JESS JUST READS

A BOOK REVIEW BLOG

A Marvellous Light by Freya Marske

Young baronet Robin Blyth thought he was taking up a minor governmental post. However, he’s actually been appointed parliamentary liaison to a secret magical society. If it weren’t for this administrative error, he’d never have discovered the incredible magic underlying his world.

Cursed by mysterious attackers and plagued by visions, Robin becomes determined to drag answers from his missing predecessor – but he’ll need the help of Edwin Courcey, his hostile magical-society counterpart. Unwillingly thrown together, Robin and Edwin will discover a plot that threatens every magician in the British Isles.

Freya Marske’s debut novel A Marvellous Light is both fantasy and queer romance, set in early 1900s Edwardian England. The confident — but slightly clueless — Robin Blyth finds himself thrust into the hidden world of magic and the victim of a curse he can’t control.

Readers will enjoy the premise of the novel, the integration of magical realism throughout the story, and the leading characters Robin and Edwin. Both these men are grappling with the situation before them — Robin, determined but ultimately in over his head, and Edwin, unfortunately plagued with meagre magic and constantly tormented by his siblings.

Notably, this is the first book in a planned series, and Freya does leave much to be answered. There is enough world-building in this as the first book, but still much to be explored in sequels.

“Robin’s second impression was that Lord Hawthorn had also been visited by disruptive thieves during the night, because the room into which they were led was a morass of belongings strewn over every surface.”

Family dynamics is a strong element in this story — how Robin and Edwin both interact with family amidst society. I can’t quite explain it, but this book feels suited to seasoned readers — those who know exactly what they’re looking for in a novel. Those who love genre fiction and romance, and unsuspecting characters thrust into an alternate world that they’re ill-prepared for. Personally, I found the opening of the novel quite slow and impenetrable, but admittedly it got better as it went on.

When Robin is attacked by thugs and finds himself cursed, he must work together with Edwin to end the curse and find the object these thugs are so desperate to uncover. Stylistically, Freya writes in third person but moves back and forth between Robin and Edwin’s POV. Freya’s writing is sharp and succinct — her description allows for emotional and depth, without being fluffy or over-the-top.

“Edwin settled himself back against the leather of the seat. It was real. The rattle of the window in its frame was real. Robert Blyth was not exactly imaginary — no, he was too solid, too broad-shouldered, his voice too loud and too warm: the voice of someone who’d never had cause to make himself smaller.”

Admittedly, I felt that the blend of magical realism and romance was not seamlessly executed. Moments of romantic tension seemed so far removed from the plot lines that the core mystery of the novel seemed forgotten. There’s a sequence of sex scenes in the middle of the novel that didn’t feel easily embedded — the rest of the novel centres entirely around the mystery element that I felt quite surprised to find sex scenes in the novel at all. Whilst they were sensual, and I’m sure they’ll be appreciated by some readers, I’m not sure they fit easily into this book where they are.

“Excitement crawled over Robin’s scalp. He didn’t think Courcey actually meant him any harm; the man was far too prickly. If he’d been trying for charm Robin might have been worried.”

Recommended for readers of fantasy romance, and perhaps magical realism. I wouldn’t recommend this book to reluctant readers. Readership skews female, 25+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

A Marvellous Light
Freya Marske
November 2021
Pan Macmillan Publishers

Dark Rise by C.S. Pacat

The ancient world of magic is no more. Its heroes are dead, its halls are ruins, and its great battles between Light and Dark are forgotten. Only the Stewards remember. For centuries they have kept vigil, sworn to protect humanity if the Dark King ever returns.

Sixteen-year-old dock boy Will is on the run in London, pursued by the men who killed his mother. When an old servant urges him to seek out the Stewards, Will is ushered into a secret world, where he must train to fight for the Light in the oncoming war.

As the Dark King’s return looms, reborn warriors begin to draw battle lines. But when the young descendants of Light and Dark step into their destined roles, old allegiances, old enmities and old flames are awakened. Will must stand with the last heroes of the Light to prevent the calamity that destroyed their world from returning to destroy his own.

The first book in a new YA fantasy trilogy, C.S. Pacat’s Dark Rise comes highly anticipated. Set in 1821 London, teenager Will is on the run from his mother’s murderer – successful trader Lord Simon Crenshaw. Soon, he’s entangled in a world he knew nothing about, under the protection of an ancient order. Dark Rise is quite the clever story because you find yourself questioning who the real villain is the entire way through.

Dark Rise feels like it honours classical fantasy whilst also incorporating a lot of unique elements and surprising plot events that mean you don’t feel like the story is predictable. C.S Pacat twists familiar tropes to make them much more inviting for the readers. There were certain deaths I never saw coming, and some character revelations were teased throughout the book and I missed them – I think all readers will love this book, not just readers of YA.

“Justice had talked about Tom like—
Like he was a monster. Like he’d hunt a woman down and kill her. Like he served a dark power, and did it willingly. A horror rose up in her.”

Written in third person, C.S. Pacat’s writing is stripped but impactful. She offers enough insight into the minds of her characters but largely keeps the majority of the story to dialogue and action where it shines.

Credit must be given to the way she only pivots her story around her core characters, without falling into the trap of including/mentioning secondary characters too often in scenes – this can be confusing for the reader when there is a large cast of characters present, and I often find myself going back through the pages and needing to re-read.

C.S Pacat has set herself up for an explosive second book. Themes include family, destiny, friendship and courage.

“The gathered men were uneasy, shifting in the repressed silence. The three too-pale men swung silently down off their horses, their single black pieces of armour faintly repelling. Those left on the banks were shooting nervous glances from them to James and back again. Will felt it too, a strange pressure growing in his chest.”

Admittedly, elements of the novel’s structure were a little disjointed for me. We switch POV between the main characters, but sometimes it didn’t always feel necessary. Katherine, Simon’s fiancé, gets only a few chapters in her POV and it didn’t feel like a seamless jump.

Towards the end, when she comes back into the storyline, there have been so many significant things that have happened that we weren’t privy to, it felt like the reader was left on the out. Being more involved in Katherine’s turning point as a character likely would’ve made her contribution seem more worthwhile, and it certainly would’ve helped me connect to her as a character.

Finally, the presence of Elizabeth in the story could’ve been more dominant. She doesn’t appear until right at the end where she actually matters, and because we don’t really know who she is, I felt nothing for her.

“Cyprian was too perfect, riding straight-backed in garments that seemed to repel the mud of the marsh. He was one of two Stewards who were younger than the others – Will’s age – and he and the girl were dressed differently too.”

Recommended for fantasy readers, and suitable for younger audiences. Readership skews 13+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Dark Rise: Dark Rise #1
C.S. Pacat
October 2021
Allen & Unwin Book Publishers

Any Way the Wind Blows by Rainbow Rowell

In Carry On, Simon Snow and his friends realized that everything they thought they understood about the world might be wrong. And in Wayward Son, they wondered whether everything they understood about themselves might be wrong.

In Any Way the Wind Blows, Simon and Baz and Penelope and Agatha have to decide how to move forward.

For Simon, that means deciding whether he still wants to be part of the World of Mages — and if he doesn’t, what does that mean for his relationship with Baz? Meanwhile Baz is bouncing between two family crises and not finding any time to talk to anyone about his newfound vampire knowledge. Penelope would love to help, but she’s smuggled a cursed American Normal into London, and now she isn’t sure what to do with him. And Agatha? Well, Agatha Wellbelove has had enough.

Any Way the Wind Blows takes the gang back to England, back to Watford, and back to their families for their longest and most emotionally wrenching adventure yet. This book is a finale. It tells secrets and answers questions and lays ghosts to rest.

The third and final book in this young adult trilogy, Rainbow Rowell’s Any Way the Wind Blows brings Simon and Baz’s story to a close. It provides closure for Simon’s origin story, as well as the other characters we’ve met along the way.

Strengths include humour and wit, and the existence of magic in the story and how it develops over the course of the novel. Interpersonal relationships and emotional intelligence is also another strength, as characters start to cross paths again and are forced to confront deep-rooted insecurities.

“I thought maybe Snow didn’t want to share a bed with me because he was afraid I’d bite him in my sleep. But apparently that’s fine! Bloodletting is fine – intimacy is the real taboo!”

This final book in the series will please fans of the series who have been holding out for some Simon and Baz romance. But to be perfectly honest, this book has a pretty non-existent plot. It feels like it’s been written purely to serve the fans, and it wasn’t necessarily written because it needed to be. Hardly anything happens, and the novel is mainly driven by dialogue. The mystery comes in quite late in the novel and is solved rather fast. The ‘villain’ in the book doesn’t hold enough presence in the novel, and is not intimidating enough for his role.

The best part of the book is the moments of humour peppered throughout the chapter, but they’re few and far in between. And the novel moves between so many different characters, it gives a bit of whiplash. I feel like those who have read the first two books will be interested in seeing how it ends, and the writing is certainly accessible enough to make reading this quite easy, but overall, this is quite a disappointing conclusion. The plot was so limited it actually felt like book 2 in a trilogy.

“It wasn’t quite like that. I didn’t chicken out. It was more like I got overwhelmed. I couldn’t stop thinking about what Baz had said and how I needed to talk to him. Immediately, it felt like some window was closing. It was probably already closed, and I’d need to break it open.”

There were certain elements of the characterisation that didn’t quite ring true. Baz and Simon are really horny for each other in this, which is fine, but a lot of the book is about Simon trying to mature and have a real relationship and the introspection feels fleeting and overlooked at times. Any moments of tension or clashing pass over so quickly, you wonder why they had to happen in the first place.

Also, if my memory serves me correctly, Simon was quite anxious and shy about his feelings for Baz in previous books. And in this book, he’s gone from 0-100?

“The good thing about my aunt’s terrible flat is that I can do some light hunting without even leaving the building. I just have to dispose of the empty rodents when I’m done.”

For readers who are up to date with the trilogy, it’s nice to see how the story ends. But this is not the explosive finale that I anticipated. Readership skews female, 14+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Any Way the Wind Blows (Simon Snow #3)
Rainbow Rowell
July 2021
Pan Macmillan Book Publishers

The Electric Kingdom by David Arnold

A genre-smashing story of survival, hope and love amid a ravaged earth.

A deadly flu has swept the globe, leaving a shell of the world that once was. Among the survivors are eighteen-year-old Nico and her dog, who are on a journey devised by Nico’s father to find a mythical portal; a young artist named Kit, who knows almost nothing of the world outside the old abandoned cinema he was raised in; and the enigmatic Deliverer, who lives Life after Life in an attempt to put the world back together.

David Arnold’s post-apocalyptic YA novel The Electric Kingdom is an ambitious saga, a unique twist on the frequently-tackled scenario that is the near eradication of humanity. After a swarm of flies, as yet unbeatable, descend on Earth and wipe out most of the population, few remain alive. We meet a cast of characters determined to survive in a barren wasteland, a ravaged world full of danger.

Not your stereotypical fantasy novel about the end-of-the-world, although perhaps a little familiar during current times, The Electric Kingdom is written in third person and switches between three characters — eighteen-year-old Nico, twelve-year-old Kit and the mysterious and unnamed Deliverer, whose role in this story doesn’t become clear until the end.

Readers will find themselves enthralled in the journey until the final pages.

“The room was quiet, the brush of a hand in his hair. Kit debated whether to tell her what he really thought: that when he stood at the open window of his art classroom, held a breeze in his face, he had long ago resigned himself to the reality that he would never know where that breeze came from, or where it was going.”

David’s writing style is quite stripped and minimalistic, which is ironic considering this book is over 400 pages. Dialogue is taut and clipped, and it works. Prose is seamless, with short sentences. David only reveals information that is absolutely necessary, and readers will appreciate it.

There’s a strange sort of atmosphere to this book, like there’s something larger at play and you know you won’t understand it until the end. Characters mention deja vu, like they’ve been through these events before. There are moments of fear and tension, but there are also some really tender, sweet moments between characters. Moments where you get an insight into how their lives might’ve been if the flu never happened.

Above all else, The Electric Kingdom is about taking chances, pursuing risks, the endurance humanity and survival — it’s about how determined some people are to outlast any threats to their safety. The Electric Kingdom is not about how the world ended, it’s about the people left behind as they navigate through this new world.

“When the entirety of one’s universe is an old boarded-up farmhouse, there is no greater treasure than a dusty shoebox full of photographs. All smiles and kisses and travels and meticulously positioned foods on butcher blocks. Nico’s favourites were the ones from her parents’ honeymoon in Italy.”

Admittedly, the secondary cast of characters do blend together in the book. When Kit and Nico’s journeys become embroiled with others, and we meet multiple other characters of a similar age, it was hard to tell them apart. Their voices didn’t feel overly unique, and their experiences were quite similar. When some of them died, I didn’t feel much of an emotional response.

And some of the most heightened moments in the book – particularly the father and son with violent intentions – come incredibly late in the novel. I would’ve preferred if David brought forward some of the bigger moments in the novel so they didn’t all hit right at the end.

“Dead towns galore. Kit was amazed at just how many, small and tucked away. These days, he felt more breeze than human, floating in and through all these little towns, on the lookout for dreamers, Knowers of Things in open windows, observing their little worlds, wondering What (if anything) Lay Beyond.”

Recommended for teenage readers and young adults.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Electric Kingdom
David Arnold
February 2021
Text Publishing

Malorie by Josh Malerman

In the old world there were many rules. In the new world there is only one: don’t open your eyes.

In the seventeen years since the ‘creatures’ appeared, many people have broken that rule. Many have looked. Many have lost their minds, their lives, their loved ones.

In that time, Malorie has raised her two children – Olympia and Tom – on the run or in hiding. Now nearly teenagers, survival is no longer enough. They want freedom.

When a census-taker stops by their refuge, he is not welcome. But he leaves a list of names – of survivors building a future beyond the darkness – and on that list are two names Malorie knows.

Two names for whom she’ll break every rule, and take her children across the wilderness, in the hope of becoming a family again…

Josh Malerman’s Malorie is the sequel to the cultural sensation-turned-Netflix-movie Birdbox, starring Sandra Bullock.

In this follow up, Malorie is even more cautious and paranoid than when we last saw her. She’s had seventeen years to perfect her methods of survival. She’s got two teenage children now and even though they’re old enough to look after themselves, they’re teenagers and they don’t always obey the rules. They don’t remember the world before the creatures — sometimes they’re too trusting, and they don’t always understand why they can’t look outside at the real world.

Malorie needs to learn to trust her children. She needs to learn to loosen the reigns a little. She’s hyper-cautious and strict, and she doesn’t trust easily, and whilst it’s easy to understand her characterisation, her son Tom in particular grows quite resentful of her smothering nature over the course of the novel.

“Malorie thinks of Gary. It makes sense. A man arrives at the camp. He knocks. He speaks from the other side of the door. All good intentions, of course. Until you let him in, of course. Then he makes friends with the others, ingratiates himself to the point where your own kids turn on you, and presto, you’ve welcomed an old-world mad-man into your life.”

It’s fascinating reading this whilst living through a pandemic. You can suddenly relate to the characters’ fear of the unknown, the scepticism, the uncertainty and the doubt. The blindfolds feel strangely close to masks, and remembering myself watching the film — pre COVID-19 — with no idea of what was to come to the world, is a strange thought.

Malorie is a bit of a balancing act — road trip, survival story, family drama, teenage angst. There are so many different elements to the story and Josh does a really fantastic job of juggling them all and maintaining interest from the reader. There are lots of twists and turns, plot points I didn’t see coming. Although admittedly, there are some moments where Tom goes from being an understandably rebellious teenager, to being just that little bit too annoying and unlikable.

“Tom is stricken by how alive Malorie looks. Her eyes appear bright memories, realisations, decisions. The bag beside her is full. She wears a hoodie and long pants, gloves and boots. In one hand is the blindfold she just removed.”

Whilst you can read Malorie without having read or watched Birdbox, I’d advise you familiarise yourself with its predecessor. It would make for a richer and more enjoyable experience when reading Malorie. There are frequent mentions to events from the previous book, particularly surrounding the character Gary, and I do think readers who are unfamiliar with Birdbox will get confused easily.

“She thinks of Camp Yadin and how safe they were. She can almost feel the texture of the rope in her gloved hands, rope connecting each building, one of which housed canned goods, another with a garden beside it. She sees herself, waking there, walking there, living there, safe. She hears herself asking the teens what might be outside.”

Whilst the ending of the book is satisfactory and satisfying, I felt like the pacing was inconsistent. The book moves at a slow but tense pace, drawing the reader in and keeping them engaged throughout. But the ending is incredibly fast and rushed. I almost couldn’t believe Malerman was going to wrap up the story in such a short amount of pages, and yet, he did. I wish some more time had been spent on the ending.

Highly recommended, although do read or watch Birdbox first.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Malorie
Josh Malerman
August 2020
Hachette Book Publishers Australia