JESS JUST READS

A BOOK REVIEW BLOG

Winter Be My Shield by Jo Spurrier

 

Sierra has a despised and forbidden gift — she raises power from the suffering of others. Enslaved by the King’s Torturer, Sierra escapes, barely keeping ahead of Rasten, the man sent to hunt her down. Then she falls in with dangerous company: the fugitive Prince Cammarian and his crippled foster-brother, Isidro.

But Rasten is not the only enemy hunting them in the frozen north and as Sierra’s new allies struggle to identify friend from foe, Rasten approaches her with a plan to kill the master they both abhor. Sierra is forced to decide what price she is willing to pay for her freedom and her life …

I was pleasantly surprised by this novel, which is the first in a fantasy series titled Children of the Black Sun. Spurrier has perfected the art of illustrating a fantasy world without killing 100 trees to do it. The reader is immersed in this cold, depressing, unrelenting world from page one, and although I was a little confused at first and would’ve like a little more explanation, the rest of the book helped the background unfold.

The characterisation and mood are the strengths of this novel, with the main characters (Sierra, Isidro, and Cam) seeming like heroes and villains at the same time. I’d recommend this book for anyone who loves Game of Thrones and Lord of the Rings. This book would do well with a younger (but mature) audience, although readers be warned that there’s quite graphic torture detailed in this text.

Spurrier paints the cold, bleak world with ease. I felt chills when reading the book, and the characters’ experiences with the unrelenting winter reminded me of north of the wall in Game of Thrones.

My Score: 9/10

Gone Girl by Gillian Flynn

I always know when I’m reading a brilliant book because it influences my mood, and Gillian Flynn’s Gone Girl made me feel frustrated and angry for the 48 hours that I was reading it.

The novel is about Nick’s wife, Amy, who goes missing on the morning of their fifth wedding anniversary. The first third of the novel functions like any crime/thriller. Someone goes missing (presumed dead), and the first suspect is questioned (usually the husband). But when you get to Part B (the second third of the novel), you’re inundated with twists and horrible acknowledgements from both characters. Part C adds to the suspense in a ‘how will this novel end?’ kind of way. I can’t say much without ruining those twists, so I’ll keep my review vague.

You realise quite quickly that this novel is not like most crime/thriller novels. The characters have depth, and their motivations and background is explained well. Flynn switches point of view between Nick and Amy (this seems like a spoiler, but Amy’s point of view is from the past in the form of diary entries), and the transition is handled quite smoothly. Flynn has established their voices really well, and they don’t intertwine and ever feel like similar characters.

The only downside to the novel is that neither character seems relatable. Nick is a cheater (sorry for the slight spoiler, but you learn this pretty early on), and Amy is a manipulative bitch (excuse the language). It’s hard to know which character you like more, because I felt like I didn’t really like either character. Still, I wanted to know what happened to Amy. And Gillian knows how to write a great thriller.

My Score: 9/10

The Fictional Woman by Tara Moss

I’m one of those people who doubted Tara’s ability to write because she’s spent so many years not trying to be a writer. Perhaps I thought that great writers are those who have always wanted to write, or tried to write. Many doubted the quality of Tara’s crime novels because she spent her adolescence as an international model. I haven’t read any of her crime novels – mostly because of this doubt – and was therefore the perfect person to read ‘The Fictional Woman’.

Tara squashes those who don’t believe she can write. The book is well-written and Tara comes across as honest, compassionate, and very self-assured. She talks about some very sensitive topics in a respectful way. Each chapter focuses on a different aspect of Tara’s life, and the book could probably be read in a different order and still make sense. In each chapter, Tara weaves in personal stories, anecdotes, and facts to argue a certain side of her that she feels she needs to reflect.

The pace, however, does slow down mid way through (around the chapter on the gender wars). For a few chapters, there are few personal stories and a lot of facts, and I felt myself losing interest. She did regain my interest for the final third of the novel, but by then, I was inundated with information and statistics. After a while, you become quite passive to the facts and statistics because there’s too many of them.

This non-fiction novel highlights Moss’ intelligence and awareness of women and their importance in society. The book becomes an insightful eye-opener for those who don’t realise how marginalised women can be in the home or in the workplace.

My Score: 8/10

The Lord of the Rings Series by J.R.R. Tolkien

I realise that most of the novels I’ve reviewed so far have been given high scores. But, most of the novels I want to read are the ones that I’ve heard of from other writers. They’re either a classic, or they will be a classic, or they’re just amazing in a ‘that’s such a good idea for a novel. Why didn’t I think of that?’ kind of way.

This review is no different. Tolkien could do no wrong. I love The Lord of the Rings almost as much as I love Harry Potter. Although it took me until I was 21 to read the series. I must’ve tried to read The Fellowship of the Ring about 20 times when I was younger, to the point where I had Bilbo’s birthday speech memorised. Sometimes it’s hard to read the book when you’ve seen the movie so many times. And, it just killed me when I realised that most of the female characters in The Lord of the Rings films were created by Peter Jackson, and actually didn’t exist in the novels.

The series – The Fellowship of the Ring, The Two Towers, and The Return of the King – follows Frodo Baggins as he tries to destroy the ring of power, which was forged by Sauron in the depths of Mount Doom. Frodo originally sets out with nine companions, but they soon separate and multiple journeys are documented. Unlike the prequel (The Hobbit) where I felt the journey was rushed, each novel in the series is well paced and the character’s actions are realistic. The setting is described well and can be imagined easily, and the dialogue is representative of each character’s role within the novel. When the journey finally ends, it’s doesn’t feel like one of those TV shows where it’s dragged on (Prison Break and Lost). It’s bittersweet, and Tolkien did the story justice.

My Score: 10/10
The Next Novel on my List? Perfume: The Story of a Murderer by Patrick Suskind

Hamlet, by William Shakespeare

It kills me when people say that they don’t like Hamlet:
“I just don’t get it.”
“Well, I don’t get you.”

That’s the best reply that I’ve got. But when they ask me why Hamlet is my favourite Shakespeare play, I can’t seem to answer. Perhaps it’s because it feels the most realistic. Most of Shakespeare’s plays seem to have that unnecessary death and silliness. Like, ‘I heard a rumour about you and before I work out if it’s true, I’m going to kill you’ or ‘I’m sad that you’re dead so I’ll die too, even though I haven’t double checked that you’re dead yet’.

Hamlet takes place after Prince Hamlet’s father, the King, has been murdered by Hamlet’s Uncle Claudius. And now, Uncle Claudius is married to Hamlet’s mother. Hamlet can’t quite move on from this, and plots revenge. But, he’s a procrastinator, and can never quite do it. He almost does it, but then kills someone else instead, and then he puts on a play about the murder so that he can judge Claudius’ reaction to make sure that he is 100% guilty. And then he tries to stab him, but stops himself, because he doesn’t want Claudius to go to heaven. It’s take quite a while for Hamlet to do what he set out to do. And, many people die in the process. But, it wouldn’t be a Shakespeare play without death.

The play introduces themes of supernatural, god, religion, madness, and identity (my personal favourite) and is a popular choice for Grade 12 English assignments. So, naturally, teenagers are bound to hate it if they’re forced to read it. But, I was forced to read it, and I’m glad I was.

My Score: 8/10
The Next Novel on my List? The Lord of the Rings series, by J.R.R Tolkien