JESS JUST READS

A BOOK REVIEW BLOG

The Girls by Chloe Higgins

In 2005, Chloe Higgins was seventeen years old. She and her mother, Rhonda, stayed home so that she could revise for her exams while her two younger sisters Carlie and Lisa went skiing with their father. On the way back from their trip, their car veered off the highway, flipped on its side and burst into flames. Both her sisters were killed. Their father walked away from the accident with only minor injuries.

This book is about what happened next.

In a memoir of breathtaking power, Chloe Higgins describes the heartbreaking aftermath of that one terrible day. It is a story of grieving, and learning to leave grief behind, for anyone who has ever loved, and lost.

The Girls by Chloe Higgins is a memoir about the death of Chloe’s two sisters in 2005, and the aftermath.

While Chloe was studying for her HSC at the family home in Western Sydney, her father and her two sisters were on their way from an annual trip to the snowfields. On a highway near Canberra, Chloe’s father veered off to the other side of the road — presumably falling asleep — and he hits another car. Their vehicle flips and the back of the car bursts into flames. Chloe’s two sisters are killed, but their father walks away with minor injuries.

This is a memoir about grief, and what comes after a tragic event. It’s about how Chloe’s life went down a very different path than what she’d have planned as a young girl.

The Girls is tender and well-written, but also just very heartbreaking. People all over the world experience heartbreak, grief, and death every day, but when you focus on one person’s story and read beyond the tragedy, you realise the effect such events can have on a person’s health and wellbeing. We read about Chloe’s life beyond the death of her sisters, and we experience how her and her parents have attempted to move past the car accident.

“I am ashamed by how little I remember them. I’ve been reading books lately where people write their memories of losing a husband to cancer, their eyesight at eighteen, their father to the Vietnamese/American War.”

Chloe turns to sex work, drugs, alcohol and self harm to cope with her loss. In a way, focussing on these activities helped her avoid thinking about or remembering her sisters.

It’s stomach-dropping to read about Chloe’s father’s reaction to the accident — his guilt, his tears, his mental deterioration. Chloe does her best to maintain a relationship with her mother and father, but it’s complicated for all parties. They’re coping in the only ways they know how, and Chloe — being the only child left — sometimes finds it easier to not be at home.

“Sometimes I am well for weeks at a time: my head is clear, it is easy to smile, I feel less tension than usual around other people. I spent years working out how to get to this place, and often it comes down to routine.”

The plot jumps around a little, and at times feels a little uneven and jolting. The first third of the book centres around the girls, the accident, and the aftermath of the accident. The middle third of the book is years later when Chloe is in psychiatric care and is then working as a prostitute. The final third focuses on the girls again. The back and forth did feel a little inorganic, but the writing is beautiful and lyrical — poetic, even.

One of the toughest sections of the book is reading Chloe’s father’s diary entries from after the accident. He regained very little memories of that afternoon, and so he relies on information from others to understand what happened.

At first, they thought it was a car fault. But then after eye witness statements, it’s clear that Maurice fell asleep at the wheel. This information is incredibly difficult for him to swallow, and even in the present, he tries to find other reasons why the accident may have happened.

“We have a good day at the beach, Kris and I. I am glad Mum made him get the razor off me, but I like the little scab that is forming across my wrist. I don’t want anyone else to see it, just my parents and Kris, so they will know I need help.”

An exploration of grief, family, understanding and identity, The Girls is a devastating, harrowing read. It’d be a tough read for anyone, even if you don’t have children yourself, but the messages within its pages are important, relevant and universal.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Girls
Chloe Higgins
September 2019
Pan Macmillan Publishers

Wolfe Island by Lucy Treloar

Kitty Hawke, the last inhabitant of a dying island sinking into the wind-lashed Chesapeake Bay, has resigned herself to annihilation…

Until one night her granddaughter blows ashore in the midst of a storm, desperate, begging for sanctuary. For years, Kitty has kept herself to herself – with only the company of her wolfdog, Girl – unconcerned by the world outside, or perhaps avoiding its worst excesses. But blood cannot be turned away in times like these. And when trouble comes following her granddaughter, no one is more surprised than Kitty to find she will fight to save her as fiercely as her name suggests…

Wolfe Island is the second literary novel from Australian author Lucy Treloar, set on an estuary that is slowly disappearing in the ocean.

Wolfe Island is part of the Chesapeake Bay estuary off the east coast of the US. The ocean is slowly swallowing it and over the years, one by one, the locals have fled the island for the mainland. But not Kitty Hawke — she’s now the sole survivor of that island, and she’s determined to stay there for as long as possible.

But when four young runaway kids — one of whom is her 16-year-old granddaughter Catalina Hawke — show up desperate to hide from their families, Kitty takes them under her wing. They stay in a vacant house on the island and over a period of many months, Kitty and the group bond.

“I went to the marsh walkway, a structure that ambled above the eastern salt marsh like a caterpillar in search of a leaf. It had a way of clearing my mind, which was muddled then by many worries: about the future, and about Claudie and what she knew, and whether I should tell Claudie about Cat, and what I suspected about her.”

In Wolfe Island, America is in the midst of a climate crisis. The coast of the country is being eaten away by the ocean and scores of people from the south are venturing to the north in seek of refuge. But this is not a safe world. They’re not welcome in the north, and anyone fleeing north — ‘runners’ — are hunted, captured and locked up.

Two of Catalina’s companions are runners seeking refuge.

“Not long after, we passed a farm prison where illegals and children, perhaps their own, all dressed in orange, were in trees picking fruit. It was the first I had seen of that sort of thing.”

A talented artist, Kitty is an interesting protagonist — reserved, independent, quiet, but also fierce and brash and determined. The writing is tight and almost flawless, the characters all just as interesting, diverse and integral as the next.

Her closest friend is her wolfdog, Girl, and her memories of their time together on the island. The book moves between past and present seamlessly and regularly, taking the reader on a journey through history so that by the end, we feel like we’ve been living on Wolfe Island for centuries.

The book is atmospheric and effortless, exploring themes of fragility, flight, survival, independence and adulthood. It’s about people who runs from their problems, and the people left behind.

“Summertime. When I wake early I can pretend things haven’t changed. I wait for this moment: first light arriving on the plain of Wife Island like a can of paint-wash water of clearest watermelon pink flung in an enormous delicate rush.”

It takes a bit of time to warm to this book — the writing feels sparse at the beginning, and the characters a little dry and distant. But over time, the book finds its rhythm and the horrors of the world scarily reflect our own and you find yourself drawn to the characters and their journey.

Recommended for fans of literary fiction, and character-driven stories. Recommended for regular readers.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Wolfe Island
Lucy Treloar
September 2019
Pan Macmillan Publishers

The Poison Garden by Alex Marwood

Where Romy grew up, if someone died you never spoke of them again.

Now twenty-two, she has recently escaped the toxic confines of the cult she was raised in. But Romy is young, pregnant and completely alone – and if she is to keep herself safe in this new world, she has some important lessons to learn.

Like how there are some people you can trust, and some you must fear. And about who her family really is, and why her mother ran away from them all those years ago.

And that you can’t walk away from a dark past without expecting it to catch up with you…

The Poison Garden by Alex Marwood is a suspenseful novel about the dark and dangerous world of cults. When the majority of the members of a dark and secretive Doomsday cult are found dead in an apparent poisoning suicide, the sole adult survivor, Romy, must learn to navigate the real world. She’s 22, pregnant, and full of secrets. What really happened at Plas Golau and how did everyone die?

The structure of the novel is what will keep readers utterly absorbed in the story. The novel switches back and forth, between past and present. Slowly, we come to understand what Pla Golau was really like, who was in charge, how the commune ran, and how they all died.

We come to realise just how brainwashed all the cult members were. They’re all preparing for the end of the world, but there are many cracks in the foundation of their cult. Everyone is assigned chores each day, with strict rules that they must follow. Lucien (Father) chooses a new girl each solstice to begin sexual relations with in the hope of getting her pregnant. But no one seems to question how young the girls are, and how Lucien only seems to choose the attractive ones each year.

Romy’s mother joined the cult when Romy was a baby, and so Romy is never considered very special because she wasn’t ‘created’ in the commune. However, her mother gives birth to two children while in the cult and the middle child — Eden — is the daughter of Lucien. And she’s doted upon by the other cult members. Even after the mass suicide, when Romy, Eden and their brother Ilo are still alive and trying to navigate the real world, Eden has a sense of entitlement. She thinks she’s some sort of saviour because Lucien is her father.

“It is very quiet. Not really. It’s just a completely different sort of loud from the rural sounds of Plas Golau. The sound of traffic outside, the rumble of the machines downstairs. I have the windows open, for the heat is stifling on a sunny day in October.”

Alex Marwood builds tension and unease really skilfully — as you read the storyline of the past, you can see the deaths coming. You can also sense a lot of other incredibly problematic and disturbing things that are happening within the cult.

There are a group of vile boys who make a habit of preying on young, drunk girls whenever the cult celebrates the solstice with a boozy party. Lucien’s son returns to the cult — now an adult — and he appears to have a hidden agenda. And whenever children die, which seems to happen fairly often, their bodies disappear and they are never spoken about again.

The writing is sharp and evocative. The reader gets a strong sense of place from The Poison Garden — Alex Marwood has done a fantastic job of capturing the entire world of Plas Golau. I found it easy to imagine all of it. Personally, I loved the ‘past’ storyline more than the present storyline, but I think that’s because of my fascination with cults.

“She stays until she’s sure I’m not going to burn myself to death. She shows me how to work the gas cooker, how to turn on the TV and where the meters are for the payment keys, and advises me to clean the fridge before I put anything in it.”

The only flaw I noticed with the book is the characterisation of Aunt Sarah. SPOILER ALERT: the evolution of her character doesn’t make much sense to me, and I felt like it didn’t fit in with how she was initially presented to readers. She’s a single woman whose reckless sister left the family decades earlier after falling pregnant at a young age. She distanced herself from her parents, and when the mass suicide happens at Plas Golau, Sarah’s sister is named as one of the dead.

Sarah’s niece and nephew — Ilo and Eden — are suddenly landed with her from social services. They’re teenagers but completely clueless about how the world works. They’re obviously very traumatised and disturbed by their years in the cult. Sarah is overwhelmed by their presence in her life, but she wants the best for them. She’s helpful, instructive, and she fights on their behalf when there are issues at school.

But then, and this is seriously spoilery, at the end of the novel she follows Romy and Ilo to a commune established by another dangerous cult leader. What? Huh? Why is Sarah there? I understand Romy and Ilo’s motivations, but Sarah? That ending didn’t feel organic. Sarah doesn’t seem like the kind of character who would join a cult.

“He squalls his way into the world when the fruit harvest is at its height and Romy doesn’t hear about it, or notice that her mother is missing, for two days. Anyone at Plas Golau who can walk and understand simple instructions is out in the orchards, and his birth has attracted none of the pleasurable anticipation that Eden’s did.”

Despite that, I highly recommend The Poison Garden, particularly if you’re intrigued by suspense, thriller, secrets, and cults.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Poison Garden
Alex Marwood
August 2019
Hachette Book Publishers

Shepherd by Catherine Jinks

My father trained me to silence the way he trained his dogs, with food and a cane. Speech, he said, was poison. It scared the game, alerted the gamekeepers and betrayed your friends and family.

Tom Clay was a poacher back in Suffolk. He was twelve when he was caught, tried and transported to New South Wales.

Now, assigned to a shepherds’ hut out west, he is a boy among violent men. He keeps his counsel and watches over his sheep; he steers clear of blowhards like the new man, Rowdy Cavanagh. He is alert to danger, knowing he is a foreigner here: that the land resists his understanding.
The question is: how fast can he learn?

Because a vicious killer named Dan Carver is coming for Tom and Rowdy. And if Tom can’t outwit Carver in the bush – and convince Rowdy to keep his stupid mouth shut – their deaths will be swift and cruel.

Shepherd by Catherine Jinks is set in 1840 New South Wales, after the British colony convict 14-year-old Tom Clay of poaching and sentence him to work in Australia as a shepherd. The environment is brutal and violent, and Tom quickly learns how cruel and dangerous the other convicts can be.

Tom and Joe work at a shepherd’s hut west of Sydney — their role is to protect the master’s sheep from wild dogs. They have loyal dogs of their own to help with the task, called Gyp and Pedlar. Both men have come from England after being convicted of crimes. They’re also terrified of Dan Carver, who was working with them until recently. Prior to the events of the book, Tom and Joe had realised that Dan was a psychopathic murderer, and he was planning to kill the two of them. In self defence, they attacked him and left him to die in the wilderness.

But, Dan Carver isn’t dead, and he returns to the farm to seek vengeance on Tom, Joe, their new Irish shepherd Rowdy Cavanagh, and their beloved dogs. The group must fight for their lives to escape the vicious Dan Carver.

“My dreams are never good. In my poaching dreams, I’m always caught. In my dreams about Ma, she’s always on her deathbed. My father always beats me and my trial always ends on a hangman’s rope. Sometimes I dream that the ship bringing me to New South Wales founders and sinks. Sometimes I dream that I’m being flogged.”

Shepherd is about life in the Australian colonies — the dangers, the challenges, and difficulties of navigating the harsh Australian bush. Additionally, the book highlights the racism that these convicts exacted on Indigenous Australians.

The pacing of the novel is one of the biggest strengths, and in fact, the book takes place over only a few short days. We’re moving through the bush with Tom and Rowdy as they first try and evade Dan, and then decide to turn the tables and start formulating a plan to kill Dan.

Tom Clay has had a difficult childhood and upbringing, and doesn’t trust other people easily. He has huge affection for his dogs, and cares for them more than he cares for people. But, over the course of the novel, Tom and Rowdy bond and look out for each other. They even begin to trust in one another.

“Rowdy is so busy talking that he’s blind to where he is. This is a well-used path, heading straight for water, but he doesn’t comment on the musky smells, the droppings, the tracks, the feathers, the footprints, the marked tree trunks. When birds call and flit, he doesn’t pause to watch them in case they’re warning us of something bigger.”

At times, the nature of the plot got a bit tiresome. It’s a fast-paced pursuit in an unforgivable environment, and while this would look fantastic on a film screen, reading it in a book can get a little exhausting. It’s 200 pages of Tom Clay and Dan Carver up against each other, chasing and trapping and tricking and fighting. After a while, I felt like I was losing momentum in the story.

In saying that, I thought this novel was fantastic. The writing style is very lean — pared back. I didn’t feel like there was any overwriting, or excessive word choice. Catherine only wrote what was necessary for the story, and I was completely enthralled by the book. The dialogue is fabulous, the setting and atmosphere captured incredibly well, and the story really inviting for readers.

Recommended for adult readers who are interested in a short read set in the Australian wilderness of the 19th century. Readers must be interested in the Australian colonial setting to warm to this book, I suspect.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Shepherd
Catherine Jinks
July 2019
Text Publishing

Six Tudor Queens: Anna of Kleve by Alison Weir

The fourth novel in the highly acclaimed SIX TUDOR QUEENS series by historian and Sunday Times bestselling author, Alison Weir.

Alison Weir, historian and author of KATHERINE OF ARAGON: THE TRUE QUEEN, ANNE BOLEYN: A KING’S OBSESSION and JANE SEYMOUR: THE HAUNTED QUEEN, paints a spellbinding portrait of Anna of Kleve, Henry VIII’s fourth queen.

A GERMAN PRINCESS WITH A GUILTY SECRET.

The King is in love with Anna’s portrait, but she has none of the accomplishments he seeks in a new bride. She prays she will please Henry, for the balance of power in Europe rests on this marriage alliance. But Anna’s past is never far from her thoughts, and the rumours rife at court could be her downfall. Everyone knows the King won’t stand for a problem queen.

ANNA OF KLEVE
THE FOURTH OF HENRY’S QUEENS
HER STORY

Acclaimed, bestselling historian Alison Weir draws on new evidence to conjure a startling image of Anna as you’ve never seen her before. A charming, spirited woman, she was loved by all who knew her – and even, ultimately, by the King who rejected her.

History tells us she was never crowned.
But her story does not end there.

This is one of my favourite book series’ and every year, I look forward to the latest Alison Weir Tudor Queens novel. Anna of Kleve: Queen of Secrets, the fourth book in this series, was just as fabulous as the books that precede it.

Anna is probably one of the lesser known Queens, perhaps because she was the least scandalous. She travelled from Spain to England to marry the King, but he never fancied her and so the whole marriage ended after just six months together.

Alison illustrates Anna as kind, compassionate and sensible. She is naive and a little too trusting at times, but she is determined and she’s intelligent. When she is very young, she falls in love with her cousin Otho von Wylich and gives birth to a secret child. Otho doesn’t even know about it, and Anna stays away from home in secret to have the child. The boy is then adopted to a loving family.

When King Henry chooses Anna to be his next wife, Anna must work hard to keep her secret.

“Picking up her mirror, she gazed into the burnished silver and appraised her image. Yes, it was pleasing, but beautiful? No. She had a rosy complexion, and a heart-shaped face with a pretty mouth and finely arched brows, but her eyes were too heavy-lidded, her chin too pointed, and her nose too long, too broad at the tip. Yet she was tall and graceful, with a good, slender figure and delicate hands.”

These books read like they’re a fictional story, but they’re based on some truths. Each Queen is portrayed so vividly that you feel like you really understand them and their motives. Very little is known about Anna of Kleve, so there’s a lot of fiction to this book, but that’s what makes it so fabulous.

It’s interesting reading about Henry VIII as the books progress. He’s now 46 years old, he’s overweight, and the sores on his leg are infected and oozing pus, and they’re causing him a great deal of pain. He’s no longer the seductive King he once was! Anna and Henry’s marriage was never consummated and from the sound of it, that was a huge blessing for Anna. Not sure Henry was very desirable at this stage.

“This could not be the man in the portrait she had seen at Calais! He had been in his prime, attractive and smooth-featured. He bore barely any resemblance to the man standing before her now. Why had no one thought to prepare her for the reality? For the King looked far older than a man not yet fifty; his ace was stern, and bore the marks of temper and ill health. And he was huge!”

From reading the author’s note at the end, it’s clear that this book has fictionalised her tale and added more to her story than the other Queens before here. There’s no evidence that Anna had an illegitimate child, or that she was in love with her cousin. But given Anna was Queen for only six months, and she was — as we understand it — the most liked Queen after her divorce and the least scandalous one, I imagine her story wouldn’t be that interesting if there wasn’t embellishments.

I was actually wondering how Alison was going to write this book without making it very short and very boring. I’m glad she embellished — it makes everything much more entertaining! You can always read Alison’s author’s note at the end to find out what is fact and what is fiction — those author’s notes are always really interesting.

“Anna felt a sense of relief seeping through her veins. How humiliating for a man as powerful as the King to suffer impotence. Perhaps he had been dreading this marriage as much as she! And yet, he had been aroused — she had felt it. Was it the sight of her body that had unmanned him?”

I love this series, and this latest instalment. For anyone even remotely interested in Henry VIII’s wives, I recommend you start at the beginning with Katherine and make your way through Alison Weir’s books. They read like fiction, but they’re researched and they’re all fascinating reads.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Anna of Kleve: Queen of Secrets
Alison Weir
May 2019
Hachette Book Publishers

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