgeous hardback cover, this is a great stocking filler for the festive season. Recommended for young children, readership skews 8+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Christmas Pig
J.K Rowling
October 2021
Hachette Book Publishers

The Schoolteacher of Saint-Michel by Sarah Steele

France, 1942. At the end of the day, the schoolteacher releases her pupils. She checks they have their identity passes, and warns them not to stop until the German guards have let them through the barrier that separates occupied France from Free France. As the little ones fly across the border and into their mothers’ arms, she breathes a sigh of relief. No one is safe now. Not even the children.

Berkshire, present day. A letter left to her by her beloved late grandmother Gigi takes Hannah Stone on a journey deep into the heart of the Dordogne landscape. As she begins to unravel a forgotten history of wartime bravery and sacrifice, she discovers the heartrending secret that binds her grandmother to a village schoolteacher, the remarkable Lucie Laval . . .

Sarah Steele’s The Schoolteacher of Saint-Michel is dual-timeline historical fiction. In present day, we meet the passionate but emotionally detached Hannah Stone, still grieving the loss of her grandmother and mother as she tries to take care of her ailing father. She is also still reeling from the breakdown of her relationship the year prior, something she’d prefer to forget about than confront. When she discovers a letter from her late grandmother that raises questions about her past, she heads to France to hunt down the secrets from her youth that she worked so hard to keep.

The Schoolteacher of Saint-Michel is both emotional and raw, set within a high stakes environment. At a time when a revealed secret could mean instant death, Sarah Steele paints a vivid, emotive journey for all readers.

“Why hadn’t she talked to him when she felt the dark cloud forming around her again after Lorna’s death? She had pushed him away, refused to see his help for what it was…she picked up her phone, toyed again with sending him a message. But what would she say?”

As with most historical fiction, I feel the strength lies in the storyline of the past — Gigi’s years during World War II felt like a part of history that is largely untold, so it was quite interesting to follow her portion of the novel. It was apparent how much research had gone into the novel to bring this story to life, both in factual elements and also the emotional turmoil that people would’ve suffered back then.

In the present storyline, Hannah is torn between the safety of her home and her job, and the possibility of expanding her horizons and finding new passions. She feels like she needs to take care of her ailing father, but she’s merely putting up walls to protect herself. Travelling to Europe to explore her grandmother’s story allows her to grow as a character and let others in.

The Schoolteacher of Saint-Michel allows us to glimpse into an element of our history that is largely unacknowledged. Sarah will find many devoted readers in this latest novel.

“One of the soldiers, not much older than Suzette, blocked their way, and Lucie felt Nicole’s tiny fingers tightening in her grip and the held breaths of the children behind her. She tried not to look at the weapon strapped across the man’s back, the ugly insignia on his black labels, the scars from his teenage acne.”

The long lost relationship between Hannah and her ex-boyfriend didn’t quite feel like it fit in the story. The reasons for their breakdown seemed to receive no resolution throughout the novel, so the ending felt a little unrealistic. It felt like Sarah put their resolution in the novel to suit the genre — which usually features a romance — than allowing the story to conclude in a natural fit.

The only other element of the book I struggled with was the large cast of characters in the 1942 storyline — gradual time spent in the book didn’t ease the confusion in some scenes, trying to remember how certain characters were connected to others.

“Hannah unlatched the gate to her childhood home and looked at the house with a critical eye. Its problems ran far deeper than a runaway rose bed and an invasion of ground elder…there would come a time, she knew, when they had to accept that a high-maintenance antique full of memories was no longer suitable for a solitary widower.”

Recommended for readers of historical fiction and family sagas. Readership skews female, 30+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Schoolteacher of Saint-Michel
Sarah Steele
December 2021
Hachette Book Publishers

Fancy Meeting You Here by Ali Berg and Michelle Kalus

Sometimes the man of your dreams is standing right in front of you… only ten years in the past. A charming and unconventional love story about trying to rewrite history.

Evie Berry is a thirty-year-old wannabe screenwriter who spends her days managing a London cinema bar and making the podcast Pasta La Vista with her best friend Ben. She’s also obsessed with Hugo Hearst. Have you heard of him? Of course you have. He’s only one of the most influential and not to mention swoon-worthy bestselling writers of his generation.

When Evie’s not hooking up with her on-again, off-again booty call ‘Ever-Ready Freddy’ (and sometimes even when she is), she fantasises about what might have been if she’d met Hugo years ago, when he was just a struggling writer.

After Evie interviews a psychic to the stars on her podcast, her life is catapulted ten years into the past. But the grass isn’t quite as green as she remembers . . .

Romantic comedy Fancy Meeting You Here by Ali Berg and Michelle Kalus explores what it’d be like to re-live your twenties, and pursue the relationship and the life you always felt you were meant to have.

Struggling screenwriter Evie has been ‘writing’ for almost a decade, but hasn’t gotten anywhere. And she’s obsessed with the local – and incredibly famous – writer and actor Hugo Hearst. When she is unexpectedly catapulted ten years in the past, she has the opportunity to meet Hugo while he’s writing his infamous debut novel, and the two spark a connection.

“Evie felt as if she were walking on air on the way home. Apart from her excitement at actually meeting Hugo, and how well they’d seemed to get on, she also felt bolstered by what he had said about his writing process.Her obsession with getting every single word perfect was not only exhausting, but also preventing her from making any real progress.”

Charming and enjoyable, Fancy Meeting You Here is a comfort novel and one that can be devoured in a short sitting. I’m sure all of us have wondered how our lives would alter if we could go back and re-do certain years, and so there’s a universality about this book that readers can relate to. It’s also quite a quirky read — the time travel, the eccentric characters, the novel within a novel.

The premise feels unconventional and unique, so fans of this genre will enjoy the story. Despite being written in third person and solely focused on Evie’s perspective, the book feels intimate and introspective, almost as if it were written in first person. The authors capture the relationship between Evie and Hugo incredibly well — the ups and downs, the chemistry and the tension. Both Evie and Hugo possess insecurities that threaten to throw a spanner in their achievements and career trajectories, and the authors manage the delicate balance of showcasing these characteristics and crafting them to be believable and realistic without appearing over-the-top.

“When she had snuck in well after eleven o’clock, her mum and dad had been on opposite sides of the couch sipping their respective glasses of wine, the tension in the air thick with hurt and disdain.”

There are a few moments in the novel that felt overtly pointed and therefore unnecessary, for example, when Evie is back working at the cinema and feels it’s important to educate her customers and colleagues on feminism and MeToo. This felt too didactic and preachy, borderline cringe. And it was a little too coincidental that a young Freddy would appear at the cinemas while Evie is working there.

Additionally, the ending was predictable but rushed, particularly Evie’s friendship with Ben. There is not as much character development for Evie as I would’ve liked — dating Hugo feels a bit manipulative and resembling entrapment, given how obsessed she is with him and how much she knows about him in the future. I’m not sure she fully registers how unsettling her behaviour is, although I do recognise it in a lot of women’s fiction.

“Hugo looked up at Evie and her heart skipped a beat. His face was so open, his eyes serious. At that moment, he didn’t look like the swanky, celebrity Hugo Hearst. He looked like an insecure man in need of affirmation. In fact, he seemed just like her.”

Punchy and fun, Fancy Meeting You Here is recommend for readers of romance and contemporary women’s fiction. Readership skews female, 25+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Fancy Meeting You Here
Ali Berg and Michelle Kalus
December 2021
Allen & Unwin Book Publishers

Devotion by Hannah Kent

Prussia, 1836
Hanne Nussbaum is a child of nature – she would rather run wild in the forest than conform to the limitations of womanhood. In her village of Kay, Hanne is friendless and considered an oddity . . . until she meets Thea.

Ocean, 1838
The Nussbaums are Old Lutherans, bound by God’s law and at odds with their King’s order for reform. Forced to flee religious persecution the families of Kay board a crowded, disease-riddled ship bound for the new colony of South Australia. In the face of brutal hardship, the beauty of whale song enters Hanne’s heart, along with the miracle of her love for Thea. Theirs is a bond that nothing can break.

South Australia, 1838
A new start in an old land. God, society and nature itself decree Hanne and Thea cannot be together. But within the impossible . . . is devotion.

Hannah Kent’s third novel Devotion centres around a Lutheran family in Prussia who flee religious persecution, boarding a vessel to South Australia. A queer love story set in the early-to-mid 1800s, our main character Hanne is considered an eccentric but odd girl – she doesn’t conform to what’s expected of her. And when she meets young neighbour Thea, the two form more than just friendship. Whilst there’s heartache in this novel, there’s also hope and optimism.

Separated into two distinct eras, the novel follows Hanne and Thea not only as they leave their hometown and venture afar with their villagers, but the novel also follow them as they come to understand what it means to love and be loved.

“The wind blew us to the forest. Hand in hand, skirts buffeted against our legs, hair stinging out into the air above, we let ourselves be carried to the only cathedral we had known together. As soon as we stepped through the shield of pines, into their soft shadow and quiet green, I felt the holy in the air.”

Devotion is structed around tragedy – before and after. Whilst we’re not quite prepared for the tragedy when it arrives, Hannah expertly weaves us through the journey as we lead up to it and also as we grasp the aftermath on the other side.

A significant portion of the novel takes place on the ship to Australia, a harrowing journey that takes six months and leaves many dead and unwell. The boat is not crafted for that many guests, and the food is scarce. When sickness takes hold in the ship, it ravages through the population.

The pacing is deliberately slow, taking the time to build tension and companionship between Hanne and Thea. Hannah’s description and writing style are her biggest strengths; she carves incredibly beautiful sentences that evoke imagery and emotion. She can capture connections between characters with the fewest of words.

“Night is unfurling herself now. The wind has picked up and clouds have blown in over the rising moon. It is growing dark. Through the trees I can make out lights winking across the valley floor. I imagine that I alone remain outside at this hour. Everyone must be at their dinners or prayers now.”

Admittedly, the final third of the novel – as the ship nears South Australia, and then as the village settles on their new land – was my least favourite section. Hannah dabbles in supernatural elements that felt quite removed from the initial tone of the novel. The voyeurism felt too removed from the original story, and the characters too disjointed for the love story to feel authentic anymore. Sometimes the perspective didn’t feel quite as concrete and I got confused whose story we were witnessing.

I suspect this part of the novel will be divisive for readers, particularly given how unexpected the shift felt. Regardless, at that point in the novel you’re so invested in the characters I suspect all readers will venture on.

“It has been a long time since I held a Bible. Scripture I once knew by heart has become adultered with my own words so that it speaks to a truth I know more keenly. But if I close my eyes, I can still feel the weight of my family’s black book in my hands.”

Intricate, wholesome, lyrical and crafted elegantly, Devotion is recommended for literary readers. Readership skews female, 25+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Devotion
Hannah Kent
November 2021
Pan Macmillan Publishers