JESS JUST READS

A BOOK REVIEW BLOG

The One Impossible Labyrinth by Matthew Reilly

THE END IS HERE

Jack West Jr has made it to the Supreme Labyrinth.

Now he faces one last race – against multiple rivals, against time, against the collapse of the universe itself – a headlong race that will end at a throne inside the fabled labyrinth.

AN IMPOSSIBLE MAZE

But the road will be hard.

For this is a maze like no other: a maze of mazes. Uncompromising and complex. Demanding and deadly.

A CATACLYSMIC CONCLUSION

It all comes down to this.

For it ends here – now – in the most lethal and dangerous place Jack has encountered in all of his many adventures. And in the face of this indescribable peril, with everything on the line, there is only one thing he can do.

Attempt the impossible.

After seven books, Matthew Reilly’s The One Impossible Labyrinth is the final tale in the Jack West Jr series. After a 17-year long journey, this final book offers a satisfying conclusion to the series and will please fans who have been following along with each novel.

As usual with this series, The One Impossible Labyrinth picks up where the last book — The Two Lost Mountains — left off, with Jack and his team arriving at the last puzzle in an attempt to stop the collapse of the universe. We’re immediately thrust back into the action of the story.

This final novel speeds through obstacles and puzzles, weaving in historical storylines and the potential for alternate scenarios. Jack West Jr must once again think outside the box to save the day.

“Down in the shaft, Jack snapped up at the shout. And saw a silverman falling right at him! Suddenly, a strong metal hand — Smiley’s — pulled Jack aside and the falling silverman whistled past, missing Jack by inches — before plummeting further down the shaft.”

The One Impossible Labyrinth is a classic Matthew Reilly novel — quick, compelling storylines with imaginative and engaging puzzles. The book is filled with fast-paced action and authentic, realistic dialogue. Additionally, like all other novels in this series, the pacing is break-neck and consistent. Readers won’t feel like there are any lags in this latest one.

The villains in the novel have carried across from previous reads, so it allows for three-dimensional characters that truly feel like antagonists. Jack and his team must utilise the skills and knowledge they’ve acquired over the previous six books in order to defeat the enemy.

“Each of the obelisks was huge, easily forty feet tall, and they ran in pairs down the length of the bridge, creating a striking avenue. Lily and Eaton came to the jagged void in the bridge’s middle. Two obelisks stood at its edge like posts for a missing gate.”

Admittedly, the ending was slightly predictable — whilst some of our favourite characters were killed dramatically throughout the novel, the ‘bad guys’ all got their comeuppance in the end (although, admittedly, that does suit this genre).

Apart from the that, I felt there was definitely scope for a longer, more developed novel. Each stage of Jack’s journey felt a bit thinly described to keep the pace quick, but it meant I was left feeling like the action could’ve been fleshed out a bit more. Perhaps I just feel like this because I’ve been following the series for 17 years and was sad to see it ending.

“Even though it had a parachute, the seat landed hard, and as it hit the side of the mountain, the impact sent the three men on it scattering: Aloysius and Alby tumbled down the rocky hill, while Rufus was thrown onto a nearby ledge. Alby was knocked out cold. He slumped to the dusty ground.”

Since this is the final book in a 7-book series, it’s pretty clear that the intended audience are readers who are up-to-date with Jack West Jr. If you love action and thriller, and something easy to read perhaps on holiday, I’d definitely recommended picking up the first book — Seven Deadly Wonders — and giving this series a go. Another nail-biter from Matthew Reilly, the readership for this book skews male, 16+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The One Impossible Labyrinth
Matthew Reilly
October 2021
Pan Macmillan

2 Sisters Detective Agency by James Patterson and Candice Fox

Two sisters go into the family business they didn’t know they had – catching killers. Attorney Rhonda Bird returns home to LA to bury her estranged father, and discovers that he left her two final surprises.

The first is a private detective agency. The second is a teenage half-sister named Baby.
When Rhonda goes into her father’s old office to close down the business, she gets drawn into a case involving a young man who claims he was abducted.

The investigation takes Rhonda and Baby to dark and dangerous places. Soon they are caught in the crosshairs of an angry criminal cartel and an ex-assassin seeking revenge . . .

Renowned suspense writers James Patterson and Candice Fox unite once again for the 2 Sisters Detective Agency, which follows a revenge-driven father as he hunts down his daughter’s attackers, and a young public defender whose father’s death unearths dangerous family secrets. Over time, the two timelines begin to intersect.

The novel features quite a large cast of eccentric characters – the tall, pink-haired and striking public defender, her savvy half-sister, and a psychotic, budding murderer lacking any remorse. Don’t expect every character to survive.

“Vera arrived late. She always did. She liked to keep them waiting, give them an opportunity to talk about her. The more people talked about you while you weren’t around, the more mythical you became. The more powerful.”

Whilst the story is complex and it does take a bit of time to wrap your head around the two unfolding storylines, this does allow for a complex but satisfying thriller. Each chapter is quite short, allowing for a quick and punchy read.

The strongest character probably should’ve been Rhonda, but personally, I loved Vera the most. Young, dangerous but very intelligent, she’s found her passion in being a criminal. She’s experimenting more and more, hurting people she feels deserve it but feeling no remorse for her actions. When she and her ‘crew’ break into the home of ex-assassin Jacob Kanular, it sets off a high-stakes game of cat-and-mouse that puts her entire group at jeopardy.

Rhonda’s storyline is not as fast-paced; it’s a mixture of plot-driven and character-driven. When her father, who she hasn’t seen or communicated with in twenty-five years, dies, she’s forced to take on his business and custody of his teenage daughter – Rhonda’s half-sister, who she didn’t know existed. So whilst she becomes entangled in a deranged murder plot, she’s also trying to navigate the sudden existence of a teenage sibling whose safety is her responsibility.

“Another thunk behind him. Another into the boulders of granite either side of him. He followed the narrow natural trail, stumbling over cactus and rocks, falling and getting up and pulling himself onward as the shots followed him into the night.”

Admittedly, where the story falters is the POV shift between chapters. The novel largely follows Rhonda and her chapters are written in first person. But occasionally there are other chapters following Jacob or Vera, or someone else from Vera’s crew, and they’re written in third person. This stylistic decision felt really disjointed and often I started a chapter with absolutely no idea whose story I was following – it would’ve been really helpful if each new chapter had the characters’ name alongside the chapter number, so we knew whose story we were now jumping to.

Other than this, I felt like Baby’s characterisation was a bit caricature and unnatural – she gets better throughout the novel, but when we meet her she seems like a stereotypical depiction of a teenager, and not very three-dimensional.

The only other element that I felt was a bit liming was the romance in the novel. It was small and almost inconsequential. It bubbled so late in the novel it didn’t seem realistic, and I feel like if you took it out of the book it’d make no difference.

“Jacob felt his lip twitch. It was the only outward sign of the boiling, searing rise of fury inside him, the stirring of old reserves of killer rage. He rolled the video back.”

Fast-paced and high stakes, 2 Sisters Detective Agency is recommended for readers of crime and thriller. Readership skews 30+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

2 Sisters Detective Agency
James Patterson & Candice Fox
October 2021
Penguin Random House Publishers

Cutters End by Margaret Hickey

A desert highway. A remote town. A murder that won’t stay hidden.

New Year’s Eve, 1989. Eighteen-year-old Ingrid Mathers is hitchhiking her way to Alice Springs. Bored, hungover and separated from her friend Joanne, she accepts a lift to the remote town of Cutters End.

July 2021. Detective Sergeant Mark Ariti is seconded to a recently reopened case, one in which he has a personal connection. Three decades ago, a burnt and broken body was discovered in scrub off the Stuart Highway, 300km south of Cutters End. Though ultimately ruled an accidental death, many people – including a high-profile celebrity – are convinced it was murder.

When Mark’s interviews with the witnesses in the old case files go nowhere, he has no choice but to make the long journey up the highway to Cutters End.

And with the help of local Senior Constable Jagdeep Kaur, he soon learns that this death isn’t the only unsolved case that hangs over the town…

Set in the South Australian outback, Margaret Hickey’s Cutters End transports us to rural Australia and centres around a suspicious death thirty years earlier. At the time it was ruled an accident, but what really happened along that deserted and dusty highway? Was the death of Michael Denby really an accident?

This novel falls fairly easily into the rural crime and Australian Outback noir genre, and doesn’t stray too far from the stereotypical elements of the space — the flawed male detective with a troubling marriage, a young woman holding a few too many secrets, a decades-old cold case that remains unsolved, and the desolate town filled with sketchy inhabitants. You’ll know from simply glancing at the cover whether this is novel you’ll want to read.

Cutters End is definitely a commercial novel and will find many valued readers looking for some sort of escapism. This would be a great book to gift for Father’s Day.

“She returned to her papers, indecisive. Since Mark’s visit, and perhaps just before, she sensed that her life was becoming unstuck. Her hand rested on the photograph from the old newspaper clipping. Nothing seemed definite and the resolve she’d enjoyed for a number of years was slipping.”

With all rural thrillers, setting is integral. Get that wrong and you’ve lost the atmosphere. In Cutters End, Margaret captures the thick heat and humidity of rural Australia with ease — the desolate town and its silences, the houses and businesses few and far in between, with plenty of distance and solitude to commit a crime and keep it hidden. Everyone knows each other and secrets can remain hidden for years.

In most rural thrillers, evidence is lacking so the story relies on the protagonist slowly unravelling the crime secret-by-secret, and this usually stems from townsfolk. In Cutters End, whilst some evidence reveals itself over the course of the novel, Mark’s interactions with other characters and his ability to piece together clues helps him solve the crime.

“The phone rang: his mother. Mark felt the familiar pang of guilt that she was calling him and not the other way around. His mother still lived in Booralama, the country town he grew up in. The rose gardens, the long, slow, winding river and the old gum trees — the town never failed to fill him with fault nostalgia for all things young and free.”

Told with a dual timeline, moving between the 1980s/1990s and the present allows Margaret to reflect on each era. In the past, hitchhiking was incredibly common but posed significant dangers for young women. Additionally, women who were abused or hurt were rarely believed, so it was easier for crimes to go unpunished. The present storyline follows a fairly standard kind of procedural pace, with Mark finding similarities between the events in Cutters End and the notorious Milat backpacker murders.

Admittedly, I did feel like a couple of loose threads undervalued the rest of the novel, particularly around TV presenter Suzanne Miller and her interest in the case. She’s in one scene and we barely hear from her again. I felt there was a missed opportunity to incorporate her into the story, because at present it feels like you could cull her and it’d barely make a difference. Secondly, Mark’s relationship with his wife felt thinly developed, and their storyline as a whole could’ve been explored a bit more.

“As the dark paddocks rolled on by, gradually giving way to subdivisions and then traffic, he thought about his own lack of resolve over the years. He seemed to float along; things came to him and he accepted them as par for the course.”

Pacy, intriguing and exhilarating, Cutters End is recommended for fans of rural crime, such as Jane Harper, Chris Hammer and Greg Buchanan. Readership skews 25+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Cutters End
Margaret Hickey
August 2021
Penguin Random House Publishers

Billy Summers by Stephen King

Billy Summers is a man in a room with a gun. He’s a killer for hire and the best in the business. But he’ll do the job only if the target is a truly bad guy. And now Billy wants out. But first there is one last hit. Billy is among the best snipers in the world, a decorated Iraq war vet, a Houdini when it comes to vanishing after the job is done. So what could possibly go wrong?

How about everything.

This spectacular can’t-put-it-down novel is part war story, part love letter to small town America and the people who live there, and it features one of the most compelling and surprising duos in King fiction, who set out to avenge the crimes of an extraordinarily evil man. It’s about love, luck, fate, and a complex hero with one last shot at redemption.

You won’t put this story down, and you won’t forget Billy.

Stephen King’s latest thriller, Billy Summers, follows an ex-marine contract killer whose final kill turns out to be more complex than originally planned.

When Billy is offered an extraordinary amount of money to kill a convicted killer, he bunkers down in an office building for months under a new identity — he’s pretending to be a man writing a novel, so people won’t suspect him of foul play and he’ll have optimal range when it comes time to make the shot.

But there’s something about this one last job that feels uncomfortable. The escape plan seems foolproof, but Billy has an inkling he’s being played. And soon after he kills his target, it’s about more than just survival. This is where the novel really picks up.

“Hoff smiles. Probably it’s charming when he’s on his game but he’s not on it now. He’s in a room with a paid killer. That’s part of it but not all of it. This is a man who feels the walls closing in, and Billy doesn’t think it’s because Hoff suspects he might be played for a patsy. He should know but he doesn’t.”

Billy Summers is a little slow for the first third, but once Billy completes the kill he was hired for, the pacing quickens, the stakes heighten, and the novel gets very good. We meet a new character, Alice — she’s wounded, broken, complex and she offers something fresh to the novel. It’s hard to talk about the rest of the novel without giving spoilers away, but the story does venture into really dark territory, particularly pertaining to Alice.

She does, however, offer some light in the novel. Together, Billy and Alice compliment each other as they work to deal with the fallout of recent events. The novel would’ve felt a bit limiting or lonely if Billy remained solo for his journey, so the introduction of another major character was no doubt a stylistic decision to keep the story moving in an interesting and inviting way, but also to allow the chance for Billy to grow and reflect as a character. Being around Alice resembles some sort of father-daughter bond, and we witness them both grow over the course of the story.

“At some point during that summer — his season of many identities — Billy re-reads the story of Bob Raines’ death and the hearing that followed. Then he goes to the window and looks out at the courthouse, where a sheriff’s car has pulled up to the curb.”

Admittedly, there are a few moments in the book that feel a little out of joint. King suggests some sort of attraction between Billy and Alice, which doesn’t feel natural — in a post-MeToo era, this element of the book does feel a little dated and inappropriate. And the scene where Billy takes Alice in after she’s been attacked, and then examines her body and describes it to the reader, didn’t feel overly necessary. Lastly, Alice seems really eager to join Billy on his endeavours, despite knowing him very little.

“He thinks briefly of deleting everything he’s written, it’s awful, but saves it instead. He doesn’t know what anyone else might think, but Billy thinks it’s good. And good that it’s awful, because awful is sometimes the truth.”

Recommended for readers of thriller and crime. Billy Summers is a little different to the horror and fantasy reads that fans of Stephen King will be accustomed to, but I do think his fanbase will enjoy this latest offering. Readership skews male, 25+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Billy Summers
Stephen King
August 2021
Hachette Book Publishers

Such A Quiet Place by Megan Miranda

There was no warning that she would come back.

Welcome to Hollow’s Edge – a picture-perfect neighbourhood where everyone has each other’s backs. At least, that’s how it used to be, until the night Brandon and Fiona Truett were found dead…

Two years ago, branded a grifter, thief and sociopath by her friends and neighbours, Ruby Fletcher was convicted of murdering the Truetts. Now, freed by mistrial, Ruby has returned to Hollow’s Edge. But why would she come back? No one wants her there, least of all her old housemate, Harper Nash.

As Ruby’s return sends shockwaves through the community, terrified residents turn on each other, and it soon becomes clear that not everyone was honest about the night the Truetts died. When Harper begins to receive threatening, anonymous notes, she realizes she has to uncover the truth before someone else gets hurt… Someone like her.

Megan Miranda’s Such A Quiet Place is a suspense novel centred around a mysterious double murder in an idyllic and close-knit neighbourhood, and the young woman they all believe to have committed the crime.

When accused murderer, Ruby Fletcher, is released without charge and returns home to Hollow’s Edge after two years, everyone in town appears unsettled. What happens when another murder is committed, and it’s clear that not everyone has been truthful about their past?

“During the investigation, we had established an official neighbourhood watch. A self-imposed curfew. The remnants of our fear carried over long after. We locked our doors and the patio gates, we pulled the curtains tight, we slept with a can of Mace beside our beds – and more.”

Written in first person from the perspective of Ruby’s former roommate and friend Harper, Ruby’s characterisation and voice is probably one of the strengths of this novel. She’s somewhat blank in her delivery and evokes this all-knowing personality – like she’s spent the last two years working out what to do when she got home to Hollow’s Edge. She’s calculated but controlled, her impulsivity mostly erased. She’s not actually a great person, and certainly not someone you’d want to be friends with, but as a character she is interesting to read about.

Harper’s paranoia grows over the course of the novel, as events start to cloud her judgement and make her doubt what she remembers and what she believes. The neighbourhood and its inhabitants provide this closed-in, suffocating setting. Everyone still believes Ruby to be a murderer, and they see nothing wrong with twisting memories or events to suit their perspective.

“There was no sign of Ruby when I woke. When I stepped out of my bedroom, groggy and light-headed, the house was eerily quiet…Last night, after the news program with her lawyer, Ruby had taken a phone call and disappeared upstairs, never to re-emerge.”

There is a strong sense of voyeurism in the novel, and it forms the backbone of the story. Who are we behind closed doors, compared with how the public view us? Would we kill to keep our secrets? There are enough characters in the novel that the truth is hard to guess and the ending didn’t feel predictable. Whilst some reviews of this book haven’t been favourable, I devoured this in one day and loved it.

Admittedly, the pacing lacks a bit in the first half of the novel. Harper is quite timid to start, and understandingly quite wary of Ruby’s sudden arrival. It isn’t until halfway through the novel, at a neighbourhood barbecue, where a new twist means the pace and tension pick up and we’re addicted until the final page.

“We knew who didn’t make it in to work (and whether they lied about the cause); we noticed whose cars didn’t make it home at night; we saw whose recycling bins were overflowing at the edge of the driveways (though we were rarely surprised); we listened to the arguments carrying from open windows and backyards, feeling more like confidants than voyeurs.”

Fast-paced and gripping, Such A Quiet Place is recommended for readers of crime, thriller and mystery. An enticing suspense novel for even the most reluctant of readers.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Such A Quiet Place
Megan Miranda
August 2021
Allen & Unwin Book Publishers