JESS JUST READS

A BOOK REVIEW BLOG

Booth by Karen Joy Fowler

From the Booker-shortlisted, million-copy bestselling author of We Are All Completely Beside Ourselves comes an epic novel about the infamous, ill-fated Booth family. Charmers, liars, drinkers and dreamers, they will change history forever.

Junius is the patriarch, a celebrated Shakespearean actor who fled bigamy charges in England, both a mesmerising talent and a man of terrifying instability. As his children grow up in a remote farmstead in 1830s rural Baltimore, the country draws ever closer to the boiling point of secession and civil war.

Of the six Booth siblings who survive to adulthood, each has their own dreams they must fight to realise – but it is Johnny who makes the terrible decision that will change the course of history – the assassination of Abraham Lincoln.

Karen Joy Fowler’s recent offering Booth pivots around the assassination of Abraham Lincoln, but at its core is about family and loyalty, and the threads that tie us together even during tragedy.

Written in third person but moving perspectives between members of the Booth family, we’re thrust into the theatrical 19th-century setting. Junius Booth is a well-renowned Shakespearean actor, but his children are just as complex and interesting to read as he is. Even after he passes, his legacy tails them wherever they go. Each child grows into a very different person, some plagued with addiction, some a little bit more fortunate.

“Enter Edwin. He’s walking alone, carrying, in secret rebellion, a set of foils that belong to his father. June has been giving him and Johnny both lessons in fencing when he visits, not real fencing, but stage fencing, and Edwin is desperate to be better at this than his athletic little brother.”

Set against the backdrop of the American Civil War, Booth is more about the fraught and complex dynamics within a family than it is about the assassination of Abraham Lincoln. After all, this novel explores the dysfunctional family responsible for the creation and upbringing of Lincoln’s killer.

With such a large family founded on bigamy, there are bound to be moments of both surprise and humour woven throughout the story. Junius himself offers quite a charming, upbeat element to the novel — I felt like his daughters inherited more of his charm than his sons did. Rosalie, in particular, was my favourite. She’s resilient, determined and observant, and attacks as caretaker for almost everyone except herself.

Karen Joy Fowler’s writing is always strong — taut and clean, with stark observations and notable dialogue. Interspersed throughout the novel are excerpts of Lincoln’s movements — his speeches and actions. It builds tension, allowing the inevitable to bubble away under the surface of the page.

“Rosalie knows about Harriet because Aunty Rogers has told her. Poor Mother couldn’t bake biscuits and she couldn’t manage a slave. Aunty Rogers could have mentioned Harriet during that quarrel they’d almost had about slavery.”

Pacing does lag during the middle of the book. Lincoln’s assassination occurs in the final chapters of the book, and it feels like it comes through too late. I know this novel is more about the people who surround the assassination, and so I would’ve loved more of an exploration into how the assassination ripples through the family in its aftermath, rather than just the era that precedes it.

At first I felt like Johnny’s characterisation in the lead-up to his assassination was thinly developed — there were moments where his murderous intent was being crafted, peppered moments where you could see what he would become. But ultimately, I felt he was too ‘quiet’ in the book, and then I realised that was intentional. Johnny went largely unnoticed in the family, as did most of the Booth children. They were hopeful and hopeless, and no one was going to save them.

“She’s become so attuned to her mother’s moods that there are times when Rosalie can’t be sure what she’s feeling belongs to her. Her mother complains that her back hurts, and Rosalie begins to feel an ache just below her neck, a cramping in her shoulders, a twisting of her spine.”

Recommended for readers of literary fiction. Readership skews 30+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

Booth
Karen Joy Fowler
March 2022
Allen & Unwin Book Publishers

Careering by Daisy Buchanan

careering (verb)
1. working endlessly for a job you used to love and now resent entirely
2. moving in a way that feels out of control

There’s a fine line between on the right track and coming off the rails.

Imogen has always dreamed of writing for a magazine. Infinite internships later, Imogen dreams of any job. Writing her blog around double shifts at the pub is neither fulfilling her creatively nor paying the bills.

Harri might just be Imogen’s fairy godmother. She’s moving from the glossy pages of Panache magazine to launch a fierce feminist site, The Know. And she thinks Imogen’s most outrageous sexual content will help generate the clicks she needs.

But neither woman is aware of the crucial thing they have in common. Harri, at the other end of her career, has also been bitten and betrayed by the industry she has given herself to. Will she wake up to the way she’s being exploited before her protege realises that not everything is copy? Can either woman reconcile their love for work with the fact that work will never love them back? Or is a chaotic rebellion calling…

Daisy Buchanan’s second novel Careering follows two career-driven women and their unhealthy relationship with their jobs — from toxic environments and underpaid roles, to unrealistic expectations around how many hours to work each day. Most of us will be able to recognise elements of this in our careers.

Careering moves between Harri and Imogen, reflecting opposing sides of the toxicity of a workplace. Harri, in her 40s and boss of the media outlet, feels hurt by management’s decisions to shut her out of Panache. She’s exhausted and perhaps spent too long drinking the company Kool-Aid – maybe now she’ll realise what she really wants.

And Imogen, young and hungry. Desperate for full-time work with the magazine she’s always adored. But perhaps it isn’t what she thought it’d be — mismatched information and feedback, no clear direction, little pay, and no certainty of job security or career progression. Perhaps she’s placed Panache on a pedestal, and it’s time to chase another dream.

“On Monday, Harri was hopeful. By Friday, she’s exhausted. She’s crashing out in the Cafe Cucina — again, terrible, but so handy for the office — and trying to listen to Giles’ long list of woes, complaints and grudges, and how Giles has effectively been left to run Panache single handed.”

Careering presents us with a situation most commonplace — how hard are we willing to work for our ‘dream job’, long after the passion has dissipated? And what is an appropriate sacrifice to make to try and achieve that dream job? How long is it acceptable to work for free, or for minimum wage? What about long hours when we’re still considered junior in the company, with very little chance to progress through the ranks.

The novel also explores the pressures we can feel to fit in at a job, particularly somewhere illustrious like the fashion industry. From changed names to expensive outfits, most of the characters in this novel are presenting a facade very far from who they really are behind closed doors.

“Still, I’m so tired of doing this dance. Sam’s excuses for the lack of this imaginary job have been so creative, inventive and impressively consistent that it’s almost baffling that he’s failed to find any critical acclaim as a novelist.”

Careering heroes female sexuality and empowerment — the novel zeroes in on the importance of media outlets adapting and growing with its readers. Understanding readership is integral to launching something new, something daring, and Imogen’s writing material proves popular and timely.

Over time, Harri grows too desperate to succeed that she starts to lose sight of what she’s actually wanting to achieve. She loses sight of quality, as she hunts down quantity. While Imogen feels like the clear protagonist of the novel, Harri brings a contrasting perspective into the story and opens up the readership to an older demographic.

“To be fair, Tabitha should not have to explain herself when her outfit works as a sort of living CV. There is so much to take in, my brain didn’t fully process it all as she walked through the door. From the waist up, she’s dressed as Gene Kelly in On the Town, in a puffy white sailor blouse, with a navy blue collar.”

Sharp and observant, Careering fits well alongside authors such as Dolly Alderton, Beth O’Leary Emma Jane Unsworth and Anna Hope. Another tale about a woman taking control of her situation, in career and in love. Readership skews female, 20+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

Careering
Daisy Buchanan
March 2022
Hachette Book Publishers

The Atlas Six by Olivie Blake

Secrets. Betrayal. Seduction. Welcome to the Alexandrian Society.

When the world’s best magicians are offered an extraordinary opportunity, saying yes is easy. Each could join the secretive Alexandrian Society, whose custodians guard lost knowledge from ancient civilizations. Their members enjoy a lifetime of power and prestige. Yet each decade, only six practitioners are invited – to fill five places.

Contenders Libby Rhodes and Nico de Varona are inseparable enemies, cosmologists who can control matter with their minds. Parisa Kamali is a telepath, who sees the mind’s deepest secrets. Reina Mori is a naturalist who can perceive and understand the flow of life itself. And Callum Nova is an empath, who can manipulate the desires of others. Finally there’s Tristan Caine, whose powers mystify even himself.

Following recruitment by the mysterious Atlas Blakely, they travel to the Society’s London headquarters. Here, each must study and innovate within esoteric subject areas. And if they can prove themselves, over the course of a year, they’ll survive. Most of them.

Olivie Blake’s fantasy novel The Atlas Six is the first in a planned series, centring around the elusive but esteemed Alexandrian Society, inheritors of lost knowledge. When six of the most promising young magicians are recruited to join their ranks, they’re told only five will be accepted into the society. And it’s not guaranteed that all of them will make it out alive…

The setting is deliberately claustrophobic — we are confined inside the walls of the society for most of the novel, and so we experience as the characters’ world grows smaller and smaller. For twelve months, they can only confide in each other, largely inside the same walls that surround them. Characters who normally wouldn’t have anything to do with each other suddenly seem to form unacknowledged alliances as they work together in this strange new environment.

“That sneaky little monstress. This was Nico’s punishment, then. Forced communication with people who mattered to him — which she knew he loathed — all for implying that her boyfriend was precisely what he was.”

The characters’ magic did feel creative and interesting, and certainly like their abilities were outside the realm of usual fantasy tropes. Early chapters of the book very much function as an introduction to each of the six characters, as we move through their perspectives and come to understand who they are and what their magic encompasses.

Action scenes appear intermittently throughout the book, breaking up the slower chapters where it’s mainly conversation and world-building. Admittedly, the world-building did feel quite complex, certainly at the end of the book as the climax unfolded. But with morally ambiguous and multi-layered characters, tension in this dark academia novel run high and stakes are maintained throughout the novel.

“So this, too, came with strings. That was obvious. Reina had never liked this sort of persuasion, but there was a logical piece of her that understood people would never stop asking. She was a well of power, a vault with heavy doors, and people would either find ways to break in or she would have to simply open them on occasion. Only for a worthy purchaser.”

For a lot of the book, the chapters consist of dialogue between the young magicians — bickering, fighting, or flirting. There’s a lot of scene-setting and exposition, and characters hooking up with each other. It all felt a little inconsequential for a while there. Even if you like the characters, after a while, you’re desperate for something more to happen! I definitely think this novel could’ve benefited from more plot.

The ending did feel satisfying, as Olivie tied together the mystery and revealed what was really at stake here — what the society is attempting to achieve and what the true purpose of these six magicians has been. In saying that, I do look forward to subsequent novels when the true nature of this society is more deeply explained — quite a few moments in the book went over my head, and explanations around magic and physics and certain characters’ true intentions were a little lost on me.

Moments of humour pepper the novel, keeping conversation light and enjoyable whilst maintaining tension and stakes and this impending build-up of dread. You know something is about to happen, you know the bubble is about to burst, you’re just not quite sure what or how.

“Lust was a colour, but fear was a sensation. Clammy hands or a cold sweat were obvious markers, but more often it was some sort of multisensory incongruity. Like seeing sun and smelling smoke, or feeling silk and tasting bile. Sounds that rose out of unseeing darkness. This was like that, only stranger.”

Recommended for YA fantasy readers. Punchy and imaginative, the readership for The Atlas Six skews female, 16+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

The Atlas Six
Olivie Blake
March 2022
Pan Macmillan Publishers

Remember Me by Charity Norman

A heartfelt, page-turning suspense novel from the author shortlisted for Best Crime Novel in the Ngaio Marsh Awards for Crime Fiction, and for Best International Crime Fiction in the Ned Kelly Awards

They never found Leah Parata. Not a boot, not a backpack, not a turquoise beanie. After she left me that day, she vanished off the face of the earth.

A close-knit community is ripped apart by disturbing revelations that cast new light on a young woman’s disappearance twenty-five years ago.

After years of living overseas, Emily Kirkland returns to New Zealand to care for her father, Felix, who suffers from dementia. As his memory fades and his guard slips, she begins to understand him for the first time – and to glimpse shattering truths about his past. Truths she’d rather were kept buried.

Charity Norman’s Remember Me is a hybrid novel — part thrilling cold case mystery story in a small, close-knit town, and part literary story that explores the relationship between a father and daughter, recently reunited in close proximity while one progresses through a debilitating diagnosis.

When Emily leaves the UK and returns home to New Zealand to take care of her ailing father, she struggles with this new role as caretaker. Her siblings, who admittedly have helped their father in recent years more than Emily has, are nowhere to be seen, and Emily feels she cannot put her father in a home or institution. This is his home, and she feels she must stay for the foreseeable future. As her father’s memory starts to muddle and fade, he reveals truths about the past that have Emily questioning his connection to a missing local woman from two decades earlier.

“The study was his sacred domain; we children rarely set foot in there. He’d always been pedantic about keeping it tidy, everything in its place. I grabbed what I could, followed him down the corridor — and stopped dead in the doorway.”

Charity Norman does well to craft a dysfunctional family, not just between Emily and her father but also her siblings. They’ve cared for the father previously and there’s a feeling of exhaustion there, but also misunderstanding about their father’s diagnosis. There are bickering phone calls and heated conversations that any readers who have siblings will be able to relate to.

Additionally, other relationship dynamics include Emily’s mother, who left many years earlier and doesn’t appear to hold regrets, and the townsfolk, who hold significant love for Emily’s father but are also still riddled with despair from the disappearance of Leah two decades earlier.

I think the ending might divide some readers but I rather liked it — despite the truth about Leah’s disappearance initially seeming a little hard to swallow, I think Charity captured a poignant resolution that readers won’t suspect. Leah’s fate also ties in well with the journey of Emily’s father, who has been holding on to his secrets for too many years.

“Then I prowled around the car in the harsh light, cursing myself for throwing away the moral high ground. Why did I always do that? I’d been doing it since we were children. Well, I wasn’t going to call back and apologise. Never had. Bloody well wasn’t going to start now.”

Sensitivity is given around Felix’s Alzheimers, which Charity crafts with compassion and care. She also illustrates the emotions that can come with Alzheimers — the lack of understanding from the person but also their family and friends, the frustration. There is also a sense of community that can result when someone is going through this illness, as people rally together to help the person (and the family) in need.

One other notable mention includes the way that Charity captures the experience of ageing parents and watching your parents age with each passing month — that can be something we all understand, or will come to understand.

“I made my decision at three o’clock in the morning. It appalled me, but it was the only one I could make. Then I law awake, thinking about the practicalities and dreading Mum’s reaction. I finally fell asleep as the first birds began to stir.”

Heartfelt and captivating, with an engrossing mystery at its core, Charity Norman’s Remember Me will appeal to fans of family sagas like Jodi Picoult. Whilst the crime keeps the story propelling forward, I wouldn’t classify this as your regular mystery novel. Literary readers will also enjoy Charity’s writing and characterisation. Readership skews 25+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

Remember Me
Charity Norman
March 2022
Allen & Unwin Book Publishers

League of Liars by Astrid Scholte

Ever since his mother was killed in a freak edem-based crime, seventeen-year-old Cayder Broduck has had one goal: to have illegal users of extradimensional magic brought to justice. Cayder dreams of becoming a prosecutor and, when he secretly accepts an apprenticeship under the city’s best public defender, he plans to learn every legal trick he can to one day dismantle defence arguments. Then he’ll finally be able to make sure justice is served.

But when he meets all three criminals he is to defend, he finds they are teenagers, like him, and their stories are … complicated, like his. As their cases unfold, Cayder must race to separate the truth from the lies and uncover what really happened the night his mother died

From the bestselling author of Four Dead Queens comes a heart-pounding mystery rife with secrets and danger, where nothing is as it seems…

Astrid Scholte’s third novel League of Liars is fantasy YA fiction, a thriller that races against the clock as we work to save four teenagers imprisoned for murder and the illegal use of magic.

The author’s strengths lie in crafting clever, addictive plots. She navigates multiple characters with unique backstories and voices, so the reader doesn’t get confused between chapters. I find her world-building to be intriguing and expansive, and the stakes consistently high. Characters struggle with secrets and loyalties, but over the course of the novel they come together to overcome the oppressing force.

“I didn’t want to cross the threshold; I hated the feeling of being lost within my own home. Homes were supposed to be full of love and laughter, not empty hallways and closed doors. My mother’s presence lingered within the walls…”

League of Liars is the first novel is a prospected trilogy, and this first foray into the series leaves enough left unsaid that readers will crave more. A lot of this book takes place in the one setting — prison — so I’m looking forward to travelling beyond this in the second book and discovering more about this world Astrid has crafted. I also look forward to finding out more about the magic system, because it wasn’t overly described in this book and I’m certain there’s more to come.

It’s always interesting to centre a YA fantasy around a group of morally ambiguous criminals, and when you embed a prison break into that story it’s clear you’ve got a story that young readers will love. Pacing is consistent and fast, with stakes only growing higher during each chapter.

League of Liars will please reluctant teenage readers, but also seasoned YA fantasy readers looking for the next tale to devour.

“A spark of fury burned within me. She knew the risks of going to Ferrington. She knew she was breaking the law. Now we would both pay the consequences. I felt like something had struck me in the back and lodged within my ribs.”

At times, I found the writing in need of tightening. There was a lot of telling rather than showing — emotions are described a lot, rather than letting actions and dialogue convey the character’s emotion.

I also felt that Cayder’s dialogue was a little over-dramatic and over-the-top during heightened moments, particularly revelations or moments or surprise or betrayal. Conversations where he’s trying to extract information out of someone else descended into desperate shouting and it made him feel one-dimensional. Stronger characterisation is awarded to Jey and Leta.

“Out on the horizon, a black streak cleaved the sky in two. Like a static bolt of lightning, but where light should be, darkness reigned. Known as the veil, it was the source of edem and many kids’ nightmares. A fissure between our world and another, allowing time-altering magic to seep through.”

Recommended for fans of young adult fantasy fiction; League of Liars reminds me of Shadow and Bone and Six of Crows, which should give an indication of audience. Readership skews female, 12+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

League of Liars
Astrid Scholte
March 2022
Allen & Unwin Book Publishers