JESS JUST READS

A BOOK REVIEW BLOG

Assassin’s Apprentice by Robin Hobb

In a faraway land where members of the royal family are named for the virtues they embody, one young boy will become a walking enigma.

Born on the wrong side of the sheets, Fitz, son of Chivalry Farseer, is a royal bastard, cast out into the world, friendless and lonely. Only his magical link with animals – the old art known as the Wit – gives him solace and companionship. But the Wit, if used too often, is a perilous magic, and one abhorred by the nobility.

So when Fitz is finally adopted into the royal household, he must give up his old ways and embrace a new life of weaponry, scribing, courtly manners; and how to kill a man secretly, as he trains to become a royal assassin.

When I started this book, I wanted to read it as if I were a non-fantasy-reader. Since Game of Thrones became such a phenomenon, more people are opening themselves up to the genre, and it’s easy for me – a huge reader of fantasy – to read Assassin’s Apprentice and review it based on how well it utilises the conventions of fantasy fiction. But this novel, which is the first in a trilogy, has the abilty to engage all readers, even those who aren’t familiar with the genre.

Assassin’s Apprentice is fast-paced and interesting, and the first person narration is believable and realistic. And the journeying in the story doesn’t take 50,000 pages, which is usually what frustrates me about fantasy fiction (*cough* The Queen of the Tearling *cough*). Robin Hobb reveals enough about the world and the characters for the reader to understand the story, but not too much where the reader is going to feel fatigued by the excess information. I assume that Robin reveals more to the reader in the second and third novels in this trilogy.

Robin Hobb’s writing is fluid, and events seem to flow from each other in a natural sequence. There are no disjointed events or conversations that have the reader confused and flicking back through an earlier chapter. Fitz’s motivations and doubts are seen through his actions, not through telling. This is hard to accomplish, especially since fantasy authors have so much information to write down and it’s tempting for them to simply tell the reader things instead of showing them.

What I loved about the main character, Fitz, is that although he’s brave and intelligent, he’s also extremely flawed. His relationships with the other characters are sometimes misguided, or he says or does things that the reader might not understand or agree with. And because he’s flawed, the reader sympathises and engages with him on a greater scale.

My Score: 8/10
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The Shining Girls by Lauren Beukes

Harper Curtis is a killer who stepped out of the past. Kirby Mazrachi is the girl who was never meant to have a future.

Kirby is the last shining girl, one of the bright young women, burning with potential, whose lives Harper is destined to snuff out after he stumbles on a House in Depression-era Chicago that opens on to other times.

At the urging of the House, Harper inserts himself into the lives of the shining girls, waiting for the perfect moment to strike. He’s the ultimate hunter, vanishing into another time after each murder, untraceable-until one of his victims survives.

Determined to bring her would-be killer to justice, Kirby joins the Chicago Sun-Times to work with the ex-homicide reporter, Dan Velasquez, who covered her case. Soon Kirby finds herself closing in on the impossible truth . . .

I’ve wanted to read this book since before I read Broken Monsters – mostly because I love the cover (I really need to stop judging books by their covers) and I was told this book is different to most crime/thriller novels. It’s not really a crime novel as such. It has elements of science fiction in it, and the jumping-back-and-forth style of storytelling is different to that of most crime/thriller novels.

The serial killer, Harper Curtis, is not glorified in this book – nor is his only survivor, Kirby, who starts tracking down his other victims in an attempt to catch Harper. Lauren Beukes always has such great characterisation. Each victim – and they may only be featured on a couple of pages – really feels unique, and you come to understand them, their desires, and what motivates them. And then they leave the story, and you feel depleted.

Beukes does a fantastic job of highlighting social prejudice. Harper travels through different time periods in order to kill these ‘shining girls’, and by doing so, the reader is subjected and thrust into the harsh, sexist or racial criticism that isn’t as prevalent in society today.

Sometimes I found myself having to reread a few pages in the first third of the book when Harper was travelling in and out of different time periods – when he was travelling back to his murders and leaving things at the scene. But this was only until I got the general idea of how his house worked, and how he was travelling back in time. Once I got that, I could follow the story quite easily.

The book ends on an almost ambiguous, especially between Kirby and the detective. I like this, because what Kirby experiences would dramatically affect how she reacts with other people. I recommend this book to people who love reading crime/thriller novels. The science fiction aspect (Harper being able to travel back and forth in time) is but a small aspect of the story, and shouldn’t act as a deterrent to those people who are always like ‘ew science fiction. No thanks’.

My Score: 8/10
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The Book of Lost and Found by Lucy Foley

HERTFORDSHIRE, 1928
The paths of Tom and Alice collide against a haze of youthful, carefree exuberance. There’s champagne and excitement, but above all there’s the beginning of a love story that finds its feet by a lake one silvery moonlit evening.

PARIS, 1939
Alice is living in the city of light, but the pain of the last decade has already left its mark. Against the shadow that sweeps across Europe, she and Thomas Stafford – now a world famous artist – meet once more…

LONDON, 1986
Bestowed with an old charcoal portrait from her grandmother, Kate Darling can’t possibly imagine the secrets that have been lost to time. Kate’s journey takes her to Corsica, Paris and beyond, and as time melts away she is catapulted into the heart of a love story as epic as it is life changing…

I was reluctant to start this book because I really dislike the cover – it doesn’t scream LITERARY FICTION to me. But everyone else seemed to like the cover, so I’ll just move right along.

The first 100 pages are slow and hard to understand. There’s two different time periods, but for the same characters. And then there’s another time period more in the future, featuring completely different characters. It’s not until you get one third of the way through the story before you realise how the storylines connect. But, it’s worth it.

Lucy Foley captures Kate’s curiosity well. She wants to find out what happened to her maternal grandmother, but isn’t unrealistically too eager about it. And in this circumstance, her behaviour is believable. Her relationship with Thomas Stafford and his son is fleeting and polite, and her brief fling with his son is unresolved. I liked that. It makes the reader fill in the gaps left deliberately by Lucy Foley, and the reader knows that relationship never would’ve lasted anyway. It gives the relationship immortality and youth, and it gives the reader room for reverence.

I recommend this book to literary lovers – the writing is poignant, flowing, and descriptively imaginative.

My Score: 8/10
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Single, Carefree, Mellow by Katherine Heiny

Maya is in love with both her boyfriend and her boss. Sadie’s lover calls her as he drives to meet his wife at marriage counseling. Gwen pines for her roommate, a man who will hold her hand but then tells her that her palm is sweaty. And Sasha agrees to have a drink with her married lover’s wife and then immediately regrets it. These are the women of Single, Carefree, Mellow, and in these eleven sublime stories they are grappling with unwelcome houseguests, disastrous birthday parties, needy but loyal friends, and all manner of love, secrets, and betrayal.

In “Cranberry Relish” Josie’s ex—a man she met on Facebook—has a new girlfriend he found on Twitter. In “Blue Heron Bridge” Nina is more worried that the Presbyterian minister living in her garage will hear her kids swearing than about his finding out that she’s sleeping with her running partner. And in “The Rhett Butlers” a teenager loses her virginity to her history teacher and then outgrows him.

Single, Carefree, Mellow is a collection of short stories about love, deceit, and betrayal. In fact, every short story (except for one) involves a couple where the female in the relationship is having an affair. And it’s usually introduced in the opening sentence. One particular cheater is the main character in three of the short stories. That’s a lot of betrayal for one book. I didn’t actually realise this before reading it, but then got to about the third or fourth short story and started to notice a trend.

And coincidentally, the one short story I didn’t like was the one where there was no affair. I’m going to assume it’s because without the cheating and scheming that I had grown accustomed to reading from the other stories, I found this particular short story a little boring. Even though it was about this mother’s struggling need to make her son’s birthday party a success, despite the trivial scenario, it dragged on and was quite unnecessarily detailed and started to bore me.

Katherine Heiny is a skilled short story writer – she opens her stories with a reflective, but morally-challenging paragraph that draws the reader in. And then she finishes her story with enough of a conclusion that the reader is satisfied, but they’re still hoping that character turns up in a later story. It was lovely that Maya’s story returned in two other stories – it helped me follow her story through.

Katherine Heiny’s writing style is quite reflective and the characters are unapologetically flawed. I enjoyed reading them and recommend this to fiction and romance readers, even you don’t normally read short stories.

My Score: 8/10
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Half the World (Shattered Sea #2) by Joe Abercrombie

Sometimes a girl is touched by Mother War.
Thorn is such a girl. Desperate to avenge her dead father, she lives to fight. But she has been named a murderer by the very man who trained her to kill.

Sometimes a woman becomes a warrior.
She finds herself caught up in the schemes of Father Yarvi, Gettland’s deeply cunning minister. Crossing half the world to find allies against the ruthless High King, she learns harsh lessons of blood and deceit.

Sometimes a warrior becomes a weapon.
Beside her on the journey is Brand, a young warrior who hates to kill, a failure in his eyes and hers, but with one chance at redemption.

And weapons are made for one purpose.
Will Thorn forever be a pawn in the hands of the powerful, or can she carve her own path?

Half the World is more interesting and less cliché than the first book, Half a King. This book isn’t told from Yarvi’s point of view anymore. Although Yarvi is in the book, the main character (Thorn) is female, which I feel is rare in fantasy fiction, and she’s a badass son of a *****. She has some witty lines, come backs, and she’s confident. Thorn matures and strengthens her skills over the course of this novel, and Joe Abercrombie has written that gradual growth effectively. At times, she’s weak, and at other times, she’s strong. This sounds like a funny thing to comment on, but it’s easy for a writer to put a strong female character in a novel who doesn’t have any weaknesses. And that’s not believable. Thorn sometimes says this she shouldn’t and sometimes she’s overconfident. At times, this sets her back, believably so.

And this is what’s great about the Shattered Sea novels – all of the characters are flawed and sometimes deformed. Yarvi is half a king, and the other main character, Brand, is the opposite of Thorn. He doubts himself and he’s not a warrior. Over the course of the novel, he develops feelings for Thorn, and at first I thought this a little strange. I didn’t sense an attraction there in the first third of the novel. And then at the end of the novel when they…you know…I seemed a little jarred from it. It didn’t seem organic to have a sex scene between them in this novel.

This book felt like a lot of travel/journey to me, and although a lot of unexpected events occurred, it definitely felt like the novel was in place just to set things up to happen in the final novel, Half a War (due out in August 2015). I think Half the World, which is 500 pages, could’ve been trimmed down a bit. It definitely jumps between the characters a little too often.

I would recommend this to fiction and fantasy lovers, but make sure you read the first in the trilogy.

My Score: 8/10
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