JESS JUST READS

A BOOK REVIEW BLOG

Bliss Montage by Ling Ma

What happens when fantasy tears through the screen of the everyday to wake us up? Could that waking be our end?

In Bliss Montage, Ling Ma brings us eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home. From a woman who lives in a house with all of her ex-boyfriends, to a toxic friendship built around a drug that makes you invisible, to an ancient ritual that might heal you of anything if you bury yourself alive, these and other scenarios reveal that the outlandish and the everyday are shockingly, deceptively, heartbreakingly similar.

Ling Ma’s speculative short story collection Bliss Montage presents eight surreal stories exploring the limits of fantasy on the everyday.

A couple of my favourite stories are Los Angeles, G and Returning. Set largely in the confines of reality, there is a small tweak to each story that introduces fantastical and speculative elements. From a housewife who lives in a mansion with 100 of her ex-boyfriends, and a woman who crafts a short story that differs from how her mother remembers the documented events, to a story of two estranged friends reuniting over a drug that turns the user invisible.

“The conversation was smooth and friendly, all surface. I told him a bit about my job now, as a copy editor at a law association. He told me about dog walking, but mostly about his monied clients. He seemed to know a lot about them, their vacation homes and travels, their careers and connections.”

Across the course of the collection, explored themes include isolation, relationships, memory, abuse and immigration. And with women driving each of these stories, they take centre stage in each of these absurd realities and act as a haunting observer.

Ling Ma’s stories capture the ongoing trajectory of the plot and are less focused on the aftermath. We meet characters in the midst of the tension that builds in their life, and with such a calm nature to Ma’s writing, our attention is maintained throughout each story.

“After my roommate kicked him out, the phone would ring periodically in the middle of the night, back when we still had a landline. When I picked up, a voice would say, ‘I miss you.’”

Arguably, some characters feel too detached from their reality – they observe but there doesn’t seem to be much engagement with the actions or characters around them. We don’t gain a full sense of how the characters feel about their circumstances. Whilst the writing is stripped and observant, sometimes I would’ve loved a bit more interaction and understanding of the protagonists.

“But that wasn’t even it, not really. There wasn’t any defining incident that convinced me to finally stop speaking to Bonnie. More that, after college, I began to notice how she increasingly critiqued me, mostly with jabby comments about my body.”

Observant and taut, Ling Ma’s Bliss Montage is a strong collection of surreal and uncanny short stories. Accessible for reluctant readers and those who aren’t overly keen on shorter fiction. Readership skews 25+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

Bliss Montage
Ling Ma
September 2022
Text Publishing

Haven by Emma Donoghue

Three men vow to leave the world behind them. They set out in a small boat for an island their leader has seen in a dream, with only faith to guide them. What they find is the extraordinary island now known as Skellig Michael. Haven, Emma Donoghue’s gripping and moving novel, has her trademark psychological intensity – but this story is like nothing she has ever written before.

In seventh-century Ireland, a scholar and priest called Artt has a dream telling him to leave the sinful world behind. Taking two monks – young Trian and old Cormac – he rows down the river Shannon in search of an isolated spot on which to found a monastery. Drifting out into the Atlantic, the three men find an impossibly steep, bare island, inhabited by tens of thousands of birds, and claim it for God. In such a place, what will survival mean?

Set in seventh-century Ireland, Emma Donoghue’s Haven follows a priest and two monks in search of a solitary island far from their monastery.

Brother Artt returns to the monastery after time afar and dreams of a mission from God – take two monks and journey to an island far away in the Western ocean, and build a bastion of prayer. It’s a mission of solitariness and immense devotion, and Artt’s obsession with purity and peity grows dangerous over the course of the book.

“Now that the Prior’s taken up Cormac’s oar and the boat’s speeding along, no one is in the stern to steer her. Sick or not, Cormac should at least keep an eye out for hazards – mudbanks, logs, whirlpools, rocks, or rapids.”

This book is incredibly slow – too slow. For most of the book, it’s the journey to the island, which proves dull after a while. Whilst well-written and providing astute commentary on a number of different themes, and therefore loved by critics, I can’t help but feel this book is highly inaccessible for the average reader. I almost didn’t finish it, but because it’s not a very big book – only 250 pages – I forced myself to complete.

Haven does provide stark observation and characterisation, pivoting around the three monks as the colder weather closes in and Artt’s expectations grow increasingly unrealistic. Soon, Trian and Cormac’s loyalty begins to waver. In the final pages, a secret unravels the group and tensions reach their peak.

“They’re passing close by the black slope of the nearest island, where turf-cutters are working. A woman straightens up. A man does the same, and raises a hand. Friendly? None of them seems to be raising an alarm, or running for a weapon. Trian waves back.”

Similarities between Haven and Donoghue’s Room include its limited characters and claustrophobic, secluded environment. These characters are determined to preserve their humanity and dignity amongst complete isolation and encroaching madness.

It’s clear that Donoghue has undertaken heavy amounts of research ahead of writing the novel. Donoghue captures the era and setting with ease. The island of Skellig Michael, with its barren landscape and inhospitality, is brought to life with description and vivid imagery – fans of Star Wars will recognise the unforgiving, jagged terrain.

“Now the Great Skellig is revealed in all its strange glory. Twice the height of its neighbour, sharply fingering the sky. Eroded by wind and water; littered with rockfall, smeared with emerald vegetation.”

Slow-build, resilient literary fiction, Emma Donoghue’s Haven is recommended for seasoned readers. Readers will require commitment to get to the end of this one. Readerships skews 35+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

Haven
Emma Donoghue
September 2022
Pan Macmillan Publishers

The Paris Mystery by Kirsty Manning

Paris, 1938. The last sigh of summer before the war.

As Australian journalist Charlotte ‘Charlie’ James alights at the Gare du Nord, ready to start her role as correspondent for The Times, Paris is in turmoil as talk of war becomes increasingly strident.

Charlie is chasing her first big scoop, needing to prove to her boss that she can do this job as well as, if not better than, her male counterparts. And the best way to forge the necessary contacts quickly is to make the well-connected expats, Lord and Lady Ashworth, her business. Lady Eleanor knows everyone who counts and at her annual sumptuously extravagant party, Charlie will meet them all.

On the summer solstice eve, the party is in full swing with the cream of Parisian society entranced by burlesque dancers, tightrope walkers, a jazz band and fireworks lighting the night skies. But as Charlie is drawn into the magical world of parties, couture houses and bohemian wine bars, secrets start to unravel, including her own. Putting a foot wrong could spell death …

In this magnificent new beginning to the joyful Charlie James series, Manning beguiles with glamour and mystery set in pre-war Paris.

The first in a new historical fiction series, Kirsty Manning’s The Paris Mystery introduces us to Australian journalist – and sleuth – Charlotte, now living in Paris and determined to escape her past and carve a new life for herself in France.

With war fast approaching, the newly divorced Charlie is excited to start her new job as correspondent for The Times. She is determined to surpass her male counterparts and prove herself but covering a captivating scoop for the outlet. When she attends a party on the eve of summer solstice and a guest ends up murdered, it’s Charlie’s chance to be on the front foot of the story and uncover the truth of what really happened that night.

“At his shoulder Madame Marchand sipped her champagne, her face neutral. Charlie studied her: impeccable skin enhanced with a hint of makeup, coiffed hair, tailored couture. In her late fifties, she looked her age, and Charlie admired that – she hated hollow compliments, and none were more irritating than the suggestion that a woman who looked less than her age was to be feted.”

Set against the backdrop of the glamorous pre-war Parisian lifestyle, Manning has brought France to life with vivid description and eccentric, compelling characters. With a mystery at its core, Manning maintains a compelling narrative that will have readers eagerly turning the pages.

Charlie is a headstrong, efficient protagonist drawn from a number of different inspirations. Manning has crafted an inspiring journalist, driven by more than just a love of the job – she refuses to be underestimated just because she’s a woman. She’s determined and fierce, goal-oriented and hungry to prove others wrong. I think a lot of (female) readers will relate to her, and this determinism is an element that I love when female protagonists take centre stage in historical fiction.

“Charlie remembered that Lady Ashworth had said Maxime Marchand was a fellow patron of the Louvre. She followed Lord Ashworth’s gaze to see a fit man, with excellent cheekbones, in a cream linen suit. Reclining at a corner table, he chatted to a blushing waitress.”

Manning provides a lot of rich detail across the course of the novel – outfits, homes, streets, food, it all helps paint a picture and allows us to imagine the setting with ease.

Something I did struggle with, particularly at the beginning and still in the middle of the book when we were still getting to know all the characters– a lot of them have names starting with M, and I would constantly mix them up: Madame Marchant, Maxime Marchant, Conrad McKenzie (often referred to as just ‘McKenzie’), Mercedes and Milly Goldsmith.

“This was Charlie’s first time in such a fancy fashion house, and she felt giddy with excitement. Though her work clothes were plain, she loved dressing up for evenings out, fixing her hair and applying a bright red lip – it made her feel vibrant, strong and attractive.”

Fun and extravagant, The Paris Mystery is recommended for readers of historical and crime fiction. Readership skews female, 25+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

The Paris Mystery
Kirsty Manning
September 2022
Allen & Unwin

Paper Cage by Tom Baragwanath

Masterton isn’t a big town. The community’s tight, if not always harmonious. So when a child goes missing it’s a big deal for everyone. And when a second kid disappears, the whole town’s holding their own children that little bit tighter.

Lorraine doesn’t have kids, but she has a nephew. She’s holding him a bit tighter, too, because she works for the police, and she knows they don’t have any idea.

Lo’s not a cop, she’s a records clerk. She sits out back among the piles of paper, making connections, remembering things. Working things out that the actual cops don’t want to hear about.

Until the new investigator, Hayes, arrives from Wellington, and realises Lo’s the only person there with answers to any of his questions. Which is just as well—because the clock is running down for the children of the town.

Set in a secluded New Zealand community, Tom Baragwanath’s Paper Cage is a suspenseful crime thriller about a string of disappearances, with police department records clerk Lorraine taking centre stage.

After a couple of children go missing in a small, close-knit New Zealand town, Lorraine takes the case under her wing. Her colleagues seem incompetent and unable to connect the clues, and so when someone in Lorraine’s family is abducted, she takes matters into her own hands – using her intelligence and determination to crack the mystery.

“He sets a hand to my arm; his expression is like light through murky water. He’s close enough for me to see my reflection in his eyes: a round grey woman held in miniature.”

Lorraine is a rather unexpected protagonist in a small-town crime story. Usually, it’s the troubled detective driving the story – often male – and it was refreshing to read a different perspective in this genre. Lorraine rises above what others expect of her, ignoring the distrust and the snide remarks and focusing on the case. As such, there is a definite feminist undertone to the novel.

From NZ-born writer Tom – now living in Paris – Paper Cage is a slow-burn thriller, presenting quite a large but three-dimensional set of characters that orbit around Lorraine. The second half of the novel is much more fast-paced, when Lorraine starts to become more involved in the case and lead us toward the culprit.

“I climb to my feet and head into the hall, feeling their eyes follow me. Truth be told, it’s a relief to get out of that room, even if it means a long morning scouring through the files.”

While on the surface this is a mystery about the disappearance of a few children in a close-knit New Zealand community, at its core Paper Cage explores racism, violence, drugs and alcohol abuse in small suburban towns.

This is quite an expansive list of themes to underpin a crime novel and as such, the plot does deviate quite a bit in the middle of the book and the story became a little convoluted and difficult to engage with. The disappearances of the children felt a little on the backburner while Lorraine’s attention is distracted by Sheena (her niece) and Keith (Sheena’s partner).

“A flicker of hesitation shoots across the detective’s face. We come in through the back, into the anonymous crackle of radio from the communications room. Hayes unlocks the interview room, and I do what I can to make Sheena comfortable.”

With descriptive, vivid writing and recommended for crime and thriller readers, Paper Cage’s readership skews 25+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

Paper Cage
Tom Baragwanath
September 2022
Text Publishing

Daisy Darker by Alice Feeney

Daisy Darker’s family were as dark as dark can be, when one of them died all of them lied and pretended not to see . . .

Daisy Darker is arriving at her grandmother’s house for her eightieth birthday. It is Halloween, and Seaglass – the crumbling Cornish house perched upon its own tiny private island – is at one with the granite rocks it sits on.

The Darker family haven’t all been in the same place for over a decade, and when the tide comes in they’ll be cut off from the rest of the world for eight hours. When the tide goes back out, nothing will ever be the same again, because one of them is a killer . . .

In Alice Feeney’s psychological thriller Daisy Darker, a fractured family congregate on a secluded and isolated island to celebrate their grandmother’s 80th birthday. But with no way to escape the island and no way to communicate with the outside world, it’s the perfect conditions for a killer to strike.

One by one, members of the Darker family are murdered in incredibly personal and specific ways. With nine hours to go until low tide and the possibility of escape, who will still be alive come morning?

“She looks over her shoulder, then creeps nearer to the crib. We all seem to lean closer to the TV, as little Rose leans down over the baby, before checking over her shoulder one last time. We hang off her every word as she sings a sweet-sounding lullaby.”

Alice has set up the classic elements of an engaging psychological thriller – a secluded setting with no way to communicate with external parties, a series of murders, and a group of characters known to each other and all harbouring horrific secrets. It’s the perfect concoction for a page-turning mystery.

Whilst at times I found the dialogue to be unrealistic and over-the-top, and pretty much all of the characters to be wildly unlikeable, the strengths of the story lie in its twists and mysteries. There seems to be very little emotions in how Daisy Darker reacts to her family members’ murders, but she functions more as a narrator from afar, allowing us the chance to understand all members of the party so we can make our own opinions on who might be the killer.

Admittedly, I wish the characters possessed more agency to uncover the killer. They seem a bit slow to catch on in the beginning, happy to watch videos and wait for things to happen rather than harnessing some agency and driving the story forward themselves.

“He leaves the lounge and none of us know what to say. My father has always held his feelings hostage. His inability – or unwillingness – to express himself seemed to make my mother voice her own feelings on any subject twice as loud and twice as often.”

The ending makes up for any flaws the precede it. Because truthfully, the suspense and tension in the lead-up to the twist were starting to wane. Flashbacks break the pacing and lull the flow of the book. For a long time, I couldn’t make sense of the wacky storyline, odd murders and the seemingly non-existent motive. I was struggling to tell some of the characters apart, found the flashback videos to be a bit redundant and the poetry a little pointless.

But that twist is a redeeming element to the story and was an actual gasp-aloud moment for me as the reader. Suddenly, a motive is clear and so are Alice’s stylistic devices and plotting choices.

“My father is the first to arrive. Being punctual is his only way of saying I love you. For as long as I can remember he has expressed emotions through timekeeping, unable to demonstrate affection in the ways most other fathers do.”

Utterly compelling with a cracker of an ending, Daisy Darker is recommended for fans of psychological thrillers and murder mysteries. Readership skews 20+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

Daisy Darker
Alice Feeney
September 2022
Pan Macmillan Publishers