JESS JUST READS

A BOOK REVIEW BLOG

The Dance Tree by Kiran Millwood Hargrave

In Strasbourg, in the boiling hot summer of 1518, a plague strikes the women of the city. First it is just one – a lone figure, dancing in the town square – but she is joined by more and more and the city authorities declare an emergency. Musicians will be brought in. The devil will be danced out of these women.

Just beyond the city’s limits, pregnant Lisbet lives with her mother-in-law and husband, tending the bees that are their livelihood. Her best friend Ida visits regularly and Lisbet is so looking forward to sharing life and motherhood with her. And then, just as the first woman begins to dance in the city, Lisbet’s sister-in-law Nethe returns from six years penance in the mountains for an unknown crime. No one – not even Ida – will tell Lisbet what Nethe did all those years ago, and Nethe herself will not speak a word about it.

It is the beginning of a few weeks that will change everything for Lisbet – her understanding of what it is to love and be loved, and her determination to survive at all costs for the baby she is carrying. Lisbet and Nethe and Ida soon find themselves pushing at the boundaries of their existence – but they’re dancing to a dangerous tune . . .

Well this was a delight. Kiran Millwood Hargrave’s The Dance Tree explores lust, family secrets and women under the eye of the Church, set against the backdrop of a captivating dance plague overtaking a small Strasbourg village in 1518. The Dance Tree is also about a returned sister, silenced by a past transgression, and a main character constrained by her marriage and her crowded home.

The Dance Tree is a very female-centric story. At its heart is the pregnant Lisbet, who is hoping her current pregnancy will be her first successful one. Her mother-in-law shames her for her past miscarriages and stillborns, and no one will tell her why Nethe, her husband’s sister, was sent away to the mountains for seven years. What crime did she commit and how will her return affect Lisbet’s life? There is also her best friend Ida, who made a substantial sacrifice years ago and is still living with the repercussions.

“The smell comes like a cloud from the river that cuts east of Strasbourg. It is brown and sluggish beneath the sun, and as they near the city proper, the smell grows solid, grows guts and breath.”

Based on true events, Kiran captures the religious condemnation of the time period with clarity. When the dance plague starts, and then spreads, those in charge are wielded even more power to make it stop. The plague frightens them, and then in turn, they begin to frighten the rest of the townsfolk. People are already hungry and desperate and oppressed by those more powerful than them. Over time, their control over the town begins to fracture, and women band together to exert their force over those in charge.

The writing is one of the strengths in the book – Kiran’s ability to capture human emotion through actions and reactions. There is no ‘telling’ in this book; we learn everything we need to know through social interactions and dialogue. We come to understand feelings and emotions through movement and song and tender conversations between the unlikeliest of friends. And as the pages progress, Kiran builds tension and pacing with ease.

“The ground is scattered with leaves and her gifts. She brings the babies magpie offerings and places them at the base of the tree: pleasingly patterned stones, found feathers, flowers pressed and weighted with pebbles. She used to be superstitious about it, making deals and promises with each token.”

Other strengths in the book include female friendship and relationships between family — particularly Lisbet and her mother-in-law — setting, temperature and weather, and capturing lust and love between two people who struggle to part from one another.

Lisbet reflects on how her relationship with her husband has changed over the years, from intense passion to disappointment, and finally, to what feels like complacency. Lisbet feels guilty for not being able to carry a pregnancy, and thus she feels lost and alone, even when surrounded by others. She has much to learn about life and living, and Nethe’s return acts as the catalyst towards this.

“Nethe said in the abbey such judgements between holy mania and demonic possession rested on whether someone was liked or not. Lisbet eyes her, wondering what effect such a pronouncement will have on her. But Nethe has turned to stone again.”

Lyrical, atmospheric and imaginative, The Dance Tree is recommended for literary fiction readers. Readership skews female, 30+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

The Dance Tree
Kiran Millwood Hargrave
May 2022
Pan Macmillan Publishers Australia

Those Who Return by Kassandra Montag

Amid the desolate wilderness of the Great Plains of Nebraska, a region so isolated you could drive for hours without seeing another human being, sits Hatchery House. Having served as a church, an asylum and an orphanage, Hatchery is now a treatment facility for orphaned or abandoned children with psychiatric disorders. Haunted by patients past and present, only the most vulnerable find a home within its walls.

Dr. Lorelei ‘Lore’ Webber, a former FBI psychiatrist, has almost grown used to the unorthodox methods used at Hatchery House. But when one of her patients is murdered, Lore finds herself dragged into the centre of an investigation that unearths startling truths, shocking discoveries, and untold cruelty. And as the investigation unravels, Lore is forced to confront the past she’s spent her whole life running from – a secret that threatens to undo her entirely.

Kassandra Montag’s Those Who Return is a psychological thriller exploring guilt and redemption within a desolate and remote landscape. Largely taking place inside a mysterious treatment facility, with nowhere to run these characters are forced to accept their fate within the confined walls of this facility.

Protagonist Lore is a physiatrist at the facility, working with disadvantaged children until they are ready to return to their home. Some are evidently more trouble than others — manipulative bullies that prey on the younger children in the group. And so when one, and then two, children end up murdered on the grounds of the facility, there is a long list of potential suspects.

“I hoped it was nothing more than a shadow that had startled her. Carly was scared of everything, so anything could set her off. She was so terrified of going outside that she sometimes wore paper bags over her head.”

Those Who Return features a large suite of characters, which kept me guessing right until the end. I didn’t feel an ounce of predictability about this story, and thought Kassandra brought a unique offering to the psychological thriller genre.

The secluded and remote setting deliberately feels claustrophobic for the reader, building tension and pace with each chapter. We know things are going to get worse before they get better. And Lore did feel like a compelling protagonist — as an ex-FBI psychiatrist still reeling from a traumatic death, she had to battle her demons in her to solve the murders in the book. There was certainly enough richness to her character to carry through the book and keep the story feeling multi-dimensional.

“I reached out and touched her arm and she trembled against my hand, her whole body vibrating like a harpsichord that’d been plucked. She gripped a single tomato so tightly that its juice dripped to the dirt floor in soft plops.”

Whilst the story is a bit slow to start, I did like the time that Kassandra dedicated to setting up the backstory, the characterisation and the dynamic between the children. It allows for an enriched plot and does help the reader later on when the events grow chaotic and start to spiral out of control.

Admittedly, I did feel like Cedar’s presence in the novel felt underdeveloped — his connection to Lore was strong, but he got swallowed by the other characters in the book and I couldn’t help but feel like he was too forgettable.

“Other people couldn’t stop the hallucinations, so what was the point in telling them? Everyone lives with things: obsessions, tragedies, disruptive thoughts. I wanted to believe everything could be treated for all people, but knew there were limits, or at least, limits for me.”

Tense and fast-paced, Those Who Return is recommended for readers of mystery and psychological thriller. Readership skews 25+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

Those Who Return
Kassandra Montag
April 2022
Hachette Book Publishers Australia

The German Wife by Kelly Rimmer

Berlin, 1934. Sofie Rhodes is the aristocratic wife of a scientist whose post-WWI fortunes change for the better when her husband, Jurgen, is recruited for Hitler’s new rocket project. But too late they realise the Nazis’ plans to weaponise Jurgen’s technology as they begin to wage war against the rest of Europe.

Alabama, 1949 Jurgen is one of hundreds of Nazi scientists offered pardons and taken to the US to work for the CIA’s fledgling space program. Sofie, now the mother of four, misses Germany terribly and struggles to fit in among the other NASA wives.

When news about the Rhodes family’s affiliation with the Nazi party spreads, idle gossip turns to bitter rage, and the act of violence that results will tear apart a community and a family before the truth is finally revealed – but is it murder, revenge or justice?

Inspired by true events, Kelly Rimmer’s The German Wife explores morality and guilt within WWII Germany, examining how one couple manage to survive the Nazi regime but then struggle to build a life for themselves in the United States. While they may not have directly enacted the horrors in those concentration camps or forced labour camps, they did nothing to stop the regime and must process their guilt over the events that transpired.

The German Wife is split between two time periods and two POVs — in present, we’re in 1950 and in the past, 1930. Over the course of the novel, we progress through the past through two different perspectives. First, Sofie Rhodes, German, the wife of a scientist who feels coerced into joining Hitler’s regime to help him build rockets for his war. And in the other perspective we meet Lizzie, a young American woman and the hardworking daughter of a farmer, whose brother has never recovered — physically or mentally — from his service in the war. When Sofie and other German families move into her Alabama town, she feels uncomfortable about them living in such close proximity. At times, her behaviour turns hostile.

“The drought changed a lot of things and none of it made sense to me either. I still got out of bed and I still did my share. Mother, Henry, and I didn’t have a choice — we had to get used to a new way of operating because running the farm was a four-man operation.”

Kelly raises some interesting questions around accountability and morality during a time in history like WWII Germany. On the one hand, Sofie and her husband are doing what they can to survive. On the other, do they deserve a comfortable life in Alabama after the horrors they witnessed? Should Sofie’s husband see punishment for what he witnessed and did nothing to stop?

As always, Kelly crafts three-dimensional characters with heart. We come to understand their pain and so we sympathise for them, even if their actions are not necessarily worthy of sympathy.

The element of the novel that I think will interest most readers is the rocket program that Sofie’s husband was involved in — this is based on true events, and was certainly something I’d never known about. It’s clear that a lot of research has gone into making this element of the story authentic and believable. The detailed depiction of this rocket program added considerable depth to Sofie’s story.

“Adele was savvy, hardworking, stubborn, and compassionate. It stung sometimes that she seemed capable of boundless love for strangers, but she still seemed to have little affection for me.”

With the dual timeline and dual perspectives, I did find it quite hard to keep track of the different voices in the beginning of the novel. Particularly given most chapters are actually not that long, so we are jumping between women and decades in quick succession.

“I knew he was thinking about the millions of souls injured or killed in our name…on our watch. I did that too, constantly cycling through memories and facts, as it this time when I played them through my mind, I could change the outcome.”

Observational and taut with its writing, The German Wife is recommended for readers of historical fiction. Readership skews female, 30+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

The German Wife
Kelly Rimmer
May 2022
Hachette Book Publishers Australia

WAKE by Shelley Burr

WHAT REALLY HAPPENED TO YOUNG EVIE McCREERY?

Evelyn simply vanished. The small town of Nannine lies in the harsh red interior of New South Wales. Once a thriving outback centre, years of punishing drought have whittled it down to no more than a couple of pubs and a police station. And its one sinister claim to fame: the still-unsolved disappearance of Evelyn McCreery nineteen years ago from the bedroom she shared with her twin sister.

Mina McCreery’s life has been defined by the intense and ongoing public interest in her sister’s case. Now an anxious and reclusive adult, Mina lives alone on her family’s sunbaked destocked sheep farm. The million-dollar reward her mother established to solve the disappearance has never been paid out.

Enter Lane Holland, a private investigator who dropped out of the police academy to earn a living cracking cold cases. Lane has his eye on the unclaimed money, but he also has darker motivations for wanting to solve the case.

Shelley Burr’s debut crime novel WAKE is rural fiction about the 20-year old cold case of a missing young girl in a secluded, remote Australian outback town.

Evelyn McCreery disappears from her bed in the evening one night, and there aren’t any clues as to what happened. Her twin Mina, sleeping in the bed beside her, hears and sees nothing, and struggles to comprehend what happened that night. As with most rural crime, a morally ambiguous and emotionally scarred private investigator — this time named Lane Holland — arrives in town determined to solve the case.

“He was surprised by how close it was to the house. Anyone who had even the slightest interest in the case knew about the McCreery dam, because it was a popular suggestion for where the body may have been hidden. It was strange to suddenly be faced with it in real life.”

Cleverly, WAKE explores what it’s like to have such widespread media coverage of an unsolved crime, and how that public scrutiny can affect those left behind — even years later. Every time someone arrives in town determined to solve the crime, a new film crew arrives ready to re-live what happened in the town, Evelyn’s family is subjected to prolonged trauma.

Intermittent forum posts further illustrate this theme of unrelated members of the public who obsess over well-known cold cases. Private tragedies become public property, and suddenly everyone thinks they know what happened to Evelyn McCreery. Most people are convinced it was Mina or her mother…

Of course, Lane does have history that seems to interrelate to this crime, and as Mina starts to open up to Lane, he makes unwelcome progress in solving the mystery surrounding Evelyn’s disappearance.

Shelley’s writing is tight, and the novel suspenseful. I appreciated that there’s actually a second crime that Lane solves in the novel — it’s not planned, but it adds depth to the story and provides what feels like a satisfying result early on in the story.

“Lane kneeled down and ran his fingertips over the dates listed for Evelyn. The date for her death was the day after the last time she was seen alive, when the two girls went to bed at 8pm. It seemed an odd choice to set something in stone — literally — when it was unknown.”

Without giving too much away, I didn’t love the ending. The truth about Evelyn’s disappearance felt a little too…convenient. Too neatly wrapped up in a bow. Whilst I liked how the two disappearances in the town were connected, because it felt unexpected yet plausible, I felt let down by the person responsible for Evie’s disappearance because they didn’t hold enough presence in the novel.

Despite this, WAKE is atmospheric and engaging. Readers will power through this rather quickly, which is always the sign of an enthralling read. With each chapter, Shelley keeps you wanting more.

“The signs to look out for, when searching for a body, were discoloured soil, unusual patches of vegetation, and sections of earth that were higher than the surrounding ground, or oddly sunken. Looking at the Martian landscape, the random hillocks and gullies, the patches of saltbush and scrub, she had no idea how any of that could be spotted.”

Fast-paced, high-stakes and surprisingly emotional, WAKE is recommended for readers of crime and rural fiction — mystery and thriller readers will also enjoy this. Readership skews 25+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

WAKE
Shelley Burr
May 2022
Hachette Book Publishers Australia

Elektra by Jennifer Saint

The House of Atreus is cursed. A bloodline tainted by a generational cycle of violence and vengeance. This is the story of three women, their fates inextricably tied to this curse, and the fickle nature of men and gods.

Clytemnestra
The sister of Helen, wife of Agamemnon – her hopes of averting the curse are dashed when her sister is taken to Troy by the feckless Paris. Her husband raises a great army against them and determines to win, whatever the cost.

Cassandra
Princess of Troy, and cursed by Apollo to see the future but never to be believed when she speaks of it. She is powerless in her knowledge that the city will fall.

Elektra
The youngest daughter of Clytemnestra and Agamemnon, Elektra is horrified by the bloodletting of her kin. But can she escape the curse, or is her own destiny also bound by violence?

Another absorbing and vivid retelling of ancient Greek myth, Jennifer Saint’s Elektra narrows in on the Trojan War and tells the ill-fated story of Clytemnestra and her tumultuous marriage to Agamemnon, as well as the tale of their daughter Elektra. Across the sea in Troy, we meet a young Cassandra, who is blessed with foresight but is cursed in that no one believes her premonitions.

When Elektra is a young girl, her father Agamemnon leads an army across the ocean to wage war against Troy. Her mother, Clytemnestra, seethes with rage for ten years because of what Agamemnon was willing to sacrifice to ensure safe passage across the seas. And over in Troy, Cassandra can foresee Troy’s demise but is powerless to stop it. Written in first person, Jennifer Saint’s Elektra follows these three women as they navigate this extended but turbulent era of history.

After reading the fantastic Ariadne last year, I was excited to devour this one. Jennifer crafts these mythical stories with great imagination — bringing to life long-known legends and tales of iconic Greek figures.

“At first, Agamemnon was a generous, joyful ruler of Mycenae, his project of uniting all the Greeks a long-held ambition that he was grateful to be realising. But, slowly, peevishness began to settle over him and I saw him fretting from time to time.”

Jennifer Saint’s writing is always rich and well-developed, bringing fierce women to life with emotion and vitality. Clytemnestra, in particular, felt the most visceral and animated, as we can easily relate to her feelings of anger and betrayal. She certainly felt the most candid as she played the long game — she waited ten years for Agamemnon to return so she can carry out her long-planned murder.

Pacing maintains throughout the novel, and Cassandra’s voice ads depth to the story because she is situated on the opposite side of the story. Jennifer Saint is bold in her depiction of these women — their narration is concise and observant, and they each provide an interesting element to the tale. Whilst I didn’t connect with Elektra as much as the other women – not until the end of the novel anyway — I still appreciated her perspective of the saga. She’s certainly the most loyal of the three women.

From memory, Jennifer’s previous release Ariadne featured a fair bit of info dumping in the book, but Elektra did not. Jennifer wove in information with more consideration, which will not go unappreciated by readers.

“I bathed her body alone. The cloths were soft, the water warm. I pulled away the ruined dress, her wedding dress. I kissed her clean skin. When she was small, she would shriek with laughter when I buried my face in the plump folds of her arms, the dimpled knees.”

Admittedly, it initially feels like quite the task trying to grasp the characters and settings. I was somewhat familiar with these Greek figures, particularly Clytemnestra, and yet I was struggling in the beginning to confirm her connection with Cassandra, and the backstory of her sister Helen and her marriage to Agamemnon.

“She was lying to herself; I could see it. She had made a convincing case, but she was wrong. I opened my mouth to tell her so, but I looked at Paris’ face again before I spoke.”

Documenting a period of history worth remembering, Elektra is emotion-laden and recommended for readers of historical sagas, and fans of Greek mythology. Readership skews female, 25+

Thank you to the publisher for mailing me a copy in exchange for an honest review.

Elektra
Jennifer Saint
May 2022
Hachette Book Publishers Australia