JESS JUST READS

A BOOK REVIEW BLOG

Supernova by Marissa Meyer

All’s fair in love and anarchy …

Nova and Adrian are struggling to keep their secret identities concealed while the battle rages on between their alter egos and their allies. But their greatest fears are about to come to life. Secrets, lies and betrayals are revealed as anarchy once again threatens to reclaim Gatlon City.

Supernova is the third and final instalment in Marissa Meyer’s Renegades Trilogy, set within the world of superheroes and super-villains.

This review is riddled with spoilers, not just for the series thus far but of Supernova. It’s hard to review this critically without being specific on the examples. Only read on if you’ve read Supernova, or if you’re happy being spoiled.

You can read my review of Renegades HERE and my review of Archenemies HERE.

Sitting at 550 pages, Supernova is a beast of a book. The story picks up almost immediately after Archenemies left off — Nova/Nightmare has stolen Ace Anarchy’s helmet, used Agent N to strip Frostbite, Gargoyle and Aftershock of their powers, and witnessed Max Everhart nearly bleed to death after Frostbite unintentionally stabbed him.

Nova is still in doubt over her true objective, and where her true loyalties lie. She’s falling hard for Adrian Everhart, and she’s developed true friendships with the other Renegades. But she owes Ace Anarchy her life, right? She’s a conflicted character, and she remains conflicted for the majority of the book.

“To a lot of prodigy parents, Max would have been seen as a threat long before he was seen as a child worth loving. For months, after, Max had lived with a civilian foster family who cared for him until Hugh and Simon could figure out what to do. From the start, Hugh had felt it was important for him to be kept close.”

The pacing, dialogue and world-building have always been the strengths of the Renegades Trilogy. Marissa Meyer is really skilled at constructing relatable characters who you can’t help but empathise with or sympathise for. There are moments in Supernova where Nova is a bit unlikeable and her actions are unrealistic — like when she tries to convince Ace Anarchy and the rest of the crew that they should just leave Gatlon City and set up camp somewhere else — but for most of the novel, you’re rooting for her.

Both sides of the war — Renegades and Anarchists — are fighting for what they believe is right. And both sides have beliefs and values that the reader could understand. It’s not black and white, and there are moments of the book that are very grey. It’s easy for the characters to lose sight of what’s important, and how to achieve their end goal.

“Nova was eager to put this charade behind her. As soon as she left headquarters with the fake helmet tucked into a plain tote bag, she marched straight for Blackmire Station, one of the defunct stations on the old Gatlon City subway line.”

Structurally, Supernova falls short. Nova’s secret identity as Nightmare is discovered by Adrian and the gang pretty early on. Understandably, he’s pissed. Nova is immediately imprisoned in Cragmoor Penitentiary, where Ace Anarchy and other dangerous villains are held. This is where the book starts to get really good. You think Nova will work out a way to escape. Maybe she’ll break out Ace as well?

But, the resulting plot line is a disappointment. She claims innocence, Adrian is worried he is wrong, and then one of Nova’s allies dons her suit and delivers a cringe-worthy speech to Adrian that Nova has been framed and….Adrian believes them. And thus, Nova is released from prison and all returns to normal.

It’s a soft plot point — it feels like the author wrote herself into a corner and took the easy way out. It also gives the reader whiplash and severe disappointment, because of all the ways the plot could’ve gone, mistaken identity and the classic ‘I was framed’ storyline was the weakest option.

Another weak element of the book are the action/fighting scenes. I felt myself growing bored whenever they came up, perhaps because they were too long and stretched over multiple chapters. Perhaps because the writing wasn’t as tight and polished as it needs to be during a fight scene.

“Dazed, Nova looked down to see one hive with a footprint shoved into its papery shell in the centre of the room. She’d moved so fast, she hadn’t even noticed stepping on it. The bees who had called it home were swarming around, apparently enraged, but they were not the insects that worried her.”

A solid conclusion to an explosive and action-packed series. Even with a few questionable plot points and unrealistic, far-fetched moments, Supernova will please fans of the series.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Supernova
Marissa Meyer
November 2019
Pan Macmillan Publishers

Ninth House by Leigh Bardugo

The mesmerising adult debut from Leigh Bardugo. A tale of power, privilege, dark magic and murder set among the Ivy League elite. Alex Stern is the most unlikely member of Yale’s freshman class. A dropout and the sole survivor of a horrific, unsolved crime – the last thing she wants is to cause trouble. Not when Yale was supposed to be her fresh start. But a free ride to one of the world’s most prestigious universities was bound to come with a catch.

Alex has been tasked with monitoring the mysterious activities of Yale’s secret societies – societies that have yielded some of the most famous and influential people in the world. Now there’s a dead girl on campus and Alex seems to be the only person who won’t accept the neat answer the police and campus administration have come up with for her murder.

Because Alex knows the secret societies are far more sinister and extraordinary than anyone ever imagined.

They tamper with forbidden magic. They raise the dead. And, sometimes, they prey on the living . . .

Ninth House by Leigh Bardugo is an adult fantasy novel, and the first in a new series with protagonist Alex Stern.

Alex Stern is recruited to work for the mysterious and secretive Lethe society at Yale simply because she can see ghosts. Her job is to the oversee the other secret societies at the college, and make sure their rituals and practices are above board. When a young girl is murdered on campus grounds, Alex endeavours to uncover who murdered her and why.

The world is original and intriguing — at its core, it’s about a girl who needs to heal from her past. Alex Stern can see ghosts and she’s had some horrible trauma throughout her childhood/teenage years. This book is also about revenge, murder, conspiracy theories, magic, power, and secret societies at Yale university that work with magic.

“If they could find him. If they could somehow bring him home from whatever dark place he’d gone. In less than a week they’d attempt the new-moon rite. Alex didn’t understand the specifics, only that Dean Sandow believed it would work and that, until it did, her job was to make sure that no one asked too many questions about Lethe’s missing golden boy.”

After browsing all of the glowing reviews for this title, I definitely think there’s some sort of disconnect between me and this book. I thought it was…fine. I read it, enjoyed it, and finished it. Did I think it was exceptional? No. Was I underwhelmed after reading all the pre-publication buzz? Yes.

There is a distinct lack of introduction to the world, or credible world-building. Alex Stern has the rare ability to see Grays — ghosts who have yet to move on from their time on earth — and we’re thrown head first into this fantasy world with very little explanation. I had to reread chapters 1 and 2, twice.

The pacing is also incredibly slow throughout the book, and I’m not sure that the plot holds enough tension to justify the slow pacing.

“A cluster of Grays was mulling around by the gym. Alex let her eyes skim over them, landing nowhere, barely focused. A few were local Grays who could always be found in the area, a rower who had drowned off the Florida Keys but who now returned to haunt the training tanks, a heavyset man who had clearly once been a football player.”

Characterisation is a strength of the book — Alex is a high school dropout, drug addict, and her best friend recently died under suspicious circumstances. Her relationship with her mother is fractured, and her grades at Yale so far have been sub par. Her time at Yale helps her understand her gift — to trust it — and over the course of the novel, she grows and matures and comes to understand who she is as a person.

There’s a particularly fantastic moment in the book when Alex gets revenge on a sexist, abusive college boy called Blake — this could well be my favourite plot point in Ninth House. Lips are sealed!

Leigh’s language and prose is another strength in the book — the sentences feel decadent, indulgent, and inviting.

“As Darlington had known they would, the Grays began to appear, drifting through the walls, drawn by blood and hope. When at last the blood tide reached the end of the parchment, the Aurelians each lowered their sleeves, letting them brush the soaked paper.”

You’ve really got to love fantasy to read Ninth House. You’re thrust into a world with very little explanation, and to wade through that and continue on, you need to love the genre. Otherwise, you’ll just leave this book incomplete.

Personally, I thought this was just okay. I liked the twists at the end, and how it opened up for the sequel, but I felt quite let down with the book as a whole.

Recommended for fantasy lovers, 18+. This book is very dark, and deals with mature themes — rape, sexual assault, murder, suicide, drug overdose, self-harm — and is not recommended for children or young adults under the age of 18.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Ninth House
Leigh Bardugo
October 2019
Hachette Book Publishers

GUEST POST: Bronwyn Eley, author of Relic

Every author I’ve ever met has had a different process when it comes to writing. Some things are commonplace and others aren’t. I know some authors who like to write multiple books at a time, as it gives them the opportunity to switch projects when inspiration for one is lacking. This is essentially to make writer’s block a thing of the past. Does it work? Apparently! I am thinking of trying this myself, which might be a tad ambitious considering I only just started writing professionally.

Writing professionally. Wow. Still feels weird to say!

I’m not exactly sure what kind of writer I’d be if I was writing full-time. It’s nice to dream about it, of course. When I went on a three-week beach/writing holiday, I noticed that I got a lot of work done. I was rather strict on myself and made sure to be at my desk every morning to write by a certain time. You have to treat it like a job; otherwise I can’t imagine the work ever getting done!

Right now I have three jobs, including my authoring. I work a five-day, full-time job in the book industry and I work one weekend day at a cafe. My writing fits in everywhere else. When on deadline I write every evening that I can and on the weekends. I become that person who works seven days a week and has to say no to social plans.

A huge difference is that I love writing more than anything, so doing it after work and on my weekends doesn’t bother me. I’m working towards my dream, right?

It comes down to discipline, it really does. Discipline and great snacks. I do know this… If I’m ever lucky enough to become a full-time author, I will have to avoid having snacks around or I will definitely get fat. At this very moment I’m munching on some delicious Belgium chocolates as my kind-of entree before dinner. Oops.

The actual writing is a whole other story. Sometimes it can be so daunting putting together a whole novel – whether it’s fiction or non-fiction, there are always challenges. I was talking just today with Heather Morris, the author of The Tattooist of Auschwitz, and she was baffled at the idea of having to write fantasy. I explained to her that the feeling was mutual! How on Earth does she write historical fiction – with all those facts she has to get right? Where does she start?

It’s the same for all books. Where do you start?

When it comes to fantasy, do you start with the idea? The characters? The world? There are no rules. For Relic I started with the idea, the stone, the fear, the toxic magic that destroys lives. From that, the city of Edriast – and the world beyond – grew out of this one little spark. My protagonist had to fit the idea – so Kaylan was born and I moulded her to suit the kind of person I would need to tell this story – this idea.

There’s another story I’m tinkering on at the moment and for that particular story, it is the world that came to me first. A single vision, a single location, a single spark… and from that an entire world came to life. Literally. In my mind, I could see that one location surrounded by darkness. Then suddenly, it’s as if the world flooded out of that one single spot. The characters fell into place – like dropping a Sims character into a big, beautiful house that you just used all the cheat codes to build.

After those decisions have been made – and, trust me, not all of them have been made and not all will stay the same – I move onto asking myself how big the story is. Is it a standalone? Duology? Trilogy? A fifteen-book series?

For Relic, I knew it was a trilogy. I can’t explain why but I did. This other story I’ve mentioned feels like a duology to me. So once you’ve decided to write a series, what comes next? Writing a standalone fantasy sounds so hard to me because I can’t imagine doing all that world-building for a single novel. There is so much in the world of Relic that I want to tell… and only a fraction of it will make it into the story. That’s when sequels and spinoffs emerge, which some already have for me!

If you choose to write a longer series you are faced with other challenges, such as maintaining an interesting plot and creating a story arc that encompasses the entire series. Each book in the series has to have its own arc and then there has to be this big arc over the top of them all. I’m exhausted just thinking about it! I have no idea if I can do this, as this is my first attempt. Wish me luck!

Then I have to think about what kind of author I want to be. What do I want my writing to mean to people? What messages do I want to communicate? Each story will be different in this regard – the message – but I know I want to write stories that sink deep into people’s hearts. I want people to ask questions when they read my books. I want them to question what they know, what they feel, what they want. I want to challenge myself as a writer but I also want to challenge my readers.

I was speaking with Australian author Jay Kristoff the other day and he was talking about how his Nevernight series has affected his readers’ lives. People get his characters and quotes tattooed on their bodies (GOALS!), while others contact him to thank him because his books got them through a difficult period of their lives. As he was saying this, my mind was exploding. How incredible to think that people out there – strangers – could connect so deeply with something that a person has written on their couch (as Jay does). Here I am now in my pyjamas with wet hair and a sore shoulder… but maybe one day I’ll write something, in this dreary state, that will resonate with people for the rest of their lives.

Unfathomable.
I hope I can be this kind of author.

What I love most about writing fantasy though is that feeling of freedom and wonder I get when I write. I’m sure it’s the same across most genres of fiction but with fantasy it’s as if someone has taken the shackles off my imagination and said run free!

RELIC, Bronwyn Eley’s debut fantasy novel, is slated for release September 12.

About the author
Bronwyn joined the military right out of high school, where she learnt (among other things) to disassemble and reassemble a rifle blindfolded. After that she spent a lot of her time travelling around the world. Her favourite places (so far) are Scotland, Mongolia, Iceland and Ireland.

Bronwyn finally found her natural habitat when she landed her first job in the publishing industry. While she has always been a writer, it was only when surrounding herself with books that she realised her life’s dream was to become an author. Relic is her first novel.
Bronwyn lives in Sydney and spends her time eating chocolate, reading and practising her martial arts.

You can add Relic to Goodreaders HERE, and visit Bronwyn’s website HERE

REVIEW AND AUTHOR INTERVIEW: Relic by Bronwyn Eley

In the city of Edriast, there is no deadlier duty than to serve as the Shadow.

As the personal servant of the powerful Lord Rennard, the Shadow’s life is all but forfeit. Rennard possesses one of five rare and dangerous Relics – a jewel that protects his bloodline, but slowly poisons everyone else in its proximity. When the current Shadow succumbs to its magic, nineteen-year-old blacksmith Kaylan is summoned to take his place.
It’s an appointment that will kill her.

As the time Kaylan has left ebbs away, hope begins to fade… That is, until she discovers a plot to destroy all five bloodlines in possession of the Relics.

A rebel force plans to put an end to Rennard’s rule and Kaylan suddenly finds herself embroiled in a cause that might just be worth fighting for.  But no cause is without its costs…

As her life hangs in the balance and rebellion bears down on Edriast, Kaylan must decide where her loyalties lie – and how she’ll leave her mark on the world.

Relic by Bronwyn Eley is the first novel in the dark YA fantasy series, The Relic Trilogy. Set in the fictional city of Edriast, teenager Kaylan is selected as the new Shadow — a cursed role serving Lord Rennard, that guarantees imminent death.

Bronwyn’s debut novel is an enjoyable read. I enjoyed the premise, and the characters, and the pacing. At times, I felt the stakes weren’t that high but I still think fantasy readers will be entertained by this debut story. The relationship between Lord + Shadow is an interesting one, and certainly something that readers will be intrigued to find out more about.

“I flinched when Lirr’s hand rested on my lower back, firmly pressed against me as I tried to back away from his approach. I didn’t look at her, though, keeping my focus on Rennard. When he stopped, he was so close I could smell the heavy wine on his breath, so strong it was as if the fumes were pouring out of his skin.”

Friendships and alliances are a strong element in this book. Kaylan forms connections with a few other people whilst living as the Shadow, including Lord Rennard’s wife Jesper, and the delightful Markus.

Family is also a strong element in this book. Kaylan is really close with her family, particularly her siblings. It pains her to leave them behind when she is chosen as the new Shadow and she does her best to try and reconnect with them and check in on them after she’s left. It’s a heartwarming element to the story.

A few of the characters didn’t feel like they were fully fleshed out — Lord Rennard is an interesting character, although I didn’t feel like he was as three-dimensional as he could’ve been. I imagine we’ll come to know more about him and his motivations as we progress through the series. Additionally, Bellamy is a character we only hear about from other people. We don’t fully understand his intentions — good or bad — but I imagine this is setting things up for the sequel.

“Pride flourished in my chest briefly, suddenly replaced by a dark knot. In doing my job, I was helping Lord Rennard get one step closer to Bellamy. And what did I know about him? Nothing. Lord Rennard had put me in the middle of a dance without me knowing any of the steps.”

Kaylan is a relatable character that readers will sympathise for and empathise with. She’s a likeable character — a young girl who has been thrust into an unfortunate situation that she can’t do anything about. And it has a huge ripple effect on the rest of her family and friends.

At times, we’re dealing with an unreliable narrator and that’s always a welcome and enjoyable element in the fantasy genre. Over time, Kaylan’s mind falls victim to being Shadow and Kaylan can’t tell what’s real and what’s not. As a result, sometimes the reader is in the dark about the events in the book. This helps build the tension in the story,

“Better to come clean now, tell him why I wouldn’t be attending the celebration as a guest. Remove that look from his eyes. Quell any hopes of dancing under the stars with me. It couldn’t happen. And yet, I couldn’t stand the idea of those eyes turning cold and sorry.”

The world-building feels a little underdeveloped, and the plot points a little similar to many other fantasy novels. And the pacing is a bit slow in parts. But, the story kept my attention and the characters are interesting and I think YA readers will be entertained by this debut.

Rebellion is mentioned a lot in this book, but we don’t ever get to see any acts of rebellion. I look forward to the next book in the series, where the tension between Bellamy and Lord Rennard will no doubt reach boiling point.

Recommended for teenage readers and fans of fantasy novels. 12+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Relic
Bronwyn Eley
September 2019
Talem Press

***

AUTHOR INTERVIEW WITH BRONWYN ELEY

How do you juggle full-time work and writing?

Quite easily, honestly! I actually have three jobs (including my authoring) – my full-time work at Booktopia and I’m also a barista on Sundays at a cafe. Basically, I leave work and go to sport and then sit my butt down in front of the computer with some yummy snacks and beautiful instrumental music and just write! I always write after work and on the weekends, never in the morning before work. I don’t know how people do that – I like sleeping!

What skills from the military helped you write fantasy?

I’m not sure if my skills from the military helped write fantasy specifically but it helped writing in general. This is because I am a much harder worker now than I used to be. Being in the military got me to used long working days and that’s what writing with a full-time job is! It also showed me that I can do and be a lot more than I think. It made me believe in myself, so if I’m ever having a long day and finding it hard to write after work, I just remind myself of all the crazy and incredible and hard things I got through in the military. Then I think that sitting in front of a computer with some tasty snacks doesn’t sound too bad after all!

What element of novel writing do you think is your biggest strength?

Finishing the novel? Haha. Seriously, though, I am good at getting the words down on the page. Sometimes too many words! I’m definitely a waffler. I also like to think that I’m good at dialogue, that it comes across as natural.

What element of novel writing do you most struggle with?

Condensing my word count! As previously stated, I am a waffler and having to cut unnecessary words and scenes – or condensing them – is really challenging for me. Luckily, my wonderful editor is a total badass when it comes to this!

Working at Booktopia must give you an insight into another side of publishing that most people don’t see. What benefits do you think there are to writers knowing more about the publishing and/or bookselling process?

Great question! Working at Booktopia has been both a blessing and a curse in this regard. It’s great knowing the backend of the book publishing process: the realities of selling books, of becoming a bestseller, of what interests the booksellers, of how enormous the demand is – all incredibly helpful knowledge. On the other hand, it sometimes makes me wonder if there is even a point in me trying to make this work. So many books don’t even make a tiny splash, while others explode.

I do think it would benefit writers to understand how their books are processed – from the suppliers to the bookstores – and if they can help the process along. It’s also just really interesting! Seeing the trends and the people behind the books… it’s an interesting little world!

The fantasy genre is often filled with a lot of familiar tropes, storylines and characteristics. How do you craft your writing to either avoid or embrace these common elements?

I start by reading a lot of books in the fantasy genre in order to know these tropes and elements. I then decide which elements I don’t like – which is easy for me – and avoid them like the plague. On the other hand, if some moment or character in a book sticks with me, I make sure to investigate why it did so. I don’t want to force anything into one of my stories that doesn’t feel natural or right but if I can include/avoid these tropes then I will.

What can we expect from the next book in the series?

I’m going to avoid spoiling things from book one but I’m so glad you asked this question. I love book two, despite it still needing a lot of TLC. It’s all about stepping forth into the world and experiencing everything for the first time. Kaylan has a lot of challenges ahead of her and she is going to come to understand things she never thought she would.

There are a few new characters – two who I love to write so much and I really think readers are going to adore both of these people.

RELIC, Bronwyn Eley’s debut fantasy novel, is slated for release September 12.

About the author
Bronwyn joined the military right out of high school, where she learnt (among other things) to disassemble and reassemble a rifle blindfolded. After that she spent a lot of her time travelling around the world. Her favourite places (so far) are Scotland, Mongolia, Iceland and Ireland.

Bronwyn finally found her natural habitat when she landed her first job in the publishing industry. While she has always been a writer, it was only when surrounding herself with books that she realised her life’s dream was to become an author. Relic is her first novel.
Bronwyn lives in Sydney and spends her time eating chocolate, reading and practising her martial arts.

You add Relic to Goodreaders HERE, and visit Bronwyn’s website HERE

Castle of Lies by Kiersi Burkhart

Thelia isn’t in line to inherit the crown, but she’s been raised to take power however she can. She’s been friends with Princess Corene her whole life, and she’s scheming to marry Bayled, the heir to the throne. But her plans must change when an army of elves invades the kingdom.

Thelia, her cousin Parsival. and Corene become trapped in the castle. An elf warrior, Sapphire, may be Thelia’s only hope of escape, but Sapphire has plans of their own. Meanwhile, an ancient magic is awakening within the castle, with the power to destroy the whole kingdom. Can Thelia find a way to protect her future – and her life?

Castle of Lies by Kiersi Burkhart is a YA fantasy novel that explores magic, loyalty and secrets, amidst a terrifying elvish invade.

The Holy Kingdom is bankrupt, ruled by an alcoholic King who isn’t concerned with much except himself. His daughter, Corene, is secretly engaged to the King’s ward Bayled, who has been promised the throne. Corene’s cousin Thelia is scheming to take the crown, despite having no right to it. And then, the King announces that he’s promised his daughter Corene to a Southern Lord to help secure an alliance ahead of an oncoming Elvish invade.

This book really disappointed me. The plot is not engaging, and there isn’t much depth to the story. There are too many characters in the book, and it switches POV between four different ones — Thelia, Bayled, Parsifal and Sapphire. Half the time, I forgot whose POV I was in, because a lot of the voices read the same and I found myself very disinterested in all of them.

The characterisation is very surface level and the characters themselves felt very flat. For example, Thelia is supposed to be savvy, secretive and sneaky, but that’s not how I felt when I read her. She doesn’t feel threatening or intelligent. She’s bold and brash but she’s not frightening.

The writing in the book is a little too simplistic. Descriptions are basic, and the vocabulary doesn’t quite connect with the atmosphere and setting. The war and politics in the book doesn’t read authentic, and a lot of it seems skimmed over, thus losing its credibility.

“Washing and brushing and putting up my hair takes all my willpower. Sitting at my vanity, I stare into my own brown eyes as I draw dark lines like a barrier around them, holding me in. I reach for my lip stain, but like a gust of wind has swept through my room, it falls off the edge of the vanity and rolls away.”

Many of the characters read very immature, even for their age. The stakes are high, the tension is mounting, and there’s a very real threat coming their way, and yet the main characters seem to be involved in such petty arguments and unnecessary altercations.

The world-building in the book is one of its strengths — the castle and the kingdom, and the lands surrounding Four Halls are fully fleshed out and I could easily imagine how this setting physically looked.

There’s plenty of romance in this book, if that’s of interest to you. There are multiple pairings, or love triangles, and most of the tension in the book is between characters who are either together, or want to be together.

“Every conversation with Thelia I’ve ever had since I came here as a little boy has been like this one — with her reflexively condescending to me. I’m wrong, I’m ignorant, I’m a foreigner. I tried over and over to befriend her because she was so close to Corene, but it wasn’t many cycles before I gave up.”

Castle of Lies has potential, but I wouldn’t recommend this book to adult readers. It’s a shame because I feel like the premise of the book, and the writing style, would be interesting to a young reader — 12 or 13. But, there are sex scenes in this book and that means I can’t confidently recommend this book to a young audience. I don’t know that the storyline will be enough to hold their attention.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Castle of Lies
Kiersi Burkhart
July 2019
Walker Books

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